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In Broadway’s “Network,” Bryan Cranston does the impossible: Playing Howard Beale, the so-called mad prophet of the airwaves, he makes Peter Finch’s Oscar-winning turn feel like yest…
If I could turn back time, I’d rewind to my night at “The Cher Show” for another happy high. Think I’m kidding? Snap out of it! Granted, the jukebox musical that opened on Broadway M…
This a capella musical celebrates when British and German troops observed an informal ceasefire in WWI.
Bilingual American women worked as telephone operators in World War I, and their story is turned into a stirring musical here.
A smart script and fine performances drive this drama about human consciousness.
Though the story isn t perfect, this new Broadway musical is a bit of breezy fun with a peppy score.
Mike Birbiglia puts his self-deprecating wit to work in his solo Broadway show about becoming a father.
Show me the monkey! That gargantuan gorilla in “King Kong” is the top banana of the $35 million musical that opened Thursday night on Broadway. Too bad that most everything else wrapped …
Larissa FastHorse takes on hot-button issues with a deliciously funny approach.
Old age isn’t for sissies. And as painful as that reality is, Kenneth Lonergan faces it head-on in “The Waverly Gallery,” his affecting, funny-sad memory play about the wrenching and r…
They’re Broadway’s new odd couple: an eager-beaver fact-checker and an arrogant author who treats the truth like Silly Putty. That’s the setup for “The Lifespan of a Fact,” the so-…
In Theresa Rebeck’s clever and entertaining comedy, actress Sarah Bernhardt is determined to play Hamlet.
Craig Lucas latest play takes on a cluttered mess of themes – with two sets of actors to make it extra complicated.
Sharr White s political drama never quite catches fire, but Edie Falco is strong in the lead role.
This cliché-filled musical is derivative of all that came before it, without the tunes to back it up.
The hooker with the heart of gold is singing a new tune — but it’s the same old icky story. “Pretty Woman: The Musical,” which opened Thursday on Broadway, boasts slick direction and…
Elephants don’t forget, but the majestic beasts endure experiences no living creature would want to recall.
There’s something to admire about Mark Medoff’s 1979 play even in a revival that's only fitfully engaging and stirring
Uma Thurman didn't please Patti LuPone. But Chris Evans did.
“Miss You Like Hell” reminds that traveling and theater share rules for success. Don't overpack. Do choose good company. It gets one right.
The unconvincing “This Flat Earth” at Playwrights Horizons proves that it’s actually not all in the timing.
The trouble with Harry Connick’s promising but problematic new musical “The Sting” isn’t him.
Tina Fey’s new Broadway musical “Mean Girls” delivers a fizzy blast that tickles the ears, eyes and funny bone.
Everyone who goes to “Three Tall Women” hopes for a great revival. Good news: There are actually two.
You don’t have to say “Beetlejuice” three times for the new musical based on the 1988 fantasy-comedy film to materialize in the fall.
If a Handel aria bleeding into “Don’t Let the Sun Go Down On Me” sounds like music to your ears, this may be the mash-up for you.
Chris Evans trades a Captain America shield for an NYPD badge in his deft Broadway debut in Kenneth Lonergan’s 2001 drama.
Nathan Lane and Andrew Garfield lead the cast of the new production from London.
Thanks to Disney, kids have a shiny new Broadway toy. But their parents may have buyers’ remorse.
Meet the new bruise brothers.
Tony-winning Broadway stars have joined forces — and voices — for an urgent cause.