‘America, Who Hurt You?’ Review: Sarah Jones Plays the Melting Pot
The writer-performer takes the country and its fractious multitudes to therapy in her new multicharacter solo show in Brooklyn.
The writer-performer takes the country and its fractious multitudes to therapy in her new multicharacter solo show in Brooklyn.
After opposing the Ukrainian war and settling in Latvia, Chulpan Khamatova now comes to New York to star in a dark comedy by Ionesco.
Joseph Herscher’s Rube Goldberg contraptions are viral hits online. A new live show adds a layer of choreographic complexity.
Robert Fairchild’s dance-theater work premiering at Fall for Dance posits that Shakespeare poured the pain of same-sex longing into “Romeo and Juliet.”
The film looks at the storied 1972 Toronto production of “Godspell,” a Rosetta Stone of funny people that featured Martin Short, Gilda Radner and Eugene Levy.
After 18 years traveling Inwood and Washington Heights, the People’s Theater welcomes a $40 million permanent address.
The Oscar-winning writer returns to Facebook with “The Social Reckoning”— and remains as optimistic as ever.
For decades, Salzburg residents dismissed the hit musical as kitsch. Now, a dedicated space aims to reconcile movie myth and local history.
The director and writer Simon Stone updated the classic work to reflect the world we live in with this Korean-language adaptation at the Park Avenue Armory.
In translating synth pop to a theatrical format in the “American Psycho” musical, Sheik matched what he did with rock in the acclaimed “Spring Awakening.”
In adapting the old plot, the director-writer Simon Stone transports the story to a modern Korea from Russia in the early 1900s.
Weary of the heartthrob label after his 1996 hit “Barely Breathing,” he pivoted to musical theater and won two Tonys for composing “Spring Awakening.”
A misanthropic middle school teacher stages a provocative student musical in this sardonic comedy.
A one-woman show about the perils of authoritarianism draws on a memoir by the Hungarian-American writer Kati Marton. Under Viktor Orban’s government, it might not have happened.
Over the summer, 40 life-size bison puppets were handmade at St. Ann’s Warehouse in Brooklyn. This weekend, they’ll stampede through New York.
The anonymous donation, the library’s largest ever, will support digitization of archival items related to theater, dance and music.
An annual review by American Theater magazine finds 20 productions of the high school drama around the nation.
His sequined gowns and outrageous costumes threw clouds of glitter at American fashion for over half a century.
LuPone will return to the Off Broadway stage in January for a revival of “Full Gallop.”
The actress, last onstage over four decades ago, had a “terrifying” desire to return to the stage. “Other Desert Cities” will be her Broadway debut.
The new musical, set in the late 1800s in Texas, originated from the family lore of the book writer and lyricist Angelica Chéri. Its journey to Broadway took a dozen years.
A revival of the endlessly popular musical will open in the fall of 2027.
This month’s picks include the “Hamilton” alum in Ossie Davis’s 1961 play, a political comedy by Mario Correa, and “Little Shop of Horrors” in high definition.
Ruben Santiago-Hudson, a recent Tony nominee for “Joe Turner’s Come and Gone,” returns to the director’s chair for this season’s revival of “Seven Guitars.”
The French artist makes you feel like a reveler in her epiphanies, from slapstick commedia dell’arte to dog sculptures in Central Park. At midcareer she is apparently tireless.