38,758 stories from The New York Times
The dance company started on a shoestring and went on to become internationally acclaimed.
On “Star Trek” and elsewhere, Stewart gave millions a theatrical master class, often delivering richly spoken classical language to express cosmic hope or grief.
At American Ballet Theater, the fall season is a chance to steer the company away from full-length works. With one exception, the classics came out on top.
Texas officials feared the casting in “Little Shop of Horrors” violated a state law limiting diversity efforts. The student has sued for gender discrimination.
Once the victim of paparazzi stalking and tabloid phone hacks, the actress is starring in two projects that deal explicitly with surveillance
Museums are pitching themselves as date-night destinations — and finding a generation of takers.
Bradley Whitford, Tom Blyth and Krysta Rodriguez star in a revival of Aaron Sorkin’s 1989 breakthrough that lacks tactical cohesion.
The show’s electronic dance-influenced music perfectly suits its story about a young man’s death and the rush to carry out a heart transplant.
The motley mix of roles that won the British actor acclaim include a Shakespearean hero, a “Star Trek” captain and an “X-Men” mutant.
The British actor was 86. He achieved pop-culture stardom as Capt. Jean-Luc Picard on “Star Trek: The Next Generation.”
The Belfast choreographer Oona Doherty, who is interested in the kinetic effects of trauma, sets the story of an orphaned 10-year-old on Halloween.
Watch Bradley Whitford and three other actors from the Broadway revival of Aaron Sorkin’s classic courtroom drama argue in an office at the New York Times Building.
She was nominated for “Breaking Away,” appeared in the original Broadway cast of “Company” and was seen on “Barney Miller.” She was 95.
For her latest autobiographical work, Mona Pirnot collaborated with Jack D. Coen on beautifully composed classical song-cycle.
The actor says he is no more tragic than anyone else, but in the one-man play “Sea Wall,” he’s the soul of a sadness machine.
Bradley Whitford, Tom Blyth and Krysta Rodriguez are starring in a revival of Aaron Sorkin’s breakthrough, “A Few Good Men,” at Lincoln Center Theater.
At 21, Brady Farrar, a child star for a season of reality television, is the youngest person to have choreographed a dance for the American Ballet Theater.
The National Ballet of Canada celebrates a landmark anniversary with solid accomplishments, a new leader and some of its founder’s original chutzpah.
At Target Margin Theater, a collaboration between Westwood, a choreographer, and Negrón, a composer, had its premiere, but both sides seemed hemmed in.
A musical adaptation of the F. Scott Fitzgerald short story has been in the works for nearly 10 years. Now it is making its U.S. debut at the Public Theater.
As a fan favorite on “Dancing With the Stars,” Stiles is “down for anything,” says her partner Ezra Sosa, including engaging with her early-career movies.
As the original cast reunites for a 30th anniversary concert, the Jonathan Larson archive continues to shed light on the enduring Broadway musical.
“The Amish Project,” a solo show, is inspired by a massacre that took place minutes from Groff’s childhood home. He will bring it to Broadway in February.
Bill Irwin, who may well be our greatest living clown, stars in his own adaptation of Molière’s 1673 play about a domineering hypochondriac paterfamilias.
His rugged good looks, commanding presence and versatility led to key roles in “M*A*S*H” and “Steel Magnolias,” and he won an Emmy on “Picket Fences.”
