All stories by Jesse Green on BroadwayStars

Thursday, April 11, 2024

Review: In ‘The Outsiders,’ a New Song for the Young Misfits by Jesse Green

The classic coming-of-age novel has become a compelling, if imperfect, musical about have-not teenagers in a have-it-all world.

SOURCE: The New York Times Subscription at 09:32PM
Wednesday, April 3, 2024

Christopher Durang, the Surrealist of Snark by Jesse Green

In works like “Vanya and Sonia and Masha and Spike,” the playwright would force you to laugh, not to dull the pain but to hone it.

SOURCE: The New York Times Subscription at 09:48AM
Thursday, March 28, 2024

‘The Who’s Tommy’ Review: Going Full Tilt by Jesse Green

Will the Who’s rock opera about a traumatized boy hit the jackpot again?

SOURCE: The New York Times Subscription at 09:00PM
Thursday, March 21, 2024

‘Water for Elephants’ Review: Beauty Under the Big Top by Jesse Green

The circus-themed love story, already a novel and a movie, becomes a gorgeously imaginative Broadway musical.

SOURCE: The New York Times Subscription at 09:36PM
Tuesday, March 19, 2024

Review: An Affair to Dismember, in the Gory Musical ‘Teeth’ by Jesse Green

A cult horror film about a teenage girl with a surprise set of chompers gets another surprise: the song-and-dance treatment.

SOURCE: The New York Times Subscription at 09:42PM
Monday, March 18, 2024

Review: Ibsen’s ‘Enemy of the People,’ Starring Jeremy Strong by Jesse Green

The “Succession” star headlines a Broadway revival of Ibsen’s play about a lifesaving doctor and the town that hates him.

SOURCE: The New York Times Subscription at 10:02PM
Thursday, March 14, 2024

‘The Notebook’ Review: A Musical Tear-Jerker or Just All Wet? by Jesse Green

The 2004 weepie comes to Broadway with songs by Ingrid Michaelson and a $5 box of tissues.

SOURCE: The New York Times Subscription at 09:06PM
Thursday, March 7, 2024

Review: In ‘Doubt,’ What He Knows, She Knows, God Knows by Jesse Green

Liev Schreiber and Amy Ryan star in a revival of John Patrick Shanley’s moral head spinner about pride, the priesthood and presumptions of pedophilia.

SOURCE: The New York Times Subscription at 09:18PM

Review: Welcome to ‘Illinoise,’ Land of Love, Grief and Zombies by Jesse Green

Sufjan Stevens’s 2005 concept album has become an unlikely and unforgettable dance-musical hybrid, directed and choreographed by Justin Peck.

SOURCE: The New York Times Subscription at 08:02PM
Thursday, February 29, 2024

Cast Album Roundup: ‘Sweeney Todd,’ ‘Parade,’ ‘Camelot’ and More by Jesse Green

Recordings of Broadway musicals are often better than the shows they preserve. Here’s a ranking of last year’s crop, with samples and bonus tracks.

SOURCE: The New York Times Subscription at 11:54AM
Tuesday, February 27, 2024

‘The Ally’ Review: Social Justice as a Maddening Hall of Mirrors by Jesse Green

Itamar Moses’s play offers eloquent arguments on all sides of the Israeli-Palestinian conflict. But it doesn’t offer much drama.

SOURCE: The New York Times Subscription at 10:06PM
Thursday, February 22, 2024

‘Jelly’s Last Jam’ Review: A Musical Paradise, Even in Purgatory by Jesse Green

Did Jelly Roll Morton “invent” jazz, as he claimed? A sensational Encores! revival offers a postmortem prosecution of one of the form’s founding fathers.

SOURCE: The New York Times Subscription at 07:42PM
Tuesday, February 20, 2024

Broadway’s Crunchtime Is Also Its Best Life by Jesse Green

Eighteen openings in two months will drive everyone crazy. But maybe there should be even more.

SOURCE: The New York Times Subscription at 05:12AM
Tuesday, February 13, 2024

Review: In ‘The Apiary,’ the Bees Have a Troubling Tale to Tell by Jesse Green

Worldwide colony collapse is the subject of a bright, strange, upbeat thought experiment about insect hives, and our own.

SOURCE: The New York Times Subscription at 09:24PM
Thursday, February 8, 2024

‘Russian Troll Farm’ Review: A Stream of Memes, Eroding Trust in Democracy by Jesse Green

An unlikely dark comedy imagines the people pushing #PizzaGate, Donald Trump and who knows what next.

SOURCE: The New York Times Subscription at 09:06PM
Tuesday, February 6, 2024

‘The Connector’ Review: When Fake News Was All the Rage by Jesse Green

An Off Broadway musical about the sins of journalistic fabrication might benefit from more make-believe.

SOURCE: The New York Times Subscription at 07:18PM
Friday, February 2, 2024

Remembering Chita Rivera’s Unique Voice by Alex Barron, Lynn Levy, Diane Wong and Jesse Green

Our theater critic on some of the Broadway legend’s greatest vocal performances.

SOURCE: The New York Times Subscription at 06:32PM
Wednesday, January 31, 2024

The Queer Kids Are All Right. And Now They’re Making Me Better. by Jesse Green

How watching gay coming-of-age stories has helped repair a heart still stuck in the past — and still scarred by a less welcoming world.

SOURCE: The New York Times Subscription at 05:18AM
Tuesday, January 30, 2024

Chita Rivera Found Her Emotional Voice for Shows Like ‘West Side Story’ by Jesse Green

Her dancing sometimes overshadowed her thrillingly dramatic way with a song: husky yet clarion, unaffected but full of comment and character.

SOURCE: The New York Times Subscription at 06:48PM

Chita Rivera, Finding Her Voice by Jesse Green

Her dancing sometimes overshadowed her thrillingly dramatic way with a song: husky yet clarion, unaffected but full of comment and character.

SOURCE: The New York Times Subscription at 03:18PM
Sunday, January 21, 2024

Leave the Poor Princess Alone by Jesse Green

Less than 30 years after her death, fictional reincarnations of Diana are everywhere. But even icons deserve more time to rest in peace.

SOURCE: The New York Times Subscription at 05:18AM
Friday, January 19, 2024

‘Terce’ Review: How the Other Half Prays, in a Reimagined Mass by Jesse Green

Heather Christian’s latest exploration of the religious sublime is a musical spectacle about the often overlooked “caregivers and makers.”

SOURCE: The New York Times Subscription at 09:18AM
Tuesday, January 9, 2024

Review: For Jews, an Unanswered ‘Prayer for the French Republic’ by Jesse Green

In Joshua Harmon’s play about the legacies of antisemitism, a Parisian family must decide when it’s time to get out.

SOURCE: The New York Times Subscription at 10:18PM
Monday, January 1, 2024
Thursday, December 28, 2023

For a Times Critic on Deadline, a Dramatic Reversal by Jesse Green

Stories evolve. But a recent review proved to a theater critic that people can change even more.

SOURCE: The New York Times Subscription at 03:12PM
Monday, December 18, 2023

Review: Sarah Paulson Makes a Horrible Discovery in “Appropriate” by Jesse Green

Making a blistering Broadway debut, Branden Jacobs-Jenkins’s 2014 play about the legacies of hatred feels like a new work entirely.

SOURCE: The New York Times Subscription at 10:24PM
Wednesday, December 13, 2023

‘Buena Vista Social Club’ Review: Bringing a Classic Record to Life by Jesse Green

A new Off Broadway musical adds the thrill of intimacy and the weight of history to the Cuban songs popularized on a 1997 album.

SOURCE: The New York Times Subscription at 09:54PM
Sunday, December 10, 2023

Review: In ‘How to Dance in Ohio,’ Making Autism Sing by Jesse Green

A musical about seven autistic young adults, played by seven autistic young actors, breaks new ground on Broadway.

SOURCE: The New York Times Subscription at 09:12PM
Thursday, November 30, 2023

Review: A Shady Documentary Becomes a Weapon of War in ‘Spain’ by Jesse Green

Jen Silverman’s noir play considers the role of artists in the making of propaganda.

SOURCE: The New York Times Subscription at 09:32PM
Sunday, November 19, 2023

‘Hell’s Kitchen’ Review: Alicia Keys’s Musical Is Ambitious by Jesse Green

A promising Off Broadway jukebox musical features hits by the R&B star (including “Fallin’,” “If I Ain’t Got You” and “No One”) and a story much like her own.

SOURCE: The New York Times Subscription at 09:32PM
Thursday, November 16, 2023

‘Spamalot’ Review: You’ll Laugh in Its General Direction by Jesse Green

In the first Broadway revival of the Monty Python musical, the old bits are verbatim but the clowns are running the circus.

SOURCE: The New York Times Subscription at 08:24PM

All that Chat

2023-2024 BROADWAY SEASON
May 30, 2023: Grey House - Lyceum Theatre
Jun 26, 2023: Just For Us - Hudson Theatre
Jul 24, 2023: The Cottage - Hayes Theater
Nov 16, 2023: Spamalot - St. James Theatre
Dec 18, 2023: Appropriate - Hayes Theater
Mar 07, 2024: Doubt - Todd Haimes Theatre
Apr 14, 2024: Lempicka - Longacre Theatre
Apr 17, 2024: The Wiz - Marquis Theatre
Apr 18, 2024: Suffs - Music Box Theatre
Apr 25, 2024: Mother Play - Hayes Theater
Jun 10, 2024: The Drama Desk Awards