Monday, March 17, 2025
Friday, March 14, 2025
In “Terrestrial: The Sprout,” at New York Live Arts, three directors present a show about epic memory and indescribable feelings.
SOURCE: The New York Times Subscription at 12:13PMThursday, March 13, 2025
A program celebrating Twyla Tharp’s 60th year making dances features the masterwork “Diabelli” and the fresh new “Slacktide,” set to Philip Glass.
SOURCE: The New York Times Subscription at 02:32PMFriday, March 7, 2025
Batsheva Dance Company’s performance of Ohad Naharin’s masterful “Momo” at the Brooklyn Academy of Music was inevitably colored by events in Israel and Gaza.
SOURCE: The New York Times Subscription at 01:42PMThursday, February 27, 2025
Douglas Dunn + Dancers’ season at Judson Memorial Church in Manhattan includes a pastoral premiere and an experimental opera.
SOURCE: The New York Times Subscription at 12:58PMWednesday, February 26, 2025
“Tango After Dark” at the Joyce Theater feels like an extended nightclub floor show, low in imagination and musical subtlety.
SOURCE: The New York Times Subscription at 11:46AMThursday, February 13, 2025
“Gigenis,” drawn from a tale in the Mahabharata, is the choreographer Akram Khan’s most potent work in years.
SOURCE: The New York Times Subscription at 03:43PMWednesday, February 5, 2025
Thursday, January 30, 2025
“Mystic Familiar,” a New York City Ballet premiere, has a score by the musician Dan Deacon and some all-too-familiar sentiments.
SOURCE: The New York Times Subscription at 12:44PMSunday, January 12, 2025
The Out-Front! Festival at the Brooklyn Academy of Music on Saturday featured thrilling works by Angie Pittman (“Black Life Chord Changes”) and Kyle Marshall (“Joan”).
SOURCE: The New York Times Subscription at 01:59PMThursday, January 9, 2025
At the Joyce Theater, Ragamala Dance presents “Children of Dharma,” an elegant production that lacks dramatic pop.
SOURCE: The New York Times Subscription at 12:13PMMonday, January 6, 2025
651 Arts, dedicated to African diasporic performance, now has its own space to support work like the choreographer André Zachery’s “Against Gravity.”
SOURCE: The New York Times Subscription at 05:00AMMonday, December 30, 2024
An oral history project, “Planting Seeds,” considers the history and impact of an American Dance Festival program to train dancers in China.
SOURCE: The New York Times Subscription at 05:01AMTuesday, December 17, 2024
Writing for The New Yorker, she was both admired and feared, wielding a sometimes merciless pen. Her study of Fred Astaire and Ginger Rogers drew accolades.
SOURCE: The New York Times Subscription at 11:15AMSunday, December 15, 2024
Hope Boykin’s “Finding Free” and Lar Lubovitch’s “Many Angels” aspire to find higher ground at New York City Center.
SOURCE: The New York Times Subscription at 05:07PMWednesday, December 11, 2024
Once-in-a-generation ballerinas, topical works that transcended politics and a voguing “Cats” were highlights of the year.
SOURCE: The New York Times Subscription at 05:02AMMonday, December 9, 2024
A solo by the choreographer Bintou Dembélé, the first showing of her work in the United States, explored the crossover between hip-hop and diasporic African ritual.
SOURCE: The New York Times Subscription at 03:39PMThursday, November 21, 2024
Mack, director of the dance division at Juilliard, will be the popular company’s fourth artistic director.
SOURCE: The New York Times Subscription at 04:58PMFriday, November 15, 2024
This Ralph Lemon work, part of a MoMA PS1 exhibition, is an experience of sound as much as dance. His collaborators can lead an audience to ecstasy.
SOURCE: The New York Times Subscription at 12:29PMMonday, November 11, 2024
At the Brooklyn Academy of Music, the highlight of Dana Gingras’s “Frontera” may well be the lighting design.
SOURCE: The New York Times Subscription at 01:20PMSaturday, November 9, 2024
She became an international star as a member of the company and later directed it, guiding it out of debt and boosting its popularity.
SOURCE: The New York Times Subscription at 06:43PMThursday, October 31, 2024
At the Brooklyn Academy of Music, Bill T. Jones’s “Still/Here” returns, free of the AIDS-era context in which it premiered.
SOURCE: The New York Times Subscription at 12:42PMTuesday, October 29, 2024
“Why can’t ballet be a roller coaster?” Helen Pickett said of her and James Bonas’s full-length work, premiering this week at American Ballet Theater.
SOURCE: The New York Times Subscription at 11:21AMMonday, October 28, 2024
The Paul Taylor Dance Company joins a very short list of dance troupes with substantial real estate in one of the world’s most expensive markets.
SOURCE: The New York Times Subscription at 05:03AMFriday, October 25, 2024
The choreographer Nadia Beugré, who brought her “Quartiers Libres Revisited” to New York Live Arts, likes to keep her audience close. And involved.
SOURCE: The New York Times Subscription at 01:03PMThursday, October 24, 2024
At the Baryshnikov Arts Center, an adaptation of Smith’s poem-memoir “Woolgathering” features Smith reciting, others dancing and a surprise guest.
SOURCE: The New York Times Subscription at 12:34PMFriday, October 11, 2024
The Greek-born choreographer Lenio Kaklea made her American debut at Governors Island, a fitting spot for work about the boundaries between nature and culture.
SOURCE: The New York Times Subscription at 01:09PMMonday, October 7, 2024
Osvaldo Golijov’s opera about Federico García Lorca makes its Met debut in a dance-heavy production, directed by the choreographer Deborah Colker.
SOURCE: The New York Times Subscription at 05:02AMWednesday, October 2, 2024
Dayton Contemporary Dance Company brought a mixed bill to the Joyce Theater, including a Paul Taylor classic and a dance by the great Rennie Harris.
SOURCE: The New York Times Subscription at 01:17PMMonday, September 30, 2024
Botis Seva, a rising British choreographer who mixes hip-hop and contemporary dance, brings his Olivier Award-winning “BLKDOG” to New York.
SOURCE: The New York Times Subscription at 05:05AMFriday, September 20, 2024
