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35,835 stories from The Guardian

A new start after 60: Menopausal and out of work, I sat crying in my car. Now, I’m a standup comedian by Paula Cocozza

When Barbara Scully tried to get a job after years as a stay-at-home mum, no one would hire her. So she made her own work as a writer and broadcaster – and soon found herself on TV and sta…

SOURCE: The Guardian at 9:00am on October 5, 2026☆⚑

De Profundis review – Oscar Wilde brought alive with righteous rage by Arifa Akbar

Coronet theatre, LondonAnguished monologue based on letter to jailed playwright’s ex-lover is gripping in its illumination of a tortured artistOscar Wilde’s De Profundis really does belo…

SOURCE: The Guardian at 9:00am on October 5, 2026☆⚑

Gillian Anderson responds to backlash after telling ‘distracting’ fans to stop sitting in front row by Emma Joyce

The actor, who is performing on the West End, was filmed telling theatre fans ‘you can’t come 20 times and sit in the front row, it’ll drive me mad’Gillian Anderson has come under fi…

SOURCE: The Guardian at 4:45am on October 5, 2026☆⚑

Forty years of the Phantom of the Opera - the show that wouldn’t die: ‘People come back to hear the impossible’ by Miriam Gillinson

As Andrew Lloyd Webber’s enduring gothic melodrama celebrates its 40th birthday, producer Cameron Mackintosh and cast members from down the years recall what makes it so specialThere is so…

SOURCE: The Guardian at 4:45am on October 5, 2026☆⚑

Rowan Atkinson to bring Mr Bean, Blackadder and more to West End in new show by Chris Wiegand Stage Editor

The actor will perform famous TV sketches – as well as new material created with Richard Curtis, Ben Elton and Howard Goodall – in Rowan Live, which opens in FebruaryRowan Atkinson will …

SOURCE: The Guardian at 3:40am on October 5, 2026☆⚑

Take a seat: the ritzy glamour of Australia’s historic theatres and cinemas – in pictures by Gavin M John

Photographer Gavin John’s new book, Australian Theatres & Cinemas, documents the country’s finest stage performance and picture palaces – from massive Italian Renaissance-inspired …

SOURCE: The Guardian at 12:40pm on October 4, 2026☆⚑

Once Upon A Time In Sokoto review – exuberant history lesson on intra-African slavery by Mark Lawson

Royal and Derngate, NorthamptonInua Ellams displays a Stoppardian or Fraynian relish in turning complex topics into enjoyable theatre in his latest playOver the last decade, Inua Ellams has …

SOURCE: The Guardian at 12:40pm on October 4, 2026☆⚑

Antigone Exits review – emotions run high in experimental reworking of Greek tragedy by Holly O'Mahony

Minerva theatre, ChichesterNina Segal’s revisiting of the Sophoclean story is pleasingly experimental – but not all the ideas work in Jeff James’s fourth-wall breaking productionLibati…

SOURCE: The Guardian at 7:25am on October 4, 2026☆⚑

Suffragette cities: blazing Sylvia Pankhurst musical hits the road – in pictures by All Photographs By Tristram Kenton

Sylvia: A Musical Revolution, the hit show about the Pankhursts and the suffrage movement, is going on a tour of England and Scotland. We took a first look at Leicester’s Curve theatre Con…

SOURCE: The Guardian at 7:45am on October 3, 2026☆⚑

‘An extraordinary hour’: the explosive play re-staging the biggest TV clash of the Aids era by Jesse Dorris

A New York production brings Larry Kramer and Anthony Fauci’s 1993 debate to life in a masterclass of controlled furyOn 30 November 1993, the Aids activist Larry Kramer and Anthony Fauci, …

SOURCE: The Guardian at 5:00am on October 3, 2026☆⚑

Deepfake review – ingenious interview with a PM who dances around every issue by Sanjoy Roy

Sadler’s Wells East, LondonAn interrogater tries to get to the bottom of a surreal scandal while green screen actors meddle with the story in Jess and Morgs’ inventive productionWhat aud…

SOURCE: The Guardian at 3:25am on October 3, 2026☆⚑

Pam Tanowitz: Pastoral review – Beethoven explodes into bright bursts of gorgeous dance by Lyndsey Winship

Barbican, London Spinning off from the classic symphony with composer Caroline Shaw and artist Sarah Crowner, Tanowitz’s dancers find fresh thinking spacePam Tanowitz’s work is the antid…

SOURCE: The Guardian at 1:40pm on October 2, 2026☆⚑

Murder Before Evensong review – the Rev Richard Coles’s village mystery squeezes into cosy theatre by Mark Lawson

Watermill theatre, NewburyIan Hallard impresses as the detecting rector in a thoughtful adaptation that sometimes strains under a villageful of suspects, victims and doubling actorsPoirot, M…

SOURCE: The Guardian at 5:00am on October 2, 2026☆⚑

A new season of love: hit musical Rent returns to the West End with Gaten Matarazzo – in pictures by Photographs By Tristram Kenton

Jonathan Larson’s much-loved show about New York artists has been revived for its 30th anniversary with a cast including the Stranger Things star Continue reading...

SOURCE: The Guardian at 5:00am on October 2, 2026☆⚑

Hay Fever review – Richard E Grant and Christine Baranski host Coward’s country house shenanigans by Emma John

Wyndham’s theatre, London Grant brings shock-haired vigour as a vain novelist forced to welcome his boho children’s surprise guests in comedy of clipped social e…

SOURCE: The Guardian at 8:20pm on October 1, 2026☆⚑

Orgy, apocalypse and exorcism: Faye Driscoll’s revolving bed puts everyone in a spin by Tim Etchells

The US performance-maker’s Weathering, which evokes people clinging to a life raft, has left a trail of overwhelmed audiences. As it arrives in the UK, she reflects on creating a sensory e…

SOURCE: The Guardian at 11:40am on October 1, 2026☆⚑

Who’s Afraid of Virginia Woolf? review – Gillian Anderson fights tooth and nail in marital meltdown by Arifa Akbar

@sohoplace, LondonThere is no shortage of sparring between Anderson and Billy Crudup in Edward Albee’s classic, though its comedy has an air of George and MildredThose who want to moan abo…

SOURCE: The Guardian at 7:25am on October 1, 2026☆⚑

Whaur’s Yer Wullie Shakespeare Noo? review – when John Home outdid Stratford’s Bard by Mark Fisher

Òran Mór, GlasgowBrian Logan revisits the 18th-century production of Home’s Douglas in a shouty comedy about nationalism, religion and the power of theatreIt is the most famous heckle in…

SOURCE: The Guardian at 5:10am on October 1, 2026☆⚑

RSC embraces ‘hugely challenging’ task of staging Susanna Clarke’s Piranesi and Virginia Woolf’s Mrs Dalloway by Chris Wiegand Stage Editor

The Royal Shakespeare Company announces ambitious adaptations of novels in season that includes Elizabeth Debicki as Richard II and Damien Molony as CoriolanusThe Royal Shakespeare Company i…

SOURCE: The Guardian at 5:10am on October 1, 2026☆⚑

The best theatre to stream this month: Jack Lowden locks horns with Martin Freeman in The Fifth Step by Chris Wiegand

An addict meets his sponsor in David Ireland’s two-hander, Gillian Anderson dazzles in A Streetcar Named Desire and Winsome Pinnock’s audio dramas are revelatoryFor an addict in the Alco…

SOURCE: The Guardian at 1:55am on October 1, 2026☆⚑

All at Sea review – faked death of ‘canoe man’ inspires waves of intrigue by Mark Fisher

Live theatre, Newcastle Fictionalising the true story of John Darwin, Alison Carr’s gripping two-hander follows the unexpected consequences of its antihero’s bid to escape debtsIt sounds…

SOURCE: The Guardian at 9:55am on September 30, 2026☆⚑

‘They’ll never bring us dowwwwwwwn!’ Wicked’s stars pick their favourite songs from the smash hit by Interviews By Miriam Gillinson

The musical powerhouse has spawned huge hits, but which do its troupers love to belt out – even for the 1,700th time? From Broadway legend Idina Menzel to composer Stephen Schwartz, they r…

SOURCE: The Guardian at 1:15am on September 30, 2026☆⚑

The Standard of Living review – Rory Kinnear has bags of charm as Bloomsbury economist Keynes by Arifa Akbar

Theatre Royal Haymarket, LondonJames Graham’s high-wire writing brings economic theory to life and connects it with art and fulfilment in this polished, ravishingly staged story of John Ma…

SOURCE: The Guardian at 7:50pm on September 29, 2026☆⚑

‘If we’re unhealthy, it is a reflection of an unhealthy democracy’: Sarah Jones puts America on the therapy couch by Morgan Jerkins

Playing 19 characters in 100 minutes, the Tony award winner takes the temperature of the nation in America, Who Hurt You?“We’re in a timeline that even Margaret Atwood, George Orwell or …

SOURCE: The Guardian at 7:00am on September 29, 2026☆⚑

School Girls; Or, The African Mean Girls Play review – comedy makes a near-flawless Broadway debut by Juan A Ramírez

Nearly a decade after it was first staged, Jocelyn Bioh’s study of girlhood in 1980s Ghana is better than ever in irresistible new production After its 2017 premiere off-Broadway, School G…

SOURCE: The Guardian at 9:30pm on September 28, 2026☆⚑
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