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“Gary: A Sequel to Titus Andronicus” never lights up; “Burn This” flames on with Driver.
“Hillary and Clinton” has its official opening at Broadway’s Golden Theatre.
Anaïs Mitchell’s score turns out to be no match for the devil.
A career as a professional member of the audience is rewarding, except for the time someone threw up on me.
Arena Stage gives a smooth treatment to the playwright’s “Junk,” tightened up since its New York debut in 2017.
Signature Theatre applies opulence to an ’80s Broadway hit that otherwise lacks pizazz.
Heidi Schreck was thrilled when Laurence Tribe of Harvard contacted her after he saw her play “What the Constitution Means to Me.”
Daniel Fish’s off-Broadway hit moves to musical-theater’s big tent.
A misfire of Shakespeare’s tragedy has its official Broadway opening.
The House speaker invites the “To Kill a Mockingbird” cast to Washington, and even Broadway pros choke up.
“Our blackness in white spaces is so much more present than it ever was,” says “Slave Play” author Jeremy O. Harris.
It’s the perfect moment for a play about the legal document, and Heidi Schreck is the perfect interpreter.
Sam Mendes’s production at Park Avenue Armory illuminates the riveting saga of a famous banking family.
Aaron Sorkin’s adaptation will run in Washington for six weeks, starting in August 2020.
“Ain’t Too Proud” at the Imperial Theatre is entertaining to the max.
Director Peter Flynn knows how to add playful luster to the witty fairy-tale show.
Arena Stage produces the world premiere of Aaron Posner’s play, with four actors playing the same man.
Kelli O’Hara is luminous in this Roundabout Theatre Company revival of Cole Porter’s musical.
Neither “Queen of Basel” at Studio nor “Masterpieces . . .” at Signature achieves liftoff.
Another teenage-angst musical opens, and it’s a noisy slog.
The Broadway production, and its new lead, brim with life, onstage and off.
A desultorily expanded version of “Twelve Angry Men” played out for hours on Capitol Hill.
“I can’t say I’m happy about that,” said Joy Zinoman, who will take the newly independent conservatory to a new location.
“Freestyle Love Supreme” rap improv is an up-to-the-minute, old-fashioned hoot.
Plus “Timon of Athens,” a new “Peter Pan,” a Branden Jacobs-Jenkins play and more.
The latest musical-in-concert is Meredith Willson’s 1957 melody-packed gem.
Flabby yarn doesn’t do the 16th-century stage legend justice.
Live from a New York stage — it was “Skittles Commercial: The Broadway Musical.”
“JQA,” Aaron Posner’s “work of historical fiction,” will debut in March at Arena Stage.
Fox production of Pulitzer and Tony-winning musical reminded me of where my heart still lies.
“Kleptocracy” at Arena Stage portrays the Russian president’s battle with an oligarch.