All stories by Ben Brantley on BroadwayStars

Thursday, May 31, 2018

Review: Jim Parsons and Zachary Quinto Enter Sniping in ‘The Boys in the Band’ by Ben Brantley

Mart Crowley’s epochal 1968 comic drama at last makes its Broadway debut, in Joe Mantello’s entertaining but disconnected production.

SOURCE: The New York Times Subscription at 10:06PM
Wednesday, May 23, 2018

Review: Dirty Dancing to Henry James in ‘The Beast in the Jungle’ by Ben Brantley

This labored adaptation of a James short story, starring Tony Yazbeck, features a boldface creative team that includes John Kander and Susan Stroman

SOURCE: The New York Times Subscription at 07:48PM
Tuesday, May 22, 2018

Review: ‘Tin Cat Shoes,’ a Commentary on the Silliness of the System by Ben Brantley

This initial, mind-frisking comedy from Clubbed Thumb’s Summerworks festival is a reminder of the particular pleasures of warm-weather goofiness.

SOURCE: The New York Times Subscription at 09:24PM
Sunday, May 20, 2018

Review: In the Relationships in ‘Singlet,’ One and One Make One by Ben Brantley

Erin Markey’s disciplined performance piece, a collaboration with Emily Davis, examines the dissolving boundaries of intense intimacy.

SOURCE: The New York Times Subscription at 11:48AM
Tuesday, May 15, 2018

Review: In ‘Operation Crucible,’ Terror and Reassurance by Ben Brantley

Kieran Knowles’s gripping play about the Sheffield Blitz, part of the Brits Off Broadway festival, focuses on the interdependent lives of four steel workers.

SOURCE: The New York Times Subscription at 07:48PM
Sunday, May 13, 2018

Review: Jeremy Irons and Lesley Manville Lead a Hard-Run ‘Long Day’s Journey’ by Ben Brantley

In this highly adrenalized production of Eugene O’Neill’s harrowing family portrait, everybody seems to be acting as fast as possible.

SOURCE: The New York Times Subscription at 08:18AM
Thursday, May 10, 2018

Review: Conjuring the Ghosts of Theater Past in ‘A Pink Chair’ by Ben Brantley

This exquisite Wooster Group evocation of Tadeusz Kantor’s work becomes an ode to the ephemerality of theater and its creators.

SOURCE: The New York Times Subscription at 12:12PM
Wednesday, May 9, 2018

Tony Awards 2018: Who Will Win (and Who Should) by Ben Brantley and Jesse Green

Passionate agreement on best musical, but after that all bets are off.

SOURCE: The New York Times Subscription at 06:18AM

Loving and Hating the Broadway Season: Our Critics Could Have Argued All Night by Ben Brantley, Jesse Green and Scott Heller

Disagreeing on classic musicals, agreeing on “The Band’s Visit,” and worried about a season when revivals outshone new plays.

SOURCE: The New York Times Subscription at 06:18AM
Tuesday, May 8, 2018

Review: ‘Dance Nation,’ the Power and the Terror of Girls at 13 by Ben Brantley

Clare Barron’s glorious new play, at Playwrights Horizons, examines the anguished and ecstatic inner lives of a middle-school dance team.

SOURCE: The New York Times Subscription at 09:18PM
Sunday, May 6, 2018

Review: Building the Wall (Not That One) in Aristophanes’ ‘The Birds’ by Ben Brantley

This rambunctious riff on an ancient Greek comedy, at St. Ann’s Warehouse, considers the crazier consequences of the quest for utopia

SOURCE: The New York Times Subscription at 05:18PM
Wednesday, May 2, 2018

Review: ‘A Brief History of Women,’ an Alan Ayckbourn Comedy of Tragedies by Ben Brantley

This master farceur’s play, believed to be his 81st, charts social changes through six decades in a single stately home, inhabited by people as silly as they are sad.

SOURCE: The New York Times Subscription at 07:18PM
Tuesday, May 1, 2018

In a Slim Season, the Tonys Show Love to Brits, Classics and Sponges by Ben Brantley and Jesse Green

Our chief critics offer reaction to the nominations, which were hard on jukebox musicals and “Frozen” but good to “My Fair Lady” and “Carousel.”

SOURCE: The New York Times Subscription at 12:36PM

5 Shows to See in New York: ‘Me and My Girl,’ ‘Dance Nation’ and More by Ben Brantley

May is a good month to venture away from Times Square blockbusters. “Our Lady of 121st Street” and “Long Day’s Journey Into Night” are Off Broadway highlights.

SOURCE: The New York Times Subscription at 05:48AM
Thursday, April 26, 2018

Review: In an Energized ‘Iceman,’ the Drinks are on Denzel by Ben Brantley

George C. Wolfe’s entertaining production allows the large ensemble, including Mr. Washington, to charm one another and play to the crowd.

SOURCE: The New York Times Subscription at 07:48PM
Tuesday, April 24, 2018

Review: Screwball Eggheads Tear Up the Library in ‘Travesties’ by Ben Brantley

This exuberant revival of Tom Stoppard’s 1974 comedy of the intellect, starring Tom Hollander, is one of the sweetest and strangest defenses of art.

SOURCE: The New York Times Subscription at 08:18PM
Monday, April 23, 2018

Review: ‘Transfers’ and the Anguished Art of the College Interview by Ben Brantley

Lucy Thurber’s compassionate but clunky play follows the bids of two young men from the Bronx to win scholarships at a New England college

SOURCE: The New York Times Subscription at 08:48PM
Sunday, April 22, 2018

Review: ‘Harry Potter and the Cursed Child’ Raises the Bar for Broadway Magic by Ben Brantley

J.K. Rowling’s ever-popular boy wizard is all grown up in this enthralling two-part play, directed with seamless magic by John Tiffany.

SOURCE: The New York Times Subscription at 10:18PM
Wednesday, April 18, 2018

Review: Matthew Broderick Finds His Inner Satan in ‘The Seafarer’ by Ben Brantley

In the Irish Repertory Theater’s solid revival of Conor McPherson’s Christmas classic, the Devil sits down for Yuletide wassail and a game of cards.

SOURCE: The New York Times Subscription at 09:12PM
Tuesday, April 17, 2018

Review: In the Hotel in ‘Zürich,’ Room Service Comes With a Bang by Ben Brantley

Amelia Roper’s portrait of disparate — and desperate — lives in a Swiss hotel becomes an indictment of moral blight in the 21st century.

SOURCE: The New York Times Subscription at 10:06PM
Sunday, April 15, 2018

Review: An Elephant’s Ghost Stalks the World in ‘Mlima’s Tale’ by Ben Brantley

Lynn Nottage’s beautiful, reverberating portrait of a murder and its consequences follows the global path of illicitly obtained ivory.

SOURCE: The New York Times Subscription at 09:45PM
Thursday, April 12, 2018

Review: A ‘Carousel’ That Spins on a Romantically Charged Axis by Ben Brantley

Jack O’Brien and Justin Peck’s heartfelt, half-terrific revival of an American classic stars a wonderfully ambivalent Joshua Henry and Jessie Mueller.

SOURCE: The New York Times Subscription at 09:45PM
Monday, April 9, 2018

Review: ‘This Flat Earth’ Traces Childhood Fears No Parent Can Allay by Ben Brantley

Lindsey Ferrentino’s ambitious but ungainly drama, at Playwrights Horizons, assesses the effect of a school shooting on one uncomprehending survivor.

SOURCE: The New York Times Subscription at 07:15PM
Sunday, April 8, 2018

Review: ‘Mean Girls’ Sets the Perils of Being Popular to Song by Ben Brantley

Tina Fey’s adaptation of her 2004 screenplay about high school cliques comes to Broadway with wit, fetch and a surplus of songs.

SOURCE: The New York Times Subscription at 09:45PM
Wednesday, April 4, 2018

Review: Head Tripping the Light Fantastic in ‘Symphonie Fantastique’ by Ben Brantley

The puppeteer Basil Twist’s singular riff on a Berlioz symphony returns with enhanced production values and undiminished hallucinatory magic.

SOURCE: The New York Times Subscription at 09:45PM
Monday, April 2, 2018

Review: Reliving Those Arabian Nights in ‘Pay No Attention to the Girl’ by Ben Brantley

Target Margin Theater’s tantalizing reconception of “The Thousand and One Nights” reminds us that there have always been unreliable narrators.

SOURCE: The New York Times Subscription at 08:40PM
Wednesday, March 28, 2018

Review: A Blistering Billie Piper Unravels Brilliantly in ‘Yerma’ by Ben Brantley

Simon Stone’s latter-day riff on Lorca’s poetic tragedy dares to go to extremes, in this portrait of a journalist trying to conceive a child.

SOURCE: The New York Times Subscription at 02:00PM
Monday, March 26, 2018

Review: Chris Evans and Michael Cera Tell Lies to Live by in ‘Lobby Hero’ by Ben Brantley

This astutely acted revival of Kenneth Lonergan’s play presents conversation as an ongoing act of deception and betrayal.

SOURCE: The New York Times Subscription at 09:45PM
Sunday, March 25, 2018

Review: An ‘Angels in America’ That Soars on the Breath of Life by Ben Brantley

Marianne Elliott’s London-born production of Tony Kushner’s masterwork is blazingly reimagined with a cast including Nathan Lane and Andrew Garfield.

SOURCE: The New York Times Subscription at 09:30PM
Thursday, March 22, 2018

Review: Divine Decadence Revisited in ‘Grand Hotel’ by Ben Brantley

This sumptuous if uninvolving Encores! production invites you to wallow with the beautiful and damned in old Berlin.

SOURCE: The New York Times Subscription at 03:43PM
Wednesday, March 14, 2018

Review: They Meet Again in ‘Later Life.’ Will Fireworks Follow? by Ben Brantley

The Keen Company’s limpid revival of A.R. Gurney’s 1993 play makes a case for this eloquent portrait of a man who can’t change.

SOURCE: The New York Times Subscription at 09:45PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic