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38,659 stories from The New York Times

‘America, Who Hurt You?’ Review: Sarah Jones Plays the Melting Pot by Laura Collins-hughes

The writer-performer takes the country and its fractious multitudes to therapy in her new multicharacter solo show in Brooklyn.

SOURCE: The New York Times Subscription at 1:00pm on September 21, 2026

Chulpan Khamatova Stars in the Dark, Absurdist Play “Delirium” by Elisabeth Vincentelli

After opposing the Ukrainian war and settling in Latvia, Chulpan Khamatova now comes to New York to star in a dark comedy by Ionesco.

SOURCE: The New York Times Subscription at 5:30am on September 21, 2026

Joseph Herscher’s Rube Goldberg Machines Create Wonder, Not Efficiency by Margaret Fuhrer

Joseph Herscher’s Rube Goldberg contraptions are viral hits online. A new live show adds a layer of choreographic complexity.

SOURCE: The New York Times Subscription at 5:02am on September 21, 2026

Dancing With Shakespeare’s ‘Lovely Boy’ by Brian Seibert

Robert Fairchild’s dance-theater work premiering at Fall for Dance posits that Shakespeare poured the pain of same-sex longing into “Romeo and Juliet.”

SOURCE: The New York Times Subscription at 5:01am on September 21, 2026

‘You Had to Be There’ Review: An Irresistible Documentary by Jason Zinoman

The film looks at the storied 1972 Toronto production of “Godspell,” a Rosetta Stone of funny people that featured Martin Short, Gilda Radner and Eugene Levy.

SOURCE: The New York Times Subscription at 11:15am on September 20, 2026

A Theater Finds a Home in Lin-Manuel Miranda’s Backyard by Malia Mendez

After 18 years traveling Inwood and Washington Heights, the People’s Theater welcomes a $40 million permanent address.

SOURCE: The New York Times Subscription at 5:30am on September 20, 2026

Aaron Sorkin Still Believes in American Institutions, Even if No One Else Does by Lulu Garcia-navarro

The Oscar-winning writer returns to Facebook with “The Social Reckoning”— and remains as optimistic as ever.

SOURCE: The New York Times Subscription at 5:15am on September 19, 2026

Can a New Museum Persuade Austria to Finally Love ‘The Sound of Music’? by Catherine Hickley

For decades, Salzburg residents dismissed the hit musical as kitsch. Now, a dedicated space aims to reconcile movie myth and local history.

SOURCE: The New York Times Subscription at 5:05am on September 19, 2026

A Vision of Chekhov’s ‘Cherry Orchard’ Rooted in Modern Korea by Roslyn Sulcas and Yuvraj Khanna

The director and writer Simon Stone updated the classic work to reflect the world we live in with this Korean-language adaptation at the Park Avenue Armory.

SOURCE: The New York Times Subscription at 5:05am on September 19, 2026

‘American Psycho’ Was Duncan Sheik’s Darkest Work. Was It Also His Best? by Elisabeth Vincentelli

In translating synth pop to a theatrical format in the “American Psycho” musical, Sheik matched what he did with rock in the acclaimed “Spring Awakening.”

SOURCE: The New York Times Subscription at 3:55pm on September 18, 2026

Review: ‘The Cherry Orchard,’ in Korean, at the Park Avenue Armory by Helen Shaw

In adapting the old plot, the director-writer Simon Stone transports the story to a modern Korea from Russia in the early 1900s.

SOURCE: The New York Times Subscription at 11:30am on September 18, 2026

Duncan Sheik, Who Traded Pop Stardom for Broadway, Dies at 56 by Alex Williams

Weary of the heartthrob label after his 1996 hit “Barely Breathing,” he pivoted to musical theater and won two Tonys for composing “Spring Awakening.”

SOURCE: The New York Times Subscription at 10:55am on September 18, 2026

‘The Musical’ Review: That’s Entertainment by Natalia Winkelman

A misanthropic middle school teacher stages a provocative student musical in this sardonic comedy.

SOURCE: The New York Times Subscription at 9:55am on September 17, 2026

A New Play in Budapest Signals a Cultural Reawakening for Hungary by Andrew Higgins

A one-woman show about the perils of authoritarianism draws on a memoir by the Hungarian-American writer Kati Marton. Under Viktor Orban’s government, it might not have happened.

SOURCE: The New York Times Subscription at 9:20am on September 17, 2026

Conjuring a Herd of Buffalo From Steel, Wood and Burlap by Laura Collins-hughes and Paola Chapdelaine

Over the summer, 40 life-size bison puppets were handmade at St. Ann’s Warehouse in Brooklyn. This weekend, they’ll stampede through New York.

SOURCE: The New York Times Subscription at 5:25am on September 17, 2026

New York Performing Arts Library Gets $60 Million Gift for Preservation by Malia Mendez

The anonymous donation, the library’s largest ever, will support digitization of archival items related to theater, dance and music.

SOURCE: The New York Times Subscription at 5:00pm on September 16, 2026

Survey Says: ‘John Proctor’ Is the Most-Staged Play in the U.S. by Michael Paulson

An annual review by American Theater magazine finds 20 productions of the high school drama around the nation.

SOURCE: The New York Times Subscription at 1:55pm on September 16, 2026

Bob Mackie, Designer Who ‘Dressed Every Spangly Woman in Show Business,’ Dies at 87 by Penelope Green

His sequined gowns and outrageous costumes threw clouds of glitter at American fashion for over half a century.

SOURCE: The New York Times Subscription at 11:30am on September 16, 2026

Patti LuPone to Star as Diana Vreeland in ‘Full Gallop’ by Michael Paulson

LuPone will return to the Off Broadway stage in January for a revival of “Full Gallop.”

SOURCE: The New York Times Subscription at 9:15am on September 16, 2026

Julia Louis-Dreyfus Is Ready to Make a Meal of Broadway by Alexis Soloski and Thea Traff

The actress, last onstage over four decades ago, had a “terrifying” desire to return to the stage. “Other Desert Cities” will be her Broadway debut.

SOURCE: The New York Times Subscription at 5:25am on September 16, 2026

In ‘Wanted’ on Broadway, Outlaw Sisters Pass for White to Settle the Score by Derrick Bryson Taylor and Myesha Evon

The new musical, set in the late 1800s in Texas, originated from the family lore of the book writer and lyricist Angelica Chéri. Its journey to Broadway took a dozen years.

SOURCE: The New York Times Subscription at 5:25am on September 16, 2026

As ‘Annie’ Turns 50, a Revival Will Open on Broadway by Michael Paulson

A revival of the endlessly popular musical will open in the fall of 2027.

SOURCE: The New York Times Subscription at 9:10am on September 15, 2026

A Nancy Pelosi-A.O.C. Drama, ‘Little Shop of Horrors’ and More Theater to Stream by Rachel Sherman

This month’s picks include the “Hamilton” alum in Ossie Davis’s 1961 play, a political comedy by Mario Correa, and “Little Shop of Horrors” in high definition.

SOURCE: The New York Times Subscription at 7:55am on September 15, 2026

With ‘Seven Guitars,’ Ruben Santiago-Hudson Keeps the Light on for August Wilson by Helen Shaw and Marcus Maddox

Ruben Santiago-Hudson, a recent Tony nominee for “Joe Turner’s Come and Gone,” returns to the director’s chair for this season’s revival of “Seven Guitars.”

SOURCE: The New York Times Subscription at 5:35am on September 15, 2026

The Midcareer Artist Camille Henrot Is Apparently Tireless by Walker Mimms

The French artist makes you feel like a reveler in her epiphanies, from slapstick commedia dell’arte to dog sculptures in Central Park. At midcareer she is apparently tireless.

SOURCE: The New York Times Subscription at 5:35am on September 15, 2026
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