Wednesday, February 13, 2019
This London adaptation of the Oscar-winning satire, starring a misused Gillian Anderson and Lily James, is like a horror movie without a pulse.
Linked From The New York Times Subscription at 01:24PMMonday, February 11, 2019
Cate Blanchett, Laura Linney and Katherine Parkinson are three heroines in search of elusive selves in plays by Martin Crimp, Rona Munro and Laura Wade.
Linked From The New York Times Subscription at 05:42PMSunday, February 10, 2019
Monday, January 28, 2019
Stephen Belber’s time-traveling drama, starring Johanna Day, connects the dots of woman’s conflicted existence during six decades.
Linked From The New York Times Subscription at 01:12PMThursday, January 24, 2019
In this unsettling revival, directed by James Macdonald, two fine actors find the existential terror in Sam Shepard’s portrait of battling brothers.
Linked From The New York Times Subscription at 10:24PMTuesday, January 22, 2019
Amy Staats’s tale of the rowdy rise (and fall and rise and fall) of the rock band lets women loose in the glam metal boys’ club.
Linked From The New York Times Subscription at 10:18PMThursday, January 17, 2019
Charly Evon Simpson’s quietly commanding play chronicles gynecological experimentation on American slave women in the antebellum South.
Linked From The New York Times Subscription at 10:54PMTuesday, January 15, 2019
How her outsize presence — and that “Hello, Dolly!” cast album — helped entice a burgeoning theater critic to New York.
Linked From The New York Times Subscription at 05:54PMSunday, January 13, 2019
Sebastian Barry’s imbalanced new play, set in a Dublin prison, confirms its writer’s gift for finding the holiness in the everyday.
Linked From The New York Times Subscription at 10:06PMWednesday, January 9, 2019
Visionary stylist or one-trick pony? With “Network” on Broadway and “All About Eve” on the horizon, the multimedia-mad stage director is ready for his close-up.
Linked From The New York Times Subscription at 04:24AMTuesday, January 8, 2019
Offerings at the festival include a riff on “Uncle Vanya”; a “Frankenstein” adaptation highlighting a mother’s grief; and an intimate tale of displacement.
Linked From The New York Times Subscription at 04:54PMMonday, January 7, 2019
Marin Ireland blazes furiously as an emotional terrorist in Abby Rosebrock’s emotionally congested comic drama, set in a Southern rehab center.
Linked From The New York Times Subscription at 11:04PMAn eclectic opening weekend included sketches and songs by Nigerian women, two unsettling monologues and a punk-rock reminiscence (with mixtape to follow).
Linked From The New York Times Subscription at 03:18PMTuesday, December 11, 2018
Amy Heckerling’s amiable but limp adaptation of her classic 1995 film suggests a peppy fan club putting on its own makeshift show.
Linked From The New York Times Subscription at 10:18PMMonday, December 10, 2018
This gnomic tale from the fabled director portrays a man expiating a patricide outside a prison’s walls.
Linked From The New York Times Subscription at 10:06PMSunday, December 9, 2018
This extraordinary, London-born work of immersive theater places its audience at the fraught and energetic center of a migrant camp in France.
Linked From The New York Times Subscription at 11:04PMThursday, December 6, 2018
Ivo van Hove’s stage adaptation of the 1976 film presents a pricelessly demented affair between a has-been anchorman and the cameras that love him.
Linked From The New York Times Subscription at 10:48PMTuesday, December 4, 2018
It was a year when classics were reincarnated in deceptively modest interpretations, conventional story forms were tossed aside and strong voices roared.
Linked From The New York Times Subscription at 04:48AMSunday, December 2, 2018
Martin Moran’s radiant memoir of a play recalls an experience of sexual abuse with a sense of luminous mystery.
Linked From The New York Times Subscription at 10:18PMMonday, November 19, 2018
In this garrulous play of ideas, the author of “The Real Thing” and “The Coast of Utopia” takes on the essence — and ethics — of being human.
Linked From The New York Times Subscription at 10:18PMWednesday, November 14, 2018
Hansol Jung’s industriously imaginative play uses visions of winged flight to explore the loneliness of two ambivalent lovers in Seoul.
Linked From The New York Times Subscription at 10:48PMJohn Doyle’s inventive revival of Brecht’s 1941 satire about Adolf Hitler is more impressive for theatrical ingenuity than topicality.
Linked From The New York Times Subscription at 10:48PMSunday, November 11, 2018
This one-man show, about the anxieties of impending fatherhood, makes a seductive case for seeing a comedian live in the age of Netflix.
Linked From The New York Times Subscription at 10:48PMIn Oliver Butler’s revival, Will Eno’s reputation-making monologue of masochistic bleakness suddenly feels a lot less shocking.
Linked From The New York Times Subscription at 10:48PMMr. Sanders, a veteran of four decades of stage and screen work, is giving the performance of his career in his first appearance in Chekhov.
Linked From The New York Times Subscription at 05:06PMThursday, November 8, 2018
The one-ton, 20-foot marionette is impressive, but the $35 million musical he stars in doesn’t even succeed as camp.
Linked From The New York Times Subscription at 10:48PMWednesday, November 7, 2018
Patricia Ione Lloyd’s macabre domestic comedy suggests that for African-Americans, every day is a potential horror movie in the making.
Linked From The New York Times Subscription at 10:18PMSunday, November 4, 2018
Garry Hines’s very funny interpretation of Samuel Beckett’s best-known work finds the kinetic cartoon humor in existential futility.
Linked From The New York Times Subscription at 10:24PMThursday, November 1, 2018
In this brisk and entertaining revival of Harvey Fierstein’s Tony-winning play, Michael Urie and Mercedes Ruehl are mesmerizingly larger than life.
Linked From The New York Times Subscription at 10:48PMTuesday, October 30, 2018
Ngozi Anyanwu’s tender new play, directed by Awoye Timpo at the Vineyard Theater, considers the nature of memory in the aftermath of a tragedy.
Linked From The New York Times Subscription at 10:05PM 
