Thursday, December 13, 2012
The choreographer returns with a program of new and refashioned works at the Baryshnikov Arts Center.
SOURCE: Culturebot at 02:56PMMonday, November 19, 2012
A fierce South African reconception of Strindberg's play falters under the weight of the racial, economic, and social issues
SOURCE: Culturebot at 05:37PMSunday, October 14, 2012
In their latest, The Debate Society produce a quietly compelling drama zooming in on middle-class anxieties and insecurities
SOURCE: Culturebot at 01:01PMTuesday, October 2, 2012
The composer talks about music, politics, and collaboration through the lens of The Civilians’ newest show
SOURCE: Culturebot at 11:23AMMonday, September 17, 2012
The show dwells in a world of the barely seen and the partially heard, but instead of inspiring activism, it spurs apathy
SOURCE: Culturebot at 04:50PMWednesday, September 5, 2012
CULTUREBOT infiltrates EINSTEIN to retrieve an insider's guide on how best to enjoy this legendary, but daunting, work.
SOURCE: Culturebot at 04:15PMWednesday, May 9, 2012
A conversation with Guggenheim fellow Pavel Zuštiak about how The Painted Bird Trilogy took shape, fittingly in a garden with screeching peacocks in the background.
SOURCE: Culturebot at 11:49PMSunday, April 29, 2012
An absent presence is the guiding structure in both Gideon Obarzanek’s "Faker" and "CITY", by the BLOOM! Dance Collective.
SOURCE: Culturebot at 07:22PMMonday, April 9, 2012
Michael Clark Company’s WHO’S ZOO?, part of the Whitney Biennial 2012, is Cunningham-lite via 1980s punk.
SOURCE: Culture Bot at 02:19PMThursday, April 5, 2012
Alyssa Alpine explores the work of Sarah Rosner/AO Movement Collective, the artists she's curating during Culturebot's upcoming Exit Art residency
SOURCE: Culture Bot at 02:49PMSunday, March 11, 2012
In an era of rehashing familiar variations on ballet vs. classic modern dance vs. post-modern vocabularies, Batsheva represents the possibility of a different understanding of dance
SOURCE: Culture Bot at 10:08PMFriday, March 9, 2012
"Sarah Michelson's Devotion Study #1--The American Dancer" at the Whitney Biennial 2012 retreads familiar territory with little resolution.
SOURCE: Culture Bot at 04:42PMWednesday, February 15, 2012
Marius von Mayenburg’s dark comedy "The Ugly One" at SoHo Rep mines the incestuous relationship between good looks and power.
SOURCE: Culture Bot at 12:49PMWednesday, February 8, 2012
From inanimate to animate: what makes an object more than a bit player in performance?
SOURCE: Culture Bot at 10:41PMSaturday, January 14, 2012
"Samuel & Alasdair," by up-and-coming theater collective The Mad Ones, more than holds its own in this theater-drenched month.
SOURCE: Culture Bot at 01:21PMThursday, January 12, 2012
Alyssa Alpine on Nicole Canuso Dance's "TAKES" at 3LD
SOURCE: Culture Bot at 05:16PMWednesday, December 14, 2011
With four plays here in four years, Irish playwright Enda Walsh is getting to be a regular in New York.
SOURCE: Culture Bot at 05:57PMTuesday, September 20, 2011
Alyssa Alpine talks with ERS's director about "The Select," which just opened at NYTW and plays through early October
SOURCE: Culture Bot at 01:58PMWednesday, June 29, 2011
Pavel Zustiak’s "Amidst," at Baryshnikov Arts Center this past weekend, isn't guilty of obscure titling.
SOURCE: Culture Bot at 03:47PM 
