38,249 stories from The New York Times
Deposit slips, vintage ledgers and more: David Korins’s Tony-nominated, 27,000-pound set for “Dog Day Afternoon” is as much a technical feat as a 1970s throwback.
Fans are traveling great distances for the chance to meet Tom Felton, who has revived a now grown-up Draco Malfoy on Broadway in “Harry Potter and The Cursed Child.”
Chekhov, Broadway stars and, yes, Shakespeare. There’s no shortage of free productions in the city this time of year. Here are 15 shows worth seeing.
This 1993 memoir, which became a film with Winona Ryder and Angelina Jolie, is now a play with songs by Aimee Mann. Here’s how the latest iteration came to be.
A mainstay of the Royal Shakespeare Company, he later started a rival theater group. He also appeared in “Return of the Jedi.”
The five girls in Eliana Theologides Rodriguez’s new play, about a “Native-inspired” program that trafficked in stereotypes, find ways to create their own experiences.
Kathryn Grody’s “The Unexpected 3rd,” Leslie Ayvazian’s “Mention My Beauty” and Liza Jessie Peterson’s “The Peculiar Patriot” are among the solo shows at the In the Bricks …
Brooklyn students are learning a traditional Ugandan dance for BAM’s festival this weekend. “You cannot shake your hips if you are stressed,” the Ugandan troupe leader told them.
Saved from extinction, the New York City Tap Festival is back with its charms and flaws intact.
With the new play “Titans,” Clubbed Thumb’s Summerworks series opens with a sharp ensemble work.
Ava Pickett just opened her play “1536” in London. Next up: a TV adaptation, then a project with the filmmaker Baz Luhrmann.
A musical version of the 1980s tear-jerker will close months earlier than planned after opening in April to negative reviews and soft sales.
Julie Mehretu and John Jasperse are collaborating at the Marian Goodman Gallery: “How do we bring something to each other’s work that feels productive?”
The fast success of this play, about the children’s author Roald Dahl, is a rarity on Broadway, where most shows lose money.
This newly discovered play by Wilder is part picaresque, part fable, featuring a Midwestern boy who dreams of working at a department store in the big city.
“Just in Time,” which for a year starred Jonathan Groff, is the first new musical from last season to make money for investors.
The composer Cinco Paul discusses the clever references to classic musicals everywhere you look (and hear) in his new Broadway show.
After “Coppélia,” the New York City Ballet star will leave her dancing days behind. “I have an immense amount of peace about this whole thing,” she said.
Eliya Smith’s disturbing teen dramedy explores the ambivalence and confusion of life on the brink of adulthood.
Our chief theater critic looks at this year’s nominees and makes some predictions (and recommendations).
Derek Klena was a successful actor with a Tony nomination to his name. But he’s found a bigger audience with the barnstorming baseball sensation.
For a short time, Rauschenberg made dances. He used roller skates, pointe shoes and parachute wings for “Pelican” (1963), now reimagined by Trisha Brown’s company.
Aleshea Harris won acclaim for her drama “Is God Is.” When it came time for a film adaptation, she saw cinematic possibilities far beyond her play.
The actor gives a remarkable performance in a program of monologues at the intimate Minetta Lane Theater. Sepideh Moafi and Marianna Gailus also star.
Kara Young and Mallori Johnson play twins bent on revenge in the playwright Aleshea Harris’s powerhouse film debut.
