All stories by Ben Brantley on BroadwayStars

Friday, September 14, 2018

Critic’s Notebook: A Chorus Remembers Michael Brown in ‘Antigone in Ferguson’ by Ben Brantley

This combination of a classical tragedy and a contemporary discussion group finds a mirror for Ferguson, Mo., in ancient Thebes.

SOURCE: The New York Times Subscription at 04:48PM
Friday, September 7, 2018

It May Be Home, but It’s No Sanctuary by Ben Brantley

In the most promising plays opening this fall, the family drama opens its living room to an invasion of political anxieties.

SOURCE: The New York Times Subscription at 04:18AM
Wednesday, August 29, 2018

Can Critics Learn to Love the Jukebox Musical? by Jesse Green, Ben Brantley, Elisabeth Vincentelli and Scott Heller

They are often Broadway sensations, but jukebox musicals rarely get good reviews. We invited our critics to stop snarking and tell us what they want.

SOURCE: The New York Times Subscription at 10:48AM
Friday, August 17, 2018

Brantley in Britain: What’s in a List? Two Critics on Theater’s Special Relationship by Ben Brantley

Ben Brantley and his London counterpart Michael Billington find much that’s enthralling about the state of playwriting in their countries.

SOURCE: The New York Times Subscription at 04:06AM
Thursday, August 16, 2018

Review: Chasing Shopworn Dreams in ‘Pretty Woman: The Musical’ by Ben Brantley

This wan resuscitation of the 1990 movie about a Cinderella prostitute is likely to make you nostalgic for Julia Roberts’s original performance.

SOURCE: The New York Times Subscription at 10:18PM
Friday, August 10, 2018

Review: A Housekeeper Claims Center Stage in ‘Member of the Wedding’ by Ben Brantley

Roslyn Ruff gives a wondrous performance in the Williamstown Theater Festival revival of the Carson McCullers play.

SOURCE: The New York Times Subscription at 01:48PM
Thursday, August 9, 2018

Review: A High School Meltdown Heats Up ‘Be More Chill’ by Ben Brantley

This high-energy, high-anxiety musical, a hit on social media even before it opened, reflects the metabolism of its teenage audience.

SOURCE: The New York Times Subscription at 10:18PM
Sunday, August 5, 2018

Review: Hit Songs to Sin By in a Smashing ‘Moulin Rouge!’ by Ben Brantley

The movie that heralded the jukebox musical has been reinvented as a jukebox musical on its very own terms at the Emerson Colonial Theater in Boston.

SOURCE: The New York Times Subscription at 01:48PM
Tuesday, July 31, 2018

Review: In a Blissful Musical ‘Twelfth Night’ in Central Park, Song Is Empathy by Ben Brantley

This radiant Public Works production of Shakespeare’s comedy of identity asks us “to see through the eyes of another.”

SOURCE: The New York Times Subscription at 10:04PM
Monday, July 30, 2018

Review: In a New Orleans ‘House,’ Wealthy Women Are Haunted by Slavery’s Ghosts by Ben Brantley

Marcus Gardley’s loquacious and freewheeling answer to a Lorca classic is set in a fascinating moment for race relations.

SOURCE: The New York Times Subscription at 10:18PM
Thursday, July 26, 2018

Review: Ye Olde Go-Go’s Songs Hit the Renaissance in ‘Head Over Heels’ by Ben Brantley

This confused musical combines 1980s pop hits with a Renaissance romance, while considering the importance of being nonbinary.

SOURCE: The New York Times Subscription at 10:06PM

Review: In ‘Lempicka,’ Blond Ambition Is Set in a New Key by Ben Brantley

Carson Kreitzer and Matt Gould’s exciting new musical dares to dream big as it follows the making of the artist Tamara de Lempicka in Jazz-Age Paris.

SOURCE: The New York Times Subscription at 08:36PM
Tuesday, July 24, 2018

Review: A Dirge for Wilting Salad Days in ‘This Ain’t No Disco’ by Ben Brantley

This tone-deaf rock-opera remembrance of the twilight of Studio 54 features characters named Steve Rubell and The Artist. (Psst! That’s Andy Warhol.)

SOURCE: The New York Times Subscription at 10:18PM
Wednesday, July 18, 2018

Brantley in Britain: Review: Song Trumps Senility in the Angry ‘Allelujah!’ by Ben Brantley

This comedy of dismay by Alan Bennett, author of “The History Boys,” portrays a geriatric ward (of singing, dancing patients!) in an uncaring Britain.

SOURCE: The New York Times Subscription at 05:18PM

Review: In ‘The Damned,’ Ivo van Hove Finds the Mortal Chill in a Nazi Fire by Ben Brantley

The Comédie-Française’s mesmerizing adaptation of Luchino Visconti’s film charts the fall of a family steel dynasty during Hitler’s rise to power.

SOURCE: The New York Times Subscription at 02:18PM
Friday, July 13, 2018

Brantley in Britain: Review: ‘The Lehman Trilogy’ Is a Transfixing Epic of Riches and Ruin by Ben Brantley

In the National Theater’s adaptation of Stefano Massini’s play, three wondrous actors become multitudes.

SOURCE: The New York Times Subscription at 01:54PM
Monday, July 9, 2018

Brantley in Britain: Women Set London’s Stages Ablaze by Ben Brantley

Fiery performances by Lia Williams in “The Prime of Miss Jean Brodie” and Adrienne Warren in “Tina” newly illuminate familiar female characters.

SOURCE: The New York Times Subscription at 02:12PM
Wednesday, July 4, 2018

Critic’s Notebook: Orlando Bloom and Aidan Turner Are Drenched in Blood in London by Ben Brantley

Crowd-drawing revivals of “Killer Joe” and “The Lieutenant of Inishmore” find two movie matinee idols transformed into mindless sociopaths.

SOURCE: The New York Times Subscription at 05:24PM
Wednesday, June 27, 2018

Review: Carey Mulligan Tells a Harrowing Tale of ‘Girls & Boys’ by Ben Brantley

Dennis Kelly’s one-person drama examines the role of gender and violence through the eyes of a mother of young children.

SOURCE: The New York Times Subscription at 10:18PM

Review: Bad Girl Makes Good in a Glorious ‘Carmen Jones’ by Ben Brantley

John Doyle’s resurrection of a famously problematic show, starring Anika Noni Rose, finds the fatalism — and universality — in its music.

SOURCE: The New York Times Subscription at 10:18PM
Monday, June 25, 2018

Review: Stephen Rea Is One Really Mad Man in ‘Cyprus Avenue’ by Ben Brantley

David Ireland’s bruising drama presents a Northern Irish variation on a very topical archetype — the angry white male under siege

SOURCE: The New York Times Subscription at 10:12PM
Tuesday, June 19, 2018

Review: ‘Behind the City’ Immerses You in New York and Yourself by Ben Brantley

Third Rail Projects’ latest theater piece is an ingenious combination of walking tour and voyage into the past.

SOURCE: The New York Times Subscription at 12:48PM
Monday, June 18, 2018

Review: A Cool-Tempered ‘Othello’ for Warm Central Park Nights by Ben Brantley

Ruben Santiago-Hudson’s elegantly staged interpretation of this tale is good-looking and well-spoken, though lacking in fatal passion.

SOURCE: The New York Times Subscription at 10:04PM
Sunday, June 17, 2018

Review: Theater as Sabotage in the Dazzling ‘Fairview’ by Ben Brantley

Jackie Sibblies Drury’s ruthless comic drama about perceptions of race artfully plays the cat to an audience of white mice.

SOURCE: The New York Times Subscription at 07:42PM
Thursday, June 14, 2018

Review: Hip-Hopping With the Stars in ‘Half Time’ by Ben Brantley

This formulaic musical of uplift, about elderly dancers, provides the pleasure of reacquaintance with Donna McKechnie and Georgia Engel.

SOURCE: The New York Times Subscription at 01:04PM
Tuesday, June 12, 2018

Review: George and Martha Redux in ‘Everyone’s Fine With Virginia Woolf’ by Ben Brantley

Edward Albee’s 1962 masterwork is made over with a whole new set of party games in Kate Scelsa’s punch-drunk satire for the Elevator Repair Service.

SOURCE: The New York Times Subscription at 11:18PM
Monday, June 11, 2018

The Best and Worst of the Tony Awards 2018 by Ben Brantley, Jesse Green, Scott Heller and Joshua Barone

A look at the most memorable moments from this year’s ceremony celebrating Broadway.

SOURCE: The New York Times Subscription at 12:48PM
Thursday, June 7, 2018

Review: A Species on the Brink in ‘Secret Life of Humans’ by Ben Brantley

David Byrne’s speculative play places two theories of human evolution in dialogue in a probing blend of fact and speculation.

SOURCE: The New York Times Subscription at 07:18PM
Monday, June 4, 2018

Review: Basketball Meets Tiananmen Square in ‘The Great Leap’ by Ben Brantley

Lauren Yee’s global-vision take on the classic underdog sports story features BD Wong as a Chinese basketball coach with a secret.

SOURCE: The New York Times Subscription at 10:18PM
Friday, June 1, 2018

the 25 best american plays: The Ones We Left Behind by Ben Brantley, Jesse Green, Laura Collins-Hughes, Alexis Soloski and Elisabeth Vincentelli

Majority rule (mostly). One play per playwright. How we put together the 25 Plays list, and a bid to remember notable writers and favorite works that missed the cut.

SOURCE: The New York Times Subscription at 12:48AM
Thursday, May 31, 2018

Review: Jim Parsons and Zachary Quinto Enter Sniping in ‘The Boys in the Band’ by Ben Brantley

Mart Crowley’s epochal 1968 comic drama at last makes its Broadway debut, in Joe Mantello’s entertaining but disconnected production.

SOURCE: The New York Times Subscription at 10:06PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic