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35,823 stories from The Guardian

Murder Before Evensong review – the Rev Richard Coles’s village mystery squeezes into cosy theatre by Mark Lawson

Watermill theatre, NewburyIan Hallard impresses as the detecting rector in a thoughtful adaptation that sometimes strains under a villageful of suspects, victims and doubling actorsPoirot, M…

SOURCE: The Guardian at 5:00am on October 2, 2026☆⚑

A new season of love: hit musical Rent returns to the West End with Gaten Matarazzo – in pictures by Photographs By Tristram Kenton

Jonathan Larson’s much-loved show about New York artists has been revived for its 30th anniversary with a cast including the Stranger Things star Continue reading...

SOURCE: The Guardian at 5:00am on October 2, 2026☆⚑

Hay Fever review – Richard E Grant and Christine Baranski host Coward’s country house shenanigans by Emma John

Wyndham’s theatre, London Grant brings shock-haired vigour as a vain novelist forced to welcome his boho children’s surprise guests in comedy of clipped social e…

SOURCE: The Guardian at 8:20pm on October 1, 2026☆⚑

Orgy, apocalypse and exorcism: Faye Driscoll’s revolving bed puts everyone in a spin by Tim Etchells

The US performance-maker’s Weathering, which evokes people clinging to a life raft, has left a trail of overwhelmed audiences. As it arrives in the UK, she reflects on creating a sensory e…

SOURCE: The Guardian at 11:40am on October 1, 2026☆⚑

Who’s Afraid of Virginia Woolf? review – Gillian Anderson fights tooth and nail in marital meltdown by Arifa Akbar

@sohoplace, LondonThere is no shortage of sparring between Anderson and Billy Crudup in Edward Albee’s classic, though its comedy has an air of George and MildredThose who want to moan abo…

SOURCE: The Guardian at 7:25am on October 1, 2026☆⚑

Whaur’s Yer Wullie Shakespeare Noo? review – when John Home outdid Stratford’s Bard by Mark Fisher

Òran Mór, GlasgowBrian Logan revisits the 18th-century production of Home’s Douglas in a shouty comedy about nationalism, religion and the power of theatreIt is the most famous heckle in…

SOURCE: The Guardian at 5:10am on October 1, 2026☆⚑

RSC embraces ‘hugely challenging’ task of staging Susanna Clarke’s Piranesi and Virginia Woolf’s Mrs Dalloway by Chris Wiegand Stage Editor

The Royal Shakespeare Company announces ambitious adaptations of novels in season that includes Elizabeth Debicki as Richard II and Damien Molony as CoriolanusThe Royal Shakespeare Company i…

SOURCE: The Guardian at 5:10am on October 1, 2026☆⚑

The best theatre to stream this month: Jack Lowden locks horns with Martin Freeman in The Fifth Step by Chris Wiegand

An addict meets his sponsor in David Ireland’s two-hander, Gillian Anderson dazzles in A Streetcar Named Desire and Winsome Pinnock’s audio dramas are revelatoryFor an addict in the Alco…

SOURCE: The Guardian at 1:55am on October 1, 2026☆⚑

All at Sea review – faked death of ‘canoe man’ inspires waves of intrigue by Mark Fisher

Live theatre, Newcastle Fictionalising the true story of John Darwin, Alison Carr’s gripping two-hander follows the unexpected consequences of its antihero’s bid to escape debtsIt sounds…

SOURCE: The Guardian at 9:55am on September 30, 2026☆⚑

‘They’ll never bring us dowwwwwwwn!’ Wicked’s stars pick their favourite songs from the smash hit by Interviews By Miriam Gillinson

The musical powerhouse has spawned huge hits, but which do its troupers love to belt out – even for the 1,700th time? From Broadway legend Idina Menzel to composer Stephen Schwartz, they r…

SOURCE: The Guardian at 1:15am on September 30, 2026☆⚑

The Standard of Living review – Rory Kinnear has bags of charm as Bloomsbury economist Keynes by Arifa Akbar

Theatre Royal Haymarket, LondonJames Graham’s high-wire writing brings economic theory to life and connects it with art and fulfilment in this polished, ravishingly staged story of John Ma…

SOURCE: The Guardian at 7:50pm on September 29, 2026☆⚑

‘If we’re unhealthy, it is a reflection of an unhealthy democracy’: Sarah Jones puts America on the therapy couch by Morgan Jerkins

Playing 19 characters in 100 minutes, the Tony award winner takes the temperature of the nation in America, Who Hurt You?“We’re in a timeline that even Margaret Atwood, George Orwell or …

SOURCE: The Guardian at 7:00am on September 29, 2026☆⚑

School Girls; Or, The African Mean Girls Play review – comedy makes a near-flawless Broadway debut by Juan A Ramírez

Nearly a decade after it was first staged, Jocelyn Bioh’s study of girlhood in 1980s Ghana is better than ever in irresistible new production After its 2017 premiere off-Broadway, School G…

SOURCE: The Guardian at 9:30pm on September 28, 2026☆⚑

Happy Days review – Beckett’s bewitching heroine buries her existential fears by Mark Fisher

Pitlochry Festival theatreIn what feels now like a premonition of the climate crisis, Siobhán Redmond is compelling as the everywoman putting on a brave face in an unforgiving landscapeSamu…

SOURCE: The Guardian at 10:30am on September 28, 2026☆⚑

The First Year (of the Gaza Genocide in the Media) review – bold but uneven focus on Palestinian voices by Arifa Akbar

New Diorama theatre, LondonPassionate production based on testimonies from Gaza poses many questions regarding Israel’s actions but gets overwhelmed by fact-delivery and form-switchesHow d…

SOURCE: The Guardian at 10:30am on September 28, 2026☆⚑

Tru – review: a five-star performance of a three-star script about the life of Truman Capote by Mark Lawson

Menier Chocolate FactoryJesse Tyler Ferguson’s 85-minute monologue and Paul Farnsworth’s immersive set deserve better than a Broadway museum piece text on the Breakfast At Tiffany’s au…

SOURCE: The Guardian at 3:05am on September 28, 2026☆⚑

‘We could have had good fun a few decades ago’: Christine Baranski and Richard E Grant on sex scenes, parties and theatre by Ryan Gilbey

The actors are working together for the first time ever, in Noël Coward’s comedy Hay Fever. Backstage, there’s no stopping their tales of skinny-dipping, fat-shaming and warring co-star…

SOURCE: The Guardian at 3:05am on September 28, 2026☆⚑

Catherine Bohart: Borrowing Trouble review – obsessive compulsion to overshare is captivatingly funny by Brian Logan

Soho theatre, LondonThis latest bulletin from the Irish standup’s fraught life delves deep into her OCD and dismay at her own foiblesPeople talking about their mental health is boring, say…

SOURCE: The Guardian at 4:15pm on September 27, 2026☆⚑

A Midsummer Night’s Dream review – Munya Chawawa bewitches in lovingly juiced-up 90s rave by Mark Lawson

Chichester Festival theatreA narcotic, orgiastic woodland party clashes with the traditional values of John Major’s Tory party in Justin Audibert and Hannah Joss’s exuberant productionTh…

SOURCE: The Guardian at 10:45am on September 27, 2026☆⚑

‘I’m an everythingist’: How Es Devlin became the go-to for Beyoncé gigs, fashion runways and the Olympics by Dale Berning Sawa; Photographs By Kate Peters

The Londoner is the set designer big names turn to for eye-popping spectacle. As a new retrospective opens, she gives the Guardian a glimpse at her studioFour years ago, the V&A East Sto…

SOURCE: The Guardian at 7:30am on September 27, 2026☆⚑

I’ll Be Seeing You review – Simon Russell Beale’s Liberace is a life force too great to be tamed by Mark Fisher

Pitlochry Festival theatreMartin Sherman’s meta new work sees Fra Fee’s writer struggling to turn out a play about the flamboyant pianist while despising everything the showman stands fo…

SOURCE: The Guardian at 7:30am on September 27, 2026☆⚑

Two Doors Down review – outrageously sharp, joyously sweary return of the Latimer Crescent favourites by Arusa Qureshi

OVO Hydro, GlasgowAhead of the sitcom’s new series in 2027 the full TV cast reunite for a masterclass in comfort comedy, adding musical interludes to the familiar suburban bedlamIt may hav…

SOURCE: The Guardian at 6:25am on September 27, 2026☆⚑

First Encounters: Julius Caesar review – so thrilling it kept a hall full of teens in pin-drop silence by Arifa Akbar

Ormiston Bushfield Academy, PeterboroughAn intro to Shakespeare doesn’t get any better than the RSC’s revival of Phyllida Lloyd’s all-female prison-set production led by Harriet Walter…

SOURCE: The Guardian at 7:40pm on September 26, 2026☆⚑

‘A couple of times people walked out’: how an Anne Frank musical became the hottest theater ticket of the year by Juan A Ramírez

The creators and stars of Slam Frank on their off-Broadway production - which reimagines the Holocaust victim as a pansexual rapperIt’s difficult to not invoke the term “woke” when dis…

SOURCE: The Guardian at 12:00am on September 26, 2026☆⚑

English National Ballet: Rhythm Riot review – this triple whammy brings zing, grit and chills by Lyndsey Winship

Sadler’s Wells, LondonA trio of dances taking influence from Stravinsky, tap and William Blake’s poetry combine with powerful performances exuding showmanshipDamn, there was some amazing…

SOURCE: The Guardian at 3:50pm on September 25, 2026☆⚑
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