The South African choreographer Robyn Orlin mixes culture and politics with the help of the stunning performance artist Albert Silindokuhle Ibokwe Khoza.
SOURCE: The New York Times Subscription at 01:35PMThe country’s experimental dance artists, independent and resilient, are using their skills in a new arena: war.
SOURCE: The New York Times Subscription at 05:00AMThis year, the Beach Sessions at Rockaway Beach features the Trisha Brown Dance Company in a program of early works.
SOURCE: The New York Times Subscription at 11:30AMIn “Lifted: A Gospel House Musical,” the choreographer Rennie Harris tells a tale of redemption and healing loosely inspired by “Oliver Twist.”
SOURCE: The New York Times Subscription at 02:18PMThis New Zealand company returns to the Joyce Theater with two New York premieres, but neither are as penetrating as “Handgame,” a vintage gem.
SOURCE: The New York Times Subscription at 12:59PMDaniel Camargo’s breakout season at American Ballet Theater changed his rank from guest artist to principal. (Now, all he needs is an apartment.)
SOURCE: The New York Times Subscription at 02:09PMCatherine Hurlin makes a major debut as Odette-Odile and the company presents the New York premiere of a mystical work by Alonzo King.
SOURCE: The New York Times Subscription at 01:43PMChristopher Williams, a choreographer captivated by the otherworldly, presents the New York premieres of “Les Sylphides” and “Afternoon of a Faun.”
SOURCE: The New York Times Subscription at 01:08PMAlexei Ratmansky’s “Of Love and Rage,” a New York premiere for American Ballet Theater, tells its story through fluent dancing bodies.
SOURCE: The New York Times Subscription at 12:19PMAlvin Ailey American Dance Theater returns to Lincoln Center with an anniversary and a premiere by its resident choreographer, Jamar Roberts.
SOURCE: The New York Times Subscription at 12:43PMAmerican Ballet Theater opens its summer season at the Metropolitan Opera House with a triple cast, comic production. Where will it go next?
SOURCE: The New York Times Subscription at 02:03PMEnglish National Ballet brings Akram Khan’s “Giselle” to the Brooklyn Academy of Music, a production that prizes style over substance.
SOURCE: The New York Times Subscription at 02:36PMWhat is the role of choreography on Broadway? Two musicals, “MJ” and “A Strange Loop,” shed light on the dancing body.
SOURCE: The New York Times Subscription at 09:00AMThe company’s spring season, a double whammy of Covid and injury, ended with the retirement of the principal Amar Ramasar.
SOURCE: The New York Times Subscription at 03:20PMThe choreographer Donna Uchizono presents “Wings of Iron,” a subtle, virtuosic exploration of the art of perseverance.
SOURCE: The New York Times Subscription at 01:37PMThe choreographer Abby Zbikowski brings her raw, genre-bending “Radioactive Practice” to New York Live Arts after a two-year delay.
SOURCE: The New York Times Subscription at 12:16PMThe choreographer Silas Farley and the composer David K. Israel team up for “Architects of Time,” a premiere for the Stravinsky Festival.
SOURCE: The New York Times Subscription at 11:55AMThe best part? It’s not cosmetic. New York premieres by Madeline Hollander and Janie Taylor pair perfectly with a Bella Lewitzky revival.
SOURCE: The New York Times Subscription at 02:03PMLive audiences return for a new platform at Danspace Project featuring Mayfield Brooks, Rashaun Mitchell + Silas Riener, Iele Paloumpis and Ogemdi Ude.
SOURCE: The New York Times Subscription at 10:00AMThe Japanese dance artist, joined by four collaborators, brings her evolving “Duet Project: Distance Is Malleable” to N.Y.U. Skirball.
SOURCE: The New York Times Subscription at 12:52PMAshwini Ramaswamy, whose specialty is Indian classical dance, works with two dancers from other traditions in “Let the Crows Come.”
SOURCE: The New York Times Subscription at 12:32PMMartha Graham Dance Company brings two premieres and a classic to the City Center Dance Festival. The best new work? A soulful score by Jason Moran.
SOURCE: The New York Times Subscription at 02:21PMThe choreographer Alice Ripoll and 10 dancers from Rio de Janeiro combine youthful abandon with an exploration of social injustice in “Cria” at BAM Fisher.
SOURCE: The New York Times Subscription at 02:46PMThe incandescent “L’Allegro, il Penseroso ed il Moderato” returns to Brooklyn, leaving you as breathless as ever.
SOURCE: The New York Times Subscription at 02:14PMThe choreographer Nai-Ni Chen died in December. Now her company takes its next steps, beginning with a season at New York Live Arts.
SOURCE: The New York Times Subscription at 02:23PMIn “A Pandemic Notebook,” the choreographer Karole Armitage presents her final program of new works. And, with Jock Soto, she returns to the stage.
SOURCE: The New York Times Subscription at 02:34PMLauren Lovette, a former principal with New York City Ballet, has been named the resident choreographer of the Paul Taylor Dance Company.
SOURCE: The New York Times Subscription at 10:00AMTiler Peck, a principal dancer at New York City Ballet, directs her own evening as part of City Center’s inaugural Artists at the Center series.
SOURCE: The New York Times Subscription at 02:23PMThe choreographer and dancer suffered a stroke in April. But he’s still moving, and that’s what matters.
SOURCE: The New York Times Subscription at 08:11AMThe season saw more farewells, from principals Teresa Reichlen and Gonzalo Garcia, along with a rush of talent from the recently promoted.
SOURCE: The New York Times Subscription at 11:54AML-E-V, led by Sharon Eyal and Gai Behar, returns to the Joyce Theater with an evening-length work.
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