Sunday, April 17, 2022
In Tracy Letts’s new play, a tedious City Council meeting cracks open to reveal the secret record of what happened in Big Cherry.
SOURCE: The New York Times Subscription at 10:06PMThursday, April 14, 2022
Sam Rockwell, Laurence Fishburne and Darren Criss star in an electric revival of the David Mamet play about capitalism in a junk shop.
SOURCE: The New York Times Subscription at 10:24PMJames McAvoy gives a ravishing performance, without benefit of prosthetics or props, in a new adaptation alive with the love of language.
SOURCE: The New York Times Subscription at 09:12PMTuesday, April 12, 2022
Monday, April 4, 2022
Richard Greenberg’s 2002 play about baseball and homophobia gets a fine revival starring Jesse Williams and Jesse Tyler Ferguson.
SOURCE: The New York Times Subscription at 10:24PMSunday, April 3, 2022
In a new musical starring Joaquina Kalukango, the love between Black and Irish New Yorkers in a Manhattan bar is threatened by Civil War riots.
SOURCE: The New York Times Subscription at 08:18PMThursday, March 31, 2022
The Builders Association explores the world of turkers, workers performing thousands of weird, low-paying tasks for an online giant.
SOURCE: The New York Times Subscription at 01:18PMWednesday, March 30, 2022
Heather Christian’s rapturous new music-theater work turns a tiny amphitheater into a vast cathedral of sound.
SOURCE: The New York Times Subscription at 07:33PMMonday, March 28, 2022
Monday, March 21, 2022
A trenchant new comedy by Bryna Turner features Mary Wiseman in a comic tour-de-force as the guest most likely to make a scene.
SOURCE: The New York Times Subscription at 09:06PMSunday, February 27, 2022
When their body parts start falling off, two women go on a spiritual journey with an Oprah-esque guru in Charly Evon Simpson’s new play.
SOURCE: The New York Times Subscription at 05:33PMTuesday, February 22, 2022
In a rich new play by Sanaz Toossi, four Iranians and their language teacher find second selves in a second tongue.
SOURCE: The New York Times Subscription at 10:06PMNew productions of American plays that debuted between 1942 and 2002 offer glimpses into the world in which they first emerged — and into ours.
SOURCE: The New York Times Subscription at 09:36AMTuesday, February 15, 2022
A new musical imagines the invention of a decolorizing process. Will it save Black Americans from hatred or destroy them?
SOURCE: The New York Times Subscription at 07:42PMThursday, February 10, 2022
Sutton Foster also stars in this neat, perky, overly cautious Broadway revival of a musical that needs to be more of a con.
SOURCE: The New York Times Subscription at 10:18PMThursday, February 3, 2022
The Encores! series returns with a 1983 musical that, despite its pleasures, wasn’t quite right then and isn’t quite right now.
SOURCE: The New York Times Subscription at 03:42PMTuesday, February 1, 2022
Monday, January 31, 2022
Lynn Nottage’s play about a Black woman in 1905 becomes an opera, with music by Ricky Ian Gordon, that forefronts voices ignored by history.
SOURCE: The New York Times Subscription at 10:06PMWednesday, January 26, 2022
Dominique Morisseau’s 2016 play, now on Broadway, is a swift, well-crafted look at factory workers trapped in an economic “dumpster fire.”
SOURCE: The New York Times Subscription at 09:33PMTuesday, January 25, 2022
The Eugene O’Neill classic, set in 1912, is just as powerful in Robert O’Hara’s revival, set in our own age of disease and lockdown.
SOURCE: The New York Times Subscription at 09:33PMMonday, January 17, 2022
Tuesday, January 11, 2022
Taking Lily Tomlin’s roles in a revival of Jane Wagner’s metaphysical comedy, the “Saturday Night Live” star is put through her paces.
SOURCE: The New York Times Subscription at 08:33PMWednesday, January 5, 2022
Thursday, December 30, 2021
In recent musicals, hyperdesign is outstripping writing and direction for clarity, expressiveness and excitement.
SOURCE: The New York Times Subscription at 11:36AMMonday, December 13, 2021
A new musical imagines the all-singing, all-dancing LSD trips of Aldous Huxley, Clare Boothe Luce and Cary Grant.
SOURCE: The New York Times Subscription at 10:12PMThursday, December 9, 2021
Bobby is now Bobbie in this confusing, sour remake of the 1970 musical by Stephen Sondheim and George Furth.
SOURCE: The New York Times Subscription at 09:06PMWednesday, December 8, 2021
Victoria Clark stars in a playful yet powerful musical about a girl who is aging too fast among adults who behave like children.
SOURCE: The New York Times Subscription at 10:12PMFriday, November 26, 2021
With a childlike sense of discovery, Stephen Sondheim found the language to convey the beauty in harsh complexity.
SOURCE: The New York Times Subscription at 09:36PMTuesday, November 23, 2021
In Lynn Nottage’s bright new comedy, cooks at a greasy spoon dream of remaking the menu — and their lives.
SOURCE: The New York Times Subscription at 10:36PMThursday, November 18, 2021
Alice Childress’s 1955 play about power and race in the theater is a satire and a tragedy that deserves to be a classic.
SOURCE: The New York Times Subscription at 09:32PMWednesday, November 17, 2021
The tabloid press and the monarchy used the Princess of Wales for their own purposes, and now a new Broadway show does the same.
SOURCE: The New York Times Subscription at 07:54PM 
