Friday, October 18, 2019

Dublin Carol by Darryl Reilly

Bearded, bald and utilizing a pronounced Irish accent, the physically imposing Jeffrey Bean is towering as John. The beaming Mr. Bean’s delightful bonhomie gives way to harrowing anguish a…

Linked From at 01:56PM

The Decline and Fall of the Entire World As Seen Through the Eyes of Cole Porter by Victor Gluck, Editor-In-Chief

As part of its Fall 2019 Musicals in Mufti Cole Porter Series, The York Theatre Company has smartly revived this 1965 Ben Bagley - Cole Porter revue not seen in New York in 54 years. Pamela …

Linked From at 01:14PM
Thursday, October 17, 2019

The Worth of Water by Christopher Caz

Rocky execution aside, the play is not without humor, imagination, charm and whimsy, and the same can be said about the designs by Jessie Bonaventure (scenic), Johanna Pan (costumes), Kelley…

Linked From at 12:02PM

Forbidden Broadway: The Next Generation by Darryl Reilly

This is the latest edition of creator, writer and director Gerard Alessandrini’s enduring musical spoof skewering present and past NYC theater that he inaugurated- in 1982 and has had over…

Linked From at 01:15AM
Wednesday, October 16, 2019

Victor by Admin

The play captures emotions that many of us have felt, from unrequited love, to loss. Seldom are we allowed access to such a raw story and candidness. In a time where we shield each other fro…

Linked From at 10:24AM

Fall for Dance 2019: Program 5 by Joel Benjamin

Monica Bill Barnes totally changed the mood with her thoroughly delightful “The Running Show” which used physical contests as a metaphor for dance.  Barnes stood in the midst of sixteen…

Linked From at 01:33AM
Tuesday, October 15, 2019

When It Happens to You by Mark Dundas Wood

As a writer, O’Dell seems to eschew melodramatic elements, including pat endings with fully resolved conflicts. This a work grounded in sober reality, a work that rejects the prevalent ide…

Linked From at 02:49PM

Round Table by Victor Gluck, Editor-In-Chief

The problem with Vaynberg’s play, now being given its Off Broadway premiere, in which she plays the lead female role, is that it has so many interlocking plots that it can give you a heada…

Linked From at 01:56PM
Monday, October 14, 2019

Fall for Dance 2019: Program 4 by Joel Benjamin

The final work, “Unveiling” by Sonya Tayeh, director of Tayeh Dance, known now as the choreographer of the Broadway hit 'Moulin Rouge!," used a trio which appeared to be about a female (…

Linked From at 10:02PM

Slave Play by Darryl Reilly

A mulatto slave is sodomized with a large black dildo while in a canopy bed by his master’s wife who is decked out in Madonna-style dominatrix regalia. A white indentured servant fellates …

Linked From at 11:55AM

Heroes of the Fourth Turning by Darryl Reilly

Numb from two straight-through hours of far-right speechifying emoted in perpetual semi-darkness, the audience at "Heroes of the Fourth Turning" then endures a ghastly aria of despair by a L…

Linked From at 11:27AM

The Height of the Storm by Victor Gluck, Editor-In-Chief

What is evident is that Zeller writes tremendous roles for actors. Frank Langella won the Tony Award back in 2016 for the title role of "The Father," and "The Height of the Storm" may well w…

Linked From at 09:59AM
Thursday, October 10, 2019

The Wrong Man by Sheila Kogan

"The Wrong Man" is a new musical by multi-platinum songwriter Ross Golan with "Hamilton"’s director Thomas Kail. Like "Hamilton," it began as a concept album and grew into a stage performa…

Linked From at 05:04PM

The Glass Menagerie by Joel Benjamin

It is Ginger Grace as Amanda that is the crowning glory of this production.  Though slender and frail looking, she is still a powerful, if bothersome figure, memories of a golden southern b…

Linked From at 11:21AM
Wednesday, October 9, 2019

runboyrun & In Old Age by Victor Gluck, Editor-In-Chief

Despite the fine writing and acting, these two plays do not stand alone: we are given no backstory to understand the context for these relationships in the longer saga; both plays dealing wi…

Linked From at 03:42PM

Fall for Dance 2019: Program 3 by Sheila Kogan

The Mariinsky Ballet performed the U.S. premiere of “At the Wrong Time,” which had been choreographed by Alexander Sergeev and had its world premiere March 26, 2019 in St. Petersburg, Ru…

Linked From at 11:35AM

Nothing Gold Can Stay by Darryl Reilly

A downer by its nature, "Nothing Gold Can Stay" is playwright Chad Beckim’s heartbreaking 95-minute family drama depicting the ravages of rampant opioid addiction in the present day United…

Linked From at 10:06AM
Monday, October 7, 2019

Caesar and Cleopatra by Victor Gluck, Editor-In-Chief

When the Gingold Theatrical Group’s revival of Bernard Shaw’s epic "Caesar and Cleopatra" begins, the characters are wearing white contemporary clothes and sitting on what looks like an …

Linked From at 05:06PM
Thursday, October 3, 2019

BalletX: The Little Prince by Joel Benjamin

Antoine de Saint-Exupéry’s "The Little Prince" (1943) has been studied, analyzed, and staged as any number of plays, ballets, musicals and an unsuccessful film.  So, it was with great in…

Linked From at 10:00PM

Fifty Million Frenchmen by Victor Gluck, Editor-In-Chief

Still delightful, mainly due to Porter’s score, the book by Herbert Fields (who went on to write six more Porter shows) has its charms with its snappy Jazz Age dialogue which makes fun of …

Linked From at 09:04PM

The Green Room by Joel Benjamin

These four characters are, unfortunately, not interesting enough to fill a 90-minute musical, especially one that covers territory better served by other shows like "A Chorus Line," "Fame" a…

Linked From at 07:30PM

Kingfishers Catch Fire by Darryl Reilly

It’s 1948 and we’re in an Italian prison where “The Beast of Rome,” German SS Colonel Herbert Kappler (1907-1978) is serving a life sentence for war crimes. Kappler was the Chief of …

Linked From at 01:38PM

Ludwig and Bertie by Admin

"Ludwig and Bertie," written by Douglas Lackey, gives us insight into the relationship of two of our greatest twentieth century philosophers, the younger Jewish Ludwig Wittgenstein and the 2…

Linked From at 11:17AM
Tuesday, October 1, 2019

Why? by Victor Gluck, Editor-In-Chief

Legendary director Peter Brook has always investigated the big questions. In recent years his productions have become more intimate and the questions bigger. In "Why?", written and directed …

Linked From at 04:31PM

Bad News! i was there… by David Kaufman

The latest offering by JoAnne Akalaitis, "Bad News! i was there…" is something of a misnomer, since none of us was there for the “bad news” of the ancient Greeks, which is what Akalai…

Linked From at 12:04PM
Sunday, September 29, 2019

Sunday by Darryl Reilly

Though off-putting, "Sunday"’s periodic non sequitur choreographic interludes become a respite from its bad writing and grating performances. For no discernable reason, characters stop sp…

Linked From at 09:30PM

Katsura Sunshine’s Rakugo by Darryl Reilly

Katsura Sunshine is the stage name of this charismatic 49-year-old Toronto-born performer who relocated to Japan and apprenticed to a Rakugo artiste. Mr. Sunshine eventually became a notable…

Linked From at 10:02AM
Thursday, September 26, 2019

Betrayal by David Kaufman

Imported from London and directed with finesse by Jamie Lloyd, Tom Hiddleston (Robert), Zawe Ashton (Emma), and Charlie Cox (Jerry), all making their Broadway debuts, are practically choreog…

Linked From at 11:59PM

Mothers by Joseph Pisano

The first act of Anna Moench's "Mothers" concludes with a genuine shock as the playwright startlingly upends all of our expectations. Visually punctuated by Wilson Chin's suddenly not-so-sta…

Linked From at 12:19PM
Tuesday, September 24, 2019

Novenas for a Lost Hospital by Victor Gluck, Editor-In-Chief

Cusi Cram’s "Novenas for a Lost Hospital" (with dramaturgy by Guy Lancaster) presented by Rattlestick Playwrights Theater is an unusual site-specific theatrical event that pays tribute to …

Linked From at 03:34PM
Monday, September 23, 2019

Freemove Dance: “ …it’s time…” by Victor Gluck, Editor-In-Chief

Co-presented by The Theater at the 14th Street Y, '…it’s time…" explored the dynamics of a small group of five—excellent—performers whose existence appeared to be controlled by a l…

Linked From at 12:26PM

All that Chat

Oct 06: Slave Play
Feb 01: The Minutes
TBA: Blue