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2,052 stories from The Theatre Times

A Magical “Tempest” In Stratford-Upon-Avon by Margaret Rose

Seats have long been sold out for this production of Shakespeare’s The Tempest, which brings iconic actor Kenneth Branagh back to the RSC (Royal Shakespeare Company) after a thirty-year hi…

SOURCE: thetheatretimes.com at 11:51am on June 26, 2026

Venice Theatre Biennale 2026 – “Memorandum” by Margaret Rose

This year’s theatre Biennale (7 to 21 June), with Willem Dafoe at the helm, has the intriguing title, Alter Native. In fact, in the program, the director and his advisory team have include…

SOURCE: thetheatretimes.com at 11:48am on June 26, 2026

Venice Theatre Biennale 2026 – A Japanese “Othello” by Margaret Rose

This year’s theatre Biennale (7 to 21 June), with Willem Dafoe at the helm, has the intriguing title, Alter Native. In fact, in the program, the director and his advisory team have include…

SOURCE: thetheatretimes.com at 11:45am on June 26, 2026

Performing Between Six Languages: An Interview With Anissa Naji by Fadi Fayad Skeiker

Anissa Naji is a Moroccan-German multilingual actor, comedian, singer, writer, and teaching artist based in New York City. She is fluent in English, Spanish, Arabic (Maghreb & Levant), F…

SOURCE: thetheatretimes.com at 11:39am on June 26, 2026

“Translators As The Most Attentive And Analytical Readers: Knowing Every Corner, Strength, And Weakness Of A Text” by Ivanka Apostolova Baskar

An interview with Mrs. Gabriela Abrasowicz (Slavist, translator, and theatre scholar, Poland). Gabriela Abrasowicz is a Polish Slavist, translator, and theatre scholar. She graduated from th…

SOURCE: thetheatretimes.com at 11:24am on June 26, 2026

Oldenburg’s Production Of “Mephisto” Continues And Expands The Important Debate Of The Artistic Response To Adverse Political Circumstances by Daniel Meyer-dinkgräfe

Klaus Mann’s novel Mephisto, published in 1936, deals with the opportunistic rise of its main character, Hendrik Höfgen to become one of the leading actors, directors and theatre managers…

SOURCE: thetheatretimes.com at 11:21am on June 25, 2026

Venice Theatre Biennale 2026 – Mario Banushi’s “Romance Familiare” by Margaret Rose

This year’s theatre Biennale (7 to 21 June), with Willem Dafoe at the helm, has the intriguing title, Alter Native. In fact, in the program, the director and his advisory team have include…

SOURCE: thetheatretimes.com at 11:43am on June 24, 2026

Shell…Shocked? by Matthew Foster

4/5 Stars Coming from a glimpse of a barren thought of the sense of being presented with the concrete knowledge and perspectives of what sex education is for a kid growing up into becoming a…

SOURCE: thetheatretimes.com at 11:21am on June 23, 2026

Itai Erdal’s Soldiers of Tomorrow at the Finborough Theatre: An Uninhibited Account Of The Conflict Between Israel And The Palestinians by Aleks Sierz

The Finborough Theatre is one of the smallest in London, yet it has a great track record in selecting new plays. With room for barely 50 spectators, its budget is tiny, but its vibe is treme…

SOURCE: thetheatretimes.com at 6:32pm on June 19, 2026

Sadness An Mourning Dominate Theater Bremen’s “Hamlet” by Daniel Meyer-dinkgräfe

The stage, designed by Thomas Rupert, was vast and predominantly empty, the floor mainly even and sloping up at the very back. The walls were painted in shades of grey, as were the matching …

SOURCE: thetheatretimes.com at 7:14am on June 16, 2026

Historical Memory On the Stage: Juan Mayorga’s “El Jardín Quemado” (The Scorched Garden) by Maria Delgado

Juan Mayorga began writing El jardín quemado (The Scorched Garden) in 1996, completing it the following year. Close to thirty years on, Mayorga directs it at Madrid’s Teatro de la Abadía…

SOURCE: thetheatretimes.com at 1:44pm on June 11, 2026

Now In Its 23rd Year, “Komödie Am Altstadtmarkt” In Braunschweig Is Still Going Strong by Daniel Meyer-dinkgräfe

When Florian Battermann founded the Komödie am Altstadtmarkt in Braunschweig in 2003 at the age of 30, it was then the most recent addition to the boulevard comedy theatre scene in Germany.…

SOURCE: thetheatretimes.com at 4:35pm on June 10, 2026

The Precipitation Of Performance: Braddy And Burns On Beckett by Paul Shields

On a cold Saturday afternoon this past winter, retired director Laura Jones drove me around the small town of Fort Collins, Colorado. Jones, who was the subject of a piece I wrote for TheThe…

SOURCE: thetheatretimes.com at 12:54pm on June 6, 2026

“Today, Krleža Would Go Straight For The Throat Of Project-Based Logic” by Ivanka Apostolova Baskar

An Interview with Mr. Ivica Matičević, president of the Fellowship Miroslav Krleza Fund, literary historian, literary critic, comparatist, editor (Zagreb, Croatia)   Ivica Matičević (bo…

SOURCE: thetheatretimes.com at 12:54pm on June 5, 2026

Me+Lorca: Juan Diego Botto’s Mesmeric “Una noche sin luna” (A Moonless Night) by Maria Delgado

In his biography of Federico García Lorca, Ian Gibson observes that the writer’s assassination took place on the moonless night of the 18th August — a fact that acquires particular sign…

SOURCE: thetheatretimes.com at 7:04pm on June 3, 2026

Corinna Harfouch’s Showpiece Of The Art Of Acting In Haidle’s “Spirit And The Dust” by Daniel Meyer-dinkgräfe

Spirit and the Dust is a play by American dramatist Noah Haidle. The world premiere of the play, in its translation into German by Barbara Christ, took place on 27th February 2026 at Deutsch…

SOURCE: thetheatretimes.com at 12:57am on June 2, 2026

In Pleasant Company: “Girl Dolls” by Abigail Weil

American women of a certain vintage can be sorted into haves and have-nots based on possession of a single commodity: an American Girl doll. Just whisper the name Samantha Parkington to an e…

SOURCE: thetheatretimes.com at 5:48pm on May 30, 2026

“Chroniques” by Peeping Tom at Østre Gasværk Teater Copenhagen by Duška Radosavljević

Rocks and rolling, in a most literal sense, is probably the closest it gets to describing the visual idiom of Peeping Tom’s 2025 offering Chroniques. The Belgian dance company, established…

SOURCE: thetheatretimes.com at 8:03am on May 28, 2026

“Circle Mirror Transformation” by Margaret Rose

Annie Baker’s Circle Mirror Transformation is currently enjoying a highly acclaimed tour to major Italian theatres. The play made its debut in an Off-Broadway production in 2009, after whi…

SOURCE: thetheatretimes.com at 2:21pm on May 27, 2026

A Theatre Like Society In The Fundamentalist Capitalism Could Not Survive Without Self-Curated Neomania by Ivanka Apostolova Baskar

An Interview with Žaneta Vangeli, visual artist, professor, and set designer for the theatre performances of the late theatre director Oliver Micevski (Lolita, Hands Around, Norway.today, T…

SOURCE: thetheatretimes.com at 2:11pm on May 23, 2026

From A Basketball Athlete To A Political Dissident by Azadeh Kangarani

Belarus Free Theatre, which currently operates in exile in London, recently presented its production KS6: Small Forward for a three-night run at Théâtre Les Abbesses from May 11–13. Dire…

SOURCE: thetheatretimes.com at 6:33pm on May 22, 2026

Bremen’s Packhaustheater Turns To Artist Paula Modernsohn-Becker by Daniel Meyer-dinkgräfe

The latest production in Dirk Böhling’s inaugural season as artistic director of the Packhaustheater is a further new play he wrote and directed about a famous local person: Paula Moderso…

SOURCE: thetheatretimes.com at 6:31pm on May 21, 2026

Chess The Musical: About Human Nature, Not Politics. An Exclusive Interview with Tim Rice by Lisa Monde

Dedicated to the 40th anniversary of the world premiere The idea for the musical Chess belongs to the British author, lyricist, and dramatist Tim Rice. The events of the Cuban Missile Crisis…

SOURCE: thetheatretimes.com at 2:11pm on May 20, 2026

Richard III at MITEM: When the Monster Is Not Alone by Emiliia Dementsova

There was something almost suspiciously neat about the programming. MİTEM opened with Richard III and closed with Richard III. On paper, that sounds like a clever curatorial decision, maybe…

SOURCE: thetheatretimes.com at 6:30pm on May 19, 2026

Theatre – Creating Conditions For What Has Been Silenced To Emerge by Ivanka Apostolova Baskar

An Interview with Lenerson Polonini, theatre director (Companhia Nova de Teatro, Sau Paulo, Brazil). Lenerson Polonini is a dynamic theater director based in Sao Paulo, Brazil. With a rich a…

SOURCE: thetheatretimes.com at 5:39am on May 16, 2026
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