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35,727 stories from The Guardian

Greenwich+Docklands international festival – in pictures by David Levene

A selection from the dozens of outdoor art performances that made up the Greenwich+Docklands international festival, which finished on Sunday. The theme was We Move – a celebration of the …

SOURCE: The Guardian at 3:35pm on September 7, 2026

Annie Wobbler (Revisited) review – Arnold Wesker’s moving women live again by Arifa Akbar

Finborough theatre, LondonNichola McAuliffe returns to the roles Wesker tailored for her in 1981, in a trio of wistful and insightful soliloquies about working-class women’s inner thoughts…

SOURCE: The Guardian at 11:45am on September 6, 2026

1984 review – brings new meaning to the word Orwellian by Katie Hawthorne

Citizens theatre, GlasgowOrwell is himself a character in this frustrating but provocative adaptation of his dystopian classic, which seeks to refresh its metaphors and make its totalitarian…

SOURCE: The Guardian at 8:40am on September 6, 2026

King Lear review – Ian McDiarmid is a titanic, heartbreaking wonder by Mark Lawson

Crucible theatre, Sheffield The 82-year-old actor gives a performance of absolute authenticity and clarity as the erratic demagogue in a uniformly impressive productionThe word “nothing”…

SOURCE: The Guardian at 8:40am on September 6, 2026

The Story review – thrilling drama of race, truth and the pursuit of headlines by Arifa Akbar

National Theatre, London Letitia Wright plays the ambitious young reporter seduced into cutting corners with contentious reporting in a brilliantly kinetic…

SOURCE: The Guardian at 8:10am on September 4, 2026

‘Finally, a victory for the middle-aged white man!’ Chris Cantrill on winning the Edinburgh comedy award by Brian Logan

The ex-marketing manager’s win, for his spoof Sycamore Gap-inspired whodunnit Rewilding, arrives just as he’s gearing up for a new season of hit sketch show SNL UK – which he calls ‘…

SOURCE: The Guardian at 10:40am on September 3, 2026

A Month in the Country review – delicate, tragicomic tangle of desire and disappointment by Arifa Akbar

Donmar Warehouse, LondonBrian Friel’s version of Turgenev treads lightly between humour and hurt as wayward passions rock a country houseA bored hausfrau languishing in her marriage. A con…

SOURCE: The Guardian at 10:40am on September 3, 2026

Present Laughter review – gender-switched Coward comedy dazzles in 70s New York by Mark Lawson

Theatre Royal BathAntihero actor Garry becomes a magnificent new kind of beast as Gerri, played with blistering hilarity by Tracy-Ann ObermanThe reputation of Noël Coward’s plays has invo…

SOURCE: The Guardian at 8:35am on September 3, 2026

‘The myth is constantly being told’: creating a live album on stage as tribute to New York by Juan A Ramírez

In an ambitious new project, a cast of New Yorkers will help to create a one-of-a-kind tribute to New York City on stage in Central ParkLast year, theatre-makers Emily Lim and Dan Canham spe…

SOURCE: The Guardian at 5:00am on September 3, 2026

New musical to give intimate portrait of Marilyn Monroe and Arthur Miller’s marriage by Chris Wiegand Stage Editor

Misfits Together, by Bastille’s Dan Smith and To Kill a King’s Ralph Pelleymounter, is set amid the 1950s’ ‘red scare’It was lampooned as the union of the “hourglass” and the �…

SOURCE: The Guardian at 4:15am on September 3, 2026

Pauline Clayden obituary by Jane Pritchard

Dancer in the Sadler’s Wells Ballet who was a snake in Tiresias, a goat in Sylvia and an autumn fairy in Frederick Ashton’s CinderellaPauline Clayden was one of the dancers who formed th…

SOURCE: The Guardian at 1:15pm on September 2, 2026

Ready tae Drap review – clashing neighbours trapped in a lift get roars of approval by Katie Hawthorne

Òran Mór, GlasgowComedy chemistry drives a play that asks if three contrasting characters – conspiracy theorist, pregnant mum, hen-do attendee – can find common groundTrapping three ni…

SOURCE: The Guardian at 8:50am on September 2, 2026

‘There’s always a fresh fury’: Tracey Scott Wilson on Black America and her play about a fraudulent journalist by Arifa Akbar

As The Story – inspired by a scandal that ended a young Black reporter’s career – makes its London debut, its author explains why, two decades on, it’s more relevant than everIf our …

SOURCE: The Guardian at 5:35am on September 2, 2026

Electra/Persona review – Blanchett and Hoss face off in lopsided Sophocles/Bergman double bill by Arifa Akbar

Benedict Andrews’ intense, interval-free mashup of ancient and modernist classics is a show of two halves The Electra bit of the title refers to the Sophoclean tragedy of a daughter trappe…

SOURCE: The Guardian at 8:05pm on September 1, 2026

The best theatre to stream this month: Bryan Cranston cranks up the tension in All My Sons by Chris Wiegand

Cranston and Marianne Jean-Baptiste lead a brilliant staging of Arthur Miller’s tragedy, a Shelagh Delaney deep-cut is released and Black Watch turns 20Ivo van Hove’s staggering West End…

SOURCE: The Guardian at 1:50am on September 1, 2026

Katie Norris: Mother Succubus review – gothic comic enters a wickedly funny new era by Brian Logan

Pleasance Courtyard, EdinburghNorris swaps her larger-than-life Farm Fatale persona for something more autobiographical in this easygoing musical comedyKatie Norris is on a familiar trajecto…

SOURCE: The Guardian at 3:35am on August 31, 2026

Tilda Swinton’s blast from the past, Kevin Bridges at large and a deepfake ballet: theatre, comedy and dance to see this autumn by Theatre Picks Arifa Akbar. Comedy Picks Brian Logan. Dance Picks Lyndsey Winship

Swinton takes a dead man’s identity, Glasgow’s heir to Billy Connolly heads on tour and Gillian Anderson, Keira Knightley and Natalia Osipova all hit the stage• See all of our unmissab…

SOURCE: The Guardian at 12:30am on August 31, 2026

A Small and Quiet Light review – fractured portrait of a remarkable wartime spy by Arifa Akbar

Minerva theatre, ChichesterA female secret agent’s extraordinary courage never quite comes to life in a drama that struggles to find tension in her high-stakes storyNoor-un-Nisa Inayat Kha…

SOURCE: The Guardian at 12:30am on August 31, 2026

Dom McGovern: Prize Hog review – a sharp standup who is sure to go stellar by Brian Logan

Pleasance Courtyard, EdinburghThe Chicken Shop Date co-writer gives a gossipy, erudite account of his relationship with how he looks in this assured debutAt a fringe noticeable for the polis…

SOURCE: The Guardian at 9:25am on August 30, 2026

The Bridge review – a funny, furious odyssey through occupation by Mark Fisher

Assembly George Square studios, EdinburghWriter and actor Alaa Shehada turns a simple bus trip from the West Bank into a vivid tale of bureaucracy, humiliation and resistanceIt is the simpli…

SOURCE: The Guardian at 7:20am on August 30, 2026

Mere Mortals review – a dazzling, maddening ballet for the AI age by Lyndsey Winship

Edinburgh PlayhouseSan Francisco Ballet brings a spectacular collision of dance, music and digital wizardry to the Edinburgh international festival in this bold reimagining of Pandora’s bo…

SOURCE: The Guardian at 7:20am on August 30, 2026

When Prophecy Fails review – gripping dive into a doomsday cult by Lyndsey Winship

Studio theatre, Edinburgh Groupwork’s physical theatre show captures the real story of a midwest mystic from the 50s and the followers she drew, in all their eerie ordinarinessIn the early…

SOURCE: The Guardian at 1:00am on August 30, 2026

Omar Badawy: Guided Detour review – dizzying tales of decision paralysis by Anya Ryan

Pleasance Courtyard, EdinburghThe comic’s unique tale of assimilation and romance-related limbo has a high joke rate and emotional intelligenceI want to tell Omar Badawy to take a breath. …

SOURCE: The Guardian at 4:25pm on August 29, 2026

Underground Monk Show review – hysterical visions enrobed in mystery by Chris Wiegand

Assembly George Square Gardens, EdinburghFour clowns stir up a strange stew of ideas about faith in this playful and highly physical comedy‘Anyone ever been born before?” That’s a rare…

SOURCE: The Guardian at 10:00am on August 29, 2026

Roll up, tumble down! The show that imagines the US as a collapsing circus – in pictures by Murdo Macleod

At the newly reopened King’s theatre in Edinburgh, as part of the international festival, Geoff Sobelle’s Clown Show is a dizzying whirl through US historyClown Show review – the Ameri…

SOURCE: The Guardian at 8:55am on August 29, 2026
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