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35,924 stories from The Guardian

‘Turner prize for dance’ winner Christos Papadopoulos: failure, friction and my forgotten youthquake by Lyndsey Winship

Amid galloping global crises, the Greek choreographer has returned to his revolutionary ideals. He explains how asking the near-impossible of dancers brings a shared joyChristos Papadopoulos…

SOURCE: The Guardian at 12:20am on November 5, 2026☆⚑

‘He lent me his RSC Oberon cape for my school play’: Patrick Stewart remembered by readers by Majidah Chowdhury, Jane Clinton and Guardian Readers

From coaching youth community theatre to supporting Huddersfield football club and delighting sci-fi fans at graduation ceremonies, the actor is fondly rememberedPatrick Stewart – a life i…

SOURCE: The Guardian at 10:25am on November 4, 2026☆⚑

Fleabag creator donates flat to help early-career writers live in London by Nadia Khomami Arts and Culture Correspondent

Phoebe Waller-Bridge joins stars signing up to scheme aimed at tackling class barriers in theatrePhoebe Waller-Bridge has donated a London flat so that early-career writers can afford to liv…

SOURCE: The Guardian at 9:25am on November 4, 2026☆⚑

‘Frighteningly of the moment’: Steven Sater on his emperor Nero musical and turning JFK’s assassination into a Greek tragedy by Mark Lawson

It took the Tony winner 20 years to bring his ‘showman’ tyrant to London. He reflects on its Trumpian parallels, the death of Spring Awakening’s Duncan Sheik and the horrific accident …

SOURCE: The Guardian at 7:15am on November 4, 2026☆⚑

‘Every family has silences’: Kathryn Hunter on despair, desire, dislodgeable limbs – and her acting genius by Paula Cocozza

She has played King Lear, all three witches in Macbeth and an ape turned variety performer in Kafka’s Monkey. As she prepares for a new show, she discusses the soaring highs and deep lows …

SOURCE: The Guardian at 6:05am on November 4, 2026☆⚑

My fiancee, my foreskin and me: the comic who turned adult circumcision into a jaw-dropping show by David Jays

To be with the woman he loved, Max Olesker had to convert to Orthodox Judaism – which required an unwelcome operation. He relives a painful and sometimes infuriating journeyWhen Max met El…

SOURCE: The Guardian at 9:40am on November 3, 2026☆⚑

‘We’re all on constantly shifting sands’: the play capturing life during the US midterm elections by Juan A Ramírez

Playwright Richard Nelson’s acclaimed Rhinebeck Panorama series returns for another timely look at the fictional Apple family living in a divided AmericaRichard Nelson learned a great less…

SOURCE: The Guardian at 6:25am on November 3, 2026☆⚑

The Lives of Others review – Keira Knightley brings star power to Robert Icke’s Stasi drama by Arifa Akbar

Adelphi theatre, LondonTheatre wunderkind’s adaptation of the Oscar-winning film has plenty of suspenseful stagecraft but struggles to match its subtletyAnother new show, another old story…

SOURCE: The Guardian at 9:10pm on November 1, 2026☆⚑

Dafne Keen and Harriet Walter on working with Patrick Stewart: ‘I’ve never seen anyone so ecstatic’ by Dafne Keen and Harriet Walter

The late actor’s co-stars in Logan and Anthony and Cleopatra remember dog impressions, marching band-conducting and a fervent belief in funI had the unbelievable privilege of working with …

SOURCE: The Guardian at 4:55am on November 1, 2026☆⚑

The best theatre to stream this month: the Gisèle Pelicot trial becomes an all-star play that ‘just floors you’ by Chris Wiegand

An unmissable documentary play, Tom Stoppard’s Arcadia with luminous Isis Hainsworth and ecstatic dance in a Norwegian museum are among November’s highlightsSwiss director Milo Rau’s r…

SOURCE: The Guardian at 2:45am on November 1, 2026☆⚑

Jump scares, leather gloves and squeaking moth noises: theatre horror masters on how they make their shows so scary by Kate Wyver

Whether it’s immersive chiller Blackout or the campily scary 2:22: A Ghost Story, ‘tis the season to be scared witless at the theatre. But what’s the secret to making an audience gasp …

SOURCE: The Guardian at 1:00pm on October 31, 2026☆⚑

Ceilidh: A New Musical review – a joyous, riotous celebration of Scottish culture gets the audience on its feet by Emma John

Shoreditch town hall, LondonScott Gilmour and Claire McKenzie’s audience participation musical gets toes tapping and bodies spinning – even if its story lacks a little depthThere’s onl…

SOURCE: The Guardian at 2:30pm on October 30, 2026☆⚑

‘Patrick Stewart brought virile star power to the stage, from clowns to kings to wounded lions’ by Michael Billington

With his striking voice, so rich and resonant, the actor blazed through the RSC – and his time in Hollywood only enriched him. Yet he was a great team player, capable of anything, as his d…

SOURCE: The Guardian at 12:20pm on October 30, 2026☆⚑

A Few Good Men review – Aaron Sorkin’s legal drama makes unwelcome return to stage by Richard Lawson

Vivian Beaumont theater, New York CityUnconvincing performances and an ill-fitting big stage make a retooled version of the classic courtroom drama feel like a missed opportunityGiven the cu…

SOURCE: The Guardian at 11:00pm on October 29, 2026☆⚑

Middlemarch review – World’s Greatest Novel hurtles from costume drama to jolting marital tragedy by Arifa Akbar

Swan theatre, Stratford-Upon-AvonThis RSC staging of the sprawling middle England masterpiece has humour, compassion – and even George Eliot herself as a characterIs there a literary achie…

SOURCE: The Guardian at 2:45pm on October 29, 2026☆⚑

The Sea review – Jennifer Saunders takes fussing over buying curtains to Shakespearean levels by Holly O'Mahony

Theatre Royal BathEdward Bond’s play about consumerism and the strength of humans in dark times is hugely enlivened by Saunders and her tight-lipped pomposityWhen describing his own play, …

SOURCE: The Guardian at 9:25am on October 29, 2026☆⚑

Girls review – a story of friendship amidst extreme misogynist violence by Arifa Akbar

Young Vic, LondonRecalling Boko Haram’s abduction of schoolgirls in Chibok in 2014, Theresa Ikoko’s fierce and tender play reveals how three teenagers find hope and laughter under the mo…

SOURCE: The Guardian at 9:40am on October 28, 2026☆⚑

‘Fear is contagious’: why horror shows are taking over the New York stage by Benjamin Lee

Hit London plays 2:22, Paranormal Activity and A Ghost in Your Ear are now spooking audiences on and off Broadway amid high demand for communal experiencesAs we escaped the restrictions of t…

SOURCE: The Guardian at 5:00am on October 28, 2026☆⚑

The Master Builder review – false swagger and queasy infidelity propel Ibsen’s big-drop drama by Arifa Akbar

Arcola theatre, LondonDavid Edgar’s translation grounds Ibsen’s otherworldly play about a middle-aged architect’s fall from power, but its flaws are too loud to ignoreThis outing of He…

SOURCE: The Guardian at 12:00pm on October 27, 2026☆⚑

‘A dog would get treated better than a drag queen in Hollywood’: Alaska on prejudice and leading Oh, Mary! by Owen Myers

The RuPaul’s Drag Race alum on queer visibility, politics and starring in Cole Escola’s smash comedyAlaska may be starring in the most subversive comedy in American theater today, but sh…

SOURCE: The Guardian at 5:00am on October 27, 2026☆⚑

Cheer up, Scrooge! The merriest Christmas theatre shows, from musketeers to a penguin party by Arifa Akbar

The festive season brings swashbuckling adventure, heartwarming Antarctic antics, a yuletide spin on Pride and Prejudice and Matthew Bourne’s CinderellaRoyal Exchange theatre, Manchester, …

SOURCE: The Guardian at 2:20am on October 27, 2026☆⚑

‘I laughed so hard my Tampax fell out’: Michael Gambon’s pranks revealed by the stars he cracked up by Chris Wiegand

He made Daniel Radcliffe’s Harry Potter fart, left Judi Dench unable to control herself and told a fry-up fantasy about Helen Mirren. A new biography details the star’s mischiefJasper Re…

SOURCE: The Guardian at 9:00am on October 26, 2026☆⚑

As mega-hit Into the Woods wows the West End, what’s the secret weapon of this Sondheim spectacular? by David Jays

With its shimmering forest and its plunge into darkness and destruction, this fairytale romp bagged an Olivier for its lighting – and, reveals designer Aideen Malone, it wasn’t even fini…

SOURCE: The Guardian at 4:40am on October 26, 2026☆⚑

The Pianist review – Władysław Szpilman’s Holocaust memoir retold with his own music by Arifa Akbar

Park theatre, LondonThis adaptation is perhaps too smooth but is well-staged and performed, and draws strong feeling from the pianist’s compositionsThe idea of turning the survival story o…

SOURCE: The Guardian at 1:30am on October 26, 2026☆⚑

Derren Brown turns into Nostradamus – and I predict you’ll submit to one gasp-inducing stunt after another by Brian Logan

Apollo theatre, LondonProphecies are impossibly fulfilled by the superstar who takes his cue from the legendary French seer in his show Only HumanDo we have free will – or are the words I …

SOURCE: The Guardian at 2:45am on October 25, 2026☆⚑
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