38,689 stories from The New York Times
Ethan Slater and Betsy Wolfe star in “Little Shop of Horrors,” and new casts also charm in “Just in Time” and “Maybe Happy Ending.”
The musical, which underwhelmed critics but attracted audiences while touring for years, has been significantly overhauled.
Hallberg, the former Ballet Theater star, is now the artistic director of the Australian Ballet, which is bringing “Oscar,” about Oscar Wilde, to City Center.
Daniel Fish’s staging of a C-SPAN segment reveals the complex yet tender relationship between the fiery Larry Kramer and the diplomatic Anthony Fauci.
A theatrical adaptation of “Perfection” by Vincenzo Latronico leans into political critique for an audience that looks a lot like the book’s characters.
The actor, now 51, is reprising his Tony-nominated role on Broadway, as an older, wiser Washington.
In “Pithoprakta,” a rarely seen Balanchine work set to an extraterrestrial score, New York City Ballet dancers enter a new realm: “It was like nothing we had ever done before.”
The Australian theater collective Pony Cam and Israel’s Lior Tavori Dance Company were among the offerings in the final three of this year’s programs.
The actor played the role of the sweetly endearing mouse puppet, a character beloved by children all over the world — and, apparently, Ed Sullivan.
New York City Ballet hosted its annual fashion gala, this season pairing three choreographers with designers. The faux pas really added up.
There were cascading ribbons, a flower crown and a “Landslide”-inspired performance at the New York City Ballet’s annual fall fashion gala.
An overachiever who had her life mapped out hits a roadblock in Mfoniso Udofia’s haunted, surreally comic new play at LCT3.
Peck’s choreography in “Grandes Études” for the Northern Ballet shows off qualities she is known for as a ballerina: speed, virtuosity, musicality.
The show, “a live radio play,” will run during this year’s holiday season. The cast includes Andrew Rannells, Megan Hilty, Tituss Burgess, Harry Hamlin and Lisa Rinna.
Thirty-five years after the road trip movie’s release, a stage adaptation with music by Neko Case wants to be a another rallying cry for women.
Andrew Scott stars in a “Sea Wall” being captured for the screen, and “In the Heights” gets a gala revival as New York City stages approach their autumn peak.
In her play about a group of very online incels, Else Went reveals what happens to their rabid rhetoric when these people are offered love.
The president has entertained the idea of tearing down the performing arts venue. Analysts say any plan would face multiple daunting challenges.
Jennifer Archibald creates ballets for the generations who grew up on hip-hop and electronic dance music. She makes her New York City Ballet debut at the fashion gala.
The actor Jacob Ming-Trent faced numerous rejections. But in this solo play at the Public, he tells how he found redemption through the playwright’s worlds and words.
Jocelyn Bioh’s breakthrough 2017 play about cliques and colorism is just as funny — and devastating — with a sharp ensemble and direction by Whitney White.
“For a lot of South Asians, dance is the way we connect,” said a member of the U.C.L.A. team Nashaa. Our photographer captured glimpses of the team last year, from audition to competitio…
The TV series, our critic writes, gave us a slew of talented stage performers and used pop songs to help turn musical theater into mass entertainment.
Kikuchi and the film’s director, Josef Kubota Wladyka, break down five key dance sequences from the film.
The Tony- and Emmy-winning actor will portray the Devil in a new production of the 1955 musical, performing alongside Julianne Hough and Austin Scott.
