For several years, the composer Matthew Aucoin corresponded with Sarah Ruhl about how to adapt her play into the Met Opera’s latest premiere.
SOURCE: The New York Times Subscription at 12:33PMLypsinka, the alter ego of John Epperson, a longtime pianist for Ballet Theater, will perform as part of the company’s inaugural Pride Nights.
SOURCE: The New York Times Subscription at 01:01PMAfter a long pandemic pause, “The Phantom of the Opera” is returning to Broadway with some help from its creator.
SOURCE: The New York Times Subscription at 05:36PMFrancesca Zambello, who has overseen a dozen editions of the opera festival in upstate New York, will depart next summer.
SOURCE: The New York Times Subscription at 02:32PM“Sun & Sea (Marina),” an operatic installation that won the top prize at the Venice Biennale, is being staged at the Brooklyn Academy of Music.
SOURCE: The New York Times Subscription at 02:36PMThis summer, three European productions, previously available to American audiences only online, were at last accessible in person.
SOURCE: The New York Times Subscription at 10:18AM“What Happened?: The Michaels Abroad” is the 12th and final installment in the quiet yet sweeping “Rhinebeck Panorama.”
SOURCE: The New York Times Subscription at 10:24AMBarrie Kosky’s new production for the Berliner Ensemble, at the theater where the famous work premiered, knows where to break the rules.
SOURCE: The New York Times Subscription at 12:42PMLuigi Nono’s furiously political and prophetic “Intolleranza 1960” arrives at the Salzburg Festival.
SOURCE: The New York Times Subscription at 01:54PMAdam Guettel’s genre-clashing song cycle has taken on many forms. The latest: a starry online mini-series.
SOURCE: The New York Times Subscription at 01:18PMWeill’s early, Weimar-era works reveal the qualities that found a natural home in his golden age American musicals.
SOURCE: The New York Times Subscription at 05:42AMThe production, which examines the work’s colonial legacy, opened after the far right accused the Paris Opera of “antiracism gone mad.”
SOURCE: The New York Times Subscription at 02:36PM“Shipwreck,” a fantasia about white liberals and the president’s infamous dinner with James Comey, has been adapted into an audio play.
SOURCE: The New York Times Subscription at 02:48PMUncertainty about the coronavirus and the challenge of protecting audiences and artists is prompting many prominent presenters to wait till next year.
SOURCE: The New York Times Subscription at 12:32PMMatthew Aucoin and Sarah Ruhl have adapted “Eurydice,” her play about the Orpheus story, for Los Angeles Opera. Next stop: New York.
SOURCE: The New York Times Subscription at 10:36AMLove it or hate it, Andrew Lloyd Webber’s musical is one of the most popular of all time. Before the new movie adaptation comes out, catch up on its four-decade history.
SOURCE: The New York Times Subscription at 10:36AMA roundup of events in every borough, from the Radio City Christmas Spectacular in Manhattan to the annual Holiday Train Show in the Bronx.
SOURCE: The New York Times Subscription at 07:48PMAmong the highlights are a commission for Bill T. Jones, a staging of Monteverdi by Pierre Audi, and Alex Lawther in “Hamlet.”
SOURCE: The New York Times Subscription at 12:36PMThe French wunderkind’s books have quickly become magnets for the stage. Adaptations of “History of Violence” and “The End of Eddy” will play New York simultaneously.
SOURCE: The New York Times Subscription at 05:36AMThe professional and personal have blurred for young cast members of Matthew Lopez’s play, which offers a communion with victims of the AIDS crisis.
SOURCE: The New York Times Subscription at 11:36AMBuilt nearly 150 years ago, the over-the-top Palais Garnier has become part of the identity of Paris.
SOURCE: The New York Times Subscription at 06:33AMNew York City Center has unveiled its 2019-20 season. Here are the highlights.
SOURCE: The New York Times Subscription at 09:03AMDavid Binder, for his first festival as artistic director, has assembled a roster of Brooklyn Academy of Music newcomers.
SOURCE: The New York Times Subscription at 10:24AMWhy they act. What they’ve learned. And what they’ll remember.
SOURCE: The New York Times Subscription at 02:18PMWe spoke with five actors to see how they were feeling after hearing about their Tony Award nods.
SOURCE: The New York Times Subscription at 04:33PMWe offer a guide to navigating the new arts center set amid the towers of Hudson Yards.
SOURCE: The New York Times Subscription at 07:10PMWithout missing a beat, the 26-year-old actor is moving from one Broadway show to another — and leaving behind a role he has owned since 2013.
SOURCE: The New York Times Subscription at 12:42PMThe director Romeo Castellucci explains some of the striking imagery in his staging of Scarlatti’s “Il Primo Omicidio.”
SOURCE: The New York Times Subscription at 01:04PMThe immersive experience, with its frequent problems yet mounting mystique, is beginning to court comparisons with the Fyre Festival.
SOURCE: The New York Times Subscription at 03:18PMOn Friday, as the beloved store’s shelves approached emptiness before it relocates, it brought in the playwrights Annie Baker and Amy Herzog for a reading.
SOURCE: The New York Times Subscription at 01:42PMFor its first season, beginning in April, the Shed has commissioned more than a dozen exhibitions, performances and lectures across disciplines.
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