Wednesday, November 20, 2024

Rebuilding After Fire, Jacob’s Pillow to Open a New Theater by Joshua Barone

The Doris Duke Theater, more than twice as large as the original and designed for modern technology, will open in July.

SOURCE: The New York Times Subscription at 09:05AM

Broadway Tickets: Where to Get Affordable and Last-Minute Tickets by Laura Collins-Hughes

Box-office sales, discount booths, same-day rush: Here’s everything you need to know about nabbing seats to plays and musicals in Manhattan.

SOURCE: The New York Times Subscription at 05:42AM
Tuesday, November 19, 2024

‘Swept Away’ Review: Lost at Sea, How Far Would You Sink? by Jesse Green

A dark musical about a shipwreck and its aftermath, with songs by the Avett Brothers, anchors on Broadway.

SOURCE: The New York Times Subscription at 11:06PM

‘Tammy Faye’ Musical to Close After Failing to Find Broadway Audience by Michael Paulson

Well-reviewed in London but poorly received in New York, the musical with an Elton John score will end its run on Dec. 8.

SOURCE: The New York Times Subscription at 04:06PM

TKTS to Open Booth in Philadelphia, Hoping to Boost Local Theaters by Michael Paulson

The first domestic TKTS outpost outside New York comes at a time of rising concern about ticket prices and theater economics.

SOURCE: The New York Times Subscription at 02:54PM

Broadway Shows to See This Fall: ‘Our Town,’ ‘Gypsy’ and More by Laura Collins-Hughes

A guide to every show on Broadway, including new musicals, Tony winning-dramas, quirky hits and veterans like “Hamilton” and “Chicago.”

SOURCE: The New York Times Subscription at 07:18AM

‘Les Misérables’ Returns Home by Laura Cappelle

The most famous French musical has never been popular in Paris. A major new production hopes to change that, reworking it for a contemporary French audience.

SOURCE: The New York Times Subscription at 05:42AM
Monday, November 18, 2024

‘Shit. Meet. Fan.’ Review: Packed with Stars and Vulgarity by Maya Phillips

Neil Patrick Harris, Jane Krakowski, Debra Messing and Constance Wu star in the vulgar and entertaining new work from Robert O’Hara.

SOURCE: The New York Times Subscription at 11:42PM

Morgan Jenness, Whose Artistic Vision Influenced American Theater, Dies at 72 by Joanne Kaufman

A beloved figure in the theatrical community, she redefined the role of dramaturg, influencing playwrights like David Adjmi and David Henry Hwang.

SOURCE: The New York Times Subscription at 06:02PM

A New Take on Pina Bausch’s ‘Kontakthof’ Comes to Wuppertal Opera House by Roslyn Sulcas

“Kontakthof,” a pivotal Bausch dance from 1978, is being staged with members of the original cast. They talk about coming back to it nearly 50 years later.

SOURCE: The New York Times Subscription at 05:02AM

7 Days in the Cultural Life of a Broadway Stage Manager by Sarah Bahr

When he’s not herding performers at “Once Upon a Mattress,” Cody Renard Richard is bowling, catching up with theater friends and, to his surprise, bumping into Beyoncé.

SOURCE: The New York Times Subscription at 05:02AM

The ‘Death Becomes Her’ Frenemies Take Their Youth Potion to Broadway by Erik Piepenburg

The campy supernatural movie comes to Broadway as a big, bawdy musical starring Megan Hilty and Jennifer Simard.

SOURCE: The New York Times Subscription at 05:02AM

Tales of 19th-Century A.I.: Don’t Fall in Love With a Singing Robot by Jason Farago

Now we fret about chatbots. An earlier age worried about automatons, the uncanny humanoid contraptions whose voices could trigger love or mania.

SOURCE: The New York Times Subscription at 05:00AM
Sunday, November 17, 2024

Elf on Broadway Review: Grey Henson Is on the Nice List by Laura Collins-Hughes

The musical, starring Grey Henson, has gotten Buddy delightfully, entirely right. But he is trapped inside a creaky adaptation.

SOURCE: The New York Times Subscription at 08:24PM

Why ‘Tammy Faye’ the Musical Feels Like a Redemption by Erik Piepenburg

The televangelist defended gay men during the AIDS crisis. Now she’s getting perhaps the gayest tribute: a Broadway show led by Elton John.

SOURCE: The New York Times Subscription at 05:02AM
Saturday, November 16, 2024

11 Broadway Shows to See Before They Close This Winter by Laura Collins-Hughes

Many Tony Award-winning musicals and starry plays (Robert Downey Jr., anyone?) are wrapping up their runs in January. Catch them while you can.

SOURCE: The New York Times Subscription at 10:36PM

Uncovering Gay and Lesbian History in a 1941 ‘Sex Variants’ Study by Juan A. Ramírez

The Civilians theater group has adapted a study of homosexuality into a work that explores the lives of lesbians and gay men in the early 20th century.

SOURCE: The New York Times Subscription at 05:12AM
Friday, November 15, 2024

Something in the Air? Moonwalks and Mandalas in Ralph Lemon’s Show by Holland Cotter

The choreographer and visual artist brings performance and paintings to a meteor shower of an exhibition at MoMA PS1.

SOURCE: The New York Times Subscription at 12:49PM

Review: In ‘Tell It Anyway,’ Freedom Is Power by Brian Seibert

This Ralph Lemon work, part of a MoMA PS1 exhibition, is an experience of sound as much as dance. His collaborators can lead an audience to ecstasy.

SOURCE: The New York Times Subscription at 12:29PM

Murder as Family Tradition in ‘Catarina and the Beauty of Killing Fascists’ by Laura Collins-Hughes

Tiago Rodrigues’s play is intentionally a work of provocation, but it is also stylized to create a helpful distance from events and ideas.

SOURCE: The New York Times Subscription at 05:36AM
Thursday, November 14, 2024

Review: Tammy Faye Was Over-the-Top. This Musical Makes Her Small. by Elisabeth Vincentelli

“Tammy Faye,” a bland, tonal mishmash of a show opening on Broadway, seems afraid to lean into what made the televangelist so distinctive.

SOURCE: The New York Times Subscription at 11:18PM

‘King Lear’ Review: Kenneth Branagh’s Latest Finds the Wrong Tone by Maya Phillips

Kenneth Branagh’s production of the Shakespeare classic speeds through the material and can’t quite figure out its tone.

SOURCE: The New York Times Subscription at 09:31PM
Wednesday, November 13, 2024

‘Strategic Love Play’ Review: A Slightly Dark, Not-Quite-Romantic Comedy by Laura Collins-Hughes

In this first-date comedy, Michael Zegen and Heléne Yorke play people who might just be willing to settle for each other.

SOURCE: The New York Times Subscription at 06:31PM

Big Apple Circus Review: A City Tour, Pizza Rats Included by Alexis Soloski

This year’s show is an underwhelming exercise in nostalgia. But it’s still a joy to be under the big top with acts like the Wheel of Destiny.

SOURCE: The New York Times Subscription at 01:18PM

Timothy West, Who Portrayed Kings and Prime Ministers, Dies at 90 by Natasha King

A staple of British television, he played Churchill three times over a long career. Onstage, he was King Lear, Macbeth and Willy Loman.

SOURCE: The New York Times Subscription at 12:02PM

Vicky Holt Takamine Wins the Gish Prize by Derrick Bryson Taylor

Vicky Holt Takamine, a renowned teacher of hula dance and a champion for Indigenous culture, will receive a cash award of more than $450,000.

SOURCE: The New York Times Subscription at 12:01PM
Tuesday, November 12, 2024

‘Maybe Happy Ending’ Review: Darren Criss and Helen J Shen Are Robots in Love by Jesse Green

A supersmart musical about making a connection arrives on Broadway in a joyful, heartbreaking, cutting-edge production.

SOURCE: The New York Times Subscription at 02:24PM

‘The Vegetarian’ Review: Putting a Nobel Prize Winner’s Work Onstage by Laura Cappelle

After Han Kang won the Prize in Literature last month, a stage version of her novel “The Vegetarian” sold out its run at a struggling Paris theater.

SOURCE: The New York Times Subscription at 12:42PM

Julio Bocca, Former Star Dancer, to Run Argentina’s National Ballet by Marina Harss

Bocca, who retired from American Ballet Theater in 2006, will lead the company at Teatro Colón in Buenos Aires.

SOURCE: The New York Times Subscription at 10:41AM
Monday, November 11, 2024

‘A Wonderful World’ Review: Blowing Louis Armstrong’s Horn Isn’t Enough by Jesse Green

The great jazz trumpeter and sandpaper vocalist gets the old jukebox treatment in a new Broadway musical starring James Monroe Iglehart.

SOURCE: The New York Times Subscription at 09:31PM

Review: “Frontera” at BAM by Brian Seibert

At the Brooklyn Academy of Music, the highlight of Dana Gingras’s “Frontera” may well be the lighting design.

SOURCE: The New York Times Subscription at 01:20PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic