4,253 stories from Broad Street Review
Die-Cast deconstructs American mythmaking in Americana Cosplay, an immersive Fringe entry. Cameron Kelsall reviews.
Two Cannonball Festival shows, Days of Awe and Baggage from BaghDAD, explore intriguing family histories rooted in different Jewish experiences. Gabrielle Kaplan-Mayer reviews.
The Bearded Ladies Cabaret joins this year’s curated Fringe with a major new installation in Old City, Priority Hoarding: A Retrospectacle, at the Martha Graham Memorial Hairport. Evan Sch…
Chris Davis’s The 40-Year-Old Ballerino is both a love letter to ballet and an authentically funny account of the writer/performer’s midlife obsession with dance. Jill Ivey reviews.
A new interactive Fringe show from Rachel O’Hanlon-Rodriguez imagines an amiable alien trying to save Earth after watching 600 episodes of Law & Order. Krista Mar reviews.
Noam Osband’s Wikipedilove is an original, participatory musical comedy on sex, love, and collective knowledge, based on everyone’s favorite online crowdsourced encyclopedia. Emily Esten…
1812 Productions creates an outlandish new work every night in This Should Never Be a Musical. Cameron Kelsall reviews.
The Lemonade Stand hub of the Fringe presents Lindsey Walko’s Bog Man, an intriguing one-woman show that struggles to fully explore its concept. Kiran Pandey reviews.
The theater collective BETTY (MK Tuomanen, Shelby Richardson, and Paul Kruse) premieres Dickie Dickie Dicky Donnie, an ode to the human experience of infants, in this year’s Fringe. Josh H…
Imagine a jukebox musical where the jukebox plays audiobooks and there’s only one actor onstage, and you might get Jane Eyre Wasn’t a Whore, onstage in this year’s Fringe. Jill Ivey re…
Savannah Reich’s hilarious The Groundhog, imagining one professor’s career-ending class on the Harold Ramis film Groundhog Day, gets its world premiere in this year’s Fringe. Evan Scha…
The Colored Girls Museum, a real home in Germantown that also serves as a museum celebrating the Black community, joins this year’s Fringe with a special interactive tour. An Nichols revie…
Ninth Planet is back with a new experimental dance/theater show in this year’s Fringe, exploring the ways we grieve, and are perceived in our grief. Krista Mar reviews.
Don Allen’s Fringe entry, Human in the Loop, takes audiences on an AI-guided therapy session before the artist overrides it to make his own decisions. Emily Esten reviews.
On September 8, one week after the shocking news broke that the Academy of Natural Sciences will close at the end of September, the community rallied to save it. Anndee Hochman was there.
With audience interaction and sharp physical comedy, Hannah Mitchell’s Fringe entry TRAD skewers the phenomenon of the American tradwife. Jill Ivey reviews.
New York-based performer and theater professor William Trevino brings his unique one-man adaptation of Edgar Allan Poe’s Ligeia
to this year’s Philly Fringe. David Block previews.
A new collective of Philly ballerinas joins the Fringe to offer their window on dancers’ favorite thing to do after the show is over: keep on dancing. Camille Bacon-Smith reviews.
Izzy Sazak, a Turkish Colombian American trans-disciplinary artist, writer, and teacher, brings their solo show, TUZLUK, to the Philly Fringe. Krista Mar reviews.
Nichole Canuso’s 2026 entry in the curated Fringe Festival creates an immersive experience in University City’s Pearlstein Gallery, where you can choose the length of your adventure. Cam…
Fringe entry Amor/Libertad Part 1 is a heartfelt drama exploring the tensions of political oppression in relationships, set in Puerto Rico between the present day and an imagined future. Vic…
We're reviewing dozens of shows in this year's Fringe festival. Find them all at a glance here.
This year’s curated Fringe includes Kramer/Fauci, director Daniel Fish’s vision of a trenchant 1993 interview between public health official Dr. Anthony Fauci and activist Larry Kramer. …
Joshua Crone’s Waiting for Westy, a promising but overlong drama tackling the legacy of the Vietnam War and its echoes today, appears in this year’s Philly Fringe. Josh Herren reviews.
A new work-in-progress from Ben Grinberg and Almanac Projects combined gravity-defying acrobatics with an immersive steam-room setting. Evan Schares reviews.
