200 stories by "Helen Shaw"
Des (Heather Agyepong) and Dre (Daniel Ezra), navigate a mutual magnetic pull in this British love story by Benedict Lombe at Cherry Lane Theater.
A beautifully observed version of a man’s final act, along with a lively staging of “As You Like It,” engage the surrounding mountains in conversation.
César Alvarez’s ambitious new work is a mixed musical meal: It wants to be a call to revolutionary action but is surprisingly lacking in it.
Our critic chose 10 moments from the theatrical year that shifted her thinking.
Jonathan Spector’s ambitious drama about six Jewish friends and their shifting relationship with Israel stretches over three hours and nearly two decades.
Stephen Sondheim’s masterpiece, “Sunday in the Park With George,” contains a song capable of making order out of mayhem. Listen to hear how he did it.
A co-founder of Pig Iron Theater Company, known for its surreal productions, he also gave energetic performances as his alter ego, Martha Graham Cracker.
For the Public Theater’s Shakespeare in the Park, the director Saheem Ali presents a strangely low-energy version of the tragedy.
Qween Jean won for “Cats: The Jellicle Ball,” becoming the first openly transgender person to win a Tony Award, according to a “Cats” publicist.
Morgan Bassichis, whose solo show “Can I Be Frank?” resurrects an act by Frank Maya, joins others this season who are recreating the works of deceased artists.
While the 1999 movie went for melodrama, this stage adaptation with songs by Aimee Mann honors the memoir’s coolly clinical prose.
John J. Caswell’s triangular romance set in the early 1990s speaks to us from the smoking psychic caldera left by AIDS.
Jean Genet’s psychosexual drama gets a social-media-heavy update. But what does it say beyond “internet=bad”?
This newly discovered play by Wilder is part picaresque, part fable, featuring a Midwestern boy who dreams of working at a department store in the big city.
Eliya Smith’s disturbing teen dramedy explores the ambivalence and confusion of life on the brink of adulthood.
Our chief theater critic looks at this year’s nominees and makes some predictions (and recommendations).
Shakespeare’s brooding prince comes off as bored at the Brooklyn Academy of Music. But Bedlam’s lean production of “Othello” is positively thrilling.
Wilson’s 2024 adaptation of Herman Melville’s classic, with music by the British singer-songwriter Anna Calvi, has a short run at the Brooklyn Academy of Music.
This revival starring Cedric the Entertainer and Taraji P. Henson may be uneven at times, but it still unlocks Wilson’s mysterious drama.
David Lindsay-Abaire’s comedy about a wealthy homeowners association thrown into disarray makes a case for the same social compact it skewers.
The actress stars as a haunted genius opposite Don Cheadle as her father in David Auburn's 2001 drama. This revival, though, exposes the play's lack of rigor.
Adrien Brody and Tessa Thompson make confident Broadway debuts, but the uneven script makes for a narratively slippery prison drama.
Arthur Miller's classic tragedy returns to Broadway, starring Nathan Lane and Laurie Metcalf. Yet again, it is a triumph.
The directors Michael DeFilippis, Dmitry Krymov and Aleksandr Molochnikov all infuse their current productions with a burning, modern rage.
