38,638 stories from The New York Times
A revival of the endlessly popular musical will open in the fall of 2027.
This month’s picks include the “Hamilton” alum in Ossie Davis’s 1961 play, a political comedy by Mario Correa, and “Little Shop of Horrors” in high definition.
Ruben Santiago-Hudson, a recent Tony nominee for “Joe Turner’s Come and Gone,” returns to the director’s chair for this season’s revival of “Seven Guitars.”
The French artist makes you feel like a reveler in her epiphanies, from slapstick commedia dell’arte to dog sculptures in Central Park. At midcareer she is apparently tireless.
Sarah Michelson presents her expansive vision of dance at the Museum of Modern Art, where she will take over the atrium in her exhibition, “nowhere.”
The choreographer Alexei Ratmansky and his wife, Tatiana, returned to the national ballet company at a bleak moment, bringing the gift of a difficult, sparkling work.
The Graham company, which turned 100 this year, moves into a dazzling new space, taking over 21,000 square feet of a Times Square landmark.
A new docudrama uses recordings of Supreme Court nominations to measure how much (or little) has changed from Anita Hill to Christine Blasey Ford.
Justin Vivian Bond, a cabaret performer and MacArthur “genius,” left New York to move to Paris. Now she’s back at Joe’s Pub to tell us all about it.
Damien Warren-Smith takes (nearly) everything off to play a flightless bird whose natural habitat might be in your very own lap.
The dancers Valentino Zucchetti and Taisuke Nakao reflect on their careers and on ways they have striven to fulfill the ballet founder’s vision.
Eye-catching costumes? Eerie foghorns? For this year’s Beach Sessions, Alexa West shines a light on the bright and dark sides of American showbiz in “Amusement.”
On New York stages this season come the new musicals “Galileo” and “Wanted,” a “Shuffle Along” reunion with Audra McDonald, and Tom Hiddleston in “Much Ado About Nothing.”
This season is rich with sharp productions, like Bess Wohl’s and Branden Jacobs-Jenkins’s Pulitzer winners, Cole Escola’s “Oh, Mary!” and the hip-hop musical “Mexodus.”
Her new album, “Good Grief,” mourns friends including her Broadway co-star Gavin Creel, and her musical adaptation of the Meg Wolitzer novel “The Interestings” is about finding a dif…
Twenty-five years after 9/11 caused the cancellation of a Bill T. Jones group performance, he debuts a work in response.
Reece Weaver, a breakout star of the Dallas Cowboys Cheerleaders, gives Broadway a whirl.
For his final year as artistic director, Antoni Cimolino directs “The Tempest,” and like Prospero, he understands how to wield acts of kindness.
The all-star cast also includes Paul Rudd, Sarah Paulson, Greta Lee, Martin Freeman and Isaac Powell. Also coming: a new production of “Downstate.”
The choreographer Sonya Tayeh’s “The Surge” is a dance response to themes in O’Connor’s life: spirituality, identity and what Tayeh calls jrage, or joy and rage.
“The Fantasticks” ran for decades in Greenwich Village. Now, in time for its Broadway debut, it gets a gender makeover.
Also this season, the return of Balanchine’s “Pithoprakta” at New York City Ballet, a choreographer guides audiences on a nature hike, and reflections on this American moment.
A year after a longtime staff member was killed at the celebrated dance center in Western Massachusetts, the recovery continues.
“I feel like that’s what Steve Lacy gives,” the “Gilded Age” actor says. She’s a fan of his new album, as well as Zora Neale Hurston and nude beaches.
“Come From Away,” about a remote Newfoundland community that embraced grounded travelers, is playing all over the world — even in the town where it takes place.
