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But being connected to ONCE is not enough. This production is a good first draft. It’s just not there – yet. Can it be salvaged?
It’s ironic that the final number is “You Learn” – we obviously haven’t as the same problems still plague us today: Racism, white privilege, opioids and date rape et al
Eventually verging on the cusp of being a soap opera. With a lot of highbrow intelligence, campy humor and raunch. But much too long.
From the moment one enters the beautiful and appropriately old fashioned Lyceum Theatre – a perfect fit as it turns out to house this dickens of a production – one is beguiled
What’s love got to do with it? As it turns out. An awful lot.
This bloated, mythological frenetic fantasy now at The Longacre Theatre runs over two hours with a top price of almost two hundred dollars - water 6 bucks, candy for the kiddies 5 bucks
If you survive the melodramatic Act I you will suddenly find yourself in I LOVE LUCY land in Act II.
A superb, fresh, new, original, compelling, mysterious, intriguing 90 minute two character play by Adam Rapp that has just opened at Studio 54 directed by David Cromer
Two hours plus WITHOUT AN INTERMISSION. Be forewarned!
The production is too big. Too loud. Too academic. With little emotion. Or humor. It becomes a play about exits and entrances between the avalanche of details and facts.
An extremely funny play. Truthful and moving with dialogue that is sharp and wise and caustic about this troubled Dick who is caught between his past and his future all the while having to …
Intriguing and enigmatic. Dementia is difficult to deal with. So is death. Playwright Florian Zeller explains in a most unusual and unconventional way.
From the opening tableau this sexual love triangle tango for three sets a slow, steady and seductive pace that transfixes the audience into complete silence. The bar has been set quite high …
There is a smorgasbord of styles for us to digest. Is it a true love story? Is it a farce? A tragedy? Is it a tale told with tongue in highly rouged cheek or is it just a glitzy and glam…
Listen to WALK HAND IN HAND an anthem written to celebrate 25 years - produced in 1995. We've come this far. Time to continue...
God Shows Up - Part Two - So I wrote a one-man show called BACK FROM THE STARS, in which God says
Peter Filichia, the author of the wonderful and witty off Broadway play God Shows Up, explains how his play came into being. “GOD SHOWS UP actually happened because of Eric Krebs - the lo…
A raw and romantic evening. Full of disclosures and discoveries. A master class in acting and directing. See this wonderful production and don’t be afraid to take a chance on love whenev…
There isn’t much meat on the bones here but what meat there is, it is fun to chew on and completely digestible in this most original theatrical exercise.
In 90 minutes. Give or take how many laughs pile up during the performance. And there are many.
If it is possible to get double Tony Awards for portraying Dorothy Michaels and Michael Dorsey then Santino Fontana should be the one to get them.
Arthur Miller dishes out the drama bit by bit as we discover what it is that makes this family tick until it explodes like the thunderstorm that opens the drama.
This weird madhouse of cartoon characters and puppets and ridiculous goings-on has been directed by that mad-cap director Alex Timbers. After the intermission I didn’t think it could get a…
The show belongs to Jonny Lee Miller and he does a fantastic job but we don’t really care for any of them. Murdoch lives on.
From the opening notes of “Oh What a Beautiful Morning” sung quietly by Curly with only his guitar and his twang we are in the newly found territory created by Daniel Fish that is a wond…
With wit and a huge heart. All the elements come together to make a most satisfying journey through the land of love
As Lear goes mad, one sitting and watching and listening while awaiting the end may grow madder. I did. If rosemary is for remembrance this KING LEAR should be forgotten.
A sometimes exciting, sometimes repetitive, sometimes off the track lavish sweaty and sultry production
Heidi Schreck is quite funny and engaging and verbose and smart and a clever storyteller with an agenda. Patience and persistence and passion have paid off.
Moving along at a speed much faster than a vintage LP recording thanks to a turntable and conveyor belt that seem appropriate for this well-oiled assembly line product
A wild romp through the memory of Edmund Gowery – a venture capitalist who once wrote a hit play “Internal Structure of Stars” - if you are adventurous