All stories by Jesse Green on BroadwayStars

Thursday, April 25, 2019
Tuesday, April 23, 2019

Critic’s Pick: Review: ‘Tootsie,’ a Musical Comedy That Fills Some Mighty Big Heels by Jesse Green

The Broadway adaptation of the 1982 movie is the rare reimagining that actually keeps you laughing.

SOURCE: The New York Times Subscription at 09:45PM
Monday, April 22, 2019

Review: Arthur Miller’s ‘All My Sons,’ With All Its Seams Showing by Jesse Green

An old-fashioned, overliteral revival of the 1947 play stars Tracy Letts and Annette Bening.

SOURCE: The New York Times Subscription at 09:45PM
Sunday, April 21, 2019

Critic’s Pick: Review: Taylor Mac’s ‘Gary’ Finds Hope and Humor on a Pile of Corpses by Jesse Green

This comedic sequel to “Titus Andronicus” finds Nathan Lane and Kristine Nielsen cleaning up after a Shakespearean blood bath.

SOURCE: The New York Times Subscription at 09:45PM
Wednesday, April 17, 2019

Critic’s Pick: Review: The Metamorphosis of ‘Hadestown,’ From Cool to Gorgeous by Jesse Green

After a downtown stop, a concept album based on Greek myths has become a full-scale Broadway entertainment.

SOURCE: The New York Times Subscription at 09:45PM
Monday, April 8, 2019

Critic’s Pick: Review: Puppets and Power Make for a Marvelous ‘Menagerie’ by Jesse Green

The latest play from the Mad Ones finds the seeds of momentous social change in a 1979 focus group about a kids’ television show.

SOURCE: The New York Times Subscription at 09:45PM
Thursday, April 4, 2019

Review: ‘Sincerely, Oscar’ Is Some Embarrassing Evening by Jesse Green

If the nuance-free singing doesn’t turn you against this revue of songs with lyrics by Oscar Hammerstein, perhaps his holographic ghost will do the trick.

SOURCE: The New York Times Subscription at 08:00PM
Wednesday, April 3, 2019

Review: In ‘The Cradle Will Rock,’ Labor Gets Belabored by Jesse Green

A revival of the Marc Blitzstein “play in music” about unions and kleptocrats is too wan to make much of the material’s contradictions.

SOURCE: The New York Times Subscription at 09:45PM
Sunday, March 31, 2019

Critic’s Pick: Review: Can a Play Make the Constitution Great Again? by Jesse Green

“What the Constitution Means to Me,” the best new play of the Broadway season so far, rivetingly combines personal history and civic engagement.

SOURCE: The New York Times Subscription at 09:45PM
Wednesday, March 27, 2019

Critic’s Pick: Review: African-American Flight 1619 Now Boarding in ‘Ain’t No Mo’ by Jesse Green

What if black people, sick of injustice, picked up and left the United States? An outrageous satire by Jordan E. Cooper imagines the possibility, and the loss.

SOURCE: The New York Times Subscription at 10:21PM
Monday, March 25, 2019

Review: Staging a True Family Nightmare in ‘Accidentally Brave’ by Jesse Green

What happens when the husband you thought you knew is discovered harboring a terrible secret? Maddie Corman learned the hard way.

SOURCE: The New York Times Subscription at 09:45PM
Thursday, March 21, 2019

Review: In ‘I Married an Angel,’ a 1930s Musical Falls to Earth by Jesse Green

How should we look at an old show with objectionable gender politics? As a historical curio, or as the next item on the cancel culture agenda?

SOURCE: The New York Times Subscription at 01:55PM
Tuesday, March 19, 2019

Review: Bullies and Victims Face Off in ‘After.’ But Who’s Who? by Jesse Green

A threatening text message with a homophobic epithet leads to catastrophe for two families in a new play by Michael McKeever.

SOURCE: The New York Times Subscription at 02:35PM
Monday, March 18, 2019

Review: A ‘Nantucket Sleigh Ride’ with Frozen Disney and Hot Lobster by Jesse Green

In John Guare’s Möbius strip of a play, John Larroquette is a playwright who finds himself trapped in a surreal mystery called “Nantucket Sleigh Ride.”

SOURCE: The New York Times Subscription at 09:45PM
Thursday, March 14, 2019

Critic’s Pick: Review: A Fair Fight Makes ‘Kiss Me, Kate’ Lovable Again by Jesse Green

With a few changes of emphasis and one major lyric rewrite, the 1948 musical comedy comes through detox as a bawdy, heady pleasure.

SOURCE: The New York Times Subscription at 09:45PM
Sunday, March 10, 2019

Critic’s Pick: Review: Beauty, Blackness and Beyoncé, in ‘If Pretty Hurts’ by Jesse Green

Tori Sampson’s play blends elements of mean-girl comedy and African folk tale to create a fable for our time about women and their bodies.

SOURCE: The New York Times Subscription at 09:45PM
Friday, March 8, 2019

Critic’s Pick: Review: ‘Five Easy Pieces,’ an Unnerving Alliance of Children and Art by Jesse Green

Milo Rau, called “the world’s most controversial director,” asks a cast of young people to relate the story of a notorious Belgian pedophile.

SOURCE: The New York Times Subscription at 03:12PM
Tuesday, March 5, 2019

Review: ‘The Cake’ Is Well-Baked but Not Quite Filling by Jesse Green

Bekah Brunstetter’s timely comedy about a Christian baker looks with sympathy (if not approval) at the other side of the public accommodation debate.

SOURCE: The New York Times Subscription at 09:45PM
Thursday, February 28, 2019

Review: ‘Superhero,’ a Comic-Book Musical Too Flimsy to Fly by Jesse Green

Look! Up on the stage! It’s a show with good intentions (and a “Dear Evan Hansen”-like setup) that can’t rise above its cartoonish plot.

SOURCE: The New York Times Subscription at 09:45PM
Monday, February 25, 2019

Critic’s Pick: Review: After Apartheid, Who Are ‘Boesman and Lena’? by Jesse Green

The fine Signature Theater revival of Athol Fugard’s 1969 play shows how a classic seemingly fixed in one era nevertheless keeps evolving.

SOURCE: The New York Times Subscription at 09:45PM
Sunday, February 24, 2019

Critic’s Pick: Review: In ‘Hurricane Diane,’ the Perfect Storm Hits Suburbia by Jesse Green

Madeleine George’s new play brings back the god Dionysus to convince the women of Monmouth County, N.J., that the ecological end is near.

SOURCE: The New York Times Subscription at 09:45PM
Wednesday, February 20, 2019

Why ‘Tootsie,’ ‘Beetlejuice’ and the Temptations Hit the Road by Jesse Green

The path to opening night in New York used to pass through several cities. Now it rarely does — but are shows better off for it?

SOURCE: The New York Times Subscription at 10:00AM
Thursday, February 14, 2019

Critic’s Pick: Review: Jake Gyllenhaal and Tom Sturridge Face Death Onstage by Jesse Green

In “Sea Wall/A Life,” at the Public Theater, a pair of monologues gives the two stars ample opportunity to shine and mourn.

SOURCE: The New York Times Subscription at 10:18PM
Tuesday, February 12, 2019

Critic’s Pick: Review: At ‘Freestyle Love Supreme,’ Attention Must Be Paid. Really. by Jesse Green

Since you provide the content for this group’s delightful hip-hop musical improvisation, you really have to lend them your ears (and phones).

SOURCE: The New York Times Subscription at 10:36PM
Thursday, February 7, 2019

Review: Without Ethel Merman, a Limp ‘Call Me Madam’ at Encores! by Jesse Green

This 1950 musical has some charming numbers, but without a monster personality at its center it seems like less of a comedy than a requiem.

SOURCE: The New York Times Subscription at 03:54PM
Tuesday, January 29, 2019

Review: In ‘God Said This,’ a Hot Mess of a Daughter Heads Home by Jesse Green

A prizewinning play by Leah Nanako Winkler puts the traditional “crazy family” dramedy in a new social and racial setting.

SOURCE: The New York Times Subscription at 10:18PM
Sunday, January 27, 2019

Critic’s Pick: Review: ‘My Fair Lady,’ Illuminated With New Stars by Jesse Green

Laura Benanti and three other recently arrived principals adjust the focus of the hit revival from the political to the personal.

SOURCE: The New York Times Subscription at 10:18PM
Thursday, January 24, 2019

Review: Finding Their Inner Goddesses in ‘The Convent’ by Jesse Green

With the help of fresh air, a Mother Abbess and a mild hallucinogen, six women spend a week in search of a female spirituality.

SOURCE: The New York Times Subscription at 10:24PM
Sunday, January 20, 2019

Review: ‘About Alice’ Brings a Husband’s Eulogy to Life by Jesse Green

Calvin Trillin has turned his heartbroken memoir into a stage play that reincarnates his beloved wife and muse.

SOURCE: The New York Times Subscription at 10:24PM
Monday, January 14, 2019

Review: In ‘Maestro,’ a Downbeat Look at the Great Toscanini by Jesse Green

The Italian conductor (and philanderer and anti-Fascist) gets the Great Man treatment from Ensemble for the Romantic Century.

SOURCE: The New York Times Subscription at 10:54PM
Tuesday, January 8, 2019

Critic’s Pick: Review: Raising a Joyful New Voice in Tarell Alvin McCraney’s ‘Choir Boy’ by Jesse Green

Something groundbreaking on Broadway: The story of “an effeminate young man of color” who finds his strength through singing.

SOURCE: The New York Times Subscription at 10:04PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic