All stories by Elisabeth Vincentelli on BroadwayStars

Monday, October 18, 2021

Review: ‘Designing Women,’ With 30 Years of Pent-up Angst to Air by Elisabeth Vincentelli

Linda Bloodworth-Thomason’s popular TV series comes to the stage with its sisterhood intact. But at times this revival feels a lot like a pretext to vent.

SOURCE: The New York Times Subscription at 03:42PM
Monday, October 11, 2021

Maryann Plunkett Says Goodbye to Her Lives in Rhinebeck by Elisabeth Vincentelli

She has portrayed three characters over the course of the 12 plays in Richard Nelson’s “Rhinebeck Panorama.” A decade later, it’s time to move on.

SOURCE: The New York Times Subscription at 11:42AM
Wednesday, October 6, 2021

Adrian Lester Finally Arrives on Broadway, via Wall Street by Elisabeth Vincentelli

The characters he plays are “a departure from how people perceive” them. He’s testing perceptions again as one of the famous banking brothers in “The Lehman Trilogy.”

SOURCE: The New York Times Subscription at 03:42PM
Thursday, September 30, 2021

Review: In ‘Never Let Go,’ a Solo Performer’s Heart Goes On by Elisabeth Vincentelli

Michael Kinnan’s sendup of “Titanic” explores the liminal space between tribute and affectionate satire.

SOURCE: The New York Times Subscription at 03:18PM
Monday, September 27, 2021

Review: ‘A Commercial Jingle for Regina Comet’ Is Missing a Few Notes by Elisabeth Vincentelli

In this new musical, a singer’s future hangs on one song, but entrusting it to an inexperienced songwriting team is not, perhaps, the shrewdest choice.

SOURCE: The New York Times Subscription at 08:42PM

For a Broadway Torn by a Pandemic, a Split-Personalities Tonys by Jesse Green, Elisabeth Vincentelli and James Poniewozik

The streaming part of the ceremony actually did a better job conveying the electricity of being in a theater than the CBS special billed as “Broadway’s Back!”

SOURCE: The New York Times Subscription at 02:18PM
Sunday, September 19, 2021

A Cabaret Star and an Opera Star Walk Onto a Stage … by Elisabeth Vincentelli

The punchline is “Only an Octave Apart,” featuring the unlikely collaborators Justin Vivian Bond and Anthony Roth Costanzo at St. Ann’s Warehouse.

SOURCE: The New York Times Subscription at 11:42AM
Friday, September 10, 2021

‘Come From Away’ Review: Looking for Light in Somber Times by Elisabeth Vincentelli

The filmed version of this Broadway musical lands on Apple TV+ to deliver hope and kindness.

SOURCE: The New York Times Subscription at 07:36AM
Friday, August 20, 2021

Dudes on Ice: A Play About Hockey Tackles Masculinity, Too by Elisabeth Vincentelli

“Islander,” a skewed look at a New York Islanders season, examines extreme fandom, violence and the thrill of sports.

SOURCE: The New York Times Subscription at 11:36AM
Wednesday, August 18, 2021

Theater to Stream: ‘Wicked in Concert,’ Christopher Lloyd as Lear by Elisabeth Vincentelli

An all-star lineup sings Stephen Schwartz’s indelible score, and Doc from “Back to the Future” is intriguing casting for a Berkshires production.

SOURCE: The New York Times Subscription at 10:06AM

As Venues Reopen, Will Streamed Theater Still Have a Place? by Elisabeth Vincentelli

The shutdown allowed increased access and artistic experimentation. But how much sticks is an open, and contested, question.

SOURCE: The New York Times Subscription at 10:06AM
Wednesday, August 11, 2021

Colorado Opera House Attic Holds Century-Old Painted Sets by Elisabeth Vincentelli

Hundreds of painted sets were discovered after a century in the attic of the Tabor Opera House in Leadville, Colo.

SOURCE: The New York Times Subscription at 08:12AM
Wednesday, August 4, 2021

Theater to Stream: Offerings on the Fringe of Edinburgh Fringe by Elisabeth Vincentelli

Other highlights include a project by Lisa Loeb, Dominique Morisseau’s “Detroit ’67” and a new production of “South Pacific.”

SOURCE: The New York Times Subscription at 11:18AM

Friday Night Footlights: How Theater Bonds a Colorado Town by Elisabeth Vincentelli

Silver mining may have disappeared, but Creede Repertory Theater has been an economic and cultural boon to its community for 50 years.

SOURCE: The New York Times Subscription at 05:24AM
Tuesday, August 3, 2021

After 40 Years, a Luminary of Theater’s Avant-Garde Departs by Elisabeth Vincentelli

“I have the energy, I have the interest,” says Blanka Zizka of the Wilma Theater. “But I need to go a different way.”

SOURCE: The New York Times Subscription at 05:18AM
Thursday, July 22, 2021

‘The Two Noble Kinsmen’ Review: Shakespeare, With a Hint of Celine Dion by Elisabeth Vincentelli

The Drilling Company returns to live theater with this slapdash tragicomedy about two cousins who fall for the same woman.

SOURCE: The New York Times Subscription at 02:18PM
Wednesday, July 21, 2021

Theater to Stream: ‘The Wolves,’ and More Archival Treasures by Elisabeth Vincentelli

Productions from the National Theater in Britain, a project from Billy Porter and a Yiddish musical celebration are among the highlights.

SOURCE: The New York Times Subscription at 10:18AM
Wednesday, July 7, 2021

Theater to Stream: 'Notes on Grief' and Russell Brand's Take on Shakespeare by Elisabeth Vincentelli

An adaptation of Chimamanda Ngozi Adichie’s “Notes on Grief,” Russell Brand’s take on Shakespeare and a two-day event anchored by a Milo Rau film are among the highlights.

SOURCE: The New York Times Subscription at 08:32AM
Friday, July 2, 2021

‘The Great Filter’ Review: Earth Men, Home Alone by Elisabeth Vincentelli

Frank Winters’s play, about two astronauts in lockdown after a mission, uneasily grafts tropes borrowed from hard sci-fi and odd-couple comedy.

SOURCE: The New York Times Subscription at 02:54PM
Tuesday, June 29, 2021

Freddie Mercury and Virginie Despentes: What ‘We Are Lady Parts’ Is Made Of by Elisabeth Vincentelli

Nida Manzoor, the creator, writer and director of the series, shares what things inspired her to make a show about Muslim women in a punk band.

SOURCE: The New York Times Subscription at 07:24PM

Freddie Mercury and Virginie Despentes: What ‘We Are Lady Parts’ Is Made Of by Elisabeth Vincentelli

Nida Manzoor, the creator, writer and director of the series, shares what things inspired her to make a show about Muslim women in a punk band.

SOURCE: The New York Times Subscription at 10:36AM
Thursday, June 24, 2021

50 Years Later, ‘The Ed Sullivan Show’ Still Charms and Challenges by Elisabeth Vincentelli

The long-running variety show went off the air a half-century ago this month. But much of it is officially available on YouTube. Here’s a look at some of the best moments.

SOURCE: The New York Times Subscription at 02:58PM
Wednesday, June 23, 2021

‘A Level of Abuse’: Laying Bare Theater’s Dirty Secrets by Elisabeth Vincentelli

Robert O’Hara and Torrey Townsend discuss their collaboration on “Off Broadway,” a biting satire about a company whose leaders are willfully oblivious of their racial and gender biases.

SOURCE: The New York Times Subscription at 03:06PM

Theater to Stream: A Dispatch From Britain and a Greek Classic by Elisabeth Vincentelli

Terrance McNally’s farcical “It’s Only a Play,” the revue “After Midnight” and productions from Russia are among the highlights.

SOURCE: The New York Times Subscription at 10:18AM
Tuesday, June 22, 2021

A Complicated Collaboration for a New ‘Enemy of the People’ by Elisabeth Vincentelli

Without seeing a script, Ann Dowd jumped at the chance to work with Robert Icke on his solo adaptation of the Ibsen classic. Then the debates began.

SOURCE: The New York Times Subscription at 01:24PM
Wednesday, June 9, 2021

Theater to Stream: Pride Goes Online by Elisabeth Vincentelli

Highlights include the latest edition of “Broadway Bares,” Jackie Sibblies Drury’s “Marys Seacole” and a new play by Caryl Churchill.

SOURCE: The New York Times Subscription at 10:12AM
Monday, May 31, 2021

‘chekhovOS /an experimental game/’ Review: Life on a Merry-Go-Round by Elisabeth Vincentelli

This ingenious interactive show finds the Russian playwright’s characters plotting against their creator.

SOURCE: The New York Times Subscription at 04:18PM
Friday, May 28, 2021

‘Touching the Void’ Review: Choices That Shape a Life on the Edge by Elisabeth Vincentelli

This Bristol Old Vic production, based on the harrowing story of the British mountaineer Joe Simpson, tracks the spiral of decisions behind human exploits.

SOURCE: The New York Times Subscription at 02:18PM
Thursday, May 27, 2021

Mike Faist Isn’t Sure About This Whole Acting Thing by Elisabeth Vincentelli

“I can’t tell if I hate acting or if I love it too much,” he said ahead of the debut of the Amazon series “Panic.” Coming soon, a major role in Steven Spielberg’s “West Side St…

SOURCE: The New York Times Subscription at 08:03PM
Wednesday, May 26, 2021

Theater to Stream: Concert Sets and Reimagined Classics by Elisabeth Vincentelli

Highlights include “A Midsummer Night’s Dream” at Shakespeare’s Globe, the rising stars of LaGuardia High School and “Uncle Vanya” on PBS.

SOURCE: The New York Times Subscription at 10:12AM
Wednesday, May 12, 2021

Theater to Stream: Stars Gather for ‘Miscast’ and More by Elisabeth Vincentelli

Other highlights include a new show by Kristina Wong, Joshua Harmon’s “Bad Jews” and “Broadway by the Year.”

SOURCE: The New York Times Subscription at 12:42PM

All that Chat

REOPEN BROADWAY SEASON
Sep 14, 2021: Chicago - Ambassador Theatre
Oct 17, 2021: Dana H. - Lyceum Theatre
Mar 28, 2022: Plaza Suite - Hudson Theatre
Apr 07, 2022: The Minutes - Studio 54
Apr 28, 2022: Macbeth - Lyceum Theatre