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Alanis Morissette’s breakthrough 1995 album breaks no new ground as theater.
Audible produces plays designed to be listened to on its digital platform and maybe also seen off-Broadway.
Matthew Lopez’s two-part gay drama has its official Broadway opening.
Arena Stage digs into the Disney catalogue for the first time with a well-danced version of the 1992 movie musical.
The acclaimed Russell Harvard joins the cast of a hit Broadway play — in a pair of hearing roles.
Studio Theatre stages the U.S. premiere of Anchuli Felicia King’s comedy.
Peter Shaffer’s massive play is fully realized in Richard Clifford’s production.
The new jukebox musical “Tina” has its official opening at Broadway’s Lunt-Fontanne Theatre.
Signature Theatre revives the Pulitzer- and Tony-winning musical, with energy and heart.
A National Endowment for the Arts competition rewards high school musical theater songwriters with Broadway-caliber recording sessions.
Troupe debuts “The Willard Suitcases,” a show that calls forth the ghosts of a shuttered insane asylum.
Mosaic Theater stages Norman Yeung’s erratic thriller.
“We want this to be a huge dance party,” says Artistic Director Eric Schaeffer.
Signature Theatre rewrites the road map of a storied Broadway show.
If only “Right to Be Forgotten” at Arena Stage were better at addressing this vital question.
As the entertainment giant marks 25 years on Broadway, Arena Stage brings back “Newsies.”
A new era opens at Shakespeare Theatre Company on a minor key.
“American Utopia” bathes its audience in a collective cool.
David Henry Hwang’s musical-in-a-play comes to New York’s Public Theater.
Courtesy of Woolly Mammoth, a play tallies the toll of racism in contemporary America.
The Kennedy Center’s musicals-in-concert series hits a road bump with this 1998 show.
Caryl Churchill’s one-act play is expertly staged by Holly Twyford.
Jeremy O. Harris’s seriocomedy will be one of the most talked-about events of the theater season.
Jeffrey Finn embarks on his third season of the popular Broadway Center Stage series with “Footloose.”
Ford’s Theatre revives longtime August Wilson crowd-pleaser, but it’s talky and lackluster.
Hip-hop improv show “Freestyle Love Supreme” comes to Broadway.
Robert Schenkkan’s second Broadway play about LBJ sputters to a disappointing end.
The hip-hop improv show has its official opening Oct. 2 at the Booth Theatre.
Jocelyn Bioh’s ‘African Mean Girls Play’ launches Round House’s renovated theater.
Production directed by Ruben Santiago-Hudson reincarnates a Tony-winning 2017 revival.
Woolly Mammoth Theatre guides Jackie Sibblies Drury’s “Fairview” to a sublime D.C. debut.