1,508 stories from The New Yorker
Before “The Pitt,” the actor waited tables, made lattes, and schlepped Carrie Bradshaw’s wardrobe around town.
Sidney Lumet's kinetic, emotionally complex film has been transformed into a hokey sitcom with gunshots.
"Call Me Izzy" and "Angry Alan" feature two stars up close and personal.
The poet and Pulitzer-nominated playwright discusses four books by her closest teachers.
In Jesse Armstrong's new satire, tech is never morally in the black, and the people who create it are no better than despots"inept ones, at that.
The scenic designer Dane Laffrey on the inspiration he found while travelling in Tokyo and the ideas that led to the groundbreaking set design of the Broadway musical, which stars Darren Cri…
I need to open the door now, it's not the end of the world, it's just that it's been such a long time since anyone's knocked on my door.
The author discusses his story "Elias."
The musician talks with Amanda Petrusich about his two new albums of ambient music, and his book "What Art Does," a pocket-size argument for the value of feelings in our lives.
Also: the skateboarding play "Bowl EP," the off-kilter divas Grace Jones and Janelle Monae; Jamie Lee Curtis's early "Love Letters," and more.
The seventy-six-year-old theatre diva, famed and feared for her salty bravado, dishes on Hal Prince, her non-friendship with Audra McDonald, and sexy but dumb New York Rangers.
The spirit of August Strindberg infuses Hannah Moscovitch's "Sexual Misconduct of the Middle Classes" and Jen Silverman's adaptation of "Creditors."
The inveterate character actor discusses Don Quixote, his time as George Clooney's roommate, and his latest gig: m.c.ing John Mulaney's absurdist talk show.
Most people accept the city's chaos as a toll for an expansive life. It took me several decades to realize that I could go my own way.
The classroom staple turns a hundred.
Adam Guettel and Tina Landau's 1996 musical about a trapped caver resurfaces on Broadway, and Shayok Misha Chowdhury and Mona Pirnot play metaphysical games.
Funding shifts at three of the largest philanthropic foundations have brought turbulence and uncertainty to the intricate New York support system for the performing arts.
New productions of Shakespeare's "Richard II," Annie Ernaux's "The Years," Robert Icke's "Manhunt," Tennessee Williams's "The Glass Menagerie," and more.
From Brickman, I learned that satire can be friendly, even cheerful, and that anything was a suitable target.
Can the fifty-four-year-old arts hub weather the next four years?
Dozens of audience members have lost consciousness watching Eline Arbo's adaptation of "The Years." The internet has come to believe that a conspiracy is afoot.
Kieran Culkin and Bob Odenkirk try to close the deal in David Mamet's classic, and George Clooney stars in a timely portrait of media courage.
Also: Rachel Syme on the latest in charms, the Chicago rapper Saba, turtle races in Bed-Stuy, Caspar David Friedrich paired with Schumann, and more.
Placing the failure of the live-action remake largely at Rachel Zegler's feet is almost perversely flattering to her.
A splashy new production of the play may give a sense of where Shakespeare productions are heading.
