All stories by Kathryn Osenlund on BroadwayStars

Thursday, September 7, 2023

10 Dates with Mad Mary (Inis Nua): A real piece of work returns by Kathryn Osenlund

10 Dates with Mad Mary is playing upstairs at a favored watering hole, Fergie’s Pub. The show was so popular last year that it’s back! The post 10 Dates with Mad Mary (Inis Nua): A real …

SOURCE: phindie.com at 04:49PM
Monday, June 12, 2023

TWELTH NIGHT (Wilma): Beach blanket Bard by Kathryn Osenlund

There’s a lot of Twelfth Night going around in the Philadelphia area, all different. The Wilma conjures a fresh seaside setting. A dock moves forward.… The post TWELTH NIGHT (Wilma): Be…

SOURCE: phindie.com at 01:54PM
Friday, June 2, 2023

TWELFTH NIGHT (Lantern): Some are born great by Kathryn Osenlund

Shakespeare wrote Twelfth Night (1599-1600), one of his few fantasy plays, immediately before he penned his incomparable Hamlet (1600-1601).  As Artistic Director Charles McMahon describes�…

SOURCE: phindie.com at 11:51AM
Thursday, April 6, 2023

RADIO GOLF (Arden): Hearts on one side, heads on the other by Kathryn Osenlund

A crippling honesty and family ties mark August Wilson’s Radio Golf, a play that flows with humor along with sharply incisive dialogue and a clever story line. The post RADIO GOLF (Arden)…

SOURCE: phindie.com at 01:48PM
Monday, March 6, 2023

THE TEMPEST (Quintessence): Full of magic by Kathryn Osenlund

There’s magic and mystery as wonderfully costumed characters come alive to dance, sing, cavort, wrestle, draw swords, threaten violence, and show mercy The post THE TEMPEST (Quintessence):…

SOURCE: phindie.com at 09:49PM
Friday, February 24, 2023

CAT ON A HOT TIN ROOF (Walnut Street Theatre): A thinking play by Kathryn Osenlund

Introducing Cat on a Hot Tin Roof as “a thinking play,” Tennessee Williams wrote to his audiences: “I want to go on talking to you… The post CAT ON A HOT TIN ROOF (Walnut Street The…

SOURCE: phindie.com at 11:12PM
Tuesday, January 24, 2023

Waiting For Lefty (Quintessence): On the side of angels but not art by Kathryn Osenlund

This show has history. Odets, a voice for his disinherited generation was born in Philadelphia. The post Waiting For Lefty (Quintessence): On the side of angels but not art appeared first on…

SOURCE: phindie.com at 12:00PM
Friday, November 11, 2022

Every Brilliant Thing (Arden Theatre Company): 60-second review by Kathryn Osenlund

Scott Greer has the audience suffering with him, then happy for him. It seems this story could have been his personal history. He owns it that much. The post Every Brilliant Thing (Arden The…

SOURCE: phindie.com at 07:25PM
Thursday, November 10, 2022

The Tattooed Lady (Philadelphia Theatre Company): Tattoo as metaphor, tattoo as tattoo by Kathryn Osenlund

Boisterous, joyful, defiant, and a little bawdy, the show may have a sketchy contraption of a plot, but you don’t go to a musical expecting Hamlet. The post The Tattooed Lady (Philadelphia…

SOURCE: phindie.com at 06:58PM
Monday, November 7, 2022

DEATH OF A DRIVER (InterAct): 60-second review by Kathryn Osenlund

Faced with bureaucratic nonsense or official missteps, who hasn’t said ‘fuck the government’ or a more genteel equivalent? The multi-ethnic East African Kenya Colony gained independe…

SOURCE: phindie.com at 12:50PM
Friday, October 14, 2022

THE GLASS MENAGERIE (Arden): Revisiting the famed memory play by Kathryn Osenlund

Tennessee Williams had been writing since he was a teenager, and by the time he was 30 years old he was getting nowhere. His early… The post THE GLASS MENAGERIE (Arden): Revisiting the fa…

SOURCE: phindie.com at 06:52PM
Monday, October 3, 2022

THE CHAIRS (Quintessence): 60-second review by Kathryn Osenlund

Due to the pandemic, it had been many months since I’d visited the Sedgwick Theater in Germantown. October 1 was opening night for The Chairs… The post THE CHAIRS (Quintessence): 60-sec…

SOURCE: phindie.com at 11:43PM
Monday, September 26, 2022

ROMEO AND JULIET (OJ Productions): 2022 Fringe review by Kathryn Osenlund

It’s a tragedy that more audiences will not have a chance to enjoy the production. The post ROMEO AND JULIET (OJ Productions): 2022 Fringe review appeared first on phindie.

SOURCE: phindie.com at 12:24PM
Monday, September 19, 2022

LATE NIGHT SNACKS FAMILY SHOW (Bearded Ladies): 2022 Fringe review by Kathryn Osenlund

Okay: A drag queen show for children. The post LATE NIGHT SNACKS FAMILY SHOW (Bearded Ladies): 2022 Fringe review appeared first on phindie.

SOURCE: phindie.com at 05:17PM
Thursday, September 15, 2022

Watching THE TWO-CHARACTER PLAY (OUT-CRY) by Tennessee Williams by Kathryn Osenlund

This play-within-a-play about a play takes place on the Bluver Theatre’s tiny stage, brightly lit, although called dim by the characters. The audience,  up close… The post Watching THE…

SOURCE: phindie.com at 07:41AM
Monday, September 12, 2022

Romeo & Juliet in a Bar (Shakespeare on Tap): 2022 Fringe review by Kathryn Osenlund

A little bit naughty at times, semi-Shakespearean lingo is mixed with a good deal of TomFoolery. The post Romeo & Juliet in a Bar (Shakespeare on Tap): 2022 Fringe review appeared first …

SOURCE: phindie.com at 10:23PM
Friday, September 9, 2022

FOOD (Geoff Sobelle): 2022 Fringe review by Kathryn Osenlund

Unless you know Geoff Sobelle’s other works, you’ve never seen anything like this. The post FOOD (Geoff Sobelle): 2022 Fringe review appeared first on phindie.

SOURCE: phindie.com at 10:30PM
Tuesday, September 6, 2022

NOT RIGHT NOW (James Christy): 2022 Fringe review by Kathryn Osenlund

There are many, many moments that become stories. The post NOT RIGHT NOW (James Christy): 2022 Fringe review appeared first on phindie.

SOURCE: phindie.com at 11:16PM
Monday, October 26, 2020

Looking Back: An early Pig Iron production by Kathryn Osenlund

ames Joyce is Dead And So Is Paris was presented at Christ Church Annex in Old City in 2003. It was something else!

SOURCE: phindie.com at 11:45AM
Tuesday, October 6, 2020

Looking Back: Two works by Thaddeus Phillips by Kathryn Osenlund

In today's edition of my look back on theater from years past, I remember two Thaddeus Phillips works from 2015 and 2017: Alias Ellis Mackenzie and A Billion Nights on Earth.

SOURCE: phindie.com at 08:56PM
Monday, October 5, 2020

Looking Back: I Am My Own Wife at the Wilma and Theatre Horizon by Kathryn Osenlund

Kathryn Osenlund remembers two productions of I Am My Own Wife by Doug Wright. 

SOURCE: phindie.com at 08:15PM
Thursday, October 1, 2020

Looking Back: Chekhov Lizardbrain & Red Eye to Havre de Grace by Kathryn Osenlund

Kathryn Osenlund remembers two productions from Fringe Festivals past

SOURCE: phindie.com at 09:02AM
Monday, September 28, 2020

Looking Back at the Theater: Remembering two outstanding performances at Bristol Riverside Theater (BRT) by Kathryn Osenlund

In a new series, Phindie takes a walk down memory lane to briefly revisit memorable theater performances in Philadelphia and environs.

SOURCE: phindie.com at 01:33PM
Thursday, April 9, 2020

Remembering Mercutios and Tybalts by Kathryn Osenlund

In recent days of home-captivity my mind has wandered to Romeo & Juliet performances, new and old. But I'm more interested in Mercutio and Tybalt than the star-crossed lovers.

SOURCE: phindie.com at 02:09PM
Saturday, March 28, 2020

Remembering Hamlets by Kathryn Osenlund

Cooped up inside, with no theater in sight, I’m remembering Hamlets I’ve known.

SOURCE: phindie.com at 06:03PM
Thursday, February 6, 2020

DESCRIBE THE NIGHT (Wilma): Put on your thinking caps by Kathryn Osenlund

Put on your thinking cap if you’re thinking of going to see DESCRIBE THE NIGHT

SOURCE: phindie.com at 11:41AM
Thursday, January 30, 2020

A WOMAN OF NO IMPORTANCE (Walnut Street): Dropping a stream of bon mots from the sofa by Kathryn Osenlund

How wonderful that we have Oscar Wilde's works and can go and see his plays

SOURCE: phindie.com at 08:34PM
Tuesday, December 17, 2019

THE SNOW QUEEN (Arden Children’s Theatre): by Kathryn Osenlund

“In the realm of the unknown, kids and adults have pretty much the same needs: courage, resilience, protection.” 

SOURCE: phindie.com at 10:59AM
Monday, July 18, 2016

Review: The Trump Card at curtainup.com-Philadelphia by Kathryn Osenlund

Mike Daisey's latest is more tragedy than comedy, yet it's so funny you want to cry

SOURCE: CurtainUp at 06:31AM
Monday, April 11, 2016

Review: He Who Gets Slapped at curtainup.com/Philadelphia by Kathryn Osenlund

Goodbye cruel world, he's off to join the circus. Read More

SOURCE: CurtainUp at 07:11AM
Sunday, January 17, 2016

Review: A Moon for the Misbegotten at curtainup.com/ Philadelphia by Kathryn Osenlund

O'Neill upstairs at Philadelphia's historic Walnut Street Theatre.

SOURCE: CurtainUp at 03:38PM