1,741 stories from Culture Bot
Lindsey Walko talks with Raina Soman and AJ Molder, two of the cofounders of Twenty Somethings, about "Dirty Bird," an adaptation of "The Seagull," written and directed by Whit Flint, playin…
Sol Cabrini reflects on club aesthetics and the sonification of race in the work of 2025 CPR AiR KYLE b.co.
Brendan McCall reflects on "Becoming Hamlet," adapted by Damon Horowitz, directed by Sybille Bruun | Playing at Five Angels Theatre through October 3, 2026
Jeff Careyva in conversation wwith Madeline Bernhard and Hannah Hale—actors, directors, and producers for Adult Film’s upcoming show, MAIDS AFTER GENET, running through September 19.
2025 CPR Artist-in-Residence Diovanna Obafunmilayo speaks with Shamira Ibrahim about invoking the divine in her recent performance piece GODBODY.
Brendan McCall reflects on "The Real Ivanov," adapted & Directed by Laura Strausfeld, playing through September 19 at Lynn F. Angelson Theater.
Brendan McCall reflects on "An American Daughter" by Wendy Wasserstein, directed by Sarna Lapine, playing through September 20 at The Pershing Square Signature Center.
Tess Walsh reflects on Lydia Riess’ "Going Away Party," staged as a part of the ALab Theater Festival | June 27 + 28, 2026
Jeffrey M. Jones on the inimitable Leonie Bell
Leah Plante-Wiener in conversation with Stacy Grossfield about Grossfield's "metamorphosis iii," the dance theatre saga that unfolded at the Collapsable Hole in four episodes between August …
Anna Jayne Kimmel reflects on Brendan Drake’s "Ceremonials," presented at Dance Place, Washington, DC | July 10 + 11, 2026
Kevin Ritter-Jung reflects on “New Humans" at The New Museum and David Commander’s new show, "Idiot Void" presented by Immediate Medium at the Collapsable Hole | June 11-27
Joey Sims reflects on Michael Kinnan's "Goodbye Horses: An Unauthorized Retelling of Jonathan Demme’s The Silence of the Lambs" at The Brick Theater | July 9-25, 2026
Tess Walsh in conversation with Scout Davis about "The Life and Times of Daisy Forbes" at La MaMa.
A directing chat with director Sarah Connolly on The Betrothed When I was a junior in college, I studied abroad in London. It offered me an excellent slice of theater […]
Maxwell Cosmo Cramer reflects on Cecilia Corrigan's "The Gay Divorce" at The Brick Theater, June 2026.
Tess Walsh reflects on Alex Aguirre’s "SUB: An underwater workplace comedy" | June 4—7, ERF Gallery
Brendan McCall reflects on "And Then the Rodeo Burned Down" by Xhloe and Natasha, directed by Tom Costello, at Ars Nova | May 19 - July 10, 2026
Lindsey Walko in conversation with Ryan Czerwonko and Megan Metrikin about Adult Film's upcoming production of "Woyzeck" | July 14 - August 8, 2026
Cecilia Corrigan and Alex Tatarsky in conversation about Corrigan's "The Gay Divorce" at The Brick Theater.
SUGAR SUGAR! Brings Experimental Dance to Domino Park | Sarah Cecilia Bukowski reflects on works by Julia Antinozzi, Isa Spector, Malcolm-x Betts, & Kat Sotelo.
Tess Walsh reflects on "Well, I’ll Let You Go," written by Bubba Weiler, directed by Jack Serio, Apr 30-Jun 20, 2026 at Studio Seaview.
Aaron Tomey reflects on "Dad Don’t Read This" by playwright Eliya Smith, directed by Chloe Claudel, a co-production of Try For Baby Productions and The Goat Exchange, at St. Luke’s Theat…
Miranda Stuck reflects on BODYSONNET's first New York City presentation with "New York Now" at The Gym at Judson Church, curated and partially choreographed by Artistic Director Moscelyne P…
Hallie Chametzky reflects on Pink Fang’s ambiguous, symbolic, psychological “The Table,” performed at The Gym at Judson — a study in hunger and its discontents.
