Native Theatre Movement Launches With Open Letter
Signed by 250 Native and non-Native artists, the new effort and alliance calls on U.S. institutional theatre to produce Native-authored work and engage in authentic collaborations.
Signed by 250 Native and non-Native artists, the new effort and alliance calls on U.S. institutional theatre to produce Native-authored work and engage in authentic collaborations.
Next month’s Rehearsal for Truth International Theater Festival will offer an NYC showcase to smart, often bleakly comic new work from Central and Eastern Europe.
Beginning this year, Stage Partners will be the exclusive publisher of the Farm Theater’s College Collaboration Project, expanding access to plays written for early-career artists.
PlayPenn's 2026 New Play Development Conference will feature new work by Roger Zoe Palmer, Roger Q. Mason, and Sarah Mantell, as well as expanded engagement events.
A roundup of prizes, fellowships, and other recognitions.
The inaugural All. Together. Now. festival at UNC-Chapel Hill, set for February 2027, will feature performances, community events, and conversations across campus and downtown Chapel Hill.
In defiance of early 2026's harrowing ICE/CBP occupation, Mixed Blood Theatre commissioned theatre artists to process and document the moment.
For many educators, the close of a spring musical doesn't ease the pressure; there's still next year to plan!
A roundup of comings and goings at the top of U.S. theatre institutions.
A new collaboration with Great Lakes Theater, Idaho Shakespeare Festival, and Lake Tahoe Shakespeare Festival aims to expand engagement with modern adaptations of Shakespeare plays.
The playwright and director from Hawaii and Nevada discusses ‘Death Play,’ ‘Sumo,’ yearning, loneliness, and the wisdom of accepting loss.
Leadership advice from the producing artsitic director of Cincinnati Playhouse in the Park.
A guide on how to start a theatre company in 2026, and highlights on six iconic Puerto Rican artists ahead of the TCG conference.
The challenges facing theatre MFA programs, and the journeys of recent college theatre program graduates.
Applications are now open for the first bicoastal 2026-27 BIPOC Critics Lab cohort, as the 2025-26 cohort completes their training.
The scholarship, administered by Theatre Communications Group, supports early-career costume designers through professional development.
As her acclaimed play about twin sisters bent on revenge reaches the screen, the writer-director talks about filmed violence, resisting ugliness, and claiming confidence in the face of rejec…
Why the theatre industry’s new-play push hasn’t improved the playwrights’ lot.
As several instructive case studies show, hope springs eternal for today's theatremakers, even amid steep challenges.
When the resident company model was more prevalent in U.S. theatres, actors had the chance to put down roots in a community. Is that dream over?
A pre-conference reflection on Puerto Rico, where TCG will hold its national conference in June.
In our Spring issue, we look at some long-standing structural and systemic challenges facing the regional theatre movement—and celebrate the luminous new work still being made in spite of …
How David Henry Hwang and Alexandra Silber seek to honor 2 classic musicals' intentions while keeping them fresh.
As the Alliance opens its Goizueta Stage, a new TYA acting repertory company has proven to be a fruitful experiment in engaging youth and families.
A La MaMa resident artist has a multi-generational check-in with Lypsinka, a.k.a. John Epperson, on an art form that can go deep by channeling widely.