Mette Ingvartsen: “to come (extended)” by Victor Gluck, Editor-In-Chief

Last seen in New York in 2017, Danish choreographer Mette Ingvartsen has brought a newish work, "to come (extended)" to NYU Skirball Center.  To come (extended) is actually a reworking and …

MANSION – The Experience by Arts Review

Earlier this year, Bass Fam Creative brought us Matador – a beautiful exploration of love and lust through dance, circus, and burlesque. Despite Melbourne slipping out of summer then, the …

How a Native attorney writes plays to fight for tribal rights by Artsjournal1

“As a playwright and attorney, Mary Kathryn Nagle is used to building a case and crafting a narrative. But when it comes to bringing attention to sovereignty issues and Native communities,…

Black Ballet History Organization MoBBallet Hosts Its First Symposium by Artsjournal1

“MoBBallet, an organization founded by Dance Magazine contributing editor Theresa Ruth Howard in 2015 to preserve and promote the legacy of black dancers in ballet, hosts its first symposi…

It’s time to completely reimagine the role of foundation program officers by Artsjournal1

“I think in many ways we as a sector have pigeonholed foundation program officers. We have internalized this idea that their role is one of micromanager and compliance officer, whose jobs …

Creative City Learning: Inspiring Stories About the Transformative Power of Public Art by Artsjournal1

“The inaugural three years (2015-2018) of the Creative City pilot program supported artists of all disciplines to reimagine places for art in Boston, engage public imagination, and inspire…

A Church Service Inspired by Beyoncé, No Halo Required by Artsjournal1

“The brainchild of Rev. Yolanda Norton, a Hebrew Bible scholar and the H. Eugene Farlough Chair of Black Church Studies at San Francisco Theological Seminary, the Beyoncé Mass explores ho…

Combating The Stigma Against Mental Illness Through The Power Of Music by Artsjournal1

“When people talk about the healing power of music, they are generally referring to the listener, but one orchestra in Massachusetts, New Hampshire and Vermont is founded on the idea that …

Oops: Greece Asks Why Ancient Vase Given To Margaret Thatcher Was Sold At Auction by Artsjournal

In a tweet, art historian Maria Paphiti found that the 2,700-year-old vase had been sold at Christie’s auction house in May for nearly 7,000 euros ($7,700). The vase was given to Thatcher …

Casting of SF Opera’s ‘Figaro’ lays bare the racial fault lines in opera by Artsjournal1

The Marriage of Figaro, Mozart’s buoyant operatic comedy, is built on an infrastructure of political discontent. Although it sheathes its claws in time for a happy ending, this is an opera…

Jerry Saltz And Justin Davidson Debate The New MoMA by Artsjournal

“The great news is that along with the rest of us, Diller Scofidio + Renfro were finally beaten down by the reality of just how messed-up and cramped the billion-dollar Taniguchi building …

Collectible Limited Edition Sneakers Have Become Big-Business Art by Artsjournal

“A lot fewer people are buying to wear and a lot more people are buying to sell.” StockX, a high-end sneaker resale company based in Detroit, recently reached a jaw-dropping $1 billion U…

London Review of Books Isn’t Just Surviving, It’s Thriving. Here’s How by Artsjournal

As newspapers and magazines experience diminishing revenue, plunging circulation and attacks from both terrorists and government leaders, the L.R.B. has not merely survived but also flourish…

Bookstores Are Awesome. Should They Charge Admission? by Artsjournal

Why not monetize the intangibles? The Strand, and stores like it, could charge an admission fee. Something token, like a dollar. For a buck, you’re granted access to everything the store h…

What Happened To The Great Cultural Critics? by Artsjournal

What has become of the commanding figure of the critic in the last 20 years? Where are the successors to Sontag and Steiner, and to Empson and Richards, FR Leavis, Raymond Williams and Fra…

National Dance Institute Has A Plan To Be More “National” by Artsjournal

Jacques d’Amboise started the nonprofit organization while he was a principal dancer at New York City Ballet to expose children to what he feels is the transformational power of dance. Tod…

IMPRESSIONS: Kyle Abraham’s A.I.M at the Joyce Theater with Keerati Jinakunwiphat and Trisha Brown by The Dance Enthusiast

In IMPRESSIONS: Kyle Abraham’s A.I.M at the Joyce Theater with Keerati Jinakunwiphat and Trisha Brown, "Ranging from introspective to sensual to playful, the spectrum of Abraham’s artis…

IMPRESSIONS: American Ballet Theatre’s The Masters Program with George Balanchine, Twyla Tharp, and Alexei Ratmansky by The Dance Enthusiast

In IMPRESSIONS: American Ballet Theatre’s The Masters Program with George Balanchine, Twyla Tharp, and Alexei Ratmansky, "One mark of a great choreographer is that he or she is able to mak…

Rouge by Arts Review

The emergence of spiegeltents in Australia has also led to the emergence of adult circus cabaret as a popular new genre. Rouge is an excellent example. Promising “a decadent blend of sensa…

Bars and Measures by Mark Dundas Wood

The play’s dynamic—with the two brothers trying to stay in sync even as they find themselves polar opposites in nearly all areas of their lives—seems at points to make the play a kind …

Review: In Zawe Ashton’s ‘for all the women,’ the Price of Uprooting a Life by Ben Brantley

This convoluted play chronicles the breakdown of a conflicted, displaced East African woman in the cosmopolitan West.

Pittsburgh Ballet Theatre opens 50th anniversary season with 'Giselle' by Jane Vranish / Pittsburgh Post-Gazette

A personal view of the lingering devastation of rape in ‘When It Happens to You’ at The Sheen Center by Deb Miller

In The Sheen Center’s world-premiere Off-Broadway production of When It Happens to You, best-selling author Tawni O’Dell shares her personal story of the ongoing effects that the brutal …

New Creative Career Pathways for young First Peoples by Arts Review

Young First Peoples looking to kickstart their creative careers will get the chance to work at some of Victoria’s most exciting artistic organisations thanks to support from the Andrews La…

Win tickets to Chicago at QPAC Brisbane by Sean McLoughlin

AussieTheatre has a double pass to giveaway for Chicago at QPAC Brisbane on Saturday November 2nd. This dazzling production stars Natalie Bassingthwaighte as Roxie Hart, Alinta Chidzey…

SCOTLAND, PA: Cheap at Twice the Price by Peter Filichia

In a way, SCOTLAND, PA is the perfect musical for the Donald Trump era. It says get what you want,...Continue Reading The post SCOTLAND, PA: Cheap at Twice the Price appeared first on Broadw…

Q&A with Zoe Lyons from An Act of God at The Vaults

God is back... and she has a lot to say! It's a hard business watching the endless infighting and bickering of little humans from Heaven's eaves. And yet it's a job Zoe Lyons (Mock The We…

‘Afflicted: Daughters Of Salem’ at Laurel Mill Playhouse is a haunting story of witch hunt origins by Cybele Pomeroy

The peer pressure of in-groups, man. Is there anything more toxic? Turns out, there is. This is the central theme of Afflicted: Daughters Of Salem, which is set before the infamous Salem Wit…

Measure for Measure Delivers A Rousing ‘In the Heights’ by Bill Hirschman

Measure For Measure Theatre’s rousing production in Sunrise brings into focus that Lin-Manuel Miranda and Quiara Alegría Hudes’s musical is, at its heart, about the twin themes of dream…

Vulnerability in action: Amanda + James presents ‘Dance +’ by Admin

September 27, 2019. Center for Performance Research, Brooklyn, NY. An astute dance artist I once interviewed discussed creating “empathetic access points” for all types of audience memb…

This Week on Broadway for October 27, 2019: Scotland PA by James Marino

Peter Filichia, James Marino, and Michael Portantiere talk about Scotland PA, The Rose Tattoo, Bella Bella, Little Shop of Horrors, The Sound Inside, Forbidden Broadway: The Next Generation,…

Myths surrounding addiction debunked in the podcast Hooked

The winners of a BBC competition have created a frank and funny series about unexpected addicts

‘Macbeth’ Review: A Decent Man Turns Murderous Tyrant by Laura Collins-Hughes

A bracingly lucid Corey Stoll embodies Shakespeare’s thane who, step by step, cedes his soul to his own darkest impulses.

Black British Theatre Awards 2019: the winners in full by Giverny Masso

The inaugural Black British Theatre Awards, set up to honour black performers and creative talent in British Theatre, took place at Old

‘Forbidden Broadway: The Next Generation’ at The Triad by Patricia Contino

Forbidden Broadway: The Next Generation is review-proof.  Creator/Writer/Director Gerard Alessandrini started parodying The Great White Way in 1982, and The Triad Theatre (158 West 72nd St…

Come one, come all, to the ‘Big Apple Circus’ at Lincoln Center’s Damrosch Park! by Deb Miller

Aerialists and acrobats, big tops and bicycles, cotton candy, cats, and clowns – the ABC’s of 21st-century circus-arts entertainment can be enjoyed by one and all with the return of New …

Broadway Review: “The Great Society” at the Vivian Beaumont Theater by David Roberts

“The Great Society,” the second installment of playwright Robert Schenkkan’s biographical account of the years Lyndon B. Johnson spent as president in the White House, is less a drama …

Macbeth: A Slimmed-Down Version of the Scottish Play by Melissa Rose Bernardo

★★★★ The couple who slays together stays together? Real-life spouses Corey Stoll and Nadia Bowers star as Shakespeare’s murderous Scots. The post Macbeth: A Slimmed-Down Version of…

Macbeth: Do Too Many Witches Spoil the Theatrical Brew? by David Finkle

★★★ John Doyle directs Corey Stoll's title warrior as too full of the milk of human kindness The post Macbeth: Do Too Many Witches Spoil the Theatrical Brew? appeared first on New York…

Imagining Madoff: Crimes and Consequences, Through a Philosophical Lens by Elysa Gardner

★★★★ Deb Margolin's beautifully crafted, powerfully acted reflection on greed and guilt and the crime of the 21st century returns The post Imagining Madoff: Crimes and Consequences, …

Slave Play - An Attempt At Understanding by Judd Hollander

Reviewed by Judd Hollander One of the most important aspects in a committed relationship is one partner’s willingness to help satisfy the emotional needs of the other. Even if those need…

EgoPo Classic Theater presents Sam Shepard’s ‘Buried Child’ by Cameron Kelsall

EgoPo Classic Theater opens a season devoted to Sam Shepard with an intriguing but tonally unbalanced ‘Buried Child.’ Cameron Kelsall reviews.

Standing At The Sky’s Edge & Sweet Charity’s Rebecca Trehearn are winners at the UK Theatre Awards

Richard Hawley and Chris Bush’s Standing At The Sky’s Edge at the Crucible Theatre is named Best Musical at the UK Theatre Awards 2019, while Rebecca Trehearn’s title role in Nottingha…

The Wilma Theater presents Clare Barron’s ‘Dance Nation’ by Christina Anthony

The Wilma Theater presents 'Dance Nation,' a bold comedy about a competitive dance troupe of teenage girls learning, growing, and evolving through self-discovery. Christina Anthony reviews.

Tina: The Tina Turner Musical by Michael Portantiere

Original London Cast, 2019 (Ghostlight) When experienced live in the theater, a “bio-musical” — like any other show — may be judged on several levels, including the production values…

NEWS: Four wins for Sheffield Theatres’ Life Of Pi at the UK Theatre Awards by Press Releases

There were wins for Sheffield Theatres’ Life Of Pi at the 2019 UK Theatre Awards, revealed at London’s Guildhall.

Magic Time!: What’s magnificent and what’s muddled in ‘Right to Be Forgotten’ at Arena Stage by John Stoltenberg

Right to Be Forgotten is a play written from the outside in. By that I mean, its intention is to illustrate a legal issue: the tension in U.S. law between privacy and freedom of speech, a te…

REVIEW: DOUBLE, DOUBLE, BURGER AND TROUBLE IN ‘SCOTLAND, PA’ by Robert Shuman

(Jesse Green’s article appeared in The New York Times, 10/23; via Pam Green.) When “Macbeth” meets McDonald’s, a meaty new musical is born. When classics get adapted or updated, I of…

Philadelphia Theatre Company presents Adam Bock’s ‘A Small Fire’ by Cameron Kelsall

Adam Bock’s nuanced, moving ‘A Small Fire’ is the most satisfying production Philadelphia Theatre Company has delivered in years. Cameron Kelsall reviews.

Win tickets to Black is the New White at Adelaide Festival Theatre by Peter J Snee

AussieTheatre has a double pass to giveaway to Black is the New White at Adelaide Festival Centre on Wednesday November 13. This sold-out, smash hit romantic comedy seen by thousands of pe…

Abzug, Abzug — There She Goes Again! by David Finkle

My, my -- how can I resist Harvey Fierstein in his new play, "Bella Bella"? The post Abzug, Abzug — There She Goes Again! appeared first on Clyde Fitch Report.

Not Just An Actress, Mare Winningham Is Also A Folk Music Force by Jeryl Brunner

Mare Winningham shares why her folk music roots run deep.

Ain’t Too Proud: The Life and Times of the Temptations by Michael Portantiere

Original Broadway Cast, 2019 (Universal Music) There’s always a sense of déjà vu when a jukebox musical opens on Broadway,  as most people walk in humming the tunes. If Ain’t Too Prou…

‘The Drowsy Chaperone’ rouses audience at Goddard Music and Drama Club with exuberant performance by Andy Arnold

If you are looking for some enjoyable entertainment before the holiday rush sets in, see The Drowsy Chaperone by the Goddard Music and Drama Club at the Barney & Bea Recreation Center. T…

‘Matilda’ at Other Voices Theatre Company is a delightful take on a new favorite by Terri Magers

Based on the 1988 children’s novel by Roald Dahl, Other Voices Theatre Company brings to life the endearing story of Matilda Wormwood, a precocious young girl who is misunderstood and abus…

It’s Theatre! No, It’s Film! (Actually, It’s Both) by Artsjournal

“Fascinated by the relationship between theater and cinema, Christiane Jatahy has made a show that’s both. “One is the utopia of the other,” she tells us, though anyone who has ever …

UK Theatre Awards 2019: the winners in full by Georgia Snow

The UK Theatre Awards 2019, which celebrate achievement in regional theatre, took place at London’s Guildhall on October 27. They were hosted

Everything’s Gonna Be Fine, Fine, Fine at Our 5 Must-Do Events for the Week of October 28 to November 3 by Kathy Henderson

Just the mention of Jagged Little Pill has us quoting "Ironic" ("Don’t you think?") but the long-awaited Broadway arrival of Alanis Morissette’s new musical is just one of five must-do e…

Winners announced for UK Theatre Awards 2019 by Kitty Underwood

Following the awards ceremony at London’s Guildhall this afternoon, we are delighted to confirm the winners of the 2019 UK Theatre Awards. The post Winners announced for UK Theatre Awards …

Critics and the (Un)criticized by John Simon

One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being consid…

Forbidden Broadway The Next Generation Review. Broadway Barbs Both Lethal and Loving by New York Theater

Three years after he spoofed “Hamilton” in “Spamilton” (with “I am not throwing away my shot” becoming “I am not gonna let Broadway rot,”) Gerard Alessandrini paints Lin-Manu…

Artists Meet With Instagram Over Nudity Policies by Artsjournal

“Artists that are working with the nude, who censor their own works on Instagram in order to meet their community standards, can be deleted with no recourse because of a lack of a proper a…

Study: What Kind Of Music Attracts Listeners by Artsjournal

The music that the study volunteers said they enjoyed the most was neither too predictable, nor too unpredictable. Too predictable, and it’s boring. Too unpredictable, and it’s not at al…

Study: Movie attendance Goes Up When Movie Casting Is More Diverse by Artsjournal

In its latest data drop, analytics firm Movio has discovered “a correlation between a minority group’s representation on screen and that group’s audience turnout, with some groups atte…

Sentenced To Art: NYC Diverts Misdemeanor Cases To Art Classes by Artsjournal

Seventy-four percent of prosecuted cases in New York are for misdemeanors, according to a 2017 report from NYC Criminal Justice Agency. Instead of clogging up the courts Project Reset tries …

UK Arts Organizations Are Struggling With Diversity by Artsjournal

“For some time now, diverse staff working in larger publicly funded arts organisations, and in particular those producing work that is aimed at the mainstream, have debated how to help the…

LA’s MoCA Makes Investment In Performance At Geffen Contemporary by Artsjournal

“All of the sudden performance seems to be the new authentic. When we can watch everything on Instagram and YouTube, it seems to be that people want to see [art] one-on-one — that’s wh…

How To Cultivate And Train A More Diverse Next Generation Of Critics? by Artsjournal

“Reviews can sometimes be the only documentation of these experiences, so what happens when the majority of people reviewing do not represent the community or the stories being told? How d…

Pioneering NY Gallerist Ronald Feldman Retires After 50 Years by Artsjournal

Mr. Feldman, 82, founded the gallery with his wife, Frayda Feldman, in 1971 on East 74th Street. In 1982, the gallery moved to SoHo, establishing an early beachhead in Lower Manhattan that s…

Why You Shouldn’t Trust Netflix’s Viewer Numbers by Artsjournal

Yes, Netflix is sharing more information about how many people are watching its shows than it did just a year ago, and we now have a broad sense of which shows and movies are especially popu…

“The Sound Inside” at Studio 54 by Richard Seff

There are actors who begin their careers with training and early professional outings in regional and stock theatres as understudies  and bit players. Many use live theatre as training grou…

‘Deserves to be remembered for years to come’: THE KING & I – Touring ★★★★★ by Thom Dibdin

The collective charisma of the cast in a stunning production of The King and I earns a well-deserved standing ovation.

Hear Halloween Talk and Revue Madness on This Week's Elaine Paige on Sunday by Broadway.com

Olivier-winning actress Elaine Paige is giving Broadway.com listeners a chance to hear her BBC Radio 2 show, Elaine Paige on Sunday, and this week it's all about celebrating Halloween! To g…

Streaming Docs — Autumn 2019 by Neil Giordano

Wondering where to find the best documentaries on digital platforms? Look no further. The post Streaming Docs — Autumn 2019 appeared first on The Arts Fuse.

Film Review: “Portrait of a Lady on Fire” — “A Love Story With Equality” by Erica Abeel

Portrait is a masterly work of historical realism -- about an enduring love between two women -- done in high-flying poetic style. The post Film Review: “Portrait of a Lady on Fire” —…

VIDEO: David Korins Gives a Tour of the BEETLEJUICE Set

Beetlejuice set designer David Korins is bringing fans six feet under for a tour of the Netherworld!

Theater Review: MIKE BIRBIGLIA’S THE NEW ONE (Tour at The Ahmanson in Los Angeles) by Marc Wheeler

TOSSING OUT THE BABY BUT KEEPING THE BATHWATER Reluctance takes center stage in Center Theater Group’s production of Mike Birbiglia’s theatrical child The New One. In his 2018 one-man sh…

Bella Bella ***1/2 by Barry Gordin

By: Paulanne Simmons October 27, 2019: Harvey Fierstein’s Bella Bella is certainly a tribute to the trailblazing New York congresswoman. But even more it is a personal act of love.

Photo Flash: Gavin Creel Visits OKLAHOMA!

Gavin Creel recently stopped by Oklahoma! After the show, he posed with cast members backstage for photos.

Anthony Ramos Talks IN THE HEIGHTS' Diversity and What it Means to the Latinx Community

Anthony Ramos plays Usnavi in the upcoming film adaptation of In The Heights. He recently spoke to ET about his experience working on the film, the importance of the show, diverse casting, a…

Botticelli in the Fire review – audacious Renaissance romp by Arifa Akbar

Hampstead theatre, LondonThe painter resembles a drunken YBA in a flawed but timely show that veers from camp humour to political intrigue ‘This is not just a play, it’s an extravaganza,…

TheatreWorks gala celebrates 50 years, honors founder Kelley by Anne Gelhaus

Since Robert Kelley founded TheatreWorks Silicon Valley 50 years ago, he’s gone from working for groceries while staging his first production to managing an $8.5 million budget that suppor…

Sister Act 2020 – Is age really but a number? by Ray Rackham

By Ray Rackham Ray Rackham looks at age appropriate casting in musicals and wonders if age isn't now trumped by talent or are audiences buying into the age changes. This post Sister Act 2020…

‘Feels realistic & true’: AFTERGLOW – Waterloo East Theatre ★★★★ by Luca Molinari

Afterglow raises more questions than answers, but is an honest piece of theatre about the universal themes of love, sex and marriage, and everything in between.

How Casting Newsgirls and Younger Paper Boys Puts Newsies in a Whole New Light by Ruthie Fierberg

The Arena Stage production of the Disney hit delivers the classic musical like you haven’t seen it before.

How to Embrace Criticism and Keep Going by Victoria Cairl

My daughter wants to go to school for visual art, specifically she wants to be an illustrator. Yesterday, we went to National Portfolio… Continue reading on Medium »

Review: Fast, Park Theatre by Jessica Handscomb

Review: Fast, Park Theatre2.0starsSet over a Century ago, Fast tells the tale of Linda Hazzard, a quack Doctor who operated in both Washington State and then New Zealand. She obtained her me…

Ep. 43: Stage Veteran Gayle Turner Talks HAVING OUR SAY, THE WIZ, and So Much More by Lauren Van Hemert

Broadway stage veteran Gayle Turner says she’s proud to bring HAVING OUR SAY: THE DELANY SISTERS' FIRST HUNDRED YEARS, a tale of divine sisterhood to the https://nctheatre.com/ (North Car…

Look Inside Stella Adler Studio’s Brand New Downtown Home by Nathan Skethway

The renowned acting conservatory, founded by Stella Adler, has swapped its historic 27th Street home for a sleek new space near Wall Street in the midst of rebranding itself as a center for …

Spend a 2-Show Day With Mean Girls' Kate Rockwell by Nathan Skethway

Rockwell currently plays Karen Smith in the hit musical from Tina Fey.

Cultivating the Next Generation of Critics by Pascale Florestal

By Pascale Florestal. Pascale Florestal talks about the lack of critics of color in theatre and creating a training program in Boston, through Front Porch Arts Collective, to counter this pr…

The 2010’s Have Changed The Ways We Perceive The World by Artsjournal

“Most of the basic experiences on our phones didn’t even exist 10 years ago. In 2010, Instagram launched and the messaging app WhatsApp came to both Android and iOS; in 2011, Snapchat op…

‘Mindglowingly magnificent’: LITTLE BABY JESUS – Orange Tree Theatre by Aleks Sierz

A terrific revival of Arinzé Kene’s 2011 coming-of-age drama Little Baby Jesus is mind-glowingly lyrical, energetic and wise.

Review: Is This A Room at by Dan Rubins

As an animation of a single document, Is This A Room feels like a refreshingly innovative concept.

Concerto/ Enigma Variations/ Raymonda Act III; Russell Maliphant: Silent Lines – review by Sarah Crompton

Royal Opera House; Sadler’s Wells, LondonThe Royal Ballet is at the top of its game in a new triple bill of MacMillan, Ashton and a pinch of Petipa, while Russell Maliphant creates a mesme…

Tristan Fynn-Aiduenu: ‘Give black people the keys to the building’ by Holly Williams

The writer-director on staging Arinzé Kene’s Little Baby Jesus, winning the JMK award and working with regional black British writers Tristan Fynn-Aiduenu, 25, is a playwright, director a…

Mamma Mia! opens at Newcastle’s Civic Theatre by AussieTheatre

AussieTheatre.com has an exclusive photo feature to share with readers from the premiere Newcastle production of Mamma Mia!, directed by AussieTheatre.com’s outgoing Editor, Erin James. St…

A Trip to the Magic Barn, and More! by Trav S.D.

Following a week’s lay-off in the wake of our western sojourn, we made a beeline for Lincoln, Mass. where we visited a colossal complex known as the Commons at Lincoln, and celebrated Germ…

Fall 2019 Tour Wrap Up, Part Two by Trav S.D.

Here’s the other shoe dropping from our month-long barnstorming junket. Part One (parts west) was here. This second leg was restricted to New England, radiating out from Boston. Follow lin…

Happy 100th, Concord Players (and a Salute to Fanny Brice!) by Trav S.D.

On October 20 we were honored to be the guest speaker at the 100th anniversary celebration of the Concord Players. More than this, we were delighted to learn that the roots of this impressiv…

Hannah Yurke by Hannah Yurke

Hannah Yurke, a former animation producer, moved to the Bay Area from the U.K. 22 years ago, with a degree in Communication and Media from Bournemouth University, U.K. She has written two sc…

Hayden Tee gets Up Close and Intimate by Gabi Bergman

Darlinghurst Theatre Company is thrilled to announce that international musical theatre star Hayden Tee will return to Australia for a one-night-only concert on Sunday 8 December, following …

Fibres review – searing account of a deadly occupational hazard by Clare Brennan

Paisley Arts CentreWinning performances deliver a heartbreaking and unsentimental tale about asbestos poisoning in the workplaceFrances Poet’s latest play is a condemnation of an atrocious…

For All the Women Who Thought They Were Mad review – stimulating study of corporate discrimination by Gregory Robinson

Stoke Newington Town Hall, London N16A hard-hitting and sometimes humorous look at the prejudices black women experience in a cut-throat workplace Hackney-born actor-turned-playwright Zawe A…

Macbeth, Starring Corey Stoll and Nadia Bowers, Opens at Classic Stage Company Off-Broadway by Olivia Clement

The husband-and-wife duo star in the John Doyle–helmed production.

Richard Nelson’s The Michaels Opens at The Public October 27 by Olivia Clement

The world premiere, part of Nelson’s Rhinebeck Panorama, continues through November 24.

Monsoon Season Opens Off-Broadway October 27 by Olivia Clement

Lizzie Vieh’s romantic thriller opens at Rattlestick Playwrights Theater following its world premiere at the Edinburgh Fringe.

Beautiful—The Carole King Musical Ends Broadway Run October 27 by Andrew Gans

The musical opened at the Stephen Sondheim Theatre in January 2014.

Zawe Ashton’s For All the Women Who Thought They Were Mad Opens at Soho Rep. by Olivia Clement

The Betrayal star makes her U.S. playwriting debut with a play about the forces that push a woman from the everyday into free fall.