Friday, November 15, 2024
This Ralph Lemon work, part of a MoMA PS1 exhibition, is an experience of sound as much as dance. His collaborators can lead an audience to ecstasy.
SOURCE: The New York Times Subscription at 12:29PMMonday, November 11, 2024
At the Brooklyn Academy of Music, the highlight of Dana Gingras’s “Frontera” may well be the lighting design.
SOURCE: The New York Times Subscription at 01:20PMSaturday, November 9, 2024
She became an international star as a member of the company and later directed it, guiding it out of debt and boosting its popularity.
SOURCE: The New York Times Subscription at 06:43PMThursday, October 31, 2024
At the Brooklyn Academy of Music, Bill T. Jones’s “Still/Here” returns, free of the AIDS-era context in which it premiered.
SOURCE: The New York Times Subscription at 12:42PMTuesday, October 29, 2024
“Why can’t ballet be a roller coaster?” Helen Pickett said of her and James Bonas’s full-length work, premiering this week at American Ballet Theater.
SOURCE: The New York Times Subscription at 11:21AMMonday, October 28, 2024
The Paul Taylor Dance Company joins a very short list of dance troupes with substantial real estate in one of the world’s most expensive markets.
SOURCE: The New York Times Subscription at 05:03AMFriday, October 25, 2024
The choreographer Nadia Beugré, who brought her “Quartiers Libres Revisited” to New York Live Arts, likes to keep her audience close. And involved.
SOURCE: The New York Times Subscription at 01:03PMThursday, October 24, 2024
At the Baryshnikov Arts Center, an adaptation of Smith’s poem-memoir “Woolgathering” features Smith reciting, others dancing and a surprise guest.
SOURCE: The New York Times Subscription at 12:34PMFriday, October 11, 2024
The Greek-born choreographer Lenio Kaklea made her American debut at Governors Island, a fitting spot for work about the boundaries between nature and culture.
SOURCE: The New York Times Subscription at 01:09PMMonday, October 7, 2024
Osvaldo Golijov’s opera about Federico García Lorca makes its Met debut in a dance-heavy production, directed by the choreographer Deborah Colker.
SOURCE: The New York Times Subscription at 05:02AMWednesday, October 2, 2024
Dayton Contemporary Dance Company brought a mixed bill to the Joyce Theater, including a Paul Taylor classic and a dance by the great Rennie Harris.
SOURCE: The New York Times Subscription at 01:17PMMonday, September 30, 2024
Botis Seva, a rising British choreographer who mixes hip-hop and contemporary dance, brings his Olivier Award-winning “BLKDOG” to New York.
SOURCE: The New York Times Subscription at 05:05AMFriday, September 20, 2024
Sunday, September 8, 2024
“People came from everywhere to see her shows,” an admirer said — including, on at least one occasion, the ballet superstar Mikhail Baryshnikov.
SOURCE: The New York Times Subscription at 05:19PMFriday, September 6, 2024
The choreographer Sharon Eyal turns the Drill Hall of the Armory into a club at which her dancers appear at intervals, behaving oddly.
SOURCE: The New York Times Subscription at 12:39PMMonday, July 29, 2024
The jeweler’s generously funded Dance Reflections program is having a major influence on the city’s scene. How much impact is too much?
SOURCE: The New York Times Subscription at 05:02AMTuesday, July 23, 2024
Jodi Melnick’s new work is performed throughout a gallery installation, while one by Annie-B Parson sprawls in a sculpture park.
SOURCE: The New York Times Subscription at 05:01AMWednesday, July 17, 2024
Jakob Karr, from “So You Think You Can Dance?,” has conceived and choreographed a show set to songs by the country musician Orville Peck.
SOURCE: The New York Times Subscription at 05:03AMMonday, July 15, 2024
Michelle Dorrance’s new work, “Shift.,” honors Gene Medler, the teacher who founded the North Carolina Youth Tap Ensemble.
SOURCE: The New York Times Subscription at 03:04PMWednesday, July 10, 2024
The best dance by far on Smuin Contemporary Ballet’s program at the Joyce is by Amy Seiwert, who is about to be the company’s director.
SOURCE: The New York Times Subscription at 11:51AMMonday, July 1, 2024
Tap festivals have been pivotal in passing on tradition. But New York’s has been canceled and the institution that supports it faces an uncertain future.
SOURCE: The New York Times Subscription at 05:02AMWednesday, June 26, 2024
Wayne McGregor’s 2015 work, making its New York debut with American Ballet Theater, fails to make dance poetry of Virginia Woolf’s novels.
SOURCE: The New York Times Subscription at 12:27PMMonday, June 17, 2024
Jawole Willa Jo Zollar, who founded Urban Bush Women four decades ago, says goodbye to it with a final work.
SOURCE: The New York Times Subscription at 05:04AMSunday, June 16, 2024
Wednesday, June 5, 2024
Monday, May 27, 2024
Tuesday, May 14, 2024
The choreographers nominated for Tony Awards this year have a broader vision than usual of the possibilities of dance in theater.
SOURCE: The New York Times Subscription at 05:03AMWednesday, May 8, 2024
Monday, May 6, 2024
Carol Mullins, who has been lighting boundary-pushing shows at Danspace Project since the 1970s, will be honored at its 50th anniversary.
SOURCE: The New York Times Subscription at 11:16AMFriday, May 3, 2024
The two premieres — one by Justin Peck, one by Amy Hall Garner — were gala-style pieces that felt more fresh than rote.
SOURCE: The New York Times Subscription at 12:29PMThursday, May 2, 2024
With choreography by Kate Prince and 27 songs by Sting, this story of refugees has impressive dance moments, but handles narrative and emotion tritely.
SOURCE: The New York Times Subscription at 01:09PM 
