Sunday, October 19, 2025
At the new Powerhouse: International festival in Brooklyn, Christos Papadopoulos debuted an oblique, glacially cool work with seven dancers.
SOURCE: The New York Times Subscription at 12:27PMSaturday, October 18, 2025
The Broadway League and Actors’ Equity Association reached a tentative agreement early Saturday. Union members must decide whether to ratify it.
SOURCE: The New York Times Subscription at 11:36AMFriday, October 17, 2025
American Ballet Theater opened its season with an all-Twyla Tharp program, featuring her first dance for the company, “Push Comes to Shove,” and the for-the-ages “Bach Partita.”
SOURCE: The New York Times Subscription at 01:43PMThursday, October 16, 2025
Joshua Henry, Caissie Levy and Brandon Uranowitz lead the glorious cast of Lear deBessonet’s inspiriting Broadway revival at Lincoln Center Theater.
SOURCE: The New York Times Subscription at 11:12PMAn urgent family mission propels Jordan E. Cooper’s pain-spiked supernatural comedy, a very loose riff on the biblical story of Noah.
SOURCE: The New York Times Subscription at 06:24PMThe French theater maker Caroline Guiela Nguyen brings unheard voices to the stage, like the real and imagined garment workers in her latest work, “Lacrima.”
SOURCE: The New York Times Subscription at 05:31AMWednesday, October 15, 2025
It’s unusual for an Atlantic Theater Company production to feel so uninspired, but in this set of one-acts, committed actors are let down by juvenile language.
SOURCE: The New York Times Subscription at 09:18PMThe Limón Dance Company tries to shake up its image with a world premiere by Diego Vega Solorza and a reimagined “Emperor Jones.”
SOURCE: The New York Times Subscription at 11:25AMIn his solo Off Broadway show “Other,” Ari’el Stachel explores the anxiety that has exacerbated his struggles with being an Arab Jew.
SOURCE: The New York Times Subscription at 11:24AMThis month’s picks include Clooney’s Broadway run as the CBS journalist Edward R. Murrow and an audio play starring Hugh Jackman.
SOURCE: The New York Times Subscription at 05:42AMThe programs were all over the map, but the dancers held the season together. Six were promoted, including India Bradley, the first Black female to become a soloist.
SOURCE: The New York Times Subscription at 05:04AMTuesday, October 14, 2025
The “Severance” actor portrays all the roles in a play she wrote with Frank Winters, inspired by her evangelical upbringing.
SOURCE: The New York Times Subscription at 05:42PMFor her performance piece “The Bride and the Goodnight Cinderella,” which opens in New York later this month, the artist drugs herself as the audience looks on.
SOURCE: The New York Times Subscription at 05:32AMMonday, October 13, 2025
Bedlam’s sharply irreverent production of Emily Breeze’s comedy, a riff on “Pride and Prejudice,” has period dress, contemporary vernacular and a magnetic Mrs. Bennet.
SOURCE: The New York Times Subscription at 04:31PMLimón’s dance, based on the play by Eugene O’Neill, has long been something of a problem piece. Now, it is being updated to speak to the moment.
SOURCE: The New York Times Subscription at 11:52AMAmerican Ballet Theater opens with an all-Tharp program, including “Push Comes to Shove,” the first work she created for the company and its newly defected star, in 1976.
SOURCE: The New York Times Subscription at 05:01AMSunday, October 12, 2025
Collaborating with the choreographer Jamar Roberts for the New York City Ballet fashion gala, Iris van Herpen created costumes that merged fantasy and form.
SOURCE: The New York Times Subscription at 10:59AMSaturday, October 11, 2025
“Spunk,” a fable weaving together music and movement, is getting its first full staging since being rediscovered in 1997.
SOURCE: The New York Times Subscription at 05:18AMFriday, October 10, 2025
Samuel Beckett’s 55-minute contemplation of mortality comes to NYU Skirball in a neat and handsome staging by Vicky Featherstone.
SOURCE: The New York Times Subscription at 05:42PMThe esteemed company presents a full-length contemporary work by Hofesh Shechter at New York City Center. Forget about pointe shoes. This is Chanel in socks.
SOURCE: The New York Times Subscription at 11:24AM“I wanted to tell a story that encompassed the gender spectrum,” said Tonatiuh, who transformed his body to play the queer window dresser Luis Molina.
SOURCE: The New York Times Subscription at 05:24AM“Freedom Riders,” a performance featuring monologues about police violence against Black people, played in cities throughout the South before returning to New York.
SOURCE: The New York Times Subscription at 05:24AMThursday, October 9, 2025
In her bold, funny solo show, the social media influencer details a life of identity-searching, controversy and a determination to be absolutely herself.
SOURCE: The New York Times Subscription at 06:18PMStriking plants of deep pinks and dark greens conjure the visual world of “Wicked” this month at the New York Botanical Garden.
SOURCE: The New York Times Subscription at 01:12PMThe fund-raiser drew celebrities, rock stars and designers, though its red carpet and dinner was boycotted by the company’s dancers who are fighting for pay increases.
SOURCE: The New York Times Subscription at 01:04PMNew York City Ballet presents a new work of uncanny beauty, with costumes by Iris van Herpen, inspired by nature and technology.
SOURCE: The New York Times Subscription at 12:12PMThe reimagined “Jellicle Ball” version of the musical is set in the ballroom scene — the queer subculture built around dance competitions.
SOURCE: The New York Times Subscription at 08:32AMFor T’s annual celebration of the people changing the culture, we profile three artists united in their dedication to taking risks.
SOURCE: The New York Times Subscription at 05:24AMFor half a century, she’s brought her singular talents to the stage and screen. Now, the actress wants one more shot at the role that helped make her a star.
SOURCE: The New York Times Subscription at 05:24AMLong the leading Asian American playwright, he was writing autofictional works about identity politics decades before those were cultural obsessions.
SOURCE: The New York Times Subscription at 05:24AM