All stories by Jesse Green on BroadwayStars

Friday, February 19, 2021

Attend the Tale of ‘Anyone Can Whistle,’ Then and Now by Jesse Green

A sparkling new recording of the 1964 musical makes half the case for Stephen Sondheim’s endlessly inventive score.

SOURCE: The New York Times Subscription at 09:24AM
Sunday, February 14, 2021

Review: Beware the Text, and Other Tales From ‘Smithtown’ by Jesse Green

Four not-very-believable characters in a chain of monologues are rescued by a cast of exceptionally believable actors.

SOURCE: The New York Times Subscription at 02:03PM
Tuesday, February 9, 2021

Review: Fathers, but Not Yet Men, in the Prison Drama ‘Shook’ by Jesse Green

Samuel Bailey’s knockout professional debut isn’t so much about the pipeline to incarceration than about the toxic masculinity that keeps it flowing.

SOURCE: The New York Times Subscription at 01:54PM
Friday, February 5, 2021

Christopher Plummer’s Robust Final Act Crowned a Noble Career by Jesse Green

At home in the footlights, he knew the power of charm and every trick of the stage trade. But even after a celebrated “King Lear,” there was more to play.

SOURCE: The New York Times Subscription at 06:24PM
Wednesday, February 3, 2021

Bringing Out the Best of Sondheim, Herman and … Schraubstader? by Jesse Green

Three new revues offer war horses, showstoppers and standards — but, even better, rarities.

SOURCE: The New York Times Subscription at 02:33PM
Sunday, January 31, 2021

Review: Seeking a Date but Finding Hypocrisy in ‘Hi, Are You Single?’ by Jesse Green

All Ryan J. Haddad wants is a boyfriend. But his pride — or is it his prospects’ prejudice? — keeps getting in the way.

SOURCE: The New York Times Subscription at 09:32PM
Thursday, January 28, 2021

Review: Playwriting and Bug-Hunting Wed in ‘The Catastrophist’ by Jesse Green

Pandemics and ordinary tragedies clash in Lauren Gunderson’s overwrought portrait of her husband, the virologist Nathan A. Wolfe.

SOURCE: The New York Times Subscription at 02:24PM
Wednesday, January 27, 2021

Virtual Readings Take Center Stage as a New Genre of Theater by Jesse Green

With minimal rehearsal and production values, online events are becoming a distinct (and worthy) new genre of theater.

SOURCE: The New York Times Subscription at 02:36PM

In Virtual Readings, Less (a Lot Less) Is Sometimes More by Jesse Green

With minimal rehearsal and production values, online events are becoming a distinct (and worthy) new genre of theater.

SOURCE: The New York Times Subscription at 10:18AM
Tuesday, January 19, 2021

It’s Time to Turn the Page on the Trump-Shakespeare Comparisons by Jesse Green

Pundits have likened the president to Lear, to Hamlet, to Macbeth, to Coriolanus. That may have been four years of wishful thinking.

SOURCE: The New York Times Subscription at 05:03PM
Friday, January 8, 2021

Conspicuous Consumption, Getting More Conspicuous Onstage by Jesse Green

Forget tragic lovers. At the Public Theater’s Under the Radar Festival, fast cars and other luxuries fuel tragedies about the love of things.

SOURCE: The New York Times Subscription at 02:24PM
Sunday, January 3, 2021

‘Ratatouille’ Review: What’s Small and Hairy With Big Dreams? by Jesse Green

What started as a TikTok meme and became a crowdsourced musical could have online lessons to offer for Broadway.

SOURCE: The New York Times Subscription at 01:18PM
Wednesday, December 30, 2020

In Four Audio Plays, No Stages but Lots of New Voices by Maya Phillips, Jesse Green and Laura Collins-Hughes

A big-box store, a hotel for transgender women and a dinner party gone awry are some of the places your ears will take you to.

SOURCE: The New York Times Subscription at 05:48PM
Wednesday, December 23, 2020

Advocating and Agitating, Connecting and Inventing by Michael Paulson, Jesse Green, Scott Heller, Laura Collins-Hughes and Elisabeth Vincentelli

With their field rocked by unprecedented challenges in 2020, these people and groups — some notable, some new — stepped into the breach.

SOURCE: The New York Times Subscription at 11:12AM
Friday, December 18, 2020

Bumps on the Road From Broadway to Hollywood by Jesse Green

Not for decades have so many plays and musicals been turned into movies. But even in the best of the new crop, a lot gets lost in translation.

SOURCE: The New York Times Subscription at 05:06AM
Wednesday, December 16, 2020

Review: Mother Teresa Sings, in Drag and With Doubts by Jesse Green

In Heather Christian’s “I Am Sending You the Sacred Face,” the saint of Calcutta vogues and lip-syncs and broods on the nature of selflessness.

SOURCE: The New York Times Subscription at 12:42PM
Monday, December 14, 2020

Review: A World of Cardsharps and Zoom Dupes in ‘The Future’ by Jesse Green

In his latest magic show, Helder Guimarães shuffles an old genre into a new technology with mixed results.

SOURCE: The New York Times Subscription at 02:42PM
Wednesday, December 9, 2020

When a Theater Critic Learned to Grade on a Curve by Jesse Green

Nine months covering a devastated art form have changed one critic’s habits, and tastes.

SOURCE: The New York Times Subscription at 05:18AM
Sunday, December 6, 2020

How ‘Wolves’ and ‘Heroes’ Are Saving Pandemic Theater by Jesse Green

Serious new plays are always in danger of disappearing — never more so than now. But inventive virtual productions, such as “The Wolves” and “Heroes of the Fourth Turning,” offer h…

SOURCE: The New York Times Subscription at 02:32PM
Thursday, December 3, 2020

Review: An Audio ‘Streetcar,’ Not Yet Reaching Its Destination by Jesse Green

Audra McDonald stars as Blanche DuBois in a radio-like production of the Tennessee Williams classic that still has a way to go.

SOURCE: The New York Times Subscription at 02:18PM
Tuesday, December 1, 2020

Best Theater of 2020 by Jesse Green, Laura Collins-Hughes, Scott Heller, Maya Phillips, Alexis Soloski and Elisabeth Vincentelli

It wasn’t the year for celebration. But watching innovation flourish inspired our chief critic, while other writers found the joys of the stage in other media.

SOURCE: The New York Times Subscription at 05:06AM
Monday, November 30, 2020

Review: A Ham’s ‘Christmas Carol,’ Without the Honey Glaze by Jesse Green

The astonishing Jefferson Mays stars as everyone (and a potato) in a dark and pointed adaptation of the Dickens holiday classic.

SOURCE: The New York Times Subscription at 02:36PM
Thursday, November 19, 2020

Review: 4 Characters in Search of a Big Moment in ‘A Day’ by Jesse Green

They’re attractive, young and tech savvy, but their 24 hours don’t add up to much.

SOURCE: The New York Times Subscription at 02:36PM
Monday, November 16, 2020

When Political Theater Ditches the Disguises of Fiction by Jesse Green

Four new shows are part of a movement to engage more directly in the debates of our times — sometimes even stealing the script.

SOURCE: The New York Times Subscription at 05:18PM
Wednesday, November 4, 2020

From Stage to Screen: 5 Shows That Got It Right (And 5 That Didn’t) by Jesse Green, Elisabeth Vincentelli, Laura Collins-Hughes and Scott Heller

Our theater experts provide a guide to some of the successful (and failed) cinematic adaptations of plays and musicals — all for your streaming pleasure.

SOURCE: The New York Times Subscription at 05:36AM
Monday, November 2, 2020

A Golden Team, a Terrible Title and a Show That Vanished by Jesse Green

Would you like to see a new musical from the people who brought you “West Side Story”? For better or worse, you probably never will.

SOURCE: The New York Times Subscription at 02:48PM
Wednesday, October 28, 2020

'True Love Will Find You in the End' Review: Neil LaBute's Mousetrap by Jesse Green

The story of a marriage saved by the pandemic, “True Love Will Find You in the End” features a live audience but recorded actors.

SOURCE: The New York Times Subscription at 01:48PM
Thursday, October 22, 2020

‘Russian Troll Farm’ Review: Clock In, Undermine Democracy, Clock Out by Jesse Green

A trenchant workplace comedy about the folks who tried to promote Pizzagate, confuse Wisconsin and, ultimately, elect Donald J. Trump.

SOURCE: The New York Times Subscription at 02:36PM
Monday, October 19, 2020

Review: Manly Trump Sinks Waterlogged Liberals in ‘Shipwreck’ by Jesse Green

Anne Washburn’s would-be epic of power and powerlessness, presented as a podcast, may be too close to current events to fulfill its big ambitions.

SOURCE: The New York Times Subscription at 03:03PM
Thursday, October 15, 2020

Full Analysis of the Tony Award Nominations by Jesse Green

The nominators did the best they could with a Broadway slate hobbled by Covid-19. But some of the Tonys’ problems predate (and will outlast) the pandemic.

SOURCE: The New York Times Subscription at 03:48PM
Wednesday, October 14, 2020

Review: What’s ‘Inside the Box’? A Rewarding (Rewording) Time by Jesse Green

In a new show by David Kwong, the noted cruciverbalist offers a collection of games built for Zoom that let the audience be part of the puzzle.

SOURCE: The New York Times Subscription at 02:36PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic