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The siblings in James Lecesne’s new play, directed by Tony Speciale, continue to disagree about some rather important aspects of their upbringing.
This play from the New York Neo-Futurists embraces audience suggestions, with varying results.
Presented by Pan Asian Repertory, this play by Damon Chua, set during World War II, is steeped in the traditions of film noir as well as several other genres.
The British actress plays Prospero in an all-female “The Tempest,” her latest gender-switched Shakespeare production, set in a penitentiary.
While “Top Secret International (State 1)” traffics in tech and disembodied narrators, “Real Magic” involves a clairvoyance game.
The illustrator Edward Gorey proves a complex subject in this imagined memoir for the stage that focuses more on the man than his art.
Jake Broder brings the decades-gone comedian back to slang-slinging life in “His Royal Hipness Lord Buckley,” but without the pith helmet.
In Stan Richardson’s “Private Manning Goes to Washington,” the activist hacker Aaron Swartz wants to put on a play inspired by the whistle-blower Manning.
The anthology “In This Moment” is presented free of charge by Theater for One in a mobile booth in the Pershing Square Signature Center’s lobby.
Deke Sharon discusses his work on “In Transit,” an a cappella musical about the intertwining lives of New Yorkers.
In a new version of William Burke’s play, at the Bushwick Starr in Brooklyn, Elmo hates the Naked Cowboy, and the Cookie Monster has a box cutter.
The 2016 “Christmas Spectacular Starring the Radio City Rockettes” has put the Music Hall dance troupe’s name in the title with good reason.
Elizabeth Eaton Converse’s story and heartbreakingly fragile songs form the backbone of Howard Fishman’s play with music.
The actress talks about preparing for the stage version of “Terms of Endearment” and about her penchant for giving advice.
The German playwright Franz Xaver Kroetz’s 1973 drama takes naturalism to its extreme, showing a quiet woman passing through her evening.
The acclaimed company’s avowed artistic goal is to “examine and illuminate American nostalgia.”
An oddly endearing production at the Abrons Arts Center that traffics far more in scary bearded creatures than narrative intelligibility.
Ibsen’s evergreen story still has much to offer in this 90-minute version by David Harrower, given a modern-dress production by the Pearl Theater.
Song of the Goat Theater from Poland presents an impressionistic and sung version of “King Lear” at BAM.
Helder Guimarães brings his mastery of illusion to “Verso,” a one-man show directed by Rodrigo Santos at New World Stages.
Despite his international fame, Mr. Castellucci has never had his work seen in New York City until now, at the Crossing the Line Festival.
In his latest show, at the Marquis Theater, the comedian sounds not so much angry as defeated during an election year in which fiction and reality intersect.
This Ana Nogueira play centers on a pill that allows a couple to know each other’s deepest feelings. Complications ensue.
J. Stephen Brantley’s new play is set in 2008 as same-sex marriage is becoming legal one state at a time.
Another theater critic roves through the festival, finding an ambitious revival here and many a hapless drama there.
In Toshiki Okada’s latest play, commissioned by Hoi Polloi and staged at Jack, theatergoers sit on a mattress as a mystery traveler roams through the space.
This performance artist’s new show, “Unicorn Gratitude Mystery,” explores the habit of taking refuge in fantasy and contrived distractions.
Daniel Sullivan’s staging of this relatively obscure Shakespeare play at the Delacorte Theater gets many things right.
This biographical play at 59E59 Theaters profiles Alice Austen, a 19th- and 20th-century photographer who chronicled city life and defied conventions of her day.
Three shows — “Nickel Mines,” “Tink!” and “The Last Word” — offer piercing and at times sophisticated perspectives on a bewilderingly wide range of subjects.
One-act plays delving into these subjects make up the Series A portion of this theater’s festival.