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35,811 stories from The Guardian

School Girls; Or, The African Mean Girls Play review – comedy makes a near-flawless Broadway debut by Juan A Ramírez

Nearly a decade after it was first staged, Jocelyn Bioh’s study of girlhood in 1980s Ghana is better than ever in irresistible new production After its 2017 premiere off-Broadway, School G…

SOURCE: The Guardian at 9:30pm on September 28, 2026☆⚑

Happy Days review – Beckett’s bewitching heroine buries her existential fears by Mark Fisher

Pitlochry Festival theatreIn what feels now like a premonition of the climate crisis, Siobhán Redmond is compelling as the everywoman putting on a brave face in an unforgiving landscapeSamu…

SOURCE: The Guardian at 10:30am on September 28, 2026☆⚑

The First Year (of the Gaza Genocide in the Media) review – bold but uneven focus on Palestinian voices by Arifa Akbar

New Diorama theatre, LondonPassionate production based on testimonies from Gaza poses many questions regarding Israel’s actions but gets overwhelmed by fact-delivery and form-switchesHow d…

SOURCE: The Guardian at 10:30am on September 28, 2026☆⚑

Tru – review: a five-star performance of a three-star script about the life of Truman Capote by Mark Lawson

Menier Chocolate FactoryJesse Tyler Ferguson’s 85-minute monologue and Paul Farnsworth’s immersive set deserve better than a Broadway museum piece text on the Breakfast At Tiffany’s au…

SOURCE: The Guardian at 3:05am on September 28, 2026☆⚑

‘We could have had good fun a few decades ago’: Christine Baranski and Richard E Grant on sex scenes, parties and theatre by Ryan Gilbey

The actors are working together for the first time ever, in Noël Coward’s comedy Hay Fever. Backstage, there’s no stopping their tales of skinny-dipping, fat-shaming and warring co-star…

SOURCE: The Guardian at 3:05am on September 28, 2026☆⚑

Catherine Bohart: Borrowing Trouble review – obsessive compulsion to overshare is captivatingly funny by Brian Logan

Soho theatre, LondonThis latest bulletin from the Irish standup’s fraught life delves deep into her OCD and dismay at her own foiblesPeople talking about their mental health is boring, say…

SOURCE: The Guardian at 4:15pm on September 27, 2026☆⚑

A Midsummer Night’s Dream review – Munya Chawawa bewitches in lovingly juiced-up 90s rave by Mark Lawson

Chichester Festival theatreA narcotic, orgiastic woodland party clashes with the traditional values of John Major’s Tory party in Justin Audibert and Hannah Joss’s exuberant productionTh…

SOURCE: The Guardian at 10:45am on September 27, 2026☆⚑

‘I’m an everythingist’: How Es Devlin became the go-to for Beyoncé gigs, fashion runways and the Olympics by Dale Berning Sawa; Photographs By Kate Peters

The Londoner is the set designer big names turn to for eye-popping spectacle. As a new retrospective opens, she gives the Guardian a glimpse at her studioFour years ago, the V&A East Sto…

SOURCE: The Guardian at 7:30am on September 27, 2026☆⚑

I’ll Be Seeing You review – Simon Russell Beale’s Liberace is a life force too great to be tamed by Mark Fisher

Pitlochry Festival theatreMartin Sherman’s meta new work sees Fra Fee’s writer struggling to turn out a play about the flamboyant pianist while despising everything the showman stands fo…

SOURCE: The Guardian at 7:30am on September 27, 2026☆⚑

Two Doors Down review – outrageously sharp, joyously sweary return of the Latimer Crescent favourites by Arusa Qureshi

OVO Hydro, GlasgowAhead of the sitcom’s new series in 2027 the full TV cast reunite for a masterclass in comfort comedy, adding musical interludes to the familiar suburban bedlamIt may hav…

SOURCE: The Guardian at 6:25am on September 27, 2026☆⚑

First Encounters: Julius Caesar review – so thrilling it kept a hall full of teens in pin-drop silence by Arifa Akbar

Ormiston Bushfield Academy, PeterboroughAn intro to Shakespeare doesn’t get any better than the RSC’s revival of Phyllida Lloyd’s all-female prison-set production led by Harriet Walter…

SOURCE: The Guardian at 7:40pm on September 26, 2026☆⚑

‘A couple of times people walked out’: how an Anne Frank musical became the hottest theater ticket of the year by Juan A Ramírez

The creators and stars of Slam Frank on their off-Broadway production - which reimagines the Holocaust victim as a pansexual rapperIt’s difficult to not invoke the term “woke” when dis…

SOURCE: The Guardian at 12:00am on September 26, 2026☆⚑

English National Ballet: Rhythm Riot review – this triple whammy brings zing, grit and chills by Lyndsey Winship

Sadler’s Wells, LondonA trio of dances taking influence from Stravinsky, tap and William Blake’s poetry combine with powerful performances exuding showmanshipDamn, there was some amazing…

SOURCE: The Guardian at 3:50pm on September 25, 2026☆⚑

Table 17 review – a tasty romcom served with dazzle and cheek by Arifa Akbar

Kiln theatre, LondonMarisha Wallace and Jamael Westman play exes who reconvene over dinner in Douglas Lyons’ sparky old-school charmerThis incorrigibly likable romcom comes to the UK with …

SOURCE: The Guardian at 12:35pm on September 25, 2026☆⚑

Phil Wang: Uh Oh review – how to achieve an eighth of an orgasm, and other millennial myths by Anya Ryan

Soho Theatre Walthamstow, LondonThe standup delivers older and wiser musings and mockery, whether it’s about taches, a passion for Gail’s or a distaste for cyclistsLots has changed in th…

SOURCE: The Guardian at 9:20am on September 25, 2026☆⚑

The Farmer’s Wife review – a bumper crop of tenderness, toil and female strength by Arusa Qureshi

Theatre by the Lake, KeswickInspired by Helen Rebanks’ bestselling memoir, Hannah Khalil’s play foregrounds the women holding everything togetherWhile anthropologists have made links bet…

SOURCE: The Guardian at 7:10am on September 25, 2026☆⚑

Three Men in a Boat review – quirky novella makes for perky, fun-forward theatre by Mark Lawson

Rose theatre, Kingston upon ThamesA rag puppet Montmorency, a fake moustache and an aria for reeking cheese add to the mischief of Jerome K Jerome’s very English storyBack from Lib Dem con…

SOURCE: The Guardian at 10:45am on September 24, 2026☆⚑

‘This gap opens up of doubt and scepticism about everything’: Jess and Morgs confront the politics of deepfakes by Lyndsey Winship

In the choreographers’ new work, virtuosic movement and some green-screen magic unfurl the theatricality of high-stakes television interviewsIt appears the interviewer has got him on the r…

SOURCE: The Guardian at 6:20am on September 24, 2026☆⚑

‘Stranger Things was a train you can’t jump off’: Gaten Matarazzo on his return to the stage by Hannah J Davies

The actor we know as Dustin was a ‘theatre kid’ from age 11. Now he’s starring in a new staging of Rent. He discusses why the musical is as relevant as ever – and what it’s like be…

SOURCE: The Guardian at 5:15am on September 24, 2026☆⚑

The Last Ship review – Sting’s sincere but cloying musical stars the man himself – and Shaggy by Monique Ross

Glasshouse Theatre, Queensland Performing Arts CentreSting plays a Wallsend foreman navigating the threat of his shipyard’s closure, taking a renewed version of his musical on an internati…

SOURCE: The Guardian at 3:05am on September 24, 2026☆⚑

Sindhu Vee: ‘Makeup, music to feel reckless, two pieces of milk chocolate – and then I go on’ by Interview By Liam Pape

The banker turned standup turned actor shares her preshow rituals, what’s behind her ‘very swanky hairstyle’ and her joke about Indian Santa ClausHow did you go from investment banker …

SOURCE: The Guardian at 10:00am on September 23, 2026☆⚑

Romeo and Juliet review – Russell Kane and Natalie Casey turn love’s young dream into a midlife fling by Mark Fisher

New Vic, Newcastle-under-LymeCacophonous and comedic staging sees an experienced, older duo engage in an enthusiastic liaison rather than a rebellious first romanceAs in any production of Sh…

SOURCE: The Guardian at 7:45am on September 23, 2026☆⚑

Another taste of honey: Shelagh Delaney’s long-lost play about a teenage truant is a little gem by Michael Billington

The playwright’s daughter found Catch Me Who Can after her mother’s death. Now it has become a compelling audio drama with Toby Jones and Rita TushinghamWas Shelagh Delaney a one-hit won…

SOURCE: The Guardian at 5:40am on September 23, 2026☆⚑

The Guardian view on Keynes in the West End: James Graham’s latest play captures the zeitgeist | Editorial by Editorial

As the chancellor, John Healey, ponders options ahead of his first budget, the playwright’s new work offers lessons from the pastStill only 44, James Graham has become a formidable chronic…

SOURCE: The Guardian at 3:30am on September 23, 2026☆⚑

Sylvia Plath Stole My Boyfriend: the 95-year-old who has turned her romance with Ted Hughes into a play by Jenny Valentish

The Yorkshire poet had a ‘magic touch’, Liz Hicklin recalls, felt by many women: ‘It was like I was blossoming’Liz Hicklin had missed the ferry that could change her life. Pelting ra…

SOURCE: The Guardian at 12:20pm on September 22, 2026☆⚑
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