Monday, April 22, 2019
Halley Feiffer stars opposite Hamish Linklater in her new comedy of anguish, which begins with a memorably chilling first date.
Linked From The New York Times Subscription at 10:54PMSunday, April 21, 2019
This uncanny, phantasmagorical work from the Lightning Rod Special troupe is a musical cabaret about abortion. That’s right.
Linked From The New York Times Subscription at 01:36PMThursday, April 18, 2019
As a born-to-lose presidential contender, Laurie Metcalf is exasperation incarnate in Lucas Hnath’s play, which also stars John Lithgow.
Linked From The New York Times Subscription at 10:24PMTuesday, April 16, 2019
In this imbalanced revival of Lanford Wilson’s play, also starring Keri Russell, Mr. Driver unleashes the full, scorching power of his talent.
Linked From The New York Times Subscription at 10:36PMWednesday, April 10, 2019
Ben Whishaw and Renée Fleming provide the oxygen in Anne Carson’s hypnotic and exasperating work, which imagines the actress as a Euripides heroine.
Linked From The New York Times Subscription at 01:04PMSunday, April 7, 2019
Daniel Fish’s wide-awake revival of an American classic gives us an “Oklahoma!” for our own age of anxiety, without ever betraying its source.
Linked From The New York Times Subscription at 11:04PMThursday, April 4, 2019
In Sam Gold’s haphazard production of Shakespeare’s bleakest tragedy, Ms. Jackson demonstrates her singular intelligence as an actress.
Linked From The New York Times Subscription at 09:45PMSunday, March 31, 2019
In Mara Nelson-Greenberg’s fitfully funny play, a female empathy coach faces the insuperable challenge of teaching men some compassion.
Linked From The New York Times Subscription at 09:45PMThursday, March 28, 2019
This three-hour-plus portrait of the creation and destruction of the house of Lehman, directed by Sam Mendes, is an endlessly absorbing epic tragedy.
Linked From The New York Times Subscription at 03:04PMThursday, March 21, 2019
This shrewdly assembled show, directed by Des McAnuff, considers the interchangeability of a crew of Motown’s finest, though there’s plenty of star shine, too.
Linked From The New York Times Subscription at 10:36PMWednesday, March 20, 2019
In her enthralling study of interracial relationships, featuring a brilliant Daveed Diggs, Suzan-Lori Parks parses the lies we live by.
Linked From The New York Times Subscription at 10:18PMSunday, March 17, 2019
This meandering work of musical stand-up theater, from the TEAM and the National Theater of Scotland, probes the past and present of two nations.
Linked From The New York Times Subscription at 01:48PMMonday, March 11, 2019
In Christopher Hampton’s translation of Florian Zeller’s Freudian chamber play, Ms. Huppert confirms her reputation as the most fearless of actresses.
Linked From The New York Times Subscription at 10:18PMSunday, March 10, 2019
Joe Iconis and Joe Tracz’s cult sci-fi musical about high school paranoia arrives on Broadway with its wholesale klutziness intact.
Linked From The New York Times Subscription at 10:54PMThursday, March 7, 2019
In her priceless one-woman play, the writer and performer summons the pleasures and pain of being young, single and sexually compulsive.
Linked From The New York Times Subscription at 09:45PMTuesday, March 5, 2019
Jeremy O. Harris, the author of “Slave Play,” has written another sexually and racially charged work, but one that ends up overwrought.
Linked From The New York Times Subscription at 09:45PMTuesday, February 26, 2019
This directionless new musical, set in Lewis Carroll’s Wonderland and a London subway station, challenges its audience’s willingness to make believe.
Linked From The New York Times Subscription at 09:45PMWest End productions of “Company” and “Caroline, or Change” have the heart and fire that sometimes felt missing in earlier incarnations.
Linked From The New York Times Subscription at 03:10PMMonday, February 25, 2019
Jackie Sibblies Drury’s sparkling new play, about the Jamaican-born nurse Mary Seacole, reinvents a dramatic trope as a dizzying hall of mirrors.
Linked From The New York Times Subscription at 09:45PMMonday, February 18, 2019
Revivals of work by Pinter and Miller — and a play about an Englishman roped into an Italian horror movie — ponder mortal anxiety in the age of Brexit.
Linked From The New York Times Subscription at 03:18PMWednesday, February 13, 2019
This London adaptation of the Oscar-winning satire, starring a misused Gillian Anderson and Lily James, is like a horror movie without a pulse.
Linked From The New York Times Subscription at 01:24PMMonday, February 11, 2019
Cate Blanchett, Laura Linney and Katherine Parkinson are three heroines in search of elusive selves in plays by Martin Crimp, Rona Munro and Laura Wade.
Linked From The New York Times Subscription at 05:42PMSunday, February 10, 2019
Monday, January 28, 2019
Stephen Belber’s time-traveling drama, starring Johanna Day, connects the dots of woman’s conflicted existence during six decades.
Linked From The New York Times Subscription at 01:12PMThursday, January 24, 2019
In this unsettling revival, directed by James Macdonald, two fine actors find the existential terror in Sam Shepard’s portrait of battling brothers.
Linked From The New York Times Subscription at 10:24PMTuesday, January 22, 2019
Amy Staats’s tale of the rowdy rise (and fall and rise and fall) of the rock band lets women loose in the glam metal boys’ club.
Linked From The New York Times Subscription at 10:18PMThursday, January 17, 2019
Charly Evon Simpson’s quietly commanding play chronicles gynecological experimentation on American slave women in the antebellum South.
Linked From The New York Times Subscription at 10:54PMTuesday, January 15, 2019
How her outsize presence — and that “Hello, Dolly!” cast album — helped entice a burgeoning theater critic to New York.
Linked From The New York Times Subscription at 05:54PMSunday, January 13, 2019
Sebastian Barry’s imbalanced new play, set in a Dublin prison, confirms its writer’s gift for finding the holiness in the everyday.
Linked From The New York Times Subscription at 10:06PMWednesday, January 9, 2019
Visionary stylist or one-trick pony? With “Network” on Broadway and “All About Eve” on the horizon, the multimedia-mad stage director is ready for his close-up.
Linked From The New York Times Subscription at 04:24AMTuesday, January 8, 2019
Offerings at the festival include a riff on “Uncle Vanya”; a “Frankenstein” adaptation highlighting a mother’s grief; and an intimate tale of displacement.
Linked From The New York Times Subscription at 04:54PM 
