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Sneers at leisure class come across as stale in her “Way of the World.”
Stephen Karam’s Tony-winning play arrives at the Kennedy Center.
The story of Gloria and Emilio Estefan proves to be a tunefully easy-listenin’ antidote.
Actor’s sterling piece on Broadway prompts a look back at the best of a genre.
The headlines about sexual harassment awaken issues in productions from the past.
Despite its Gershwin songbook and knockout choreography, the touring musical lacks passion.
The celebrated composer, will be feted in Washington on March 19.
From the song of the year to a heartbreaking play with perfect pitch.
Family-friendly musicals are opening
A Tony winner gets a new life, maybe in New York, courtesy of a Korean producer.
Here a play, there a play, everywhere a pretty good play.
Even if you’ve seen the oft-staged comedy before, Shakespeare Theatre shows you new magic.
But the Ireland-oriented company stakes out a new neighborhood for D.C. theater.
The music numbers need work in Fey’s musical version of her cult hit film
Signature Theatre revives a hit Gershwin “revisical” from the ’90s.
The strange case of the thwarted Tony nominator.
Get to know a younger breed of actors who are helping to define a vibrant theater town.
An evocative show based on an Israeli movie opens as a irresistible entertainment
At last, the Trump era, courtesy of Jon Robin Baitz, yields a truly fine play.
The British monologuist comes to D.C. for the first time, with a new show.
Playwright Ayad Akhtar explores Wall Street in the greedy '80s.
A landmark play gets a Broadway run at last
A simply mesmerizing hour of history in music.
The musical version of a cult TV sitcom of the 1950s is a dull affair.
One of the Broadway season’s biggest events is trying out at the National Theatre.
Political troupe Belarus Free Theatre brings “Burning Doors” to the D.C. area.
Harvey Fierstein's landmark 1982 comedy-drama about gay life in New York is revived with uproarious élan at off-Broadway's Second Stage Theater.
"Wilderness” is documentary storytelling for a 21st Century theater audience
"Richard III” done well in German, and “Measure for Measure” muddled, in English
“Springsteen on Broadway” is an affecting encounter with a great entertainer.
Ambitious “I’ll Get You Back Again” at Round House Theatre is all over the place.