All stories by Chris Bartlett on BroadwayStars

Thursday, December 6, 2018

The Producers review at Royal Exchange Theatre, Manchester – ’roundly enjoyable’ by Chris Bartlett

Mel Brooks’ musical version of his 1967 film debut was such a success because it got so many things right. Its standout

SOURCE: The Stage Registration at 05:51AM
Monday, November 26, 2018

Cinderella review at Theatre Royal Wakefield – ‘poignancy and laughter’ by Chris Bartlett

It’s hard to bring something fresh to Cinderella. But Rhiannon Hannon’s confidently mounted production adds some novel touches to a familiar tale

SOURCE: The Stage Registration at 11:13AM
Monday, October 29, 2018

Putting It Together review at Hope Mill Theatre, Manchester – ‘enjoyable Sondheim revue’ by Chris Bartlett

Those unable to get a ticket for Marianne Elliot’s well-received, gender-swapped reimagining of Company can console themselves with this enjoyable – if

SOURCE: The Stage Registration at 07:37AM
Thursday, October 25, 2018

And Did Those Feet review at University of Bolton Stadium – ‘warm and witty’ by Chris Bartlett

First seen in 2007 and revived in 2010, this play written by Bolton Wanderers fans about the club’s near mythical FA Cup

SOURCE: The Stage Registration at 09:29AM
Tuesday, October 23, 2018

Northern Broadsides’ Conrad Nelson: ‘I don’t mind responsibility – I’ve always seen things from above’ by Chris Bartlett

For 25 years, Barrie Rutter was the face of Northern Broadsides, so when he stepped down there were some pretty big shoes

SOURCE: The Stage Registration at 07:30AM
Thursday, October 4, 2018

Future Bodies review at Home, Manchester – ‘abstract and repetitive’ by Chris Bartlett

This collection of musings on what it means to be human in an increasingly technologically assisted age is certainly impressive on the

SOURCE: The Stage Registration at 11:46AM
Thursday, September 27, 2018

The Effect review at Coliseum Theatre, Oldham – ‘strong performances’ by Chris Bartlett

With its main house takeover the Coliseum is offering smaller theatre companies, who normally occupy studio spaces, a shot at performing on

SOURCE: The Stage Registration at 08:46AM
Thursday, September 20, 2018

Queen Margaret review at Royal Exchange, Manchester – ‘full-blooded but hard-going’ by Chris Bartlett

Shakespeare’s Margaret is the closest the playwright gets to a full-on warrior queen. The actual Margaret of Anjou was a French royal

SOURCE: The Stage Registration at 09:17AM
Thursday, September 13, 2018

The Return of the Soldier review at Hope Mill Theatre, Manchester – ‘well-acted and brilliantly sung’ by Chris Bartlett

Published 100 years ago, Rebecca West’s The Return of the Soldier paints a picture of the after-effects of battle from a unique

SOURCE: The Stage Registration at 08:27AM
Thursday, August 23, 2018

Gulliver’s Travels review at Queen’s Park, Bolton – ‘impressive moments’ by Chris Bartlett

One of the biggest challenges for companies mounting al fresco site-specific productions – aside from the possible inclement weather – is finding

SOURCE: The Stage Registration at 05:20AM
Monday, July 30, 2018

Romeo and Juliet review at Heaton Park, Manchester – ‘magical and impassioned’ by Chris Bartlett

The proliferation of open-air, promenade-style productions continues as Feelgood Theatre returns to Manchester’s Heaton Park for the second summer running. Romeo and

SOURCE: The Stage Registration at 10:19AM
Tuesday, July 24, 2018

The Three Musketeers review at Williamson Park, Lancaster – ‘slick and inclusive open-air theatre’ by Chris Bartlett

The landscaped splendour of Lancaster’s Williamson Park provides such a striking backdrop for open-air theatre that it’s no surprise that the Dukes

SOURCE: The Stage Registration at 04:13AM
Thursday, July 12, 2018

Aspects of Love review at Hope Mill Theatre, Manchester – ‘ravishingly good’ by Chris Bartlett

A middle-sized Andrew Lloyd Webber success when it first appeared in 1989, Aspects of Love is now chiefly remembered as the show

SOURCE: The Stage Registration at 04:43AM
Wednesday, July 4, 2018

Queens of the Coal Age review at Royal Exchange Theatre, Manchester – ‘entertaining and persuasive’ by Chris Bartlett

It feels like Maxine Peake is on home turf with her third play for the stage. Like Beryl and The Last Testament

SOURCE: The Stage Registration at 08:28AM
Tuesday, June 5, 2018

Summer Holiday review at Octagon Theatre, Bolton – ‘unapologetically fun’ by Chris Bartlett

In many ways this revival keeps things joyfully simple. It’s ostensibly a remounting of Michael Gyngell and Mark Haddigan’s 1990s stage adaptation

SOURCE: The Stage Registration at 10:49AM
Wednesday, May 2, 2018

Get Well Soon review at Birch Community Centre, Manchester – ‘engaging and informative’ by Chris Bartlett

The micro-budgeted but innovative Mikron theatre company’s stock in trade is an ability to pop up in any sort of small venue

SOURCE: The Stage Registration at 12:35PM
Friday, April 27, 2018

The Tiger Lillies: Corrido De La Sangre review at Home, Manchester – ‘a feast for the eyes’ by Chris Bartlett

Punk troubadours the Tiger Lillies – ostensibly singer-songwriter Martyn Jaques and a rotating line-up of band-mates – have been peddling their persuasively

SOURCE: The Stage Registration at 10:48AM
Monday, April 23, 2018

Relatively Speaking review at Oldham Coliseum – ‘precision engineered’ by Chris Bartlett

This deliciously concocted dissection of middle class mores was Alan Ayckbourn’s first major theatrical hit, setting him on the path to future

SOURCE: The Stage Registration at 06:48AM
Wednesday, April 11, 2018

All I See Is You review at Octagon Theatre, Bolton – ‘persuasive performances’ by Chris Bartlett

Kathrine Smith’s two-hander. All I See Is You – one of the recent winners of the Octagon’s annual prize for new writing –

SOURCE: The Stage Registration at 07:35AM
Wednesday, April 4, 2018

Spring Awakening review at Hope Mill Theatre, Manchester – ‘a vital revival’ by Chris Bartlett

When it first sprang up on Broadway 12 years ago, Duncan Sheik and Steven Sater’s angst-ridden, hormone-drenched rock musical about repressed 19th

SOURCE: The Stage Registration at 04:21AM
Tuesday, March 27, 2018

Mountains: The Dreams of Lily Kwok review at Royal Exchange, Manchester – ‘vividly realised’ by Chris Bartlett

Based on Helen Tse’s family memoir recounting the inspiration behind her Sweet Mandarin Chinese restaurant in Manchester and the three generations of

SOURCE: The Stage Registration at 10:12AM
Friday, March 23, 2018

East Is East review at Octagon Theatre, Bolton – ‘a high-spirited revival’ by Chris Bartlett

Ayub Khan Din’s much-loved East Is East, first performed at Birmingham Rep in 1996 and adapted successfully for the screen in 1999,

SOURCE: The Stage Registration at 09:21AM
Monday, March 19, 2018

Whisky Galore review at Coliseum Theatre, Oldham – ‘enjoyably bright and breezy’ by Chris Bartlett

In some ways you can’t really go wrong with Whisky Galore, Compton Mackenzie’s cheery wartime tale of wily Outer Hebrides islanders banding

SOURCE: The Stage Registration at 08:42AM
Tuesday, March 6, 2018

Sherbet review at Octagon Theatre, Bolton – ‘an unflinching depiction of life in care’ by Chris Bartlett

This pithy two-hander was one of the winners of the Octagon’s annual prize for new writing, which last year asked for submissions

SOURCE: The Stage Registration at 11:20AM
Friday, March 2, 2018

Vincent River review at Hope Mill Theatre, Manchester – ‘a fantastic cast’ by Chris Bartlett

Philip Ridley’s play – first staged at Hampstead Theatre in 2000 – offers a searing look at the lives of two people

SOURCE: The Stage Registration at 11:31AM
Tuesday, February 27, 2018

Frost/Nixon review at Crucible Theatre, Sheffield – ‘vital and timely’ by Chris Bartlett

Though set in 1977 and concerning a dereliction of duty that happened more than 45 years ago, Peter Morgan’s gladiatorial depiction of

SOURCE: The Stage Registration at 05:54AM
Monday, February 26, 2018

Jonathan Hyde: ‘I tend to be attracted to flawed characters like Nixon’ by Chris Bartlett

Having played the lead role in Sheffield Crucible’s Julius Caesar last year, Jonathan Hyde is returning to the venue to play the

SOURCE: The Stage Registration at 07:30AM
Wednesday, February 21, 2018

Hard Times review at Viaduct Theatre, Halifax – ‘visually arresting’ by Chris Bartlett

Hard Times has always been a bit of a hard sell. Its dour tone and uncharacteristically disjointed narrative makes it one of

SOURCE: The Stage Registration at 05:59AM
Thursday, February 15, 2018

Still Alice review at West Yorkshire Playhouse, Leeds – ‘quietly devastating’ by Chris Bartlett

This adaptation of neuroscientist Lisa Genova’s novel, Still Alice, about a Harvard professor with early-onset Alzheimer’s disease has one obvious challenge –

SOURCE: The Stage Registration at 08:58AM
Monday, February 12, 2018

The Kitchen Sink review at Coliseum Theatre, Oldham – ‘vividly written and very funny’ by Chris Bartlett

The family at the heart of Tom Wells’ semi-autobiographical slice of northern life – first performed at London’s Bush Theatre in 2011

SOURCE: The Stage Registration at 09:20AM
Thursday, January 25, 2018

The ToyBoy Diaries review at Hope Mill Theatre, Manchester – ‘frivolous escapism’ by Chris Bartlett

A new musical based on the real adventures of a 50-something woman in dating much younger men has – in the present

SOURCE: The Stage Registration at 05:43AM

All that Chat

2023-2024 BROADWAY SEASON
May 30, 2023: Grey House - Lyceum Theatre
Jun 26, 2023: Just For Us - Hudson Theatre
Jul 24, 2023: The Cottage - Hayes Theater
Nov 16, 2023: Spamalot - St. James Theatre
Dec 18, 2023: Appropriate - Hayes Theater
Mar 07, 2024: Doubt - Todd Haimes Theatre
Apr 14, 2024: Lempicka - Longacre Theatre
Apr 17, 2024: The Wiz - Marquis Theatre
Apr 18, 2024: Suffs - Music Box Theatre
Apr 25, 2024: Mother Play - Hayes Theater
Jun 10, 2024: The Drama Desk Awards