All stories by Michael Billington on BroadwayStars

Thursday, December 19, 2019

Pippi Longstocking review – Lindgren's rule-breaker is a festive delight by Michael Billington

Royal and Derngate, NorthamptonAstrid Lindgren’s nine-year-old rebel is suitably anarchic and altruistic in a festive musical show that leaves you chuckling I’ve come late in life to Ast…

Linked From The Guardian at 11:42AM
Tuesday, December 17, 2019

Top 10 theatre shows of 2019 by Michael Billington

Katori Hall gave us a miracle, Caryl Churchill delivered a dark quartet and Tom Hiddleston astounded in Betrayal. But the year’s highlight was a breathtaking Ibsen with Hayley Atwell More …

Linked From The Guardian at 05:33AM
Sunday, December 15, 2019

Swive [Elizabeth] review – a not so modern queen fights for absolute power by Michael Billington

Sam Wanamaker Playhouse, LondonElla Hickson’s Elizabeth I story vividly portrays her battles with men and a patriarchal system but doesn’t make a strong case for contemporary parallels E…

Linked From The Guardian at 06:54AM
Friday, December 13, 2019

Teenage Dick review – Daniel Monks is a dazzling high-school Richard III by Michael Billington

Donmar Warehouse, LondonMike Lew’s American update of Shakespeare, directed by Michael Longhurst, captures the king’s complexity Mike Lew’s relocation of Richard III to a US high schoo…

Linked From The Guardian at 10:48AM
Thursday, December 12, 2019

A Kind of People review – uncompromising look at modern Britain by Michael Billington

Royal Court, London Race and relationships are the focus of Gurpreet Kaur Bhatti’s deeply moving drama that presents an honest picture of multi-cultural Britain There’s a great story by …

Linked From The Guardian at 02:18PM
Wednesday, December 11, 2019

Three Sisters review – Inua Ellams transfers Chekhov to Nigeria by Michael Billington

Lyttelton, LondonBuoyed by first-rate performances, this production transforms the Russian classic into an eye-opening account of the Biafran war Inua Ellams describes his new play, his firs…

Linked From The Guardian at 09:03AM

Song and dance of death: the musical – archive, 11 December 1972 by Michael Billington

11 December 1972: on the evidence of recent shows, the musical is in dead trouble: the more one watches dancers catapulting across the stage as if fired from a cannon and leading ladies bari…

Linked From The Guardian at 01:48AM
Monday, December 9, 2019

Sorry Jake Gyllenhaal, but the British musical is alive and kicking by Michael Billington

With shows such as Everybody’s Talking About Jamie, Six and The Boy in the Dress, the musical is in rude health in this country – whether Broadway knows it or not Has the British musical…

Linked From The Guardian at 12:18PM
Sunday, December 8, 2019

Cyrano de Bergerac review – James McAvoy is fierce in radical reboot of romantic classic by Michael Billington

Playhouse, LondonVisual flummery and the famous nose are dispensed with in Martin Crimp’s modern take on Rostand’s proxy-wooing play This version of Edmond Rostand’s play, as adapted b…

Linked From The Guardian at 08:12PM
Friday, December 6, 2019

Ravens: Spassky vs Fischer review – game of chess is a cold war thriller by Michael Billington

Hampstead theatre, LondonBoris Spassky and Bobby Fischer’s 1972 match is a proxy war in this intriguing but overcomplicated chess drama There has already been a musical, Chess, inspired by…

Linked From The Guardian at 07:12AM
Thursday, December 5, 2019

Fairview review – a daring challenge to the white gaze by Michael Billington

Young Vic, London Directed by Nadia Latif, this Pulitzer prize-winning play by Jackie Sibblies Drury is definitely one to see – and argue over This play by Jackie Sibblies Drury is tricky …

Linked From The Guardian at 07:06PM
Wednesday, December 4, 2019

The Boy Friend review – an exuberant jaunt to the Riviera by Michael Billington

Menier Chocolate Factory, LondonThis pitch-perfect revival of Sandy Wilson’s 1953 musical is a positive invitation to dance Time has been good to Sandy Wilson’s 1953 musical. Although se…

Linked From The Guardian at 01:54PM

What I've learned from 10,000 nights at the theatre | Michael Billington by Michael Billington

As Michael Billington, the Guardian’s chief theatre critic, prepares to step down, he discusses what has changed – and what hasn’t – in his 48 years as a nightly aisle-squatter Ten o…

Linked From The Guardian at 01:54PM
Friday, November 29, 2019

The Wind of Heaven review – a bewitching tale of faith and guilt by Michael Billington

Finborough, LondonA Welsh teenager is hailed as the second coming in this fascinating revival of Emlyn Williams’ long-forgotten play This enterprising theatre struck gold in 2011 with its …

Linked From The Guardian at 09:48AM
Thursday, November 28, 2019

I saw Jonathan Miller in Beyond the Fringe – and I'm still dazzled by Michael Billington

The Guardian’s theatre critic was at the sketch group’s first show in 1960. It was the beginning of a friendship … and a satire boom that changed the world My first sighting of Jonatha…

Linked From The Guardian at 07:48PM

The Boy in the Dress review – Robbie Williams has a ball with David Walliams by Michael Billington

Royal Shakespeare theatre, Stratford-upon-AvonA resplendent cast sing the praises of self-expression in Mark Ravenhill’s adaptation of the feelgood football novel The boy who defies tribal…

Linked From The Guardian at 07:48PM
Wednesday, November 27, 2019

Candida review – Shaw's comedy of fizzing words and extreme passion by Michael Billington

Orange Tree, Richmond upon ThamesThis production of George Bernard Shaw’s remarkable play about a poet and a priest in love with the same woman induces giddy delight Paul Miller is almost …

Linked From The Guardian at 08:18AM
Tuesday, November 26, 2019

The Arrival review – fraternal reunion pits nature against nurture by Michael Billington

Bush theatre, LondonBijan Sheibani’s writing debut about two half-Iranian brothers relies on a puzzling backstory, yet vivid staging and beautiful performances fill it with vitality You ca…

Linked From The Guardian at 09:36PM
Monday, November 25, 2019

The Lion, the Witch and the Wardrobe review – magical escape from the perils of war by Michael Billington

Bridge theatre, LondonAslan is more substitute Churchill than surrogate Christ in Sally Cookson’s brilliantly inventive production of CS Lewis’s wartime fable The popularity of CS Lewis…

Linked From The Guardian at 09:12PM
Thursday, November 21, 2019

Land Without Dreams review – the future gets stuck in the mud by Michael Billington

Gate theatre, LondonDespite Temi Wilkey’s best efforts, including rolling in slime, Tue Biering’s play can’t decide whether it is a critique of utopianism or a message of reassurance …

Linked From The Guardian at 07:12AM
Wednesday, November 20, 2019

& Juliet review – pop mogul Max Martin's bizarre jukebox bonanza by Michael Billington

Shaftesbury theatre, LondonSongs of the prolific Swedish tunesmith are shoehorned into a silly Shakespeare-derived story for this misguided West End musical Romeo and Juliet, the starting po…

Linked From The Guardian at 07:03PM
Tuesday, November 19, 2019

Dear Evan Hansen review – high-school musical captures agonies of youth by Michael Billington

Noël Coward theatre, LondonSam Tutty shines as the lonely student who fabricates a friendship with a dead boy, but this award-winning musical has plot holes This musical arrives from the US…

Linked From The Guardian at 10:12PM
Friday, November 15, 2019

Touching the Void proves anything is possible in the theatre by Michael Billington

David Greig’s survival-story adaptation has clawed its way to the West End – and it is a triumph of resolve and innovation When this adaptation of Joe Simpson’s mountaineering memoir, …

Linked From The Guardian at 07:33AM
Thursday, November 14, 2019

Unknown Rivers review – Odimba is a writer to watch by Michael Billington

Hampstead theatre, LondonChinonyerem Odimba’s subtle play is a celebration of female friendship, given an intimate production by Daniel Bailey There is much to admire in this play by Chin…

Linked From The Guardian at 04:03PM
Wednesday, November 13, 2019

Mary Poppins review – stageful of sugar is a rapturous delight by Michael Billington

Prince Edward theatre, LondonZizi Strallen is excellent as the buoyant nanny in Eyre’s chippy and enduring show, which also calls on Julian Fellowes, Matthew Bourne and Petula Clark I was …

Linked From The Guardian at 09:12PM
Tuesday, November 12, 2019

Spiderfly review – a tantalising tale of tangled relationships by Michael Billington

Theatre 503, LondonWriter John Webber shows edgy promise with this story of a woman’s contrasting encounters with two men Like many emerging dramatists, John Webber is an actor. He doesn…

Linked From The Guardian at 07:36AM
Friday, November 8, 2019

What does the Piccadilly ceiling collapse mean for London theatre? by Michael Billington

After two incidents in six years, visitors may need reassurance before they return to the West End “Don’t clap too hard: it’s a very old building,” says Archie Rice in John Osborne…

Linked From The Guardian at 01:54PM
Thursday, November 7, 2019

Reputation review – one woman's words against a Hollywood bully by Michael Billington

The Other Palace, London This new musical by Alick Glass carries its fight against 30s movie plagiarism with pleasant songs, but lacks the showbiz sparkle to land a killer punch This theatre…

Linked From The Guardian at 05:36PM
Wednesday, November 6, 2019

Sydney and the Old Girl review – Miriam Margolyes excels as a mother at war by Michael Billington

Park theatre, LondonDark comedy peeks through the relationship between a malevolent mum and her paranoid middle-aged son in Eugene O’Hare’s Pinteresque play This is the second play by Eu…

Linked From The Guardian at 10:06AM
Tuesday, November 5, 2019

Murder in the Cathedral review – Eliot staged in a sacred space by Michael Billington

Southwark Cathedral, LondonJasper Britton is outstanding as Thomas Becket in Scena Mundi’s revival, but the church acoustics make the rest of the cast hard to hear How do you stage TS Elio…

Linked From The Guardian at 08:18PM
Monday, November 4, 2019

High Fidelity review – Nick Hornby's vinyl nerd back in the groove by Michael Billington

Turbine theatre, LondonA delightfully tuneful adaptation of the Broadway musical returns the unlucky-in-love record-shop owner to his London roots Nick Hornby’s bestselling 1995 novel abou…

Linked From The Guardian at 12:48PM

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