
A flurry of debuts. The return of Sara Mearns. Performances that lingered after the curtain fell. Here are the highlights from a packed spring season.
SOURCE: The New York Times Subscription at 03:00AM[SHARE]The festival hosts the National Dance Company of Ghana at the Brooklyn Academy. "You're getting the best of all the dances."
SOURCE: The New York Times Subscription at 02:35PM[SHARE]With a premiere by Tiffany Tregarthen and David Raymond at the Joyce, Gibney Company builds on its repertoire but doesn't enhance it.
SOURCE: The New York Times Subscription at 01:23PM[SHARE]After 15 years, New York City Ballet revives "Brandenburg," the choreographer's final ballet, with a sparkling new cast.
SOURCE: The New York Times Subscription at 01:02PM[SHARE]The choreographer Miguel Gutierrez presents the New York premiere of "I as another," a duet with Laila Franklin, at Baryshnikov Arts Center.
SOURCE: The New York Times Subscription at 02:02PM[SHARE]Harrison Ball is retiring. After battling addiction, he is engaged to Zac Posen, serious about acting and grateful for his career.
SOURCE: The New York Times Subscription at 10:59AM[SHARE]The choreographer collaborates with the designer Mimi Gross in "Garden Party," a whimsical celebration of spring that hints at loss.
SOURCE: The New York Times Subscription at 01:21PM[SHARE]The Trisha Brown Dance Company branches out beyond its founder's work with its first commission: Judith Sánchez RuÃz's "Let's Talk About Bleeding."
SOURCE: The New York Times Subscription at 08:00AM[SHARE]The company presented two large-scale works, one inspired by the French protests of 1968, and the other a response to a lost Merce Cunningham work, at NYU Skirball.
SOURCE: The New York Times Subscription at 02:11PM[SHARE]A new generation of choreographers, obsessed with composition and costumes, experiments at Pageant in East Williamsburg, Brooklyn.
SOURCE: The New York Times Subscription at 05:00AM[SHARE]As artistic director, Johnson, a pathbreaking ballerina, helped get the company back on its feet after a hiatus. Now, she's ready to be an artist again.
SOURCE: The New York Times Subscription at 10:01AM[SHARE]Ananiashvili's company, the State Ballet of Georgia, presents a program of works by George Balanchine and Yuri Possokhov at the Lehman Center in the Bronx.
SOURCE: The New York Times Subscription at 01:34PM[SHARE]With new books and a podcast taking another look at the legacy of George Balanchine and the culture of ballet, where does a modern ballerina stand?
SOURCE: The New York Times Subscription at 12:54PM[SHARE]Abraham and his company, A.I.M, returned to the Joyce Theater with a program of mixed repertory, including new dances and a Bebe Miller solo.
SOURCE: The New York Times Subscription at 12:45PM[SHARE]The company returned to New York City Center with recent works by Crystal Pite and David Dawson, along with a vintage offering by Kenneth MacMillan.
SOURCE: The New York Times Subscription at 01:58PM[SHARE]In "The Invisible Project," a premiere at NYU Skirball, the choreographer Keely Garfield's work as an end-of-life and trauma chaplain informs the dance.
SOURCE: The New York Times Subscription at 11:33AM[SHARE]Tanztheater Wuppertal returns to the Brooklyn Academy of Music for the first time in six years with "Ãgua," a long, whimsical work from 2001.
SOURCE: The New York Times Subscription at 02:45PM[SHARE]The company wrapped up its season with two weeks of Peter Martins's "The Sleeping Beauty," a flurry of debuts and four promotions.
SOURCE: The New York Times Subscription at 05:00PM[SHARE]Signaling the arrival of ballet's next generation, the soloists Emilie Gerrity, Isabella LaFreniere, Roman Mejia and Mira Nadon move up.
SOURCE: The New York Times Subscription at 07:03PM[SHARE]"Bob Fosse's Dancin'," revived by the director Wayne Cilento, is back on Broadway. Its stars? An eclectic cast of dancers who are anything but machines.
SOURCE: The New York Times Subscription at 05:00AM[SHARE]Women's empowerment is the undercurrent of the winter season at New York City Ballet. Does it have a place in Americana?
SOURCE: The New York Times Subscription at 03:13PM[SHARE]Cullberg, a contemporary Swedish company, makes its Joyce Theater debut with Deborah Hay's delicate, hypnotic "Horse, the Solos."
SOURCE: The New York Times Subscription at 01:30PM[SHARE]Kyra Nichols, a former principal, returns to the company for the first time since her 2007 retirement to coach ballets by Balanchine and Robbins.
SOURCE: The New York Times Subscription at 09:00AM[SHARE]New York City Ballet's resident choreographer expands on "Rodeo" to make an evening-length work set to some of Aaron Copland's most popular music.
SOURCE: The New York Times Subscription at 01:07PM[SHARE]Ronald K. Brown/Evidence returns to the Joyce Theater with two hits, "Open Door" and "Grace," and a New York premiere with music by Jason Moran.
SOURCE: The New York Times Subscription at 01:46PM[SHARE]Septime Webre's rendition of the tragic tale for Hong Kong Ballet this weekend at New York City Center had a striking look, but its dancing lacked vulnerability.
SOURCE: The New York Times Subscription at 01:33PM[SHARE]In "Curriculum II," dancers spin like planets as they grapple with the mind, the body and technology.
SOURCE: The New York Times Subscription at 01:30PM[SHARE]When the choreographer joins the company as artist in residence, the winners will be the dancers. And ballet.
SOURCE: The New York Times Subscription at 01:53PM[SHARE]In "George Balanchine's The Nutcracker," performed by City Ballet and young students from its School of American Ballet, ballet comes full circle.
SOURCE: The New York Times Subscription at 08:00AM[SHARE]At MoMA, the choreographer and artist Yve Laris Cohen's installation, inspired by a fire at Jacob's Pillow, looks at the fragility of space, art and the body.
SOURCE: The New York Times Subscription at 10:31AM[SHARE]In "Remains Persist," the choreographer Moriah Evans oversees a four-hour experiment that proposes a new way of looking at dance.
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