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35,852 stories from The Guardian

The Prime of Miss Jean Brodie review – Muriel Spark’s extraordinary heroine made more extraordinary still by Mark Fisher

Royal Lyceum, EdinburghGayle Rankin is funny, sharp-tongued and sexually forthright as Vicky Featherstone’s production ditches 1930s starchiness for the bohemian avant gardeJean Brodie has…

SOURCE: The Guardian at 8:45am on October 11, 2026☆⚑

The Haunting of Hill House review – a slick and spooky fright night by Lucinda Everett

Richmond theatre, LondonJump scares, flying furniture and psychological unravelling hurtle towards a climax as a trio of guests investigate supernatural goings on at an abandoned mansionTher…

SOURCE: The Guardian at 6:35am on October 11, 2026☆⚑

Blood of My Blood review – gripping ghost story is a reckoning with slavery by Arifa Akbar

Royal Court theatre, LondonA Black British woman traces her family’s enslaved past in Joy Nesbitt’s supernaturally charged playJoy Nesbitt’s fantastically chilling play is both a ghost…

SOURCE: The Guardian at 8:05am on October 10, 2026☆⚑

‘Jelliness is my life motto’: jackpot theatre prize winner Jaha Koo on kimchi, K-pop and his robotic eel by Chris Wiegand

Feted for cooking up shows that can be mouthwatering as well as thought-provoking, the artist discusses his fusion of South Korean and European cultureWhen I meet Jaha Koo in Oslo, where he …

SOURCE: The Guardian at 8:05am on October 10, 2026☆⚑

King Lear review – David Threlfall makes a moving Lear, but why is he playing the Fool too? by Mark Lawson

Royal Exchange theatre, ManchesterMatthew Dunster’s disruptive reinvention of the tragedy merges two roles for its star and at times enters Game of Thrones territoryThe TV series Successio…

SOURCE: The Guardian at 1:45am on October 10, 2026☆⚑

End of the World and Hard-Boiled Wonderland review – Murakami’s marvel brilliantly brought to life by Arifa Akbar

Barbican theatre, LondonWith a dual narrative set in Tokyo and a world of dreams, Philippe Decouflé’s epic production is as bewitching as its balletic unicornsHow to stage Haruki Murakami…

SOURCE: The Guardian at 10:40am on October 9, 2026☆⚑

Candlelit theatre in Havana – in pictures by Norlys Perez/reuters

Widespread blackouts have become increasingly common in Cuba since the US imposed energy sanctions in January. Outages frequently surpass 24 hours as the ageing grid fails. The Impulso theat…

SOURCE: The Guardian at 9:35am on October 9, 2026☆⚑

Rent review – Jonathan Larson’s New York bohos move into the West End and unpack their passions by David Jays

Tom Stoppard theatre, LondonStranger Things’ Gaten Matarazzo leads the grief-stricken 90s musical about friends living under the threat of AidsIs Rent one of the musical greats? It’s a f…

SOURCE: The Guardian at 7:50pm on October 8, 2026☆⚑

Franz & Marie review – Woyzeck folk musical finds heart amid the horror by Chris Wiegand

Charing Cross theatre, LondonBüchner’s jagged masterpiece about a soldier’s descent is told with enchanting and stirring songs that occasionally defuse its stark terrorWhen Georg Büchn…

SOURCE: The Guardian at 11:15am on October 8, 2026☆⚑

Lourdes gets a Vegas glow-up at Dublin theatre festival, where canvases are slashed by Helen Meany

A musical about a drama group’s pilgrimage and reflections on activist art join an intriguing show about lost languagesIn a Dublin theatre festival programme tackling heavy themes of racis…

SOURCE: The Guardian at 8:00am on October 8, 2026☆⚑

‘He punched a polar bear on the nose!’ Ninety glorious years of Brian Blessed – by Emma Thompson, Adrian Lester and more by Interviews By Mark Fisher

Peeing in the sink he shared with Derek Jacobi, making a badger video with Brian May, climbing Everest with Alan Hinkes … as the great actor blasts into his 90s, stars celebrate his ‘lo…

SOURCE: The Guardian at 12:35am on October 8, 2026☆⚑

Contact review – Jonny Donahoe delivers a heated reunion at a bonfire of family photos by Mark Fisher

Òran Mór, GlasgowBlythe Duff and Mark Barrett are excellent as two people helplessly bound to each other in this bitter two-handerThe arrival of a first baby changes everything. It is not …

SOURCE: The Guardian at 3:50pm on October 7, 2026☆⚑

As You Like It review – there are no mere players in the RSC’s ravishing all-male escapade by Arifa Akbar

Royal Shakespeare theatre, Stratford-upon-AvonWith a WWE-style wrestling match, playful eroticism and a fine cast including Hamilton’s Jonathan Groff, this is an exquisite production‘To …

SOURCE: The Guardian at 10:30am on October 7, 2026☆⚑

The Hungry Ghost review – this sexy, juicily spooky romcom is a scream by Kate Wyver

Bush theatre, LondonMei Leng Yew’s play veers between humour and horror as a young woman ignores her mum’s warning about big life changes during a ghost festivalWith shapeshifting perfor…

SOURCE: The Guardian at 8:15am on October 7, 2026☆⚑

‘Like swapping a Bentley for a Ferrari’: can the Harry Potter stage show survive being chopped in half? by Emma John

After a phenomenal decade-long run, the Cursed Child two-parter is being pruned. Will it still work? Our writer swishes her cloak, levitates her luggage – and hops aboard the streamlined H…

SOURCE: The Guardian at 3:00am on October 7, 2026☆⚑

Affluenza review – Stranger Things star Noah Schnapp can’t save this baffling disaster by Arifa Akbar

Riverside Studios, LondonAndy Sandberg’s play gets off to an intriguing start before coming off the rails in spectacular, almost fascinating style. For all the wrong reasons, it’s hard t…

SOURCE: The Guardian at 8:40am on October 6, 2026☆⚑

Educating Rita review – Willy Russell’s classic still has plenty to teach us by Arifa Akbar

Curve theatre, LeicesterDirector Cara Nolan keeps the play’s original 1980s setting but its message about how expectations are dictated by class and gender is anything but datedSo much of …

SOURCE: The Guardian at 3:25pm on October 5, 2026☆⚑

A new start after 60: Menopausal and out of work, I sat crying in my car. Now, I’m a standup comedian by Paula Cocozza

When Barbara Scully tried to get a job after years as a stay-at-home mum, no one would hire her. So she made her own work as a writer and broadcaster – and soon found herself on TV and sta…

SOURCE: The Guardian at 9:00am on October 5, 2026☆⚑

De Profundis review – Oscar Wilde brought alive with righteous rage by Arifa Akbar

Coronet theatre, LondonAnguished monologue based on letter to jailed playwright’s ex-lover is gripping in its illumination of a tortured artistOscar Wilde’s De Profundis really does belo…

SOURCE: The Guardian at 9:00am on October 5, 2026☆⚑

Gillian Anderson responds to backlash after telling ‘distracting’ fans to stop sitting in front row by Emma Joyce

The actor, who is performing on the West End, was filmed telling theatre fans ‘you can’t come 20 times and sit in the front row, it’ll drive me mad’Gillian Anderson has come under fi…

SOURCE: The Guardian at 4:45am on October 5, 2026☆⚑

Forty years of the Phantom of the Opera - the show that wouldn’t die: ‘People come back to hear the impossible’ by Miriam Gillinson

As Andrew Lloyd Webber’s enduring gothic melodrama celebrates its 40th birthday, producer Cameron Mackintosh and cast members from down the years recall what makes it so specialThere is so…

SOURCE: The Guardian at 4:45am on October 5, 2026☆⚑

Rowan Atkinson to bring Mr Bean, Blackadder and more to West End in new show by Chris Wiegand Stage Editor

The actor will perform famous TV sketches – as well as new material created with Richard Curtis, Ben Elton and Howard Goodall – in Rowan Live, which opens in FebruaryRowan Atkinson will …

SOURCE: The Guardian at 3:40am on October 5, 2026☆⚑

Take a seat: the ritzy glamour of Australia’s historic theatres and cinemas – in pictures by Gavin M John

Photographer Gavin John’s new book, Australian Theatres & Cinemas, documents the country’s finest stage performance and picture palaces – from massive Italian Renaissance-inspired …

SOURCE: The Guardian at 12:40pm on October 4, 2026☆⚑

Once Upon A Time In Sokoto review – exuberant history lesson on intra-African slavery by Mark Lawson

Royal and Derngate, NorthamptonInua Ellams displays a Stoppardian or Fraynian relish in turning complex topics into enjoyable theatre in his latest playOver the last decade, Inua Ellams has …

SOURCE: The Guardian at 12:40pm on October 4, 2026☆⚑

Antigone Exits review – emotions run high in experimental reworking of Greek tragedy by Holly O'Mahony

Minerva theatre, ChichesterNina Segal’s revisiting of the Sophoclean story is pleasingly experimental – but not all the ideas work in Jeff James’s fourth-wall breaking productionLibati…

SOURCE: The Guardian at 7:25am on October 4, 2026☆⚑
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