
The 1950s plays "Picnic" and "Come Back, Little Sheba," in repertory revivals at the Gym at Judson, capture the playwright's gift for understatement.
SOURCE: The New York Times Subscription at 06:02PM[SHARE]The SITI Company's opaque, mystifying play is built entirely from the composer's quotations, arranged into an exploration of the artistic process.
SOURCE: The New York Times Subscription at 06:02PM[SHARE]"Julius Caesar" and "X: Or, Betty Shabazz v. The Nation" illuminate each other as they run in rep.
SOURCE: The New York Times Subscription at 07:32PM[SHARE]The murdered Algerian remained anonymous in Albert Camus's "The Stranger," but this new play by Betty Shamieh reframes the point of view.
SOURCE: The New York Times Subscription at 10:31PM[SHARE]The Australian composer and performer on his career and the music and lyrics he wrote for "Groundhog Day."
SOURCE: The New York Times Subscription at 05:36AM[SHARE]Max Vernon's new musical sends a contemporary man back to 1973 and the UpStairs, a real New Orleans gay bar destroyed by arson.
SOURCE: The New York Times Subscription at 05:36PM[SHARE]The siblings in James Lecesne's new play, directed by Tony Speciale, continue to disagree about some rather important aspects of their upbringing.
SOURCE: The New York Times Subscription at 10:32PM[SHARE]This play from the New York Neo-Futurists embraces audience suggestions, with varying results.
SOURCE: The New York Times Subscription at 05:54PM[SHARE]Presented by Pan Asian Repertory, this play by Damon Chua, set during World War II, is steeped in the traditions of film noir as well as several other genres.
SOURCE: The New York Times Subscription at 11:04PM[SHARE]The British actress plays Prospero in an all-female "The Tempest," her latest gender-switched Shakespeare production, set in a penitentiary.
SOURCE: The New York Times Subscription at 04:06PM[SHARE]While "Top Secret International (State 1)" traffics in tech and disembodied narrators, "Real Magic" involves a clairvoyance game.
SOURCE: The New York Times Subscription at 06:33PM[SHARE]The illustrator Edward Gorey proves a complex subject in this imagined memoir for the stage that focuses more on the man than his art.
SOURCE: The New York Times Subscription at 06:33PM[SHARE]Jake Broder brings the decades-gone comedian back to slang-slinging life in "His Royal Hipness Lord Buckley," but without the pith helmet.
SOURCE: The New York Times Subscription at 06:18PM[SHARE]In Stan Richardson's "Private Manning Goes to Washington," the activist hacker Aaron Swartz wants to put on a play inspired by the whistle-blower Manning.
SOURCE: The New York Times Subscription at 05:31PM[SHARE]The anthology "In This Moment" is presented free of charge by Theater for One in a mobile booth in the Pershing Square Signature Center's lobby.
SOURCE: The New York Times Subscription at 04:18PM[SHARE]Deke Sharon discusses his work on "In Transit," an a cappella musical about the intertwining lives of New Yorkers.
SOURCE: The New York Times Subscription at 06:31PM[SHARE]In a new version of William Burke's play, at the Bushwick Starr in Brooklyn, Elmo hates the Naked Cowboy, and the Cookie Monster has a box cutter.
SOURCE: The New York Times Subscription at 06:12PM[SHARE]The 2016 "Christmas Spectacular Starring the Radio City Rockettes" has put the Music Hall dance troupe's name in the title with good reason.
SOURCE: The New York Times Subscription at 03:24PM[SHARE]Elizabeth Eaton Converse's story and heartbreakingly fragile songs form the backbone of Howard Fishman's play with music.
SOURCE: The New York Times Subscription at 05:48PM[SHARE]The actress talks about preparing for the stage version of "Terms of Endearment" and about her penchant for giving advice.
SOURCE: The New York Times Subscription at 10:36AM[SHARE]The German playwright Franz Xaver Kroetz's 1973 drama takes naturalism to its extreme, showing a quiet woman passing through her evening.
SOURCE: The New York Times Subscription at 04:06PM[SHARE]The acclaimed company's avowed artistic goal is to "examine and illuminate American nostalgia."
SOURCE: The New York Times Subscription at 05:18PM[SHARE]An oddly endearing production at the Abrons Arts Center that traffics far more in scary bearded creatures than narrative intelligibility.
SOURCE: The New York Times Subscription at 05:02PM[SHARE]Ibsen's evergreen story still has much to offer in this 90-minute version by David Harrower, given a modern-dress production by the Pearl Theater.
SOURCE: The New York Times Subscription at 04:22PM[SHARE]Song of the Goat Theater from Poland presents an impressionistic and sung version of "King Lear" at BAM.
SOURCE: The New York Times Subscription at 05:06PM[SHARE]Helder Guimarães brings his mastery of illusion to "Verso," a one-man show directed by Rodrigo Santos at New World Stages.
SOURCE: The New York Times Subscription at 10:37PM[SHARE]Despite his international fame, Mr. Castellucci has never had his work seen in New York City until now, at the Crossing the Line Festival.
SOURCE: The New York Times Subscription at 06:21PM[SHARE]In his latest show, at the Marquis Theater, the comedian sounds not so much angry as defeated during an election year in which fiction and reality intersect.
SOURCE: The New York Times Subscription at 04:07PM[SHARE]This Ana Nogueira play centers on a pill that allows a couple to know each other's deepest feelings. Complications ensue.
SOURCE: The New York Times Subscription at 12:51PM[SHARE]J. Stephen Brantley's new play is set in 2008 as same-sex marriage is becoming legal one state at a time.
SOURCE: The New York Times Subscription at 05:48PM[SHARE]Another theater critic roves through the festival, finding an ambitious revival here and many a hapless drama there.
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