Friday, October 28, 2011
Sunday, October 9, 2011
In the Irish Repertory Theater production of “Molly Sweeney,” the cast of three is focused on surgery that could help a blind woman see.
SOURCE: The New York Times Subscription at 12:32PMSunday, October 2, 2011
The playwright Sarah Ruhl used a fresh, “literal” translation of Anton Chekhov’s 110-year-old drama “Three Sisters,” now at the University Theater at Yale.
SOURCE: The New York Times Subscription at 12:07PMThursday, September 29, 2011
A boy who had a rough start in life captures the attention of a social worker he meets by chance in “Seed,” a play by Radha Blank at the National Black Theater.
SOURCE: The New York Times Subscription at 05:21PMMonday, September 26, 2011
A production of Shakespeare’s romantic comedy “Much Ado About Nothing” gets the 20th-century treatment at the Two River Theater in Red Bank, N.J.
SOURCE: The New York Times Subscription at 05:34PMSunday, September 18, 2011
Not every director of “Othello” has the courage to bring the humor front and center. Bonnie J. Monte dares to do so in the Shakespeare Theater of New Jersey’s new production.
SOURCE: The New York Times Subscription at 12:11PMFriday, September 16, 2011
In “A Night With George,” about an Irishwoman’s “connection” to George Clooney, the title character never appears.
SOURCE: The New York Times Subscription at 09:30PMSaturday, September 3, 2011
Tennessee Williams’s “Suddenly Last Summer,” at the Westport Country Playhouse, has familiar components, including an eccentric Southern woman and intimations of homosexuality.
SOURCE: The New York Times Subscription at 11:10PMSunday, August 28, 2011
All three characters in “The Understudy,” being performed at TheaterWorks in Hartford, have taken jobs they normally wouldn’t.
SOURCE: The New York Times Subscription at 02:49PMTuesday, August 23, 2011
"Paper Cut" is one of those artfully quirky solo performances that make the New York International Fringe Festival worth checking out.
SOURCE: The New York Times Subscription at 10:45AMMonday, August 22, 2011
Jeffrey Sweet's solo show is like a series of entertaining, compelling, sometimes rambling excerpts from a long talk-show interview.
SOURCE: The New York Times Subscription at 04:40PM"Chasing Heaven" stops short of burning insight, but it is funny, thoughtful, brightly acted and about as timely as a play can get.
SOURCE: The New York Times Subscription at 12:08PMSunday, August 21, 2011
Series B of the Throughline Artists’ Summer Shorts 5 festival of new American plays is a New York affair.
SOURCE: The New York Times Subscription at 06:22PMSaturday, August 13, 2011
The production of Dario Fo’s “Accidental Death of an Anarchist” by the Shakespeare Theater of New Jersey is at Drew University through Aug. 28.
SOURCE: The New York Times Subscription at 11:15PMFriday, August 5, 2011
“The Pretty Trap,” a slight but intriguing one-act precursor to Tennessee Williams’s “Glass Menagerie,” is being given its New York premiere by Cause Célèbre at the Acorn Theater.
SOURCE: The New York Times Subscription at 06:55PMSunday, July 24, 2011
Mark Lamos directs the Westport Country Playhouse’s production of “Lips Together, Teeth Apart,” Terrence McNally’s 1991 play about two straight couples visiting a beach house on Fire…
SOURCE: The New York Times Subscription at 12:10AMSaturday, July 23, 2011
“The Judy Holliday Story,” at New Jersey Repertory, is even and tasteful, but that may not have been the best way to go.
SOURCE: The New York Times Subscription at 11:50PMWednesday, July 20, 2011
Howard Barker’s 1983 play “Victory: Choices in Reaction,” having its American premiere at the Atlantic Theater’s Stage 2, features Jan Maxwell in a tour de force performance.
SOURCE: The New York Times Subscription at 06:22PMSunday, July 17, 2011
Shakespeare’s little-known “Timon of Athens” is at the F. M. Kirby Shakespeare Theater at Drew University through July 24.
SOURCE: The New York Times Subscription at 02:26PMIn “Sirens,” the Penguin Repertory Theater comedy, neither men nor their Greek sea temptresses have changed, but their digital playthings have.
SOURCE: The New York Times Subscription at 02:26PMSunday, July 10, 2011
“I Wish You Love” considers Nat King Cole’s image, the man beyond it and his place as a black entertainer in the racially charged America of the 1950s and ’60s.
SOURCE: The New York Times Subscription at 01:54PMSunday, July 3, 2011
“The Greenwich Village Follies,” at Manhattan Theater Source, is a historical tour of the Village, with singing.
SOURCE: The New York Times Subscription at 03:51PMThe Hudson Valley Shakespeare Festival’s sole non-Elizabethan offering this summer is a Jules Verne adaptation shot through with silliness.
SOURCE: The New York Times Subscription at 12:20AMSaturday, June 25, 2011
Shakespeare on the Sound’s lively, likable production of “Much Ado About Nothing” abounds with characters and situations that contemporary young people can easily relate to.
SOURCE: The New York Times Subscription at 11:00PMSunday, June 19, 2011
“The Circle,” W. Somerset Maugham’s 1921 play, includes Marsha Mason as a fallen woman and Paxton Whitehead as the husband she left.
SOURCE: The New York Times Subscription at 12:14PMFriday, June 17, 2011
In “Ajax in Iraq,” Ellen McLaughlin tells the parallel stories of the Trojan War figure and an American soldier.
SOURCE: The New York Times Subscription at 06:56PMSunday, June 12, 2011
Molière’s “The Misanthrope,” onstage in Madison, is a 17th-century gem that speaks clearly about the current social condition.
SOURCE: The New York Times Subscription at 03:34PMSaturday, June 11, 2011
Molière’s “The Misanthrope,” onstage in Madison, is a 17th-century gem that speaks clearly about the current social condition.
SOURCE: The New York Times Subscription at 11:30PMSunday, May 29, 2011
