All stories by Jesse Green on BroadwayStars

Wednesday, November 17, 2021

'Diana, the Musical' Review: Exploiting the People's Princess by Jesse Green

The tabloid press and the monarchy used the Princess of Wales for their own purposes, and now a new Broadway show does the same.

SOURCE: The New York Times Subscription at 07:54PM[SHARE]
Thursday, November 11, 2021

Review: In 'Nollywood Dreams,' a Star and an Industry Are Born by Jesse Green

Jocelyn Bioh's new comedy about making movies in Nigeria throws some side-eye on Hollywood as well.

SOURCE: The New York Times Subscription at 08:18PM[SHARE]
Wednesday, November 10, 2021

Review: 'Trevor' Is a Musical That Dare Not Speak Its Theme by Jesse Green

In this bizarrely cheery adaptation of the Academy Award-winning film, suicide among young gay people proves difficult to sing about.

SOURCE: The New York Times Subscription at 10:03PM[SHARE]
Wednesday, November 3, 2021

Review: Edie Falco Shines as an Everywoman in 'Morning Sun' by Jesse Green

A new play by Simon Stephens has hearty performances but a nearly undetectable pulse.

SOURCE: The New York Times Subscription at 09:18PM[SHARE]
Monday, November 1, 2021

Review: Embodying Justice in 'Twilight: Los Angeles, 1992' by Jesse Green

Anna Deavere Smith's one-woman play about the aftermath of the Rodney King case gets a cast of five in an updated Off Broadway revival.

SOURCE: The New York Times Subscription at 10:06PM[SHARE]
Wednesday, October 27, 2021

Review: 'Caroline, or Change' Makes History's Heartbreak Sing by Jesse Green

An electrifying revival of the 2003 musical, featuring a titanic performance by Sharon D Clarke, follows the money to the source of American inequality.

SOURCE: The New York Times Subscription at 09:12PM[SHARE]
Sunday, October 24, 2021

Review: In 'Fairycakes,' the Woods Are Campy, Dark and Daft by Jesse Green

Douglas Carter Beane's winky fantasia finds Pinocchio, Puck and other unlikely characters meeting cute in a storybook setting.

SOURCE: The New York Times Subscription at 08:06PM[SHARE]
Sunday, October 17, 2021

Review: In the Disturbing 'Dana H.,' Whose Voice Is It Anyway? by Jesse Green

Deirdre O'Connell brilliantly lip-syncs the testimony of a woman abducted by a white supremacist in a play by Lucas Hnath.

SOURCE: The New York Times Subscription at 08:24PM[SHARE]
Monday, October 11, 2021

'Is This a Room' Review: A Transcript Becomes a Thrilling Thriller by Jesse Green

Beneath the dry words of an F.B.I. interview, a new play unearths a world of interior terror.

SOURCE: The New York Times Subscription at 09:06PM[SHARE]
Sunday, October 10, 2021

Review: In 'Chicken & Biscuits,' a Sweet but Dated Comedic Recipe by Jesse Green

Squabbling siblings, familiar stereotypes and a chorus of amens: A new play aims for the pleasures of Broadway's traditional family sitcoms.

SOURCE: The New York Times Subscription at 09:18PM[SHARE]
Sunday, October 3, 2021

Review: In 'Six,' All the Tudor Ladies Got Talent by Jesse Green

The exuberant queenhood-is-powerful pageant about the wives of Henry VIII was shut down on opening night by the pandemic. Now it's back, and it totally rules.

SOURCE: The New York Times Subscription at 09:54PM[SHARE]
Wednesday, September 29, 2021

Review: Tracy Letts Brings Out the Long Knives in Short Plays by Jesse Green

It takes 15 minutes or less in each segment of "Three Short Plays by Tracy Letts" for the bard of male moral decrepitude to skewer his subjects.

SOURCE: The New York Times Subscription at 02:54PM[SHARE]
Tuesday, September 21, 2021

Review: In 'Sanctuary City,' Slamming the Door on the Dream by Jesse Green

For the undocumented immigrant teenagers in Martyna Majok's unsparing, unsentimental new play, home is a heartbreaking lesson in betrayal.

SOURCE: The New York Times Subscription at 06:18PM[SHARE]
Monday, September 13, 2021

Review: In 'The Last of the Love Letters,' Passion Is Inescapable by Jesse Green

If you think Ngozi Anyanwu's new play is a straightforward romance, think again.

SOURCE: The New York Times Subscription at 10:18PM[SHARE]
Thursday, September 9, 2021

Review: In 'What Happened?,' a Questioning Farewell to Rhinebeck by Jesse Green

In the last installment in his 12-play series, Richard Nelson asks how his characters, and the theater, got where they are today.

SOURCE: The New York Times Subscription at 04:18PM[SHARE]
Wednesday, September 8, 2021

How Surreal! How Radical! How Avant-Garde! How Broadway? by Jesse Green

Three new plays in experimental styles test the uptown possibilities of truly downtown theater.

SOURCE: The New York Times Subscription at 10:06AM[SHARE]
Sunday, August 22, 2021

Review: 'Pass Over' Comes to Broadway, in Horror and Hope by Jesse Green

Antoinette Chinonye Nwandu's play about young Black men in peril inaugurates the new season with unexpected joy.

SOURCE: The New York Times Subscription at 06:06PM[SHARE]
Wednesday, August 18, 2021

He Invited Us Into His Closet for Theater. And It Was Astonishing. by Jesse Green

Joshua William Gelb turned a small space in his small apartment into a blueprint for streaming during the pandemic. But what happens as real venues open again?

SOURCE: The New York Times Subscription at 10:06AM[SHARE]
Monday, August 9, 2021

Review: Shakespeare's 'Merry Wives,' Now in South Harlem by Jesse Green

Jocelyn Bioh reshapes a comedy of clever women, frail men and harsh revenge into one of love and forgiveness, just when New York needs it.

SOURCE: The New York Times Subscription at 10:06PM[SHARE]
Sunday, August 8, 2021

'The Most Happy Fella,' Sliced, Diced and Not Very Happy by Jesse Green

Having revamped "Oklahoma!" into a dark X-ray of itself, Daniel Fish rethinks another Golden Age classic with "Most Happy in Concert."

SOURCE: The New York Times Subscription at 03:12PM[SHARE]
Tuesday, August 3, 2021

Where Do Theater Artists Go to Ask Questions? Poughkeepsie. by Jesse Green

New York Stage and Film provides an unlikely haven for inquiring writers of new plays and musicals.

SOURCE: The New York Times Subscription at 03:12PM[SHARE]
Wednesday, July 28, 2021

Onstage, the Pen Is Usually Duller Than the Sword by Jesse Green

Plays about writers, including "Mr. Fullerton," a new potboiler probing Edith Wharton's love life, too often undermine the real brilliance of their subjects.

SOURCE: The New York Times Subscription at 02:32PM[SHARE]

Sunday in the Trenches With George by Jesse Green

James Lapine's book shows how he and Stephen Sondheim invested two years of work to burnish their musical from an avant-garde near-disaster to a mainstream classic.

SOURCE: The New York Times Subscription at 05:12AM[SHARE]
Wednesday, July 7, 2021

From the Schlump With the Shiv, Two Plays Turned Podcasts by Jesse Green

In new versions of "The Designated Mourner" and "Grasses of Many Colors," Wallace Shawn brings moral horror right to your ear.

SOURCE: The New York Times Subscription at 06:32PM[SHARE]
Thursday, July 1, 2021

Review: In 'Enemy of the People,' Water and Democracy Are Poisoned by Jesse Green

Ann Dowd stars in a contemporary rewrite of Ibsen's play that forces a community, played by the audience, to make a series of fateful choices.

SOURCE: The New York Times Subscription at 02:32PM[SHARE]
Wednesday, June 30, 2021

Springsteen on Broadway: Showing Us How Many Lives We Contain by Jesse Green and Lindsay Zoladz

Two critics on the show's return " a turning point in live theater and another stage in the rock star's lifelong evolution.

SOURCE: The New York Times Subscription at 01:03PM[SHARE]
Friday, June 25, 2021

Review: In 'Chester Bailey,' a Case of Physician, Shrink Thyself by Jesse Green

Father-and-son actors Reed and Ephraim Birney play an anxious doctor and his imaginative patient in a compelling psychological mystery.

SOURCE: The New York Times Subscription at 03:48PM[SHARE]
Tuesday, June 22, 2021

Theater Heads North, and in Every Direction at Once by Jesse Green

A psychological drama from Japan and a classic English comedy are among the high-contrast offerings in the Berkshires and Hudson Valley.

SOURCE: The New York Times Subscription at 02:36PM[SHARE]
Tuesday, June 15, 2021

Making Every Second Count in Plays Too Short to Miss by Jesse Green

Theater shrank to tiny proportions during the pandemic. Sometimes that's a big plus.

SOURCE: The New York Times Subscription at 07:06PM[SHARE]
Wednesday, June 9, 2021

Ted Chapin: 'Every time I see one of these shows, I discover something new' by Jesse Green

For 40 Years, he was the man overseeing Rodgers and Hammerstein's theatre properties including 'The Sound of Music' and 'Carousel!' After finally stepping down from the role, Ted Chapin spok…

SOURCE: The Independent at 02:32AM[SHARE]
Wednesday, June 2, 2021

A Chance to Fix the Tonys, and So Many Things to Fix by Jesse Green

It has been a tough year for Broadway. Now it's time to get tough on the show that too often honors investors instead of achievers.

SOURCE: The New York Times Subscription at 01:12PM[SHARE]

All that Chat

2025-2026 BROADWAY SEASON
Jun 12, 2025: Call Me Izzy - Studio 54
Sep 16, 2025: Art - Music Box Theatre
Oct 08, 2025: Beetlejuice - Palace Theatre
Nov 13, 2025: Oedipus - Studio 54
Nov 16, 2025: Chess - Imperial Theatre
Mar 23, 2026: Giant - Music Box Theatre
Apr 06, 2026: Becky Shaw - Hayes Theater
Apr 16, 2026: Proof - Booth Theatre
Apr 26, 2026: Drama Desk Cut-Off