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35,498 stories from The Guardian

The Smile of Her review – actor’s autobiographical show speeds through its resonant pains by Arifa Akbar

Marylebone theatre, London Christine Lahti tells the story of family life, misunderstandings between mothers and daughters, and her career – but its focus is blurredChristine Lahti’s aut…

SOURCE: The Guardian at 12:30pm on July 17, 2026

The Shaughraun review – comic antics and roguish charm in a divided Ireland by Helen Meany

Town Hall theatre, GalwayA beautifully knit ensemble bring infectious, giddy fun to Dion Boucicault’s 1874 caper, finding a delicious balance between whimsy and sincerityDion Boucicault’…

SOURCE: The Guardian at 8:15am on July 17, 2026

I Can Die Too review – vibrant pop songs can’t bring actor’s tale to life by Mark Fisher

Pitlochry Festival theatre Following its star through rehearsals and squabbles with her director, this is modelled on Cocteau’s La Voix Humaine but it’s no…

SOURCE: The Guardian at 6:05am on July 17, 2026

My Fair Lady review – lovable musical transforms exuberantly beyond expectation by Arifa Akbar

Chichester Festival theatreThe well-worn rags to riches story blossoms beyond its generic setup when Eliza Doolittle and Henry Higgins’ relationship develops an emotional truthFor the firs…

SOURCE: The Guardian at 9:45am on July 16, 2026

The Secret Garden review – thoughtful adaptation takes root in the imagination by Miriam Gillinson

The Egg, BathThe beloved children’s perennial is the basis for a celebration of craft, creativity and the beauty of the natural world in this charming puppetry productionThe Egg theatre ce…

SOURCE: The Guardian at 8:45am on July 16, 2026

Sweeney Todd review – Sondheim’s demon barber is still a cut above by Mark Fisher

Birmingham RepWith tremendous singing from Ramin Karimloo and Meow Meow, Joe Murphy’s superb staging of the story is full of dark gothic humourStephen Sondheim was drawn to fairytales – …

SOURCE: The Guardian at 3:30am on July 16, 2026

Hit Machine review – slick music biz drama strikes too many false notes by Ammar Kalia

Soho theatre, LondonJosh Radnor is a music executive whose life is upended by his wayward brother, in a play about masculinity, creativity, appropriation and traumaOn paper, writer Jonathan …

SOURCE: The Guardian at 1:05pm on July 15, 2026

The Oresteia review – Simon Stone’s patchwork tragedy is a gripping and exasperating epic by Arifa Akbar

Bridge theatre, London Mary-Louise Parker gives a powerhouse performance in a three-part drama that cuts up Aeschylus’s chronology and adds shades of other playsAlthough writer-director Si…

SOURCE: The Guardian at 8:50am on July 15, 2026

Tender review – passion and dangerous promise in surreal horror romance by Arifa Akbar

Bush theatre, LondonFrancesca Amewudah-Rivers is a phenomenal presence in this queer thriller that leaves a little too much unexplainedThis strange and alluring two-hander was first performe…

SOURCE: The Guardian at 12:15am on July 15, 2026

A cathartic play unpacks the pain of heartbreak with classic breakup songs: ‘As close to a universal experience as one gets’ by Donna Lu

Heartbreak Hotel draws on the wisdom of Céline Dion, Prince and Elvis, as well as a rich repository of literature about grief and broken heartsIn 1983, the Japanese doctor Hikaru Sato diagn…

SOURCE: The Guardian at 4:50pm on July 14, 2026

Andrew Lloyd Webber says Broadway in ‘dire danger’ as Cats musical announces early closing by Owen Myers

The legendary composer warned theaters could soon meet the same fate as Hollywood’s ‘empty soundstages’Andrew Lloyd Webber has spoken out about the precarious state of Broadway in the …

SOURCE: The Guardian at 1:12pm on July 14, 2026

‘The crowd are there for the crashes’: how a play performed on a racetrack became a smash with banger racers by Kate Wyver

The Kneebone Cadillac is about a sport in which community is fostered yet collisions are encouraged. Actors, audiences and drivers explain the rushLexi Crosbie was five days old when she wen…

SOURCE: The Guardian at 12:30pm on July 14, 2026

The Jonathan Larson Project review – Rent composer’s lost songs find a glorious new home by Chris Wiegand

Southwark Playhouse Borough, LondonA lesser-known selection from the composer and lyricist’s archive is full of heart and humour, swinging between cabaret blues and pop bangersHow do you m…

SOURCE: The Guardian at 9:10am on July 14, 2026

‘True Patriots’: a traveling play honors enslaved Africans’ role in the American revolution by Melissa Hellmann

Da’ Gullah American Revolutionary Experience retells the revolutionary war from the perspective of former slavesA beam of white light illuminated actor Anita Singleton-Prather’s face. �…

SOURCE: The Guardian at 7:00am on July 14, 2026

‘I just knew it would sound incredible!’: why the Globe is giving Shakespeare some flamenco fire by Lyndsey Winship

Love’s Labour’s Lost offers a heady mix of passion and death – which makes the Spanish art form a perfect match, says director Indiana Lown-Collins. Our writer joins the theatre’s fl…

SOURCE: The Guardian at 12:40pm on July 13, 2026

Yvonne Rainer, Trio A review: watching this thrilling performance for free feels like an enormous privilege by Ben Eastham

Tate Modern, LondonWith this work, the choreographer changed the course of dance – and on its 60th anniversary, viewed by babies, tourists and passers-by, it’s as beguiling and hypnotic …

SOURCE: The Guardian at 7:20am on July 13, 2026

The man who forgot himself: life before and after total amnesia by Paula Cocozza

In 2019 Eric Lampaert woke up unable to recognise his friends, his parents, even his own name. After decades of anxiety, abandonment and bullying, was his mind just trying to shield him from…

SOURCE: The Guardian at 6:10am on July 13, 2026

Aziz Ansari review – a hugely gifted comic who makes funny look easy by Brian Logan

Royal Albert Hall, LondonShiny-suited and slick, the US standup fired off peppy and sometimes taboo-teasing gags about his cultural identity, married life and visits to a fertility clinicYou…

SOURCE: The Guardian at 1:00pm on July 12, 2026

The Market Deeping Model Railway Club review – the absurdities of British life in miniature by Mark Fisher

Nottingham PlayhouseThe camaraderie and eccentricities of some model railway enthusiasts make for an endearing group portrait in William Ivory’s well-gauged comedyBefore the play begins, a…

SOURCE: The Guardian at 9:45am on July 12, 2026

Fun Home review – Alison Bechdel’s musical memoir feels every emotion by Mark Fisher

Royal Exchange, ManchesterA celebration of the cartoonist’s sexual awakening and queer identity as well as an investigation of darker family dynamics, this soulful show wears its heart on …

SOURCE: The Guardian at 8:40am on July 12, 2026

Love’s Labour’s Lost / Much Ado About Nothing review – breezy double bill brings out the best in both by Mark Lawson

Braboeuf Manor, GuildfordElegantly stitching the plays into two parts of the same continuing story, Tom Littler’s sunny al fresco productions play every possible tragicomic noteTwo Shakesp…

SOURCE: The Guardian at 8:40am on July 12, 2026

Lear review – this matriarchal monarch’s tragedy is personal not political by Mark Fisher

Pitlochry Festival theatreMaureen Beattie leads a modern-dress version, which focuses on family dynamics rather than the decline of Shakespeare’s mighty rulerYou know when you walk into a …

SOURCE: The Guardian at 10:15am on July 10, 2026

‘It’s a national reclamation’: the 12-year festival bringing Samuel Beckett back to Ireland by Holly O'Mahony

The playwright has long been considered one of the country’s most famous exports, but not an ‘Irish writer’. An ambitious new season of plays explores his complex relationship with his…

SOURCE: The Guardian at 8:05am on July 10, 2026

Robota review – machines on the march in next-gen version of sci-fi classic by Arifa Akbar

Schwarzman Centre, OxfordHeadlong’s take on Karel Čapek’s 1920 tale of romance and robots is rife with timely debates about tech’s threat but at times the philosophical discussions dr…

SOURCE: The Guardian at 7:10am on July 10, 2026

What a clusterpuck! Race to parody hockey hit Heated Rivalry results in multiple musicals by Kate Wyver

The horny TV series has inspired a whopping four comedy shows this summer. Their makers explain why musical theatre and steamy action are such good bedfellows – and why there’s no rivalr…

SOURCE: The Guardian at 8:10am on July 9, 2026
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