Saturday, August 24, 2019

CONSTANT STANISLAVSKI (6) by Robert Shuman

Emotion rose from the lowest to the highest notes, from calmness to insanity.  This is what you must remember.  Control yourself while you have strength to control yourself,–the longer, …

Linked From stagevoices.com at 03:48PM

EDINBURGH FESTIVAL 2019: GUIDE TO THE BEST SHOWS TO SEE by Robert Shuman

(Holly Williams’s article appeared in the Independent, 8/2.) It’s nearly that time again: when crowds descend on Edinburgh for the world’s biggest arts festival, where every pub baseme…

Linked From stagevoices.com at 02:40PM
Friday, August 23, 2019

CONSTANT STANISLAVSKI (5) by Robert Shuman

Faith has great meaning for the actor.  Physical truth, and faith in that truth, call out inner spiritual truth and faith, and these free emotion, which comes from its secret hiding places …

Linked From stagevoices.com at 04:50PM

***** SCHNITZLER: ‘THE DOCTOR’ FROM ROBERT ICKE, WITH JULIET STEVENSON (SV PICK, UK) by Robert Shuman

(Michael Billington’s article appeared in the Guardian, 8/21.) Juliet Stevenson delivers one of the peak performances of the theatrical year in Robert Icke’s striking reimagining of Schn…

Linked From stagevoices.com at 02:41PM
Thursday, August 22, 2019

CONSTANT STANISLAVSKI (4) by Robert Shuman

It is far from easy to stand motionless on the stage in the full sight of more than a thousand pair of eyes.  I was successful but only at the cost of a tremendous bodily strain.  I ordere…

Linked From stagevoices.com at 02:24PM

TOM HIDDLESTON ON ‘BETRAYAL’ AND THE ART OF SELF-PROTECTION by Robert Shuman

(Laura Collins-Hughes’s article appeared in The New York Times, 8/21; via Pam Green.) The screen and stage star is making his Broadway debut as the bottled-up husband wearing a “mask of …

Linked From stagevoices.com at 01:51PM
Wednesday, August 21, 2019

CONSTANT STANISLAVSKI by Robert Shuman

Craftsmanship teaches the actor how to walk on the stage and play.  But true art must teach him how to awaken consciously his subconscious creative self for its superconscious organic creat…

Linked From stagevoices.com at 01:36PM

JAPAN THEATRE OLYMPICS GOES BACK TO ITS ROOTS FOR NINTH ITERATION by Robert Shuman

(Andrew Eglinton’s and Mika Eglinton’s article appeared in the Japan Times, 8/13.) Since the late 1970s, people from all over the world have traveled to the village of Toga in rural Toya…

Linked From stagevoices.com at 01:12PM
Tuesday, August 20, 2019

CONSTANT STANISLAVSKI by Robert Shuman

One accidental touch, the bud opened and from it burst fresh young petals, seeking he warmth of the sun.  And with me, an accidental touch of the makeup brush on my face served to open the …

Linked From stagevoices.com at 04:34PM

GETTING THE GUTS: AN INTERVIEW WITH “SATURDAY NIGHT LIVE” DIRECTOR, DON ROY KING by Robert Shuman

By Tania Fisher So how does the son of a mailman, from a small town near Pittsburgh, end up directing more live network television than anyone else in the history of the medium–and being …

Linked From stagevoices.com at 04:11PM

GUGGENHEIM, ANNOUNCES FALL 2019 SEASON by Robert Shuman

WORKS & PROCESS, THE PERFORMING ARTS SERIES AT THE GUGGENHEIM, ANNOUNCES FALL 2019 SEASON   Highlights ·  New commissions by Machine Dazzle and Caroline Shaw ·  Rotunda performances…

Linked From stagevoices.com at 03:58PM
Monday, August 19, 2019

CONSTANT STANISLAVSKI by Robert Shuman

One feature in my makeup gave a living and comic expression to my face, and something suddenly turned within me.  All that was dim became clear, all that was groundless suddenly had ground …

Linked From stagevoices.com at 10:19PM

ON ADJACENT STAGES, TWO HAUNTED HOUSES, CIRCA 1882 AND 2019 (SV REVIEW PICK, MA) by Robert Shuman

(Jesse Green’s article appeared in The New York Times, 8/12; via Pam Green.) A sumptuous Ibsen revival starring Uma Thurman and a knockout premiere by Adam Bock close the Williamstown seas…

Linked From stagevoices.com at 09:56AM
Sunday, August 18, 2019

5 GREAT RUSSIAN PLAYWRIGHTS YOU SHOULD KNOW by Robert Shuman

(Alexandra Guzeva’s article appeared in Russia Beyond, 8/16.) Russian plays are no less famous in the theater and opera world than the novels of Tolstoy and Dostoevsky in the literary. If …

Linked From stagevoices.com at 12:59PM
Saturday, August 17, 2019

FREDERICK DOUGLASS, A SHAKESPEAREAN IN WASHINGTON by Robert Shuman

(John Muller’s article appeared in Shakespeare and Beyond, 7/19; via Pam Green.) In his life and times Frederick Douglass was known around the world as an orator, abolitionist, suffragist,…

Linked From stagevoices.com at 01:55PM
Friday, August 16, 2019

ANDREA ANDRESAKIS: MY WOODSTOCK ANNIVERSARY TRIBUTE by Robert Shuman

 Andrea Andresakis, Stage Director/Choreographer, has written about her Woodstock Anniversary Tribute: “I just finished editing this short video in time for the 50th Anniversary of Wo…

Linked From stagevoices.com at 08:47PM
Tuesday, August 13, 2019

BECKETT’S LAST TAPES by Robert Shuman

Listen Robert McCrum explores the elusive Samuel Beckett’s astonishing literary career through rare audio tape recordings from the Samuel Beckett Research Centre at the University of Readi…

Linked From stagevoices.com at 02:23PM
Monday, August 12, 2019

THEIR SHOWS FLOPPED. HERE’S WHAT THESE 7 ACTORS DID NEXT. by Robert Shuman

(Laura Collins-Hughes’s article appeared in The New York Time, 8/8; via Pam Green.) With plays and musicals folding left and right, Broadway stars impart wisdom they gained when it happene…

Linked From stagevoices.com at 02:08PM
Friday, August 9, 2019

EXIT BURBAGE – THE MAN WHO CREATED HAMLET by Robert Shuman

Listen on BBC Radio 3 Imagine where we’d be without Shakespeare’s plays. It’s difficult to contemplate now. But it was thanks to another man that many of them were brought to life.  T…

Linked From stagevoices.com at 04:32PM
Wednesday, August 7, 2019

ROUGH MAGIC THEATRE, 35 YEARS ON: ‘DUBLIN IN THOSE DAYS WAS SO BOHEMIAN’ by Robert Shuman

(Gemma Tipton’s article appeared in the Irish Times, 7/27.) Company reflects on decades of casting spells and pushing the envelope with its productions It’s fascinating how the same set …

Linked From stagevoices.com at 09:25PM
Tuesday, August 6, 2019

FRANK GAGLIANO ON HAL PRINCE by Robert Shuman

(Frank Gagliano is a playwright who has held many positions in the world of theatre, including being the Artistic Director of Carnegie Mellon’s Showcase of New Plays and the Benedum Profes…

Linked From stagevoices.com at 09:05PM
Monday, August 5, 2019

VENICE HAS A BIENNALE FOR THEATER, TOO by Robert Shuman

(Laura Cappelle’s article appeared in The New York Times,  8/2; via Pam Green.) Despite a history stretching to 1934, it feels like a David to the art exhibition’s Goliath. but its prog…

Linked From stagevoices.com at 07:27PM
Sunday, August 4, 2019

TONY HARRISON’S PRAGUE SPRING by Robert Shuman

Listen Chris Bowlby travels with Tony Harrison to Prague, to discover how one of Britain’s best known poets was shaped by the cultural energy and tragedy of 1960s Czechoslovakia. Harrison …

Linked From stagevoices.com at 05:11PM
Friday, August 2, 2019

PTP/NYC (POTOMAC THEATRE PROJECT):  ‘HAVEL: THE PASSION OF THOUGHT’ AND STOPPARD’S ‘DOGG’S HAMLET’ AND ‘CAHOOT’S MACBETH’ (REVIEWS by Robert Shuman

By Bob Shuman Historians, looking back at contemporary American theatre, will have to evaluate whether our stages were reflections of society or partisan distortions. Were our artists “liv…

Linked From stagevoices.com at 03:23PM
Wednesday, July 31, 2019

TOWERING BROADWAY DIRECTOR AND PRODUCER HAL PRINCE DEAD by Robert Shuman

(Mark Kennedy’s article appeared on the AP,  7/31.) NEW YORK (AP) — Harold Prince, a Broadway director and producer who pushed the boundaries of musical theater with such groundbreaking…

Linked From stagevoices.com at 02:06PM
Friday, July 26, 2019

RESURRECTING MAYAKOVSKY by Robert Shuman

Listen on BBC Radio 3  Vladimir Mayakovsky was THE poet of the Russian Revolution. A revolutionary in his personal life as well as in his art, Mayakovsky sought to overthrow traditional pra…

Linked From stagevoices.com at 11:24PM
Tuesday, July 23, 2019

LET’S GO: PTP/NYC’S (POTOMAC THEATRE PROJECT)–WORKS BY TOM STOPPARD, VACLAV HAVEL, HAROLD PINTER & SAMUEL BECKETT by Robert Shuman

PTP/NYC’S (POTOMAC THEATRE PROJECT) INCLUDES WORKS BY TOM STOPPARD, VACLAV HAVEL, HAROLD PINTER & SAMUEL BECKETT THAT RESONATE WITH OUR CULTURAL AND POLITICAL MOMENT PTP/NYC (Potomac T…

Linked From stagevoices.com at 05:13PM
Monday, July 22, 2019

THEATER RESOURCES UNLIMITED ANNOUNCES FREE INTRODUCTION TO TRU’S PRODUCER PROGRAM by Robert Shuman

FREE INTRODUCTION TO TRU’S PRODUCER PROGRAM Tuesday, August 20, 2019 from 6:30pm-8:30pm Polaris North Theatre Theater Resources Unlimited (TRU) announces a Free Introduction to TRU’s P…

Linked From stagevoices.com at 06:20PM
Sunday, July 21, 2019

AT AVIGNON FESTIVAL, COMPETITION COMES FROM THE FRINGE by Robert Shuman

(Laura Cappelle’s article appeared in The New York Times, 7/18; via Pam Green.) An underwhelming official lineup led many festivalgoers to branch out into the less well-known complimentary…

Linked From stagevoices.com at 07:48PM
Friday, July 19, 2019

THE PLEASURES OF BRECHT by Robert Shuman

              Listen A celebration of the simple joys of life, and the story of Brecht’s much-loved poem that described them. In 1954, poet and playwright Bertolt Brecht was the lea…

Linked From stagevoices.com at 01:49PM

BLACKOUT DARKENS BROADWAY, BUT SONGS BRIGHTEN SIDEWALK SCENES by Robert Shuman

(Michael Paulson’s article appeared in The New York Times, 7/13; via Pam Green.) Most theaters closed down on their most lucrative night of the week, but some casts gave their fans a memor…

Linked From stagevoices.com at 01:39PM

All that Chat

2019-2020 BROADWAY SEASON
Oct 06: Slave Play
Feb 01: The Minutes
TBA: Blue