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35,744 stories from The Guardian

Sacha Baron Cohen lined up for Quentin Tarantino’s West End playwriting debut by Chris Wiegand

The Ali G and Borat creator is reported to be taking the lead in The Popinjay Cavalier, a swashbuckling comedy Tarantino is developing for early 2027He will soon be seen resuming his old Sta…

SOURCE: The Guardian at 1:40pm on September 10, 2026

Kimberly Akimbo review – hilarious musical about a sexagenarian teen is one for the ages by Lyndsey Winship

Hampstead theatre, London Maria Friedman plays a 15-year-old with a rare ageing condition in a heartfelt and funny show that manages to sustain its sweetnessIt’s a bizarre concept for a mu…

SOURCE: The Guardian at 11:40am on September 10, 2026

World Tango Championships finals in pictures by Rodrigo Abd /associated Press

Tango is an art form which, as the competitors themselves described, serves as a deeply personal means of expression, communication and connection between people beyond cultural and geograph…

SOURCE: The Guardian at 10:35am on September 10, 2026

Nick Mohammed takes Claudia Winkleman’s role in stage version of The Traitors by Chris Wiegand Stage Editor

Finalist in 2025’s inaugural celebrity iteration will be the host of several variants, which will see different characters banished, murdered and victoriousIn another twist for the intrigu…

SOURCE: The Guardian at 9:40am on September 10, 2026

for colored girls who have considered suicide / when the rainbow is enuf review – ‘choreopoem’ of sisterhood by Anya Ryan

Yard theatre, London Starkly staged panorama of Black female experience rushes through its scenes but is delivered with feeling by terrific castIt has been 50 years since this “choreopoem�…

SOURCE: The Guardian at 8:25am on September 10, 2026

‘Female survival in a terrifying world’: Tilda Swinton’s return in Man to Man by Stephen Unwin

Manfred Karge’s play about a woman acting as her dead husband was a cause célèbre in the 80s. It remains a bracing portrait of a divided person in a divided cultureIt was Pierre Audi, th…

SOURCE: The Guardian at 6:15am on September 10, 2026

Jane Eyre: A Musical review – more Disney romance than Victorian gothic by Holly O'Mahony

Southwark Playhouse Elephant, London This production has a talented cast and looks the part, but the characterisation is thin and the songs are often cloyingMuch like Emerald Fennell’s fil…

SOURCE: The Guardian at 10:45am on September 9, 2026

The Gate theatre’s creative daring gave a tiny stage international scope | Michael Billington by Michael Billington

For five decades, this enterprising venue – which is now shutting up shop – broadened the horizons of British theatreLondon’s Gate theatre, not to be confused with its Dublin namesake,…

SOURCE: The Guardian at 9:45am on September 9, 2026

East Is East review – the classic cross-cultural comedy is as sharp as ever by Nick Ahad

Bolton Octagon Thirty years on, Ayub Khan Din’s play about dual-heritage life in the 70s is revived for a tour with an exceptional cast Thirty years ago a play opened at Birmingham Rep tha…

SOURCE: The Guardian at 9:45am on September 9, 2026

You’re So Special review – painfully funny tragedy of a stardom seeker by Anya Ryan

Soho theatre, LondonA dance teacher for toddlers dreams of bigger things in Julia Grogan’s frantic one-woman showThe mind of a performer, hungry for her big break, is cracked open in Julia…

SOURCE: The Guardian at 8:35am on September 9, 2026

Sir Richard Alston obituary by Sanjoy Roy

Choreographer who played a leading role in developing the independent dance scene through the 1970s and early 80sThe choreographer Richard Alston, who has died aged 77, was a landmark figure…

SOURCE: The Guardian at 7:30am on September 9, 2026

‘This is not sustainable’: London’s Gate theatre to close after nearly 50 years by Chris Wiegand Stage Editor

Formerly based above a Notting Hill pub, the theatre earned a reputation for radical plays with new talent yet had a 100% loss of Arts Council England funding in 2022The Gate theatre in Lond…

SOURCE: The Guardian at 7:30am on September 9, 2026

Poetry in motion: Richard Alston’s spellbinding dances – in pictures by Tristram Kenton

The work of celebrated British choreographer Richard Alston, who has died aged 77, has been photographed by the Guardian’s Tristram Kenton for decades. Here is a selection from Alston’s …

SOURCE: The Guardian at 3:20pm on September 8, 2026

‘We all have an expiry date’: Kimberly Akimbo, the achingly funny musical about a teen with a 64-year-old body by Emma John

The uplifting, award-winning show about a girl aging four times too fast electrified New York. As it hits the UK, co-creator Jeanine Tesori talks about being inspired by the Aids crisis and …

SOURCE: The Guardian at 12:05pm on September 8, 2026

Richard Alston’s dance illuminated the music, let you delight in the moment – and stole my heart by Lyndsey Winship

The radical British choreographer, who has died aged 77, was as warm and graceful as his astonishing body of workThe first contemporary dance I really loved was made by Richard Alston. In th…

SOURCE: The Guardian at 12:05pm on September 8, 2026

Richard Alston, trailblazer and guiding light of British dance, dies aged 77 by Chris Wiegand Stage Editor

Akram Khan among those paying tribute to ‘pioneering’ choreographer of intense musicality and grace who inspired generations of dancersSir Richard Alston, the British choreographer and t…

SOURCE: The Guardian at 7:45am on September 8, 2026

‘It’s not good to walk through the world feeling like prey’: Thelma & Louise’s writer on turning a movie classic into a musical by Lyndsey Winship

It was her very first film and it won her an Oscar. But can Callie Khouri now make it work on stage with songs? She talks about what made her write it – and how little has changed since‘…

SOURCE: The Guardian at 12:10am on September 8, 2026

Greenwich+Docklands international festival – in pictures by David Levene

A selection from the dozens of outdoor art performances that made up the Greenwich+Docklands international festival, which finished on Sunday. The theme was We Move – a celebration of the …

SOURCE: The Guardian at 3:35pm on September 7, 2026

Annie Wobbler (Revisited) review – Arnold Wesker’s moving women live again by Arifa Akbar

Finborough theatre, LondonNichola McAuliffe returns to the roles Wesker tailored for her in 1981, in a trio of wistful and insightful soliloquies about working-class women’s inner thoughts…

SOURCE: The Guardian at 11:45am on September 6, 2026

1984 review – brings new meaning to the word Orwellian by Katie Hawthorne

Citizens theatre, GlasgowOrwell is himself a character in this frustrating but provocative adaptation of his dystopian classic, which seeks to refresh its metaphors and make its totalitarian…

SOURCE: The Guardian at 8:40am on September 6, 2026

King Lear review – Ian McDiarmid is a titanic, heartbreaking wonder by Mark Lawson

Crucible theatre, Sheffield The 82-year-old actor gives a performance of absolute authenticity and clarity as the erratic demagogue in a uniformly impressive productionThe word “nothing”…

SOURCE: The Guardian at 8:40am on September 6, 2026

The Story review – thrilling drama of race, truth and the pursuit of headlines by Arifa Akbar

National Theatre, London Letitia Wright plays the ambitious young reporter seduced into cutting corners with contentious reporting in a brilliantly kinetic…

SOURCE: The Guardian at 8:10am on September 4, 2026

‘Finally, a victory for the middle-aged white man!’ Chris Cantrill on winning the Edinburgh comedy award by Brian Logan

The ex-marketing manager’s win, for his spoof Sycamore Gap-inspired whodunnit Rewilding, arrives just as he’s gearing up for a new season of hit sketch show SNL UK – which he calls ‘…

SOURCE: The Guardian at 10:40am on September 3, 2026

A Month in the Country review – delicate, tragicomic tangle of desire and disappointment by Arifa Akbar

Donmar Warehouse, LondonBrian Friel’s version of Turgenev treads lightly between humour and hurt as wayward passions rock a country houseA bored hausfrau languishing in her marriage. A con…

SOURCE: The Guardian at 10:40am on September 3, 2026

Present Laughter review – gender-switched Coward comedy dazzles in 70s New York by Mark Lawson

Theatre Royal BathAntihero actor Garry becomes a magnificent new kind of beast as Gerri, played with blistering hilarity by Tracy-Ann ObermanThe reputation of Noël Coward’s plays has invo…

SOURCE: The Guardian at 8:35am on September 3, 2026
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