Tuesday, December 5, 2023
Thursday, November 16, 2023
Begun to improve his own technique, piano exercises that Glass wrote over decades are the subject this month of a new book, a concert and dances.
SOURCE: The New York Times Subscription at 01:58PMSunday, June 25, 2023
The staged premiere of her new work “Indra’s Net” in Amsterdam comes as a set of recordings offers a retrospective of one of our most humane artists.
SOURCE: The New York Times Subscription at 12:03PMThursday, April 20, 2023
The choreographer Benjamin Millepied’s directing debut is an of-the-moment but scattered take on a classic love story.
SOURCE: The New York Times Subscription at 07:00AMFriday, April 14, 2023
As the longest-running musical in Broadway history closes, Times critics with a lasting affection for the show take stock of its legacy.
SOURCE: The New York Times Subscription at 02:24PMFriday, March 31, 2023
The director Phelim McDermott, who has acted like a visual translator of Glass’s music, pays tribute to the composer in their show “Tao of Glass.”
SOURCE: The New York Times Subscription at 12:12PMMonday, March 13, 2023
Mary-Mitchell Campbell, the series’ new music director, will lead a restored performance of “Dear World,” starring Donna Murphy.
SOURCE: The New York Times Subscription at 02:09PMWednesday, February 22, 2023
“Life of Pi” and Laura Linney on Broadway, Lise Davidsen at the Met Opera, SZA on tour: Here’s what we’re looking forward to this season.
SOURCE: The New York Times Subscription at 05:00AMTuesday, January 24, 2023
At New York City Ballet, Peck’s “Copland Dance Episodes” brings the composer’s three classic ballet scores under one roof, at last.
SOURCE: The New York Times Subscription at 01:30PMMonday, August 15, 2022
The multihyphenate pop star will compose her first ballet score for the Fall Fashion Gala at New York City Ballet in September.
SOURCE: The New York Times Subscription at 12:00PMThursday, April 21, 2022
Since his first production a quarter-century ago, the director has honed a process defined by tight schedules and bold, decisive changes.
SOURCE: The New York Times Subscription at 05:33AMThursday, March 10, 2022
In Paris, a new production of “A Quiet Place” makes a strong case for a work that has long struggled to join the repertory.
SOURCE: The New York Times Subscription at 01:24PMWednesday, January 26, 2022
A principal dancer since 2009, Reichlen will make her final appearance in George Balanchine’s one-act “Swan Lake” on Feb. 19.
SOURCE: The New York Times Subscription at 10:00AMMonday, November 22, 2021
For several years, the composer Matthew Aucoin corresponded with Sarah Ruhl about how to adapt her play into the Met Opera’s latest premiere.
SOURCE: The New York Times Subscription at 12:33PMTuesday, October 26, 2021
Lypsinka, the alter ego of John Epperson, a longtime pianist for Ballet Theater, will perform as part of the company’s inaugural Pride Nights.
SOURCE: The New York Times Subscription at 01:01PMFriday, October 22, 2021
After a long pandemic pause, “The Phantom of the Opera” is returning to Broadway with some help from its creator.
SOURCE: The New York Times Subscription at 05:36PMFriday, October 15, 2021
Francesca Zambello, who has overseen a dozen editions of the opera festival in upstate New York, will depart next summer.
SOURCE: The New York Times Subscription at 02:32PMTuesday, September 14, 2021
“Sun & Sea (Marina),” an operatic installation that won the top prize at the Venice Biennale, is being staged at the Brooklyn Academy of Music.
SOURCE: The New York Times Subscription at 02:36PMFriday, September 3, 2021
This summer, three European productions, previously available to American audiences only online, were at last accessible in person.
SOURCE: The New York Times Subscription at 10:18AMWednesday, September 1, 2021
“What Happened?: The Michaels Abroad” is the 12th and final installment in the quiet yet sweeping “Rhinebeck Panorama.”
SOURCE: The New York Times Subscription at 10:24AMSunday, August 15, 2021
Barrie Kosky’s new production for the Berliner Ensemble, at the theater where the famous work premiered, knows where to break the rules.
SOURCE: The New York Times Subscription at 12:42PMTuesday, August 10, 2021
Tuesday, May 25, 2021
Adam Guettel’s genre-clashing song cycle has taken on many forms. The latest: a starry online mini-series.
SOURCE: The New York Times Subscription at 01:18PMThursday, March 25, 2021
Weill’s early, Weimar-era works reveal the qualities that found a natural home in his golden age American musicals.
SOURCE: The New York Times Subscription at 05:42AMWednesday, March 10, 2021
The production, which examines the work’s colonial legacy, opened after the far right accused the Paris Opera of “antiracism gone mad.”
SOURCE: The New York Times Subscription at 02:36PMSunday, October 18, 2020
“Shipwreck,” a fantasia about white liberals and the president’s infamous dinner with James Comey, has been adapted into an audio play.
SOURCE: The New York Times Subscription at 02:48PMSunday, May 24, 2020
Uncertainty about the coronavirus and the challenge of protecting audiences and artists is prompting many prominent presenters to wait till next year.
SOURCE: The New York Times Subscription at 12:32PMMonday, February 3, 2020
Matthew Aucoin and Sarah Ruhl have adapted “Eurydice,” her play about the Orpheus story, for Los Angeles Opera. Next stop: New York.
SOURCE: The New York Times Subscription at 10:36AMWednesday, December 18, 2019
Love it or hate it, Andrew Lloyd Webber’s musical is one of the most popular of all time. Before the new movie adaptation comes out, catch up on its four-decade history.
SOURCE: The New York Times Subscription at 10:36AMThursday, December 5, 2019
A roundup of events in every borough, from the Radio City Christmas Spectacular in Manhattan to the annual Holiday Train Show in the Bronx.
SOURCE: The New York Times Subscription at 07:48PMTuesday, November 12, 2019
Among the highlights are a commission for Bill T. Jones, a staging of Monteverdi by Pierre Audi, and Alex Lawther in “Hamlet.”
SOURCE: The New York Times Subscription at 12:36PM 
