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6,591 stories from Stage and Cinema

Off-Broadway Review: GIRL, INTERRUPTED (The Public Theater) by Gregory Fletcher

LESSONS INTERRUPTED A haunting memory play finds its strongest voice in music, memory, and an exceptional ensemble There is a painting at the Frick—a Vermeer—of a girl at her music lesso…

SOURCE: Stage and Cinema at 12:38am on June 5, 2026

Dance Review: MARY, QUEEN OF SCOTS (Scottish Ballet / David H. Koch Theater at Lincoln Center) by William Keiser

HEAVY IS THE CROWN Scottish Ballet’s ambitious historical epic dazzles in moments while struggling under the weight of its story How much do you know about Mary, Queen of Scots? If you’r…

SOURCE: Stage and Cinema at 3:59am on June 4, 2026

Theater Review: THE LUNCHBOX (Berkeley Repertory Theatre) by Chuck Louden

SPECIAL DELIVERY A charming Bollywood-inspired musical serves up romance, music, and a feast for the eyes From its first moments, Berkeley Rep’s new musical The Lunchbox wins you over. The…

SOURCE: Stage and Cinema at 4:00am on June 3, 2026

Theater Review: THE MAGIC FLUTE (LA Opera) by Michael M. Landman-karny

CONLON’S LAST SPELL A beloved production returns as James Conlon brings his remarkable LA Opera tenure to a close James Conlon walked to the podium last Saturday night and the house was on…

SOURCE: Stage and Cinema at 2:59am on June 3, 2026

Off-Broadway Review: JEROME (Playwrights Horizons) by Gregory Fletcher

GHOSTS OF LOVE John J. Caswell, Jr.’s moving drama finds unexpected grace amid fear, desire, and survival As Pride Month begins, there may be no better theatrical companion than John J. Ca…

SOURCE: Stage and Cinema at 6:00am on June 2, 2026

Theater Review: GRANGEVILLE (Ruskin Group Theatre / Santa Monica) by Michael M. Landman-karny

LONG-DISTANCE DAMAGE Samuel D. Hunter finds devastating intimacy across thousands of miles Sam Shepard built True West on a kitchen and two brothers who could not stay out of each other’s …

SOURCE: Stage and Cinema at 4:15am on June 2, 2026

Theater Review: GOING BACHARACH: THE SONGS OF AN ICON (Apollo Theater / Chicago) by C.j. Fernandes

WHAT THE WORLD NEEDS NOW A charming revue reminds us why Burt Bacharach’s songs remain timeless An overture! An honest-to-goodness overture! All right, so maybe I’m overreacting a bit, b…

SOURCE: Stage and Cinema at 4:00am on June 2, 2026

Theater Review: KEERAH (Definition Theatre / Chicago) by Tony Frankel

KEERAH’S WAYWARD WANDERINGS: DON’T LOOK BACK—OR DO An ambitious meta-theatrical drama of love and loss boasts terrific performances but struggles to find its focus with too many detour…

SOURCE: Stage and Cinema at 3:43am on June 2, 2026

Theater Review: SOUL SACRIFICE (CASA 0101 Theater / Los Angeles) by Judson Feder

THE WAR AFTER THE WAR A powerful family drama examines the lasting wounds of Vietnam and the Chicano Moratorium Some family dramas simmer, others explode, and still others leave emotional sh…

SOURCE: Stage and Cinema at 4:00am on June 1, 2026

Theater Review: HANDELIAN HEROES (Les Talens Lyriques / Colburn School / Los Angeles) by Michael M. Landman-karny

A COUNTERTENOR WHO KNOWS WHERE THE POWER LIVES Key’mon Murrah and Les Talens Lyriques turn familiar Handel into something freshly urgent The program announced the obvious: nine arias from …

SOURCE: Stage and Cinema at 2:57am on June 1, 2026

Concert Review: STING 3.0 (Wolf Trap / Virginia) by Barbara Papendorp

COLD RAIN, HOT CLASSICS Sting ignites Wolf Trap’s summer season Sting opened the summer season with a 3-night stay at the Filene Center at Wolf Trap. On Friday, May 22, his performance eas…

SOURCE: Stage and Cinema at 1:07pm on May 31, 2026

Theater Review: HELL’S KITCHEN (North American Tour at Hollywood Pantages) by Michael M. Landman-karny

EMPIRE STATE OF MIND A rare jukebox musical that finds fresh life by letting the songs tell the story A jukebox musical is an inheritance. Someone else wrote the songs, lived the life, banke…

SOURCE: Stage and Cinema at 2:59am on May 31, 2026

Off-Broadway Review: ||: GIRLS :||: CHANCE :||: MUSIC :|| (Vineyard Theatre) by Alex Simmons

JANGLED JAM SESSION This coming-of-age ensemble never quite finds its rhythm In an age where most pre-teens and teens have the world in the palm of their hand via their smartphone, growing u…

SOURCE: Stage and Cinema at 2:59am on May 31, 2026

Theater Review: THE EMPORIUM (Classic Stage Company / Off-Broadway) by Gregory Fletcher

SHOPPING FOR MEANING Thornton Wilder’s long-lost play arrives decades late, still reaching for something just beyond its grasp Seventy-five years is a long time to wait for a world premier…

SOURCE: Stage and Cinema at 2:59am on May 31, 2026

Theater Review: ALWAYS…PATSY CLINE (American Blues Theater / Chicago) by Tony Frankel

CRAZY FOR PATSY A warm-hearted tribute lets Patsy Cline’s music do most of the talking American Blues Theater closes out its 40th season with a rather left-field choice: the 1988 revue Alw…

SOURCE: Stage and Cinema at 2:45am on May 31, 2026

Theater Review: PRIMARY TRUST (Mark Taper Forum / Los Angeles) by Michael M. Landman-karny

SLIGHTLY TOO BIG FOR HIS WORLD Eboni Booth’s Pulitzer-winning drama offers comfort, compassion, and just enough unease beneath the surface A bell rings before the lights come up. Out of th…

SOURCE: Stage and Cinema at 1:05am on May 31, 2026

Theater Review: DRACULA: A FEMINIST REVENGE FANTASY, REALLY (San Francisco Playhouse) by Chuck Louden

BITE MARKS AND BATTLE CRIES Kate Hamill’s revisionist take offers a few fresh ideas, but Dracula remains the real attraction Since its publication in 1897, Bram Stoker’s gothic horror no…

SOURCE: Stage and Cinema at 7:39pm on May 30, 2026

Off-Broadway Review: WELL, I’LL LET YOU GO (Studio Seaview) by Carol Rocamora

LETTING GO, HOLDING ON A beautifully observed portrait of grief anchored by Quincy Tyler Bernstine’s extraordinary performance If only someone would paint a portrait of Quincy Tyler Bernst…

SOURCE: Stage and Cinema at 5:27pm on May 30, 2026

Opera Review: THE BARBER OF SEVILLE (San Francisco Opera) by Chuck Louden

 FIGARO TO THE RESCUE Rossini’s evergreen comedy launches San Francisco Opera’s summer season with charm and style The summer season of San Francisco Opera is officially underway, and t…

SOURCE: Stage and Cinema at 4:00am on May 30, 2026

Theater Review: MY HOME ON THE MOON (CHUANG Stage / Boston) by Lynne Weiss

HOME IS WHERE THE PHO IS Looking for a real life amidst the demands of AI Directed by cara hinh and written by Minna Lee, this East Coast premiere is alternately hilarious and joyous and, at…

SOURCE: Stage and Cinema at 2:00am on May 30, 2026

Theater Review: OTHELLO (Shakespeare Theatre Company / Washington, DC) by Lisa Troshinsky

IAGO’S GAME A terrifyingly gripping production driven by a mesmerizing villain and a devastating descent into jealousy Who can resist a good villain? Shakespeare Theatre Company’s curren…

SOURCE: Stage and Cinema at 2:00am on May 30, 2026

Cabaret Review: 54 SINGS THE SECOND BARBRA STREISAND ALBUM (54 Below / New York) by Rob Lester

SECOND HELPINGS OF STREISAND A talented roster of singers at 54 Below revisit an early Streisand classic with style, affection, and plenty of bonus treats “My new album is called The Secon…

SOURCE: Stage and Cinema at 7:27pm on May 28, 2026

Theater Review: AIN’T MISBEHAVIN’ (Ebony Rep / Los Angeles) by Michael M. Landman-karny

THE JOINT IS JUMPIN’, IT’S REALLY JUMPIN’ Ebony Rep finds the joy, sorrow, and swing hidden inside Fats Waller’s enduring revue Ain’t Misbehavin’ does not tell the story of Fats …

SOURCE: Stage and Cinema at 2:58am on May 28, 2026

Off-Broadway Review: THE MAIDS (St. Ann’s Warehouse / Brooklyn) by Gregory Fletcher

MIRROR, MIRROR, ON THE WALL Kip Williams delivers a visually stunning assault on the senses, even when the drama struggles to keep pace A co-production with London’s Donmar Warehouse, The …

SOURCE: Stage and Cinema at 2:51am on May 28, 2026

Theater Review: AN ENEMY OF THE PEOPLE (TimeLine Theatre / Chicago) by C.j. Fernandes

TRUTH, CONSEQUENCES, AND CONTAMINATED WATER A superb production of Ibsen’s classic finds unsettling echoes in the present day There are plays that endure because their themes and character…

SOURCE: Stage and Cinema at 2:50am on May 28, 2026
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