Feats, farewells and musical treasures in a year of post-pandemic financial pressures.
SOURCE: The New York Times Subscription at 05:01AMBegun to improve his own technique, piano exercises that Glass wrote over decades are the subject this month of a new book, a concert and dances.
SOURCE: The New York Times Subscription at 01:58PMThe staged premiere of her new work “Indra’s Net” in Amsterdam comes as a set of recordings offers a retrospective of one of our most humane artists.
SOURCE: The New York Times Subscription at 12:03PMThe choreographer Benjamin Millepied’s directing debut is an of-the-moment but scattered take on a classic love story.
SOURCE: The New York Times Subscription at 07:00AMAs the longest-running musical in Broadway history closes, Times critics with a lasting affection for the show take stock of its legacy.
SOURCE: The New York Times Subscription at 02:24PMThe director Phelim McDermott, who has acted like a visual translator of Glass’s music, pays tribute to the composer in their show “Tao of Glass.”
SOURCE: The New York Times Subscription at 12:12PMMary-Mitchell Campbell, the series’ new music director, will lead a restored performance of “Dear World,” starring Donna Murphy.
SOURCE: The New York Times Subscription at 02:09PM“Life of Pi” and Laura Linney on Broadway, Lise Davidsen at the Met Opera, SZA on tour: Here’s what we’re looking forward to this season.
SOURCE: The New York Times Subscription at 05:00AMAt New York City Ballet, Peck’s “Copland Dance Episodes” brings the composer’s three classic ballet scores under one roof, at last.
SOURCE: The New York Times Subscription at 01:30PMThe multihyphenate pop star will compose her first ballet score for the Fall Fashion Gala at New York City Ballet in September.
SOURCE: The New York Times Subscription at 12:00PMSince his first production a quarter-century ago, the director has honed a process defined by tight schedules and bold, decisive changes.
SOURCE: The New York Times Subscription at 05:33AMIn Paris, a new production of “A Quiet Place” makes a strong case for a work that has long struggled to join the repertory.
SOURCE: The New York Times Subscription at 01:24PMA principal dancer since 2009, Reichlen will make her final appearance in George Balanchine’s one-act “Swan Lake” on Feb. 19.
SOURCE: The New York Times Subscription at 10:00AMFor several years, the composer Matthew Aucoin corresponded with Sarah Ruhl about how to adapt her play into the Met Opera’s latest premiere.
SOURCE: The New York Times Subscription at 12:33PMLypsinka, the alter ego of John Epperson, a longtime pianist for Ballet Theater, will perform as part of the company’s inaugural Pride Nights.
SOURCE: The New York Times Subscription at 01:01PMAfter a long pandemic pause, “The Phantom of the Opera” is returning to Broadway with some help from its creator.
SOURCE: The New York Times Subscription at 05:36PMFrancesca Zambello, who has overseen a dozen editions of the opera festival in upstate New York, will depart next summer.
SOURCE: The New York Times Subscription at 02:32PM“Sun & Sea (Marina),” an operatic installation that won the top prize at the Venice Biennale, is being staged at the Brooklyn Academy of Music.
SOURCE: The New York Times Subscription at 02:36PMThis summer, three European productions, previously available to American audiences only online, were at last accessible in person.
SOURCE: The New York Times Subscription at 10:18AM“What Happened?: The Michaels Abroad” is the 12th and final installment in the quiet yet sweeping “Rhinebeck Panorama.”
SOURCE: The New York Times Subscription at 10:24AMBarrie Kosky’s new production for the Berliner Ensemble, at the theater where the famous work premiered, knows where to break the rules.
SOURCE: The New York Times Subscription at 12:42PMLuigi Nono’s furiously political and prophetic “Intolleranza 1960” arrives at the Salzburg Festival.
SOURCE: The New York Times Subscription at 01:54PMAdam Guettel’s genre-clashing song cycle has taken on many forms. The latest: a starry online mini-series.
SOURCE: The New York Times Subscription at 01:18PMWeill’s early, Weimar-era works reveal the qualities that found a natural home in his golden age American musicals.
SOURCE: The New York Times Subscription at 05:42AMThe production, which examines the work’s colonial legacy, opened after the far right accused the Paris Opera of “antiracism gone mad.”
SOURCE: The New York Times Subscription at 02:36PM“Shipwreck,” a fantasia about white liberals and the president’s infamous dinner with James Comey, has been adapted into an audio play.
SOURCE: The New York Times Subscription at 02:48PMUncertainty about the coronavirus and the challenge of protecting audiences and artists is prompting many prominent presenters to wait till next year.
SOURCE: The New York Times Subscription at 12:32PMMatthew Aucoin and Sarah Ruhl have adapted “Eurydice,” her play about the Orpheus story, for Los Angeles Opera. Next stop: New York.
SOURCE: The New York Times Subscription at 10:36AMLove it or hate it, Andrew Lloyd Webber’s musical is one of the most popular of all time. Before the new movie adaptation comes out, catch up on its four-decade history.
SOURCE: The New York Times Subscription at 10:36AMA roundup of events in every borough, from the Radio City Christmas Spectacular in Manhattan to the annual Holiday Train Show in the Bronx.
SOURCE: The New York Times Subscription at 07:48PMAmong the highlights are a commission for Bill T. Jones, a staging of Monteverdi by Pierre Audi, and Alex Lawther in “Hamlet.”
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