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1,511 stories from Theatrius

“Romeo & Juliet” Illuminates Personal & Political Connections—at The Public by Andrea Libresco

Saheem Ali Marries Shakespeare to the Moment by Andrea Libresco Walls are more than metaphorical in this well-known play about barriers to young love. An imposing 25-foot wall, evoking the o…

SOURCE: Theatrius at 10:48am on June 12, 2026

“A Few Good Men” Engages in Hard Struggle for Truth—at Royal Underground by Robert M. Gardner

Aaron Sorkin’s Courtroom Drama Shows Debate Defeating Deceit by Robert M. Gardner If you are looking for a play that exposes the trickery of our world today, “A Few Good Men” is a must…

SOURCE: Theatrius at 3:54pm on June 11, 2026

“Tiny Beautiful Things” Reveals Healing Power of Listening Deeply—at Town Hall by Mary Lou Herlihy

Cheryl Strayed Helps Advice Seekers with Her Stories by Mary Lou Herlihy “Tiny Beautiful Things” tells the story of a real-life advice columnist who exudes empathy. The play is adapted f…

SOURCE: Theatrius at 3:30pm on June 11, 2026

“Flight Risk” Offers a Master Class in Empathy—at The Marsh by Rachel Norby

Carole Klyce, Labeled “Incorrigible Child,” Calls Us to Action by Rachel Norby “Flight Risk” tells the painful story of Carole Klyce’s own adolescence. Beginning with herself as a …

SOURCE: Theatrius at 11:52pm on June 10, 2026

“Girl, Interrupted” Exposes Machinery of Madness—at The Public by David Moore

Majok & Mann’s Musical Probes Psychosis & Privilege by David Moore As an emergency physician who initiates involuntary psychiatric admissions, I was intrigued to see the process un…

SOURCE: Theatrius at 2:25am on June 10, 2026

“The Lunchbox” A Musical Triumph Over Loneliness—at Berkeley Rep by Rachel Norby

Ritesh Batra & the Lazours’ Dynamic  Songs & Dances Celebrate Connection by Rachel Norby We are living in a loneliness epidemic. Despite cohabiting with others, or living in a cro…

SOURCE: Theatrius at 6:04pm on May 30, 2026

“The House of Bernarda Alba” Exposes the Tragedy of Absolute Power—at OTP by Jenyth Jo

Federico García Lorca’s Spanish Women Link 30s Fascism to US by Jenyth Jo After watching Stephen Colbert’s last show, I needed a good, old-fashioned Greek catharsis. CBS’s cancelled C…

SOURCE: Theatrius at 6:46pm on May 26, 2026

“Dracula, A Feminist Revenge Fantasy, Really” Bends Genders for Juicier Stakes—at SF Playhouse by Mary Lou Herlihy

Kate Hamill Camps Up Dracula with Victorian Vamps by Mary Lou Herlihy In a wildly entertaining goth romp, we join freedom fighting feminists, taking revenge on monstrous men. Dracula, the wo…

SOURCE: Theatrius at 3:40pm on May 23, 2026

“Hamnet” Looks at Shakespeare through Women’s Eyes—at ACT by Mary Lou Herlihy

O’Farrell & Chakrabarti Impart Awe for Nature’s Magic by Mary Lou Herlihy In a brilliant reimagining of Anne Hathaway’s life, Royal Shakespeare Company’s “Hamnet” conquers th…

SOURCE: Theatrius at 2:24pm on May 22, 2026

“Drapetomania” ‘Disease’ of Freedom Calls Us to Action—at The Marsh, Berkeley by Mimi Pinson

Wayne Harris Wittily Liberates Himself & All Armchair Activists by Mimi Pinson Not many know the term that Wayne Harris chose for the title of his latest solo show: “Drapetomania,” n…

SOURCE: Theatrius at 7:47am on May 21, 2026

“La Cage aux Folles” Liberates True Love in Classic Drag—at The Rhino by Jenyth Jo

Fierstein & Herman’s 80’s Musical Soars with Hope & Joy by Jenyth Jo In 2017, Michael Billingsley rightly claimed “no piece of theatre has done as much to encourage sexual tole…

SOURCE: Theatrius at 7:48am on May 19, 2026

“Shakespeare Over My Shoulder” The Bard on Tap—at African-American Shakes by Jared Randolph

Ted Lange Shakes His Spear with Four Geniuses in Tavern Debate by Jared Randolph Okay, stop me if you’ve heard this one before: a scientist, an earl, and a spy walk into a tavern. What do …

SOURCE: Theatrius at 2:16pm on May 18, 2026

“Pictures from Home” Exposes Myth of ‘Good Life’—at Marin by Mary Lou Herlihy

Sharr White Shows Corporate Greed Eroding Fragile Family  by Mary Lou Herlihy For so many dads of the 50s generation, my own included, the message was clear: “Work hard for Corporate Amer…

SOURCE: Theatrius at 7:36pm on May 16, 2026

“The Grown-Ups” Conjures Summer Camp, Exposes Our Lies—at Lunatico by Robert M. Gardner

Fox & Henriques’ Camp Counselors Grapple with Comic Catastrophe by Robert M. Gardner Down in La Val’s Subterranean, Theatre Lunatico brings us an exciting, dark comedy ripe for our t…

SOURCE: Theatrius at 7:10pm on May 12, 2026

“Cyrano” Exposes Limits of ‘Pretty Privilege’—at Berkeley Shakes by Jenyth Jo

Tachis & Lo’s Woman-Centered Classic Upends Patriarchal Power by Jenyth Jo In a time when our trust for so-called ‘leaders’ is nearly non-existent, Berkeley Shakes’ “Cyrano” …

SOURCE: Theatrius at 10:44pm on May 10, 2026

“The Gods of Comedy” Showers Us with Jokes & Fun—at Masquers by Rachel Norby

Ken Ludwig’s Comic Fantasy Brightens & Enlightens by Rachel Norby When classics professors Daphne and Ralph meet on a beach in Naxos, Greece, they have no idea of the adventures they w…

SOURCE: Theatrius at 5:28pm on May 8, 2026

“Takes All Kinds” Celebrates America with Awesome Acting—at The Marsh by Corey Finnegan

Dan Hoyle Still Running, Mingling Comedy & Honesty by Corey Finnegan & Barry David Horwitz This review was first published at Theatrius on October 9, 2024. It’s time again to en…

SOURCE: Theatrius at 9:22pm on May 4, 2026

“Hamnet” Looks at Shakespeare through Women’s Eyes—at ACT by Mary Lou Herlihy

O’Farrell & Chakrabarti Celebrate Women’s Natural Wisdom by Mary Lou Herlihy In a brilliant reimagining of Anne Hathaway’s life, Royal Shakespeare Company’s “Hamnet” conquers…

SOURCE: Theatrius at 3:35am on April 27, 2026

“Come From Away”: A Layover Arouses Humanity—at TheatreWorks by Isa S. Chu

Sankoff & Hein’s Musical Turns Crisis into Connection by Isa S. Chu A sign in the lobby informs us that our “layover” is 100 minutes long. Suitcases and pet carriers line the front…

SOURCE: Theatrius at 7:50pm on April 20, 2026

“How to Make an American Son”: Hard-Working Dad vs. His Privileged Son—at NCTC by Rachel Norby

Christopher Oscar Peña Casts Cringey Doubt on Immigrant Future by Rachel Norby A Honduran American dad seems to achieve the “American Dream.” He has worked his way up from poverty to ow…

SOURCE: Theatrius at 12:30am on April 20, 2026

“Lost in Yonkers” Finds Tenderness in Tough Love—at Center REP by Mary Lou Herlihy

Neil Simon Tempers Jewish Immigrants’ Grief with Youthful Laughter by Mary Lou Herlihy Generations of bitterness cast a pall over the Kurnitz family. But the unexpected arrival of an estra…

SOURCE: Theatrius at 6:12pm on April 9, 2026

“The Monsters”: An Intense Sibling Love Story—at Berkeley Rep by Kheven Lee Lagrone

Ngozi Anyanwu’s Big Brother/Little Sister Tale Moves Us by Kheven Lee LaGrone Berkeley Rep’s production of Ngozi Anyanwu’s “The Monsters” seduced me from its beginning. Anyanwu has…

SOURCE: Theatrius at 9:30pm on April 5, 2026

“Flex” Features Black Female Athletes Yearning to Break Free—at SF Playhouse by Jenyth Jo

Candrice Jones’ Lady Train Scores Victory! by Jenyth Jo As a former Division 1 athlete from Stanford, I wondered whether watching a play about basketball would be as much fun as going to a…

SOURCE: Theatrius at 4:42pm on April 5, 2026

“The Goat or, Who Is Sylvia?” Tears the Veil & Confronts Us—at Shotgun by Bevon Benet Brye

‍Edward Albee’s Searing Tragedy Evokes Laughter, Tears, Revelation‍ ‍ by Bevon Benet Brye ‍ In “The Goat or, Who Is Sylvia?” Edward Albee uses bestiality as a scorched-earth me…

SOURCE: Theatrius at 6:29am on April 2, 2026

“Public Charge” Proves Diplomacy Is Difficult & Worth Pursuing—at The Public by Andrea Libresco

Reynoso & Chepiga Spotlight Government as Force for Good by Andrea Libresco “Public Charge” feels like the foreign policy companion to Michael Lewis’ Who is Government?: The Untold…

SOURCE: Theatrius at 1:42pm on March 30, 2026
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