All stories by Jesse Green on BroadwayStars

Tuesday, January 8, 2019

Critic’s Pick: Review: Raising a Joyful New Voice in Tarell Alvin McCraney’s ‘Choir Boy’ by Jesse Green

Something groundbreaking on Broadway: The story of “an effeminate young man of color” who finds his strength through singing.

SOURCE: The New York Times Subscription at 10:04PM

Obsession, Mourning and Migration at Under the Radar by Ben Brantley and Jesse Green

Offerings at the festival include a riff on “Uncle Vanya”; a “Frankenstein” adaptation highlighting a mother’s grief; and an intimate tale of displacement.

SOURCE: The New York Times Subscription at 04:54PM
Monday, January 7, 2019

Theater Reviews: Hate, Hope and Healing at Under the Radar by Ben Brantley and Jesse Green

An eclectic opening weekend included sketches and songs by Nigerian women, two unsettling monologues and a punk-rock reminiscence (with mixtape to follow).

SOURCE: The New York Times Subscription at 03:18PM
Thursday, December 13, 2018

Critic’s Pick: Review: A Broadway ‘Mockingbird,’ Elegiac and Effective by Jesse Green

Glossy and bristling with fine performances, this adaptation of the 1960 Harper Lee classic gets the Aaron Sorkin treatment.

SOURCE: The New York Times Subscription at 10:18PM
Tuesday, December 11, 2018

Review: Downward Mobility Is Upward Morality in ‘Fabulation’ by Jesse Green

A revival of Lynn Nottage’s 2004 satire puts an unexpected spin on the religion of American reinvention.

SOURCE: The New York Times Subscription at 02:24PM
Monday, December 10, 2018

Review: In ‘Noura,’ an Iraqi Refugee Leaves More Than Home Behind by Jesse Green

In her new play, loosely inspired by “A Doll’s House,” Heather Raffo is radiant as a New York architect caught between cultures.

SOURCE: The New York Times Subscription at 10:06PM
Sunday, December 9, 2018

Critic’s Pick: Review: Race and Sex in Plantation America in ‘Slave Play’ by Jesse Green

In a staggering professional New York debut, the playwright Jeremy O. Harris unpacks interracial relationships both antebellum and postmodern.

SOURCE: The New York Times Subscription at 11:04PM
Tuesday, December 4, 2018

Review: Look! It’s ‘The Making of King Kong’! (No, Not That One.) by Jesse Green

A new play mocks the gender and racial ickiness of the 1933 movie — on a one-paw budget.

SOURCE: The New York Times Subscription at 04:18PM

The Best Theater of 2018 by Ben Brantley and Jesse Green

It was a year when classics were reincarnated in deceptively modest interpretations, conventional story forms were tossed aside and strong voices roared.

SOURCE: The New York Times Subscription at 04:48AM
Monday, December 3, 2018

Review: In ‘The Cher Show,’ I Got You, Babe. And You. And You. by Jesse Green

The three faces of Cherilyn Sarkisian Bono Allman are the subject of a new Broadway jukebox musical that’s big on sequins, low on insight.

SOURCE: The New York Times Subscription at 10:18PM
Friday, November 30, 2018

5 Shows to See in New York: Not Just Cher but Cher Horowitz by Jesse Green

Off Broadway productions in December consider migrants from Africa, the Middle East and Manhattan, plus one well dressed emissary from Beverly Hills.

SOURCE: The New York Times Subscription at 01:48PM
Thursday, November 29, 2018

Review: Joan Didion’s ‘The White Album,’ Now in Living Color by Jesse Green

A gorgeously illustrated stage version of the classic essay about 1960s California ennui may miss the point.

SOURCE: The New York Times Subscription at 02:24PM
Thursday, November 15, 2018

Critic’s Pick: ‘The Prom’ Review: Bringing Jazz Hands to the Heartland by Jesse Green

A delicious new musical about Broadway narcissists, Indiana homophobes, the possibility of accommodation — and zazz.

SOURCE: The New York Times Subscription at 10:48PM

Review: ‘A Chorus Line,’ Still High-Stepping but Showing Its Age by Jesse Green

City Center’s production of the landmark musical from 1975 is a pleasure, an education and a problem.

SOURCE: The New York Times Subscription at 02:18PM
Monday, November 12, 2018

Review: Going From Schlub to Slick in ‘The Other Josh Cohen’ by Jesse Green

After eight years of development, a peppy musical about the value of persistence proves its own point.

SOURCE: The New York Times Subscription at 10:32PM
Thursday, November 8, 2018

Review: ‘King Kong’ Is the Mess That Roared by Jesse Green and Ben Brantley

The one-ton, 20-foot marionette is impressive, but the $35 million musical he stars in doesn’t even succeed as camp.

SOURCE: The New York Times Subscription at 10:48PM
Monday, November 5, 2018

Review: In ‘The Thanksgiving Play,’ Who Gets Roasted? by Jesse Green

Larissa FastHorse’s theatrical debunking of the Pilgrims and Natives narrative is really a satire of theatricality itself.

SOURCE: The New York Times Subscription at 10:54PM
Sunday, November 4, 2018

Critic’s Pick: Review: ‘American Son’ Puts Kerry Washington in a Maternal Nightmare by Jesse Green

As a black mother with a son in danger, Ms. Washington is up against a situation she may not be able to fix.

SOURCE: The New York Times Subscription at 10:24PM
Tuesday, October 30, 2018

Review: In ‘Days of Rage,’ the Revolution Will Be Trivialized by Jesse Green

Steven Levenson’s new play about young ’60s radicals has the unintentional effect of making all protest seem childish.

SOURCE: The New York Times Subscription at 10:05PM
Sunday, October 28, 2018

Review: In ‘Thunderbodies,’ War, Sheeple and Psychedelic Muumuus by Jesse Green

Soho Rep continues its laudable tradition of sure-to-be-divisive plays with Kate Tarker’s word-drunk new satire of … well, something.

SOURCE: The New York Times Subscription at 01:04PM
Thursday, October 25, 2018

Critic’s Pick: Review: In ‘Lewiston/Clarkston,’ America at a Crossroads (Plus Dinner) by Jesse Green

Samuel D. Hunter’s golden diptych, set in twin cities in Idaho and Washington, gets a riveting production, with barbecue, at the reconfigured Rattlestick.

SOURCE: The New York Times Subscription at 10:18PM
Monday, October 22, 2018

Review: Tracing ‘Plot Points in Our Sexual Development’ Without the Usual Map by Jesse Green

Miranda Rose Hall’s new play about the relationship between a lesbian and a male-identified trans person grows as it goes along.

SOURCE: The New York Times Subscription at 10:18PM
Thursday, October 18, 2018

Review: ‘Gloria: A Life,’ Starring Ms. Steinem and Her Audience by Jesse Green

Emily Mann’s stage biography of the feminist trailblazer is more of a historical pageant than a play, but what happens at the end is riveting drama.

SOURCE: The New York Times Subscription at 10:18PM

Review: A Three-Way Smackdown Over ‘The Lifespan of a Fact’ by Jesse Green

When a gassy essayist and a pesky researcher are forced together by a crusading editor you get a topical comedy with a lot to prove.

SOURCE: The New York Times Subscription at 10:18PM
Tuesday, October 16, 2018

Review: In ‘Fireflies,’ the Preacher’s Wife Gets Her Say by Jesse Green

Donja R. Love’s fantasia on the married life of a great civil rights orator suggests the price paid by the woman who gives him his voice.

SOURCE: The New York Times Subscription at 02:18PM
Monday, October 8, 2018

Critic’s Notebook: How Chicago Is Changing Theater, One Storefront at a Time by Jesse Green

Can tiny companies thrive in the shadow of major institutions? In this theater-mad city, the question may actually run the other way.

SOURCE: The New York Times Subscription at 02:06PM
Sunday, October 7, 2018

Review: There’s a Dark, Golden Haze in This Reclaimed ‘Oklahoma!’ by Jesse Green and Ben Brantley

A stripped-down, communal version of the 1943 musical reveals a great complex work of theater, with chili and cornbread included.

SOURCE: The New York Times Subscription at 07:54PM
Wednesday, October 3, 2018

Review: In Scathing ‘Downstate,’ Sympathy for the Devils by Jesse Green

Bruce Norris’s new play at the Steppenwolf Theater Company applies his usual cynicism to questions of justice and vengeance for sex offenders.

SOURCE: The New York Times Subscription at 12:33PM
Tuesday, October 2, 2018

5 Shows to See in New York: With Glenn Close, Michael Cera and More by Jesse Green

Revivals, transfers and new plays that look to the past make for an unusually reflective October theater scene.

SOURCE: The New York Times Subscription at 04:48PM
Tuesday, September 25, 2018

Review: What’s a Woman’s Role? All of ’Em, ‘Bernhardt/Hamlet’ Argues by Jesse Green

Janet McTeer plays Sarah Bernhardt as the Prince of Denmark in Theresa Rebeck’s muscular new play about gender limitation and possibility.

SOURCE: The New York Times Subscription at 10:18PM
Monday, September 24, 2018

Review: Speaking (and Signing) of Job, in ‘I Was Most Alive With You’ by Jesse Green

Craig Lucas’s play — about deafness, gayness, addiction, disease, faith and philosophy — puts a modern family to the test.

SOURCE: The New York Times Subscription at 10:12PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic