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Wednesday, October 12, 2022

Angela Lansbury, Broadway's Beloved Everywoman by Jesse Green

She performed without sentimentality or histrionics, embodying the full range of human joy and depravity while remaining professional and approachable.

SOURCE: The New York Times Subscription at 01:43PM[SHARE]

Sunday, October 9, 2022

Review: In a New 'Salesman,' Making the Lomans New Again by Jesse Green

Wendell Pierce and Sharon D Clarke star in a powerful revival of Arthur Miller's drama, led by a Black cast.

SOURCE: The New York Times Subscription at 09:13PM[SHARE]

Thursday, October 6, 2022

Review: '1776,' When All Men, and Only Men, Were Created Equal by Jesse Green

A revival of the musical about the Declaration of Independence underlines the gender imbalance among the Founding Fathers " and everything else.

SOURCE: The New York Times Subscription at 10:25PM[SHARE]

Sunday, October 2, 2022

Review: In Stoppard's 'Leopoldstadt,' a Memorial to a Lost World by Jesse Green

The Viennese Jewish family at the heart of this new Broadway production thinks it is too assimilated to be in danger when the Nazis arrive. They are wrong.

SOURCE: The New York Times Subscription at 10:33PM[SHARE]

Friday, September 30, 2022

Review: In 'Textplay,' Stoppard and Beckett Get Snarky, FWIW by Jesse Green

An imaginary electronic conversation between the two playwrights falls somewhere between a â¤ï¸ and a ðŸ¤·.

SOURCE: The New York Times Subscription at 09:07AM[SHARE]

Thursday, September 29, 2022

Review: In Lea Michele, 'Funny Girl' Has Finally Found Its Fanny by Jesse Green

The "Glee" star is stupendous in the role Barbra Streisand made famous, turning the 1964 musical into something better than we know it to be.

SOURCE: The New York Times Subscription at 01:33PM[SHARE]

Monday, September 5, 2022

7 New Musicals Are Headed to Broadway This Fall by Jesse Green

Behind every new New York season are a lot of wannabes, also-rans and hopeless cases to keep track of.

SOURCE: The New York Times Subscription at 10:12AM[SHARE]

Wednesday, August 31, 2022

After a Long, Starring Run, Will Racism at Last Get the Hook? by Jesse Green

We can no longer ignore the theater's systemic inequities. But leaving them behind may remake the industry in unexpected ways.

SOURCE: The New York Times Subscription at 05:33AM[SHARE]

Friday, August 12, 2022

'A Little Night Music' Review: A Rueful Take at Barrington Stage by Jesse Green

Barrington Stage Company offers a take on the Sondheim-Wheeler classic highlighted by performances in shades of regret.

SOURCE: The New York Times Subscription at 05:33PM[SHARE]

Thursday, August 4, 2022

Canada's Stratford and Shaw Festivals Revive Four Classic Works by Jesse Green

At the Stratford and the Shaw theater festivals, four heated classics get cool new productions for summer.

SOURCE: The New York Times Subscription at 02:54PM[SHARE]

Wednesday, August 3, 2022

In the Theater, Workers Are Demanding Better Conditions by Jesse Green

The requirements of the theater, and the constant physical and emotional risks facing performers, have many demanding their basic needs as humans.

SOURCE: The New York Times Subscription at 09:00AM[SHARE]

Saturday, July 23, 2022

The Times's Theater Critic Reviews Stratford's New Theater by Jesse Green

The Stratford Festival in Ontario opened a glamorous new theater last month that prioritizes the theater itself, not just what surrounds it.

SOURCE: The New York Times Subscription at 06:07AM[SHARE]

Monday, July 11, 2022

Review: Danai Gurira Makes a Sleek Supervillain of Richard III by Jesse Green

At Shakespeare in the Park, athletic stamina and action-hero charisma muddy the meaning of a play about disability.

SOURCE: The New York Times Subscription at 01:18PM[SHARE]

Review: Danai Gurira Makes a Sleek Supervillain of Richard III by Jesse Green

At Shakespeare in the Park, athletic stamina and Marvel charisma muddy the meaning of a play about disability.

SOURCE: The New York Times Subscription at 11:33AM[SHARE]

Wednesday, July 6, 2022

When Paying Dues Doesn't Pay the Rent, How Does the Theater Survive? by Jesse Green

Frank talk about salaries and the end of unpaid internships are positive steps, but the cost may be fewer opportunities to learn the ropes.

SOURCE: The New York Times Subscription at 10:07AM[SHARE]

Wednesday, June 22, 2022

'Corsicana' Review: Four Lost Hearts in the Heart of Texas by Jesse Green

In a strange and beautiful new play by Will Arbery, finding happiness is a process of failing upward.

SOURCE: The New York Times Subscription at 09:42PM[SHARE]

Tuesday, June 21, 2022

Review: 'Ain't Misbehavin',' Saving Its Love (and Pain) for You by Jesse Green

A revival of the Fats Waller musical revue emphasizes the blues in its blueprints.

SOURCE: The New York Times Subscription at 03:06PM[SHARE]

Wednesday, June 8, 2022

Is It Finally Twilight for the Theater's Sacred Monsters? by Jesse Green

Many of the "great men" who helped America create its classics, its institutions and its own acting style were tyrants. We need to cut them loose.

SOURCE: The New York Times Subscription at 05:00AM[SHARE]

Tuesday, June 7, 2022

Review: Sarah Silverman's 'Bedwetter' Musical Has Sprung a Leak by Jesse Green

The comedian's memoir was funny. But when the new show based on it tries for something deeper, it sinks into bathos.

SOURCE: The New York Times Subscription at 10:12PM[SHARE]

Monday, May 23, 2022

Review: In 'Who Killed My Father,' an Inquest and an Indictment by Jesse Green

Ã‰douard Louis grew up scorned by his family for being gay. Now he sees homophobia as part of the portfolio of "humiliation by the ruling class."

SOURCE: The New York Times Subscription at 03:42PM[SHARE]

Wednesday, May 18, 2022

Against All Odds, Broadway Rose to the Occasion. Mostly. by Jesse Green and Maya Phillips

Decoding the Tony nominations, our critics review a season of bold productions that met audiences often craving the familiar.

SOURCE: The New York Times Subscription at 10:18AM[SHARE]

Tony Awards 2022: Who Will Win (and Who Should) by Jesse Green

A critic's picks in a hard-to-predict Broadway year, plus nods to shows from Off Broadway and other, odder corners.

SOURCE: The New York Times Subscription at 10:18AM[SHARE]

Monday, May 9, 2022

In a Chaotic Tonys Season, It Was an Honor Just to Open by Jesse Green

The Tony nominations spread the wealth among many worthy (and a few unworthy) productions, as if to salute them for arriving at all.

SOURCE: The New York Times Subscription at 02:24PM[SHARE]

Sunday, May 8, 2022

Review: 'Wedding Band,' a Searing Look at Miscegenation Nation by Jesse Green

Alice Childress's 1962 play about interracial love and hate gets its first major New York revival in 50 years.

SOURCE: The New York Times Subscription at 10:18PM[SHARE]

Monday, May 2, 2022

Review: Making a Beautiful 'Case for the Existence of God' by Jesse Green

Samuel D. Hunter's heartbreaking new play argues for hope even in the face of extreme disappointment.

SOURCE: The New York Times Subscription at 10:07PM[SHARE]

Friday, April 29, 2022

'Macbeth' Review: Something Wonky This Way Comes by Jesse Green

Daniel Craig and Ruth Negga star in Sam Gold's oddly uneasy take on the Scottish play.

SOURCE: The New York Times Subscription at 04:37PM[SHARE]

Wednesday, April 27, 2022

Review: In 'POTUS,' White House Enablers Gone Wild by Jesse Green

Seven female farceurs bring Selina Fillinger's new Broadway comedy about the president's protectors to life.

SOURCE: The New York Times Subscription at 05:06PM[SHARE]

Sunday, April 24, 2022

'Funny Girl' Review: Broadway Revival Shows Why It Took So Long by Jesse Green

Beanie Feldstein stars as the comic Fanny Brice in the show's return after almost 60 years.

SOURCE: The New York Times Subscription at 10:12PM[SHARE]

Thursday, April 21, 2022

Review: 'Hangmen,' Offering the Last Word in Gallows Humor by Jesse Green

Martin McDonagh's rollicking comedy about capital punishment, now on Broadway, feels like a perfect fit for our unjust times.

SOURCE: The New York Times Subscription at 09:42PM[SHARE]

Sunday, April 17, 2022

Review: 'The Minutes,' an Official History of American Horror by Jesse Green

In Tracy Letts's new play, a tedious City Council meeting cracks open to reveal the secret record of what happened in Big Cherry.

SOURCE: The New York Times Subscription at 10:06PM[SHARE]

Thursday, April 14, 2022

Review: In 'American Buffalo,' Grift Is the Coin of the Realm by Jesse Green

Sam Rockwell, Laurence Fishburne and Darren Criss star in an electric revival of the David Mamet play about capitalism in a junk shop.

SOURCE: The New York Times Subscription at 10:24PM[SHARE]

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