38,778 stories from The New York Times
Pam Tanowitz’s new work for Paul Taylor Dance Company acknowledges the context of Taylor’s work while extending Tanowitz’s own history.
Neil Greenberg, a contemporary choreographer with exacting craft and an indomitable spirit, presents his latest work at the Chocolate Factory Theater.
The musical, rooted in the writer Angelica Chéri’s family lore, follows Black twin sisters who pass for white and become vigilantes in 1890s Texas.
In this confident and delicate new play by Dan Giles, a brother and sister give anticapitalist absolutism the old college try.
The company’s resident choreographers, Lauren Lovette and Robert Battle, showed new dances at Lincoln Center. As usual, Taylor’s works flattened them to bits.
Lauren Ambrose plays the mother of a missing teen in “The Unbelievers,” and Jasmine Cephas Jones plays a mother hearing spooky sounds in “2:22.”
With the community-theater comedy “The Debut” coming soon, five, six, seven, eight your way to these films about stage-struck amateurs.
On a domed screen in Detroit, New York City Ballet’s production of “The Nutcracker” began a new, immersive chapter.
Two theater pieces that drill down from the polite society of the intelligentsia to the most primal animal urges, with acknowledgments to Freud.
The actress has stepped into Genie’s famous blue velvet costume, bringing a new dynamic to the role.
The choreographer Benjamin Millepied is presenting a season at the storied Parisian theater. “It’s so alive and it’s a place to do something for a broader public.”
He helped turn the Bard’s canon into a three-man, 97-minute comedy, then worked as a Disney Imagineer. He was 66.
The music of the folk duo Yeller Tooth gives Classic Stage Company’s revival of this dated Clifford Odets play a refreshing heart.
In Bijayini Satpathy’s new solo program, she depicts a warrior, a nymph and a character with no gender. After a career “dancing within the codes,” she had to explore.
Adrian Blake Mitchell’s career took him to Russia. But he has returned to Los Angeles to shepherd young dancers at his alma mater. “I’m teaching a lot of things I wish most adult men h…
The actress is a major draw for Robert Icke’s adaptation of the Oscar-winning movie. But in this version, the secret police steal the show.
The playwright of hard-talking works like “Waiting for Lefty” and “Awake and Sing!” is again the man of the moment.
This concert staging of Lin-Manuel Miranda and Quiara Alegría Hudes’s 2005 musical is like driving through the streets of New York with the windows down.
From a revival of August Wilson’s “Seven Guitars” to a musical parody of the reality show “The Traitors,” New York stages are full of creativity this month.
Richard Nelson thought he was done with the Apple family in 2020. Then Donald Trump returned to the White House.
The dance company started on a shoestring and went on to become internationally acclaimed.
On “Star Trek” and elsewhere, Stewart gave millions a theatrical master class, often delivering richly spoken classical language to express cosmic hope or grief.
At American Ballet Theater, the fall season is a chance to steer the company away from full-length works. With one exception, the classics came out on top.
Texas officials feared the casting in “Little Shop of Horrors” violated a state law limiting diversity efforts. The student has sued for gender discrimination.
Once the victim of paparazzi stalking and tabloid phone hacks, the actress is starring in two projects that deal explicitly with surveillance
