Thursday, April 21, 2022
Since his first production a quarter-century ago, the director has honed a process defined by tight schedules and bold, decisive changes.
SOURCE: The New York Times Subscription at 05:33AMThursday, March 10, 2022
In Paris, a new production of “A Quiet Place” makes a strong case for a work that has long struggled to join the repertory.
SOURCE: The New York Times Subscription at 01:24PMWednesday, January 26, 2022
A principal dancer since 2009, Reichlen will make her final appearance in George Balanchine’s one-act “Swan Lake” on Feb. 19.
SOURCE: The New York Times Subscription at 10:00AMMonday, November 22, 2021
For several years, the composer Matthew Aucoin corresponded with Sarah Ruhl about how to adapt her play into the Met Opera’s latest premiere.
SOURCE: The New York Times Subscription at 12:33PMTuesday, October 26, 2021
Lypsinka, the alter ego of John Epperson, a longtime pianist for Ballet Theater, will perform as part of the company’s inaugural Pride Nights.
SOURCE: The New York Times Subscription at 01:01PMFriday, October 22, 2021
After a long pandemic pause, “The Phantom of the Opera” is returning to Broadway with some help from its creator.
SOURCE: The New York Times Subscription at 05:36PMFriday, October 15, 2021
Francesca Zambello, who has overseen a dozen editions of the opera festival in upstate New York, will depart next summer.
SOURCE: The New York Times Subscription at 02:32PMTuesday, September 14, 2021
“Sun & Sea (Marina),” an operatic installation that won the top prize at the Venice Biennale, is being staged at the Brooklyn Academy of Music.
SOURCE: The New York Times Subscription at 02:36PMFriday, September 3, 2021
This summer, three European productions, previously available to American audiences only online, were at last accessible in person.
SOURCE: The New York Times Subscription at 10:18AMWednesday, September 1, 2021
“What Happened?: The Michaels Abroad” is the 12th and final installment in the quiet yet sweeping “Rhinebeck Panorama.”
SOURCE: The New York Times Subscription at 10:24AMSunday, August 15, 2021
Barrie Kosky’s new production for the Berliner Ensemble, at the theater where the famous work premiered, knows where to break the rules.
SOURCE: The New York Times Subscription at 12:42PMTuesday, August 10, 2021
Tuesday, May 25, 2021
Adam Guettel’s genre-clashing song cycle has taken on many forms. The latest: a starry online mini-series.
SOURCE: The New York Times Subscription at 01:18PMThursday, March 25, 2021
Weill’s early, Weimar-era works reveal the qualities that found a natural home in his golden age American musicals.
SOURCE: The New York Times Subscription at 05:42AMWednesday, March 10, 2021
The production, which examines the work’s colonial legacy, opened after the far right accused the Paris Opera of “antiracism gone mad.”
SOURCE: The New York Times Subscription at 02:36PMSunday, October 18, 2020
“Shipwreck,” a fantasia about white liberals and the president’s infamous dinner with James Comey, has been adapted into an audio play.
SOURCE: The New York Times Subscription at 02:48PMSunday, May 24, 2020
Uncertainty about the coronavirus and the challenge of protecting audiences and artists is prompting many prominent presenters to wait till next year.
SOURCE: The New York Times Subscription at 12:32PMMonday, February 3, 2020
Matthew Aucoin and Sarah Ruhl have adapted “Eurydice,” her play about the Orpheus story, for Los Angeles Opera. Next stop: New York.
SOURCE: The New York Times Subscription at 10:36AMWednesday, December 18, 2019
Love it or hate it, Andrew Lloyd Webber’s musical is one of the most popular of all time. Before the new movie adaptation comes out, catch up on its four-decade history.
SOURCE: The New York Times Subscription at 10:36AMThursday, December 5, 2019
A roundup of events in every borough, from the Radio City Christmas Spectacular in Manhattan to the annual Holiday Train Show in the Bronx.
SOURCE: The New York Times Subscription at 07:48PMTuesday, November 12, 2019
Among the highlights are a commission for Bill T. Jones, a staging of Monteverdi by Pierre Audi, and Alex Lawther in “Hamlet.”
SOURCE: The New York Times Subscription at 12:36PMWednesday, November 6, 2019
The French wunderkind’s books have quickly become magnets for the stage. Adaptations of “History of Violence” and “The End of Eddy” will play New York simultaneously.
SOURCE: The New York Times Subscription at 05:36AMFriday, October 25, 2019
The professional and personal have blurred for young cast members of Matthew Lopez’s play, which offers a communion with victims of the AIDS crisis.
SOURCE: The New York Times Subscription at 11:36AMFriday, September 6, 2019
Monday, June 3, 2019
Tuesday, May 21, 2019
David Binder, for his first festival as artistic director, has assembled a roster of Brooklyn Academy of Music newcomers.
SOURCE: The New York Times Subscription at 10:24AMWednesday, May 8, 2019
Tuesday, April 30, 2019
Thursday, April 4, 2019
Tuesday, February 26, 2019
Without missing a beat, the 26-year-old actor is moving from one Broadway show to another — and leaving behind a role he has owned since 2013.
SOURCE: The New York Times Subscription at 12:42PMSunday, February 3, 2019
The director Romeo Castellucci explains some of the striking imagery in his staging of Scarlatti’s “Il Primo Omicidio.”
SOURCE: The New York Times Subscription at 01:04PM 
