38,732 stories from The New York Times
Our reporter met some of the people waiting for free tickets to see the British playwright’s newest microplay at the Public Theater in Manhattan.
The actor revisits his annus horribilis, and what came before it, in a warm and very funny solo Broadway play.
Todrick Hall’s overstuffed quasi-opera is beautifully sung but discombobulated, while a cutesy Fitzgerald adaptation has a talented cast but lacks depth.
New York City Ballet’s fall highlights included the return of “Pithoprakta,” the magic of Mira Nadon and the farewell performance of Adrian Danchig-Waring.
Though the actor has long been a welcome screen presence, this is his first starring role in years. “To carry the whole thing, that’s a big responsibility.”
Milo Cramer’s excellent lo-fi song-cycle and Eliya Smith’s verbatim play about a notorious video both reveal how young minds are made.
Mr. Riehle, best remembered for playing an anxious character with “people skills,” built a career in theater, TV and film that lasted more than half a century.
The playwright Lauren Yee paints an amusing portrait of a Chinese American father-daughter relationship before taking audiences on a delightfully wild ride.
Nearly five decades after the disease first appeared, many filmmakers, writers and others are finding new meaning in catastrophe.
Jon Robin Baitz’s 2010 family bash-em-up gets an uneven Broadway revival, with a cast that also includes Allison Janney at her droll, insulting best.
An actor, producer and director, he also managed several theater companies. But he was best known for his performances in works by Samuel Beckett.
In “Pithoprakta,” a rarely seen work by George Balanchine at City Ballet, Suzanne Farrell brings a tense and eerie dance back to life. It’s a laboratory for new movement.
The Off Broadway shows “A Ghost in Your Ear” and “The 4th Witch” use aural and visual tricks to give you the seasonal spooks.
Nrityagram Dance Ensemble at the Joyce Theater and Sreelakshmy Govardhanan at Danspace exemplified clear storytelling in two forms of Indian dance.
This new musical aims to tell a sexy story about perversions and pleasures but ends up blandly nodding at eroticism.
John Turturro, Tatiana Maslany and Tony Shalhoub will star in a spring production of the satirical Ionesco drama.
Jocelyn Bioh’s “School Girls; or The African Mean Girls Play” has audiences laughing, but also wrestles with weighty topics like colorism.
Verdi’s adaptation of the Shakespeare tragedy comes to movie screens around the world. And “Rent” holds a 30th anniversary concert.
The playwright tries to strike a middle path in this comedy about QAnon far-right conspiracy theories, which stars the reliably zany Crystal Finn.
Ellen’s Stardust Diner, where the staff has been belting show tunes for decades, faces fresh competition from a 24-hour newcomer just a block away.
The comic strip is surprisingly revered by some comedy writers and cartoonists, including Tom Gammill, whose credits include “The Simpsons” and “S.N.L.”
Tilda Swinton (in “Man to Man”) and Billy Crudup and Gillian Anderson (in “Who’s Afraid of Virginia Woolf?”) are among the titans making a meal of London.
HB Studio, founded in 1945, has serious financial woes and is in disrepair.
For many ballet dancers and former students, love of the art form endures even after they stop dancing. Ballet Salon was founded as a place for them to practice and perform at a high level.
After a hot-ticket comedy club run last fall, Andrew Fox and Joel Sinensky’s satirical musical, spurred by a tweet about Anne Frank, resurfaces Off Broadway.
