Sunday, October 7, 2018
Wednesday, October 3, 2018
In this multimedia performance piece, Angelica Page delivers a portrait of a poet for whom being "nobody" was anything but a pleasure.
SOURCE: The New York Times Subscription at 12:48PM[SHARE]Monday, October 1, 2018
Conor McPherson's bleak tale of a Minnesota boardinghouse in the Great Depression finds a luminous transcendence in the Dylan song book.
SOURCE: The New York Times Subscription at 10:18PM[SHARE]Thursday, September 27, 2018
Wednesday, September 26, 2018
Sunday, September 23, 2018
Stefano Massini's poetically cadenced portrait of the life and death of the Russian journalist Anna Politkovskaya lets facts speak for themselves.
SOURCE: The New York Times Subscription at 10:48PM[SHARE]Monday, September 17, 2018
Sunday, September 16, 2018
Richard Nelson's emotionally transparent interpretation of a Chekhov masterwork, starring a brilliant Jay O. Sanders, makes us hear a classic anew.
SOURCE: The New York Times Subscription at 11:18PM[SHARE]Friday, September 14, 2018
Friday, September 7, 2018
Wednesday, August 29, 2018
They are often Broadway sensations, but jukebox musicals rarely get good reviews. We invited our critics to stop snarking and tell us what they want.
SOURCE: The New York Times Subscription at 10:48AM[SHARE]Friday, August 17, 2018
Ben Brantley and his London counterpart Michael Billington find much that's enthralling about the state of playwriting in their countries.
SOURCE: The New York Times Subscription at 04:06AM[SHARE]Thursday, August 16, 2018
This wan resuscitation of the 1990 movie about a Cinderella prostitute is likely to make you nostalgic for Julia Roberts's original performance.
SOURCE: The New York Times Subscription at 10:18PM[SHARE]Friday, August 10, 2018
Thursday, August 9, 2018
This high-energy, high-anxiety musical, a hit on social media even before it opened, reflects the metabolism of its teenage audience.
SOURCE: The New York Times Subscription at 10:18PM[SHARE]Sunday, August 5, 2018
The movie that heralded the jukebox musical has been reinvented as a jukebox musical on its very own terms at the Emerson Colonial Theater in Boston.
SOURCE: The New York Times Subscription at 01:48PM[SHARE]Tuesday, July 31, 2018
Monday, July 30, 2018
Thursday, July 26, 2018
Carson Kreitzer and Matt Gould's exciting new musical dares to dream big as it follows the making of the artist Tamara de Lempicka in Jazz-Age Paris.
SOURCE: The New York Times Subscription at 08:36PM[SHARE]Tuesday, July 24, 2018
This tone-deaf rock-opera remembrance of the twilight of Studio 54 features characters named Steve Rubell and The Artist. (Psst! That's Andy Warhol.)
SOURCE: The New York Times Subscription at 10:18PM[SHARE]Wednesday, July 18, 2018
This comedy of dismay by Alan Bennett, author of "The History Boys," portrays a geriatric ward (of singing, dancing patients!) in an uncaring Britain.
SOURCE: The New York Times Subscription at 05:18PM[SHARE]The Comédie-Française's mesmerizing adaptation of Luchino Visconti's film charts the fall of a family steel dynasty during Hitler's rise to power.
SOURCE: The New York Times Subscription at 02:18PM[SHARE]Friday, July 13, 2018
Monday, July 9, 2018
Fiery performances by Lia Williams in "The Prime of Miss Jean Brodie" and Adrienne Warren in "Tina" newly illuminate familiar female characters.
SOURCE: The New York Times Subscription at 02:12PM[SHARE]Wednesday, July 4, 2018
Crowd-drawing revivals of "Killer Joe" and "The Lieutenant of Inishmore" find two movie matinee idols transformed into mindless sociopaths.
SOURCE: The New York Times Subscription at 05:24PM[SHARE]Wednesday, June 27, 2018
John Doyle's resurrection of a famously problematic show, starring Anika Noni Rose, finds the fatalism " and universality " in its music.
SOURCE: The New York Times Subscription at 10:18PM[SHARE] 
