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35,324 stories from The Guardian

‘People are like: you’re a crackpot’: how Sam Campbell became comedy’s oddball superstar by Rachel Aroesti

Having enjoyed breakout fame on Taskmaster and Last One Laughing, the subversive Australian comic has been handed the reins of his own, very strange sitcom. Get ready for feet animations and…

SOURCE: The Guardian at 6:10am on May 24, 2026

Isabelle review – a sprawling debut driven by big ideas and family conflict by Nick Ahad

69 Humber Street, HullMarc Graham’s debut stretches from festival short to full-length play, tackling inheritance, class and familial resentment with plenty of theatrical confidenceThere a…

SOURCE: The Guardian at 6:10am on May 24, 2026

Revolution Days review – fearless aid worker bears witness to the Arab spring by Mark Fisher

Citizens theatre, GlasgowBased on her real observations of the civil uprising, Mariem Omari’s play looks at its humanitarian impactIn less volatile times, the memory of the Arab spring wou…

SOURCE: The Guardian at 1:10pm on May 22, 2026

Nine Sixteenths review – what Janet Jackson’s ‘Nipplegate’ scandal really exposed by Anya Ryan

Brixton House, LondonPaula Varjack’s kinetic play uses lip syncing and dance routines to show how prejudice turned a ‘wardrobe malfunction’ into a career disasterThe year is 2004 and t…

SOURCE: The Guardian at 1:10pm on May 22, 2026

End of the Rainbow review – Jinkx Monsoon’s Judy Garland could be the talk of the town by Chris Wiegand

Soho Theatre Walthamstow, LondonThe Drag Race star brings nuance to the vocals and has a hoot with a frisky script but this bio-drama is too limited and ultimately cramps her styleDrag Race …

SOURCE: The Guardian at 4:30am on May 22, 2026

Even These Things review – mapping Manchester’s history, from a Victorian fist fight to the IRA bomb by Mark Fisher

Royal Exchange, Manchester Rory Mullarkey’s play, expertly directed by James Macdonald, is a bold attempt to encapsulate a whole city in decisive events from across three centuriesThe them…

SOURCE: The Guardian at 1:10am on May 22, 2026

Scenes from a Friendship review – a platonic One Day that will melt your heart by Anya Ryan

Nottingham PlayhouseTeenage crushes, breakups, careers, kids, fallings out and unbreakable loyalty – Jane Upton gives us a sweeping story of two best matesImagine if One Day was set in Lon…

SOURCE: The Guardian at 4:45pm on May 21, 2026

Quartet in Autumn review – Samantha Harvey gives new life to Barbara Pym tale of imminent retirement by Holly O'Mahony

Arcola theatre, LondonThe 70s novel about the everyday grumbles of four office workers remains just as relevant, playfully staged by director Dominic DromgooleIt’s no wonder why Barbara Py…

SOURCE: The Guardian at 12:15pm on May 21, 2026

Caroline Aherne by David Scott review – portrait of a comedy maverick by Rebecca Nicholson

A biography of the creative force behind Mrs Merton and The Royle Family focuses on the stories behind her workFrom the 1990s until her tragically early death in 2016, Caroline Aherne was a …

SOURCE: The Guardian at 7:15am on May 21, 2026

Stephen Sondheim by Daniel Okrent review – a superb biography of the musical master by Emma Brockes

Packed with gossip and incident, this book is also a fascinating study in the gestation of geniusAmong the many great pleasures of Daniel Okrent’s new biography of Stephen Sondheim – a b…

SOURCE: The Guardian at 7:15am on May 21, 2026

Care review – this searing portrayal of dementia raises urgent questions for us all by Arifa Akbar

Young Vic, LondonAlexander Zeldin’s devastating play depicts the gruelling loneliness and confusion of life in a care homeAlexander Zeldin’s characters often inhabit the margins, from ze…

SOURCE: The Guardian at 12:30am on May 21, 2026

Uncaged+ review – elegant sketches of Lee Krasner and her life with Jackson Pollock by Lyndsey Winship

The Mount Without, Bristol Fame’s Antonia Franceschi delivers a double portrait of Krasner, with music by Claire van Kampen, plus there’s a superb solo from Edward WatsonTwo notable wome…

SOURCE: The Guardian at 2:50pm on May 20, 2026

Astell and Woolf review – feminist writers unite and share a sherry in the afterlife by Mark Fisher

Live theatre, NewcastleIn Shelagh Stephenson’s spiky comedy, Virginia Woolf and Mary Astell become celestial companions, discussing religion, science and independenceMary Astell is not kno…

SOURCE: The Guardian at 10:25am on May 20, 2026

Churchill’s Urinal review – Rosie Holt’s pisstake chancellor turns it up to No 11 by Ryan Gilbey

King’s Head theatre, London An office toilet once used by the wartime PM sparks a culture war in this frenzied show about politics and patriarchyWhen Rachel Reeves became chancellor in 202…

SOURCE: The Guardian at 7:15am on May 20, 2026

Munya Chawawa on making jokes as the world collapses – podcast by Presented By Nosheen Iqbal With Munya Chawawa; Produced By Eleanor Biggs and Ross Burns; Executive Producer Homa Khaleeli

The comedian Munya Chawawa on satire in the age of social media and what Donald Trump has in common with wrestlersEven if you don’t know Munya Chawawa’s name, you will almost certainly h…

SOURCE: The Guardian at 12:55pm on May 19, 2026

Stranger Things star Gaten Matarazzo to make West End debut in Rent revival by Chris Wiegand

A ‘thrillingly fresh’ 30th-anniversary production of Jonathan Larson’s musical will open at the Duke of York’s theatre in London, directed by Luke SheppardThe Pulitzer prize-winning …

SOURCE: The Guardian at 12:55pm on May 19, 2026

Some West End shows could ‘go dark’ as Equity members back possible strikes by Lanre Bakare Arts and Culture Correspondent

London’s biggest productions could be hit if industrial action over pay and conditions goes ahead, says unionSome of the biggest West End shows could be forced to temporarily close during …

SOURCE: The Guardian at 12:55pm on May 19, 2026

John Kearns: Tilting at Windmills review – a handful of dust (and prawn cocktail crisps) in riff on TS Eliot by Brian Logan

The Crescent, YorkThe comedian addresses a relationship breakup via The Waste Land, Aldi and a dimwit estate agentHow has it come to this? That’s what new show Tilting at Windmills finds J…

SOURCE: The Guardian at 12:55pm on May 19, 2026

Broadway star Jessica Vosk appeals for privacy after ‘super-fan’ sneaks into dressing room by Chris Wiegand

Actor recounts ‘really scary’ situation after leaving the stage of the musical BeachesThe Broadway star Jessica Vosk has appealed for backstage privacy to be respected after describing h…

SOURCE: The Guardian at 10:42am on May 19, 2026

Grayson Perry’s life story to be told in ‘outrageous’ musical by Chris Wiegand

Grayson the Musical will explore ‘identity, creativity and self-acceptance … with life coaching from a six-foot teddy bear named Alan’Grayson Perry’s life story is to be told in an �…

SOURCE: The Guardian at 9:55am on May 19, 2026

Equus review – desire and desperation in Peter Shaffer’s tale of sex, gods and horses by Kate Wyver

Menier Chocolate Factory, LondonLindsay Posner’s precise revival flies highest in its most intense moments of beastliness as a psychiatrist sets about ridding a teenage boy of his demons D…

SOURCE: The Guardian at 1:10am on May 19, 2026

I’m Not Being Funny review – there’s laughter through tears in emotional dark comedy by Brian Logan

Bush theatre, LondonMarried aspiring standups confront on stage what they’re concealing in real life, in Piers Black’s compelling two-handerStandup is performance in extremis, self-proje…

SOURCE: The Guardian at 12:05pm on May 18, 2026

‘A lot of people don’t think I can act’: Wallace Shawn on Hollywood, therapy and speaking out on Palestine by Juan A Ramírez

At 82, the character actor is as frank and fired-up as ever with two hit stage shows and a summer blockbuster on the way. He’s embracing being odd, he says, even if everyone doesn’t quit…

SOURCE: The Guardian at 6:00am on May 18, 2026

Farm Fatale review – freaky scarecrows make hay out of climate crisis by Kate Wyver

Southbank Centre, LondonBetween a sci-fi concert for eggs and an interview with a bee, the scarecrow broadcasters in Philippe Quesne’s oddball performance piece make the case for art as sa…

SOURCE: The Guardian at 8:05pm on May 17, 2026

Ian McKellen ‘emotional’ as he opens County Durham theatre space by Mark Brown North Of England Correspondent

Actor says Ensemble 84 in Horden, employing local talent, is how a professional repertory company should beIt’s a chilly spring evening in what was once a Catholic church in a left-behind …

SOURCE: The Guardian at 8:10am on May 17, 2026
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