38,629 stories from The New York Times
Damien Warren-Smith takes (nearly) everything off to play a flightless bird whose natural habitat might be in your very own lap.
The dancers Valentino Zucchetti and Taisuke Nakao reflect on their careers and on ways they have striven to fulfill the ballet founder’s vision.
Eye-catching costumes? Eerie foghorns? For this year’s Beach Sessions, Alexa West shines a light on the bright and dark sides of American showbiz in “Amusement.”
On New York stages this season come the new musicals “Galileo” and “Wanted,” a “Shuffle Along” reunion with Audra McDonald, and Tom Hiddleston in “Much Ado About Nothing.”
This season is rich with sharp productions, like Bess Wohl’s and Branden Jacobs-Jenkins’s Pulitzer winners, Cole Escola’s “Oh, Mary!” and the hip-hop musical “Mexodus.”
Her new album, “Good Grief,” mourns friends including her Broadway co-star Gavin Creel, and her musical adaptation of the Meg Wolitzer novel “The Interestings” is about finding a dif…
Twenty-five years after 9/11 caused the cancellation of a Bill T. Jones group performance, he debuts a work in response.
Reece Weaver, a breakout star of the Dallas Cowboys Cheerleaders, gives Broadway a whirl.
For his final year as artistic director, Antoni Cimolino directs “The Tempest,” and like Prospero, he understands how to wield acts of kindness.
The all-star cast also includes Paul Rudd, Sarah Paulson, Greta Lee, Martin Freeman and Isaac Powell. Also coming: a new production of “Downstate.”
The choreographer Sonya Tayeh’s “The Surge” is a dance response to themes in O’Connor’s life: spirituality, identity and what Tayeh calls jrage, or joy and rage.
“The Fantasticks” ran for decades in Greenwich Village. Now, in time for its Broadway debut, it gets a gender makeover.
Also this season, the return of Balanchine’s “Pithoprakta” at New York City Ballet, a choreographer guides audiences on a nature hike, and reflections on this American moment.
A year after a longtime staff member was killed at the celebrated dance center in Western Massachusetts, the recovery continues.
“I feel like that’s what Steve Lacy gives,” the “Gilded Age” actor says. She’s a fan of his new album, as well as Zora Neale Hurston and nude beaches.
“Come From Away,” about a remote Newfoundland community that embraced grounded travelers, is playing all over the world — even in the town where it takes place.
The film, which opened the Venice Film Festival on Wednesday, portrays the rise of the British tabloid The Sun in Boyle’s trademark rollicking style.
The cast of 100 in “Public Record,” almost all amateurs, spotlights people who open their hearts and share their stories for five nights at the Delacorte Theater.
In “Electra/Persona” at the National Theater in London, the actresses turn a spotlight on performance and the slipperiness of identity.
The fall season kicks off with a jam-packed month of riches, including experiments in docu-theater and performances by Lupita Nyong’o and Victoria Clark.
From Hannah Reilly to Amanda Knox to clowns, who are the hype beasts of this year’s Fringe Festival? Our chief theater critic, Helen Shaw, went to Edinburgh to find out.
A residency at MoMA showed that Pageant, a Brooklyn performance space where experimental dance thrives, is really the sum of its artist parts.
The actress, 32, will make her directorial debut with the Irish short film “Paper Plane” at the Venice Film Festival.
In this semi-open-air staging in the Hudson Valley, the musical conjures Paris’s seedy cobblestone streets with an adept Jean Valjean leading the charge.
Floating Points brings his niche classical music obsessions and deep love for dance clubs to his ballet score and new album “Mere Mortals.”
