Today is Sunday, December 22, 2024 Opening: All In: Comedy About Love Broadway Baby Birthdays: Ralph Fiennes Andrew Lippa
In a haunting new digital work, “Whale Fall,” Mayfield Brooks mourns Black bodies.
SOURCE: The New York Times Subscription at 09:23AMCasel’s joyful and generous spirit is as vivid as ever in a new virtual presentation by the Joyce Theater.
SOURCE: The New York Times Subscription at 12:30PMThe Brooklyn Academy of Music presented its first live performance in more than a year: Le Patin Libre, a contemporary skating company.
SOURCE: The New York Times Subscription at 02:13PMAlexei Ratmansky returns to the stage with a playful Bernstein ballet, while Netta Yerushalmy revives a darker moment in time.
SOURCE: The New York Times Subscription at 02:14PM“American Masters: Twyla Moves,” a new PBS documentary, is also a portrait of a singular dancer over time.
SOURCE: The New York Times Subscription at 10:00AMAn elite male principal. A veteran ballerina. A rising apprentice. Three dancers talk about life and work during the pandemic.
SOURCE: The New York Times Subscription at 11:08AMLauren Lovette, the New York City Ballet principal, is retiring from the company but not from dance.
SOURCE: The New York Times Subscription at 01:53PMWith performances on pause, many dancers are rethinking their relationship to weight.
SOURCE: The New York Times Subscription at 03:03PMWhy is it so hard to show the dance world as it is? This Netflix series about students at a ballet school is yet another cartoonish depiction.
SOURCE: The New York Times Subscription at 11:44AMDiscipline and abandon gave the dancer an ingrained elegance, an internal organization of the body that you sense even when it’s not pronounced.
SOURCE: The New York Times Subscription at 01:04PMHeather Lang and Ebony Williams of “Jagged Little Pill,” talk about their work on Broadway and dealing with life on pause.
SOURCE: The New York Times Subscription at 10:32AMAnne Teresa De Keersmaeker’s dances for the Broadway revival swarm and sweep, but Robbins’s choreography was something more central: the libretto.
SOURCE: The New York Times Subscription at 03:06PMAlexandria Wailes deftly weaves choreography and American Sign Language in Ntozake Shange’s “For Colored Girls.”
SOURCE: The New York Times Subscription at 01:54PMEphrat Asherie collaborates with her jazz pianist brother to place Ernesto Nazareth’s music in a world of breaking, house, hip-hop and vogue.
SOURCE: The New York Times Subscription at 01:03PMIn Elizabeth Streb and Anne Bogart’s “Falling & Loving,” dancers and actors share the stage with the Guck Machine, which emits a waterfall of food andother objects.
SOURCE: The New York Times Subscription at 03:03PMIn Al Blackstone’s show, the songs are what set the characters on their journey, not the steps.
SOURCE: The New York Times Subscription at 03:06PMRaja Feather Kelly, who has left his mark on several Off Broadway shows, specializes in what he calls “virtuosic behavior.”
SOURCE: The New York Times Subscription at 12:06PMStandard or (worse yet) slight fare gets nominated for best choreography while quality work — “Oklahoma!,”“The Prom” — goes unrecognized. An exception: Camille A. Brown’s dance…
SOURCE: The New York Times Subscription at 08:06AMThe choreographer and performance artist Ann Liv Young is using her Bushwick apartment — and her daughters and animals — in her version of “Antigone.”
SOURCE: The New York Times Subscription at 01:54PMThe choreographer John Heginbotham and the director Daniel Fish want the dance to “change the way we experience the show.”
SOURCE: The New York Times Subscription at 12:39PMThe wife-and-husband team of Sara Mearns and Joshua Bergasse talk about working together on “I Married an Angel” for Encores! Reader, she Lindy Hops.
SOURCE: The New York Times Subscription at 12:47PMGaspar Noé’s “Climax” is the latest movie to push the ecstatic, frightening qualities of dance into horror. A body holds plenty of space for terror.
SOURCE: The New York Times Subscription at 11:40AMThe choreographer Camille A. Brown deftly uses the tradition of step to add “a heartbeat to the story” of Tarell Alvin McCraney’s musical play, now on Broadway.
SOURCE: The New York Times Subscription at 12:24PMA talk with the director and choreographer Casey Nicholaw: “The world has gotten so serious. It’s time to be on a dance floor together.”
SOURCE: The New York Times Subscription at 12:18PMAmar Ramasar, Brittany Pollack and Craig Salstein get a chance to stretch on Broadway. With Justin Peck, they talk about the challenges and rewards.
SOURCE: The New York Times Subscription at 01:18PMUsing intricate choreography and cues, the Angel Shadows — dancers and puppeteers — propel the Angel into the air and operate her heavy wings.
SOURCE: The New York Times Subscription at 10:18AMThey tried early spring, late spring and Harvey Weinstein. But the Rockettes have yet to create a warm-weather franchise to rival their Christmas show.
SOURCE: The New York Times Subscription at 02:18PMThe choreographer Mandy Moore worked on Damien Chazelle’s movie musical. Among her jobs: teaching Emma Stone and Ryan Gosling how to dance.
SOURCE: The New York Times Subscription at 11:35AMMs. Pazcoguin, a soloist with the New York City Ballet, plays the elegant Victoria in the current revival of “Cats” on Broadway.
SOURCE: The New York Times Subscription at 10:37AMChristopher Wheeldon’s adaptation of this Shakespearean romance, performed by the National Ballet of Canada, is part of the Lincoln Center Festival.
SOURCE: The New York Times Subscription at 12:22PMThe choreographer Christopher Gattelli’s “No Dames!” number in the film offered Mr. Tatum a showcase and took him out of his comfort zone.
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