
New York Times writers review five shows that made their debuts in the early days of this year’s New York International Fringe Festival.
SOURCE: The New York Times Subscription at 05:58PM[SHARE]The movie, written and directed by Charlie Levi, follows a group of Angelenos dealing with problems, among them the death of a child.
SOURCE: The New York Times Subscription at 08:53PM[SHARE]Nate Rufus Edelman's drama captures a community questioning faith and politics in Northern Ireland in 1985.
SOURCE: The New York Times Subscription at 06:14PM[SHARE]August Schulenberg's new play, at the Loisaida Center, considers life in a postapocalyptic Manhattan.
SOURCE: The New York Times Subscription at 05:37PM[SHARE]"Jules Verne: From the Earth to the Moon" is a multimedia celebration of aspiration based on Verne's true-life encounter with the journalist and feminist.
SOURCE: The New York Times Subscription at 02:00PM[SHARE]Bearing shadows truer to Carlo Collodi's 19th-century tale, this family-friendly show manifests robust energy, visual flair and an aversion to modern-day phoniness.
SOURCE: The New York Times Subscription at 05:53PM[SHARE]This revival of George H. Broadhurst's 1906 political drama, inspired by Tammany Hall cronyism, is at the Metropolitan Playhouse.
SOURCE: The New York Times Subscription at 02:32PM[SHARE]There is roiling tumult amid the shadows in Damon Chua's play "Film Chinois," an exercise in noir styling and political intrigue.
SOURCE: The New York Times Subscription at 10:00PM[SHARE]Writers and editors for The New York Times list memorable moments onstage this year.
SOURCE: The New York Times Subscription at 01:43PM[SHARE]Mac Rogers's "Asymmetric," at the 59E59 Theaters, is an espionage thriller in which a retired C.I.A. interrogator is called on to question his own ex-wife.
SOURCE: The New York Times Subscription at 05:35PM[SHARE]"Powerhouse," on the life of the composer Raymond Scott, sustains the controlled mad dash of the Warner Bros. Looney Tunes cartoons that used his music.
SOURCE: The New York Times Subscription at 05:30PM[SHARE]A clown, contortionists, jugglers and one sheepadoodle are among the attractions in "Metamorphosis," the latest edition of the Big Apple Circus.
SOURCE: The New York Times Subscription at 04:13PM[SHARE]"Lennon: Through a Glass Onion" at the Union Square Theater looks at the life of the former Beatle.
SOURCE: The New York Times Subscription at 05:49PM[SHARE]Walter Anderson's first play, "Almost Home," returns to 1965 and to the dreams and nightmares of the Vietnam War era.
SOURCE: The New York Times Subscription at 03:31PM[SHARE]"Boys and Girls," Dylan Coburn Gray's play at 59E59, follows four young hot-blooded people through a boozy night in Dublin.
SOURCE: The New York Times Subscription at 05:42PM[SHARE]In "The Last Days of Cleopatra," a matriarch's death serves as an opening for a family to face all kinds of personal issues.
SOURCE: The New York Times Subscription at 05:40PM[SHARE]An early and bloody Shakespearean tragedy is reinterpreted for laughs in "Puppet Titus Andronicus," at the Beckett Theater.
SOURCE: The New York Times Subscription at 04:14PM[SHARE]"King Kirby" traces the creative and business ups and down of a great comic book artist, Jack Kirby.
SOURCE: The New York Times Subscription at 05:42PM[SHARE]In "Deepest Man," a play by James Scruggs, a man whose wife drowns confronts his traumas by submerging them.
SOURCE: The New York Times Subscription at 06:00PM[SHARE]Ayn Rand's pedantic novella "Anthem" gets a goofy, spoofy and exuberant musical adaptation at the Culture Project.
SOURCE: The New York Times Subscription at 10:00PM[SHARE]In "The Exercise Was Beneficial, Sir," Nicolas Bouchaud played the French critic and editor Serge Daney, who died in 1992.
SOURCE: The New York Times Subscription at 06:22PM[SHARE]"Swing & Beowulf," paired one-acts at the Irish Arts Center, both come from the Dublin Fringe Festival, but that's all they have in common.
SOURCE: The New York Times Subscription at 05:12PM[SHARE]"Sir Patient Fancy" is the Queen's Company ensemble's take on a 17th-century play by Aphra Behn.
SOURCE: The New York Times Subscription at 06:42PM[SHARE]In the one-man show "Satchmo at the Waldorf," John Douglas Thompson vividly resurrects Louis Armstrong as he reminisces about a life that spanned a vast cultural divide. &nb…
SOURCE: The New York Times Subscription at 08:30PM[SHARE]"50 Shades! The Musical " The Original Parody" at the Elektra Theater adds R-rated lyrics to E. L. James's best-selling novel about bondage, but it keeps the nudity PG. &nbs…
SOURCE: The New York Times Subscription at 06:21PM[SHARE]After a stint in prison, Bill is readjusting to freedom in Oklahoma in Emily Schwend's "Take Me Back," playing at Walkerspace.
SOURCE: The New York Times Subscription at 05:38PM[SHARE]A revival of Paddy Chayefsky's "Middle of the Night" tells the tale of a May-December affair.
SOURCE: The New York Times Subscription at 04:32PM[SHARE]"Til Divorce Do Us Part," a not-so-bitter pill with lyrics by Ruthe Ponturo, is at DR2 Theater.
SOURCE: The New York Times Subscription at 06:44PM[SHARE]In "Riding the Midnight Express With Billy Hayes," Mr. Hayes recounts his prison ordeal in Turkey, and how it differed from the Oliver Stone screenplay for the movie.
SOURCE: The New York Times Subscription at 04:23PM[SHARE]"Thank You for Being a Friend," directed by Nick Brennan, is a raunchy and overwrought drag parody of "The Golden Girls."
SOURCE: The New York Times Subscription at 05:39PM[SHARE]"BigMouth," from the Belgian actor-writer-director Valentijn Dhaenens, jostles together the words of speechmakers throughout history.
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