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35,532 stories from The Guardian

Peter Gill: a theatrical visionary with an unsparing honesty by Michael Billington

Gill’s dramas of divided class loyalties such as The York Realist had a clear-eyed precision matched by his rigorous work as a directorPeter Gill, playwright who turned ordinary lives into…

SOURCE: The Guardian at 4:40pm on August 4, 2026

No smut, no swearing, wrong-feet wellies and a silly hat: the gentle comedy world of Jimmy Cricket by Mark Lawson

Having cut his teeth in the holiday camps of the north, the comic bestrode 80s TV with his unthreatening brand of fun, being knighted by the pope in 2015• Jimmy Cricket, comedian known for…

SOURCE: The Guardian at 11:20am on August 4, 2026

Peter Gill, playwright who turned ordinary lives into extraordinary drama, dies aged 86 by Mark Fisher

Beginning his career as an actor, Gill went on to write plays including The York Realist as well as directing for the Royal Court and National TheatreTributes have been paid to the director …

SOURCE: The Guardian at 10:20am on August 4, 2026

Reader Q&A: ask our comedy critic anything ahead of the Edinburgh fringe by Guardian Moderators (now); Brian Logan (from 1pm)

The world’s largest performing arts festival returns to the Scottish capital for three weeks – and over 4,000 shows – from this weekend. Brian Logan will be answering your questions ab…

SOURCE: The Guardian at 1:40am on August 4, 2026

What, no sequinned crooners? How cruises became the home for world class theatre by Brian Logan

Forget cheesy acts, these days cruise ships boast the cutting edge tech to stage hip West End productions and Olivier award-winning musicals – and young people are loving itThe phrase “c…

SOURCE: The Guardian at 12:35am on August 4, 2026

Jimmy Cricket, comedian known for his ‘And there’s more!’ catchphrase, dies aged 80 by Tim Jonze

His family friendly style made the comedian a household name in the 80s and he was awarded a papal knighthood in 2015 for services to charityJimmy Cricket, the northern Irish comic who becam…

SOURCE: The Guardian at 12:50pm on August 3, 2026

Now You See Me Live review – magic so bombastic it may be visible from space by Brian Logan

London ColiseumA quartet of conjurors, calling themselves the Horsemen, perform fine feats of escapology and mentalism that are undermined by smoke, lasers and pomposityIs there an opposite …

SOURCE: The Guardian at 8:25am on August 3, 2026

Mary Beth Barone on provocative jokes, Palestine and manosphere misogyny: ‘It’s hard to stomach that those are my co-workers’ by Owen Myers

The comedian and actor’s new Netflix special is a gleefully absurd take on politics and potty-mouthed humorMary Beth Barone knows exactly who will be offended by her new Netflix special. �…

SOURCE: The Guardian at 6:15am on August 3, 2026

‘Topless modelling never aligned with me’: inside Everyone’s Seen My Tits, the play by a former page 3 model by Anya Ryan

As she brings her memoir to the Edinburgh festival, Keeley Hazell talks about trauma, exploitation, the hollowness of the high life – and her new career as a writer on Ted LassoThere was a…

SOURCE: The Guardian at 6:15am on August 3, 2026

‘They played noughts and crosses on the PM’s huge forehead!’ An Indian standup picks his favourite gen Z protest memes by Anuvab Pal

They turned the news into a Funny or Die video. They cooked up a romcom between PM Modi and Giorgia Meloni. And they fought the police with Lana del Rey memes. Our writer observes the Cockro…

SOURCE: The Guardian at 6:15am on August 3, 2026

Boy George pulls out of Jesus Christ Superstar after releasing pro-Israel song by Ben Beaumont-thomas

The 80s star will no longer appear in role of Herod in London Palladium run, with manager saying decision is ‘in the best interests of my artist’Boy George has pulled out of a forthcomin…

SOURCE: The Guardian at 6:15am on August 3, 2026

The best theatre to stream this month: Self Esteem dazzles with Teeth ’n’ Smiles by Chris Wiegand

Rebecca Lucy Taylor leads David Hare’s rock’n’roll drama, Michaela Coel tells us Chewing Gum Dreams and Stranger Things’ Gaten Matarazzo stars in a murder mysteryLike a time capsule …

SOURCE: The Guardian at 6:15am on August 3, 2026

Ariana Grande to take ‘a step back’ from public life due to ‘endless, ongoing scrutiny’ by Sian Cain and Agencies

Singer was due to reunite with Wicked co-star Jonathan Bailey in London production of Sunday in the Park With GeorgeAriana Grande has announced plans to take a break from public-facing work …

SOURCE: The Guardian at 6:15am on August 3, 2026

‘Never felt so scared’: the Cats obsessive who’s created a feral dance version of the purr-fect musical by Lyndsey Winship

Drew McOnie skipped school to audition for the original. It launched his astonishing career. Now he’s getting his claws into a no-pussyfooting version of the classic hitAt the age of 17, D…

SOURCE: The Guardian at 6:15am on August 3, 2026

Disruption review – anti-AI thriller boasts knockout cast but tech commentary needs an update by Juan A Ramírez

Pershing Square Signature Center, New YorkJohn David Washington leads an exceptionally talented cast in a sleek off-Broadway thriller that feels a little datedMaking its US debut three years…

SOURCE: The Guardian at 8:00pm on August 2, 2026

Tao of Glass review – stage magic as McDermott meditates on the minimalist master by Alexandra Coghlan

Soho Place theatre, LondonThis multifaceted and personal homage to – and collaboration with – composer Philip Glass is a transcendent tapestry suffused with joy and wonder. A show that d…

SOURCE: The Guardian at 11:50am on July 31, 2026

A World Elsewhere review – chaotic thrills as kids sail, fight and fall through trap doors by Miriam Gillinson

Sam Wanamaker Playhouse, London Family show brings gleeful playfulness to the story of a 12-year-old whose escape into extravagant daydreams has begun to alarm himThe mo…

SOURCE: The Guardian at 7:30am on July 31, 2026

Cleansed review – Sarah Kane’s visions of brutal torture resonate more intensely than ever by Arifa Akbar

Almeida theatre, LondonRebecca Frecknall pulls off this notoriously difficult 1998 play, in which appalling cruelty and violence is balanced against human yearning for love and beautySarah K…

SOURCE: The Guardian at 11:00am on July 30, 2026

Marianela: Timeless review – perfect ballerina shows off a leg-whipping, frictionless mastery by Lyndsey Winship

Royal Opera House, London In what is officially her first solo show, the star principal marshals technically peerless performances from a tremendous company in finely chosen repertoireIs the…

SOURCE: The Guardian at 8:10am on July 30, 2026

Love’s Labour’s Lost review – paella, bullfighting and flamenco make Shakespeare’s farce a fiesta by Mark Lawson

Shakespeare’s Globe, LondonChoreographers Carmen Igarza and Vanessa Guevara deserve to take a bow as spectacular dance and movement add passion to the seemingly unfinished playThe fact tha…

SOURCE: The Guardian at 8:10am on July 30, 2026

‘The Messi of ballet’: Marianela Núñez, the Buenos Aires bombshell shaking up British dance by Lyndsey Winship

The superlative Royal Ballet star finally has her own show. She talks about fabulous footwork, her Argentina-inspired leotard – and why she named her cat after a certain footballerMarianel…

SOURCE: The Guardian at 12:30pm on July 28, 2026

PalesTEENian review – engaging story of mixed identity is a bit of a muddle by Arifa Akbar

Riverside Studios, London Joe Haddad’s solo show tilts between family comedy and football fandom as well as the horrors of the Gaza war but never qu…

SOURCE: The Guardian at 10:25am on July 28, 2026

Laurie Kilmartin review – Oscars gag-writer unleashes a fierce and filthy talent by Kate Wyver

Soho theatre, London She has penned jokes for Jimmy Kimmel, Conan O’Brien and the Academy. Now she’s seizing the limelight with scattergun routines about everything from penises to free-…

SOURCE: The Guardian at 7:40am on July 28, 2026

Oona Doherty: Leather Jacket review – dancers delight in their hard sweaty work by Lyndsey Winship

Bold Tendencies, LondonSlaps, beats and bounces underscore the unified collective pleasure of sharing a rhythm in this world premiere of the singular choreographer’s latest pieceCan it be …

SOURCE: The Guardian at 11:55am on July 26, 2026

Shechter II: In the Brain review – a thrilling release of rave and ritual by Lyndsey Winship

Queen Elizabeth Hall, LondonHofesh Shechter’s latest doesn’t break new ground, but its exceptional dancers throw themselves into a moody, pulse-quickening celebration of communal movemen…

SOURCE: The Guardian at 7:05am on July 24, 2026
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