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David Henry Hwang’s musical-in-a-play comes to New York’s Public Theater.
Courtesy of Woolly Mammoth, a play tallies the toll of racism in contemporary America.
The Kennedy Center’s musicals-in-concert series hits a road bump with this 1998 show.
Caryl Churchill’s one-act play is expertly staged by Holly Twyford.
Jeremy O. Harris’s seriocomedy will be one of the most talked-about events of the theater season.
Jeffrey Finn embarks on his third season of the popular Broadway Center Stage series with “Footloose.”
Ford’s Theatre revives longtime August Wilson crowd-pleaser, but it’s talky and lackluster.
Hip-hop improv show “Freestyle Love Supreme” comes to Broadway.
Robert Schenkkan’s second Broadway play about LBJ sputters to a disappointing end.
The hip-hop improv show has its official opening Oct. 2 at the Booth Theatre.
Jocelyn Bioh’s ‘African Mean Girls Play’ launches Round House’s renovated theater.
Production directed by Ruben Santiago-Hudson reincarnates a Tony-winning 2017 revival.
Woolly Mammoth Theatre guides Jackie Sibblies Drury’s “Fairview” to a sublime D.C. debut.
Writer-performer Heidi Schreck brings her moving and funny “What the Constitution Means to Me” to the Kennedy Center.
Irish-oriented theater company Solas Nua mixes drams and drama in staging “The Smuggler” at a D.C. bar.
Theater J stages Ofra Daniel’s song cycle in its East Coast premiere.
The classical company stages a lifeless version of “Henry IV, Part 1.”
Studio Theatre handsomely revives John Patrick Shanley’s Tony-winning drama.
With Heidi Schreck’s popular play coming to the Kennedy Center, some people aren’t shy about critiquing the Founding Fathers’ work.
The Disney-bred musical brings pros and amateurs onstage courtesy of the Public Theater.
The Arlington theater revives one of Stephen Sondheim’s most daring musicals.
“Do You Hear the People Sing?” is ringing out across the region, in the streets and in an airport sit-in.
Broadway’s Audra McDonald and Christian Dante White talk about the challenges they face: “White actors aren’t thinking, ‘I’m being white.’ They’re just being the person.”
The Tony-winning musical begins a five-week stand at the Kennedy Center.
Tom Sturridge also stars in the pair of monologues about men and death by British playwrights Simon Stephens and Nick Payne.
A maestro of the American musical leaves behind an unmatchable legacy, including “West Side Story,” “Cabaret,” “Sweeney Todd” and “Phantom.”
Baz Luhrmann’s crazy salad of a movie gets the Broadway-pizazz treatment.
A scrappy Northern Virginia company showed me how this musical should be produced, drinking game and all.
Holland Taylor’s solo bio-comedy is an affectionate account of a memorably wry politician.
Work-in-progress ‘Tender Age’ looks heartbreakingly at the crisis on our southern frontier.
Two actors talk about portraying the Ewells, who seal the fate of a falsely accused black man