Friday, January 27, 2023
New York City Ballet’s resident choreographer expands on “Rodeo” to make an evening-length work set to some of Aaron Copland’s most popular music.
SOURCE: The New York Times Subscription at 01:07PMWednesday, January 18, 2023
Ronald K. Brown/Evidence returns to the Joyce Theater with two hits, “Open Door” and “Grace,” and a New York premiere with music by Jason Moran.
SOURCE: The New York Times Subscription at 01:46PMSunday, January 15, 2023
Septime Webre’s rendition of the tragic tale for Hong Kong Ballet this weekend at New York City Center had a striking look, but its dancing lacked vulnerability.
SOURCE: The New York Times Subscription at 01:33PMWednesday, January 11, 2023
Friday, January 6, 2023
When the choreographer joins the company as artist in residence, the winners will be the dancers. And ballet.
SOURCE: The New York Times Subscription at 01:53PMWednesday, December 21, 2022
In “George Balanchine’s The Nutcracker,” performed by City Ballet and young students from its School of American Ballet, ballet comes full circle.
SOURCE: The New York Times Subscription at 08:00AMTuesday, December 20, 2022
At MoMA, the choreographer and artist Yve Laris Cohen’s installation, inspired by a fire at Jacob’s Pillow, looks at the fragility of space, art and the body.
SOURCE: The New York Times Subscription at 10:31AMFriday, December 16, 2022
In “Remains Persist,” the choreographer Moriah Evans oversees a four-hour experiment that proposes a new way of looking at dance.
SOURCE: The New York Times Subscription at 01:16PMThursday, December 15, 2022
Friday, December 9, 2022
In an uneven program, the tap dancer and choreographer presents three new works in Manhattan, including a dance for former cast members of “Stomp.”
SOURCE: The New York Times Subscription at 02:00PMJenna Ortega’s dance for her Addams Family character is a viral sensation, but why? It is disarming and defiant: the dance of a nonconformist.
SOURCE: The New York Times Subscription at 09:00AMJenna Ortega’s dance for her Addams Family character is a viral sensation, but why? It is disarming and defiant: the dance of a nonconformist.
SOURCE: The New York Times Subscription at 09:00AMFriday, December 2, 2022
The Israeli choreographer Emanuel Gat presents “LOVETRAIN2020,” a work set to hits by the British duo, for his company’s Brooklyn Academy of Music debut.
SOURCE: The New York Times Subscription at 03:13PMAfter a few slow, sad years, the dance calendar returned to something like abundance, with standout shows that leaned into joy and community.
SOURCE: The New York Times Subscription at 05:00AMWednesday, November 30, 2022
The veteran choreographer Sally Silvers celebrates her 40th anniversary season with “Pandora’s New Cake Stain,” a version of her first evening-length work.
SOURCE: The New York Times Subscription at 04:04PMThursday, November 24, 2022
In New York City Ballet’s production this year, the children, most of them new to the show, are back to normal. Pint-size, that is.
SOURCE: The New York Times Subscription at 08:00AMWednesday, November 16, 2022
The “Lion King” choreographer brings his company to the Joyce Theater in programs that feature his work and dances by the talented Norwood Pennewell.
SOURCE: The New York Times Subscription at 01:22PMSunday, November 13, 2022
The choreographer Serge Aimé Coulibaly explores the fear that permeates society in the North American premiere of “Wakatt” at NYU Skirball.
SOURCE: The New York Times Subscription at 01:38PMFriday, November 11, 2022
White privilege, racism, two pandemics: This choreographer takes it all on with the help of “The Nutcracker” and two of dance’s go-to composers.
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For its Lincoln Center season, the Paul Taylor Dance Company presents premieres by Lauren Lovette and Amy Hall Garner, along with the classics.
SOURCE: The New York Times Subscription at 06:54PMSunday, October 30, 2022
The American Ballet Theater principal ruptured a tendon in December. He recently took his first step back to the stage with “Whipped Cream.”
SOURCE: The New York Times Subscription at 12:25PMFriday, October 28, 2022
The company continues its fall season with the delight that is “The Dream,” and a Christopher Rudd premiere with an all-Black cast and creative team.
SOURCE: The New York Times Subscription at 02:02PMFriday, October 21, 2022
Reflections on the fall season of New York City Ballet, which remains in transition with a new generation raring to go.
SOURCE: The New York Times Subscription at 09:00AMThursday, October 20, 2022
The busy choreographer returns to the stage, maybe for the last time, in her celebrated trilogy exploring Black life.
SOURCE: The New York Times Subscription at 10:00AMWednesday, October 19, 2022
The choreographer Fouad Boussouf presents his mystical “Näss” at the Joyce Theater as part of the Crossing the Line Festival.
SOURCE: The New York Times Subscription at 01:19PMMonday, October 17, 2022
The prolific choreographer tells a new story with two classic works at New York City Center: “In the Upper Room” and “Nine Sinatra Songs.” In that order.
SOURCE: The New York Times Subscription at 04:54PMFriday, October 14, 2022
Phelan, a principal at New York City Ballet, has gone from rising to risen with a stellar fall season that has shown her range in a string of debuts.
SOURCE: The New York Times Subscription at 01:52PMFriday, September 30, 2022
The City Center festival continued with Kyiv City Ballet, a Christopher Wheeldon duet and a daring work for Dayton Contemporary Dance Company.
SOURCE: The New York Times Subscription at 01:12PMThursday, September 29, 2022
With music by Solange and ballets by Kyle Abraham, Gianna Reisen and Justin Peck, the company’s annual fashion gala prizes costumes over dancing.
SOURCE: The New York Times Subscription at 01:21PMWith more than a half-century of work behind her, Rainer goes out swinging with “Hellzapoppin’: What About the Bees?,” which takes on themes of race and resistance.
SOURCE: The New York Times Subscription at 10:00AMFriday, September 23, 2022
The South African choreographer Robyn Orlin mixes culture and politics with the help of the stunning performance artist Albert Silindokuhle Ibokwe Khoza.
SOURCE: The New York Times Subscription at 01:35PM 
