1,727 stories from Culture Bot
A directing chat with director Sarah Connolly on The Betrothed When I was a junior in college, I studied abroad in London. It offered me an excellent slice of theater […]
Maxwell Cosmo Cramer reflects on Cecilia Corrigan's "The Gay Divorce" at The Brick Theater, June 2026.
Tess Walsh reflects on Alex Aguirre’s "SUB: An underwater workplace comedy" | June 4—7, ERF Gallery
Brendan McCall reflects on "And Then the Rodeo Burned Down" by Xhloe and Natasha, directed by Tom Costello, at Ars Nova | May 19 - July 10, 2026
Lindsey Walko in conversation with Ryan Czerwonko and Megan Metrikin about Adult Film's upcoming production of "Woyzeck" | July 14 - August 8, 2026
Cecilia Corrigan and Alex Tatarsky in conversation about Corrigan's "The Gay Divorce" at The Brick Theater.
SUGAR SUGAR! Brings Experimental Dance to Domino Park | Sarah Cecilia Bukowski reflects on works by Julia Antinozzi, Isa Spector, Malcolm-x Betts, & Kat Sotelo.
Tess Walsh reflects on "Well, I’ll Let You Go," written by Bubba Weiler, directed by Jack Serio, Apr 30-Jun 20, 2026 at Studio Seaview.
Aaron Tomey reflects on "Dad Don’t Read This" by playwright Eliya Smith, directed by Chloe Claudel, a co-production of Try For Baby Productions and The Goat Exchange, at St. Luke’s Theat…
Miranda Stuck reflects on BODYSONNET's first New York City presentation with "New York Now" at The Gym at Judson Church, curated and partially choreographed by Artistic Director Moscelyne P…
Hallie Chametzky reflects on Pink Fang’s ambiguous, symbolic, psychological “The Table,” performed at The Gym at Judson — a study in hunger and its discontents.
Tess Walsh reflects on the world premiere of "Dad Don’t Read This" by playwright Eliya Smith, directed by Chloe Claudel, a co-production of Try For Baby Productions and The Goat Exchange.
Emillee Lord on "Wanderings" by The John Jasperse Projects at Marian Goodman Gallery amidst the paintings of Julie Mehretu and her exhibition "Our Days, Like a Shadow (a non-abiding hauntolo…
Emily Chackerian in conversation with Eisa Davis about her new play "||: Girls :|| ||: Chance :|| ||: Music :||," playing through June 21 at the Vineyard Theater in New York.
Robin Denzer in conversation with dancemaker Symara Sarai on Sarai's 2025-26 AIRspace Residency at Abrons Arts Center.
Annie Rasiel in conversation with Alex Wanebo, Cara Ronzetti, and Carson McCalley about RUCKUS, an ambitious new performing arts festival, presenting an eclectic lineup of thirty shows in fo…
Former editor Eve Bromberg in conversation with dance critic Marina Harss, a transcription of CULTUREBOT's January live event.
Brendan McCall reflects on "The Totality of All Things" by Erik Gernand, directed by Shannon Patterson.
Ethan Karas connected with "Can I Be Frank?" creator & performer Morgan Bassichis and director Sam Pinkleton to discuss the superpower of telling the truth, the dangers of nostalgia, and…
Maia Kern in conversation with Sam Kann’ about "Mouthpiece," performed with Chloë Engel at Life World.
These days I avoid the news. It’s devastating and terrifying and—from my New York bubble—remote. Everything bad is happening somewhere else, I tell myself. This is untrue, of course, b…
Contributor Kevin Ritter-Jung on Servane Dècle and Milo Rau's THE PELICOT TRIAL, which was performed at Judson Church this past March.
Emilee Lord on Edu Diaz’ solo show LIPSTICK, which made its New York debut for the Fringe Festival at the Chain Theater this April.
Contributor Brendan McCall on James Clements' play BEAUTY FREAK.
Brendan McCall on Sarah Groustra´s RADIO MAN, which played at The Paradise Factory earlier this month.
