Monday, August 3, 2020
Expanding content and experimenting with form, the avant-garde finds a congenial new home online, as two recent offerings demonstrate.
SOURCE: The New York Times Subscription at 01:48PMFriday, July 31, 2020
In “The 7th Voyage of Egon Tichy,” an experimental theater lab operating from a closet adapts a timely tale about the solitude of cramped quarters.
SOURCE: The New York Times Subscription at 02:24PMTuesday, July 21, 2020
Thursday, July 16, 2020
Thursday, July 9, 2020
A documentary play based on interviews with New York doctors, nurses and paramedics underlines the inequities of a medical system “flawed from its root.”
SOURCE: The New York Times Subscription at 03:03PMWednesday, July 8, 2020
Our critics discuss the last four months, which thanks to Zoom (and Meryl Streep) have been full of experimentation and playfulness.
SOURCE: The New York Times Subscription at 10:54AMTuesday, July 7, 2020
The British government has promised $2 billion to save its cultural institutions, while the American theater, lacking meaningful leadership, is left to fend for itself.
SOURCE: The New York Times Subscription at 02:48PMThursday, July 2, 2020
Richard Nelson’s fictional family returns, but for the first time this drama of connection in the age of American bewilderment feels smaller than life.
SOURCE: The New York Times Subscription at 02:18PMMonday, June 29, 2020
A streaming production of the Molière comedy, with allusions to the White House as well as Black Lives Matter, tears down walls to rebuild a classic.
SOURCE: The New York Times Subscription at 02:03PMTuesday, June 16, 2020
An Atlanta theater company addresses racial inequity in a series of virtual dinners that mix drama with discussion.
SOURCE: The New York Times Subscription at 03:42PMFriday, June 12, 2020
From the documentary works of Anna Deavere Smith to brief monologues written in this moment of unrest, dramatists are sounding an alarm.
SOURCE: The New York Times Subscription at 07:03PMWednesday, May 27, 2020
Wednesday, April 15, 2020
Tuesday, March 31, 2020
Our chief theater critics have no nickel-plated medallions to hand out, but they find plenty to celebrate among shut-down Broadway offerings.
SOURCE: The New York Times Subscription at 05:42PMTuesday, March 24, 2020
Mr. McNally, who died of coronavirus complications, introduced audiences to characters and situations that most mainstream theater had previously shunted into comic asides.
SOURCE: The New York Times Subscription at 03:42PMWednesday, March 18, 2020
One of the country’s most racially diverse cities struggles, nicely, with representation and inclusion on its many bustling stages.
SOURCE: The New York Times Subscription at 12:02PMThursday, March 12, 2020
Let’s not underrate Stephen Sondheim any longer: Theater’s greatest songwriter is also one of theater’s greatest playwrights. Here’s why.
SOURCE: The New York Times Subscription at 07:06AMMonday, March 9, 2020
Tuesday, March 3, 2020
Richard Greenberg’s overstuffed new play about family feuds and ethical choices turns a wedding comedy into a crisis.
SOURCE: The New York Times Subscription at 10:18PMWednesday, February 26, 2020
Monday, February 24, 2020
With this season promising so many revivals and touring productions, our critic wonders whether it’s possible for audiences to treat them as exciting arrivals.
SOURCE: The New York Times Subscription at 04:03PMWednesday, January 29, 2020
Charles Busch’s mash-up of mother-love weepies finds both pathos and hilarity in the tough talk of Hollywood divas.
SOURCE: The New York Times Subscription at 11:03PMThursday, January 23, 2020
Bess Wohl’s new play puts a Neil Simonesque spin on the story of a couple considering divorce after 50 years.
SOURCE: The New York Times Subscription at 10:36PMTuesday, January 21, 2020
The Broadway premiere of Charles Fuller’s 1981 drama finds premonitions of today in the story of a 1944 murder.
SOURCE: The New York Times Subscription at 10:48PMSunday, January 19, 2020
Kathryn Hunter stars as the fabulously rich Greek who understands the corrupting value of money only after she loses it.
SOURCE: The New York Times Subscription at 10:24PMFriday, January 17, 2020
The Public Theater’s festival has included 12 featured offerings, four cabaret acts and six pieces of developmental work. Here’s what our critics saw.
SOURCE: The New York Times Subscription at 03:33PMWednesday, January 15, 2020
Music (and eventually emotion) cuts through the alienating layers of abstraction in this new work by the musician-storytellers James & Jerome.
SOURCE: The New York Times Subscription at 02:12PMMonday, January 13, 2020
Two productions at the Under the Radar Festival ask if the theater is ready to embrace the artistry of autism and other once disqualifying conditions.
SOURCE: The New York Times Subscription at 02:24PMSunday, January 12, 2020
A jazz memoirist, a Palestinian rocketeer and Mexican myths set to music kick off the Public Theater’s annual festival of adventurous work from across the globe.
SOURCE: The New York Times Subscription at 03:12PM 
