All stories by Jason Zinoman on BroadwayStars

Tuesday, October 8, 2024

Ali Wong and Hannah Gadsby Paint Different Portraits of Fame by Jason Zinoman

Her gossipy portrait of singlehood as a celebrity is a sunny contrast to the darker view of her Netflix stablemate Hannah Gadsby.

SOURCE: The New York Times Subscription at 05:42AM
Wednesday, April 24, 2024

Improv Is Making a Comeback in New York by Jason Zinoman

The pandemic dealt a major blow to the once-thriving comedy form, but a new energy can be seen in performances throughout the city.

SOURCE: The New York Times Subscription at 04:48PM
Saturday, April 13, 2024

Review: In ‘Symphony of Rats’ Revival, a Darkness Goes Underexplored by Jason Zinoman

The Wooster Group’s staging of Richard Foreman’s play operates like a delightful love letter from one giant of experimental theater to another.

SOURCE: The New York Times Subscription at 05:36AM
Tuesday, March 5, 2024

Review: For ‘Jack Tucker,’ Failure Is the Only Option by Jason Zinoman

Zach Zucker delivers a raucously funny portrait of a catastrophically dim stand-up comic at SoHo Playhouse.

SOURCE: The New York Times Subscription at 08:42PM
Tuesday, February 13, 2024

‘Izzard Hamlet New York’ Review: A Solo Show That’s More Noble Than Wise by Jason Zinoman

Eddie Izzard is a wildly witty ad-libber, but a play straitjackets this gift — especially in this new staging that is short of ideas.

SOURCE: The New York Times Subscription at 03:36PM
Monday, January 1, 2024
Monday, December 18, 2023

One Reason Theatre Is in Crisis: The Slow Death of Criticism by Jason Zinoman

Peter Marks's departure from the Washington Post is only the latest sign that too many of us have taken the importance of reviews for granted for too long.

SOURCE: American Theatre at 02:31PM
Wednesday, June 28, 2023

With Magic, There Is No Such Thing as Total Invention by Jason Zinoman

In this age of reboots and remakes, a magic show seeks “a total invention” even as it deconstructs that desire, showing how rare a truly new work is.

SOURCE: The New York Times Subscription at 10:43AM
Friday, June 23, 2023

‘One Woman Show’ Review: Unlikable for Laughs by Jason Zinoman

Liz Kingsman plays a messy attention-seeker grasping at relevance in a sharp satire of the trend of female comics playing chaotic train wrecks.

SOURCE: The New York Times Subscription at 02:49PM

A Comic With Many Questions About Jews and Whiteness by Jason Zinoman

Alex Edelman thrives on doubt in “Just for Us” on Broadway. It’s the result of years of revision and notes from Seinfeld, Birbiglia and the late Adam Brace.

SOURCE: The New York Times Subscription at 11:25AM
Wednesday, May 17, 2023

Stand-Up Comics Are Asking, What’s So Funny About Grief? by Jason Zinoman

A new generation of stand-ups is mining the heartbreaking loss of a loved one for ambitious shows. How did we get here?

SOURCE: The New York Times Subscription at 10:24AM
Tuesday, January 24, 2023

‘Small Talk’ Review: The Art of Meaningless Banter by Jason Zinoman

In his brisk, low-maintenance Off Broadway show, the workhorse comic Colin Quinn extols the virtues of idle chitchat.

SOURCE: The New York Times Subscription at 04:31PM
Friday, December 9, 2022

When Jewish Artists Wrestle With Antisemitism by Jason Zinoman

In this unsettling moment, comedians, filmmakers, playwrights and others have been struggling against a long-ingrained American response to look away.

SOURCE: The New York Times Subscription at 11:06AM
Tuesday, October 25, 2022

James Corden and the Dangers of Likability by Jason Zinoman

No one knows what an egg yolk omelet is, but we all know that TV hosts should be relatable. Or should they? That didn’t do Ellen DeGeneres any favors.

SOURCE: The New York Times Subscription at 10:33AM
Tuesday, August 23, 2022

Kate Berlant Can’t Hide Any Longer by Jason Zinoman

The experimental comic is known for freewheeling sets. Then Bo Burnham asked, “What if you actually tried to make something?” The transition has been hard.

SOURCE: The New York Times Subscription at 10:33AM
Monday, August 15, 2022

You Are Getting Sleepy. When You Wake Up, You Will Be an Improv Star. by Jason Zinoman

In “Hyprov,” audience members are hypnotized into performing sketches. The show’s creators argue that the novices make stronger choices than pros would.

SOURCE: The New York Times Subscription at 11:48AM
Thursday, February 17, 2022

Is It Funny for the Jews? by Jason Zinoman

For a cultural critic, a sense of humor is integral to his Jewish identity. But these dark times raise existential questions about comedy and its uses.

SOURCE: The New York Times Subscription at 10:37AM
Tuesday, January 18, 2022

Philippe Gaulier on the Art of Clowning and Sacha Baron Cohen by Jason Zinoman

The French master teacher Philippe Gaulier has worked with stars like Sacha Baron Cohen. But at 78, are his methods, which include insults, outdated?

SOURCE: The New York Times Subscription at 01:54PM
Monday, May 24, 2021

Happy Birthday, Bob Dylan, Our Most Underappreciated Comic by Jason Zinoman

As he turns 80, don’t be fooled by his serious music. From the start, his work has been filled with a cockeyed humor that can range from corny jokes to dark wit.

SOURCE: The New York Times Subscription at 09:53AM
Wednesday, March 31, 2021

Is Livestreamed Stand-Up Here to Stay? by Jason Zinoman

Two online business models see a future post-pandemic, but success might depend on cooperating with actual clubs.

SOURCE: The New York Times Subscription at 07:43PM
Monday, March 22, 2021

Can You Love a Stand-Up Special About Loathing? by Jason Zinoman

James Acaster’s “Cold Lasagne Hate Myself 1999” is an outstanding show about the worst year in his life. (His girlfriend left him for Mr. Bean, and it went downhill from there.)

SOURCE: The New York Times Subscription at 07:13PM
Tuesday, March 9, 2021

I Miss Being Part of an Audience by Jason Zinoman

Crowds can be mindless, even dangerous. But that feeling of losing yourself as you experience art together hasn’t been replicated since live entertainment went online.

SOURCE: The New York Times Subscription at 10:03AM
Thursday, March 19, 2020

Inside the Minds of Two Expert Improv Comedians by Jason Zinoman

We asked the scene partners Louis Kornfeld and Rick Andrews to walk us through their thought processes as they ad-libbed a double date.

SOURCE: The New York Times Subscription at 05:36AM
Saturday, November 16, 2019

Make Way for the Carnal Clowns of Stand-Up by Jason Zinoman

Three rising comics share an aesthetic that marries crass physical humor with disarmingly sexual themes. They’re unsettling and hilarious.

SOURCE: The New York Times Subscription at 05:48PM
Thursday, August 22, 2019

‘Fiddler: A Miracle of Miracles’ Review: Inside a Broadway … Tradition! by Jason Zinoman

A fascinating love letter to “Fiddler on the Roof” asks: What makes the quintessentially Jewish musical speak to everyone?

SOURCE: The New York Times Subscription at 07:24AM
Wednesday, July 10, 2019

Dave Chappelle on Broadway: The Joke Is Getting Old by Jason Zinoman

The comic hasn’t adjusted his material for the setting: he’s still defending wealthy, famous peers and joking about transgender targets.

SOURCE: The New York Times Subscription at 02:06PM
Thursday, July 4, 2019

Her Kind of Comedy: Lewd, Vulnerable and Self-Aware by Jason Zinoman

Jacqueline Novak is poised for a breakout with “Get on Your Knees,” a new one-woman show Off Broadway.

SOURCE: The New York Times Subscription at 09:03AM
Wednesday, May 15, 2019

On Comedy: The Wonderful Weirdness of Netflix’s First Great Sketch Comedy Show by Jason Zinoman

“I Think You Should Leave,” starring Tim Robinson, takes absurd premises to unpredictable places.

SOURCE: The New York Times Subscription at 06:35PM
Sunday, March 17, 2019

Jason Zinoman Explains What Michael Riedel Means (Beetlejuice) by Jason Zinoman

The new Michael Riedel column on Beetlejuice is a subtext-rich doozy. Time for a new Reidel translator.

SOURCE: Twitter at 07:12PM
Thursday, January 31, 2019

On Comedy: Instead of Killer Punchlines, Killer Choruses by Jason Zinoman

In a loose-knit scene packing audiences into intimate New York spaces, comedians are getting big laughs with original songs.

SOURCE: The New York Times Subscription at 02:54PM
Wednesday, January 9, 2019

The Demolition Artist: 3 Critics Debate Ivo van Hove by Ben Brantley, Elisabeth Vincentelli and Jason Zinoman

Visionary stylist or one-trick pony? With “Network” on Broadway and “All About Eve” on the horizon, the multimedia-mad stage director is ready for his close-up.

SOURCE: The New York Times Subscription at 04:24AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic
TBA: Ragtime