Wednesday, July 19, 2017
Howard Barker’s BBC teleplay is being professionally staged for the first time, thanks to Potomac Theater Project, which has regularly mounted his work.
Linked From The New York Times Subscription at 01:19PMLooking after her ailing husband, and the perils of climate change, are inspirations for her new play, “Singing Beach.”
Linked From The New York Times Subscription at 01:06PMTuesday, July 18, 2017
This Wooster Group production, inspired by Tadeusz Kantor and his play “I Shall Never Return,” is an esoteric project that fails to connect with its audience.
Linked From The New York Times Subscription at 06:06PMMonday, July 17, 2017
Gender inequality remains a problem, but it’s heartening to see playwrights and performers argue for more opportunities.
Linked From The New York Times Subscription at 08:18AMThursday, July 13, 2017
Actresses play the brother-rivals in a lampoon of “True West” that works better on the page than on the stage.
Linked From The New York Times Subscription at 06:06PMWednesday, July 12, 2017
Mr. Norris’s play, which had its premiere in 2010, is just now arriving in New York with its jaundiced view of human relations.
Linked From The New York Times Subscription at 12:04PMWednesday, June 28, 2017
These writers and performers are using the warmer months to take some risks, test themselves and expand their talents onstage.
Linked From The New York Times Subscription at 05:54PMMonday, June 26, 2017
Mrs. Malaprop misspeaks outdoors when New York Classical Theater brings a lighthearted comedy of manners to Central Park.
Linked From The New York Times Subscription at 06:04PMTuesday, June 20, 2017
For Soulpepper Theater Company, putting on 30 productions at home won’t do this year. The Toronto troupe is also programming a New York theater center for July.
Linked From The New York Times Subscription at 06:42PMThursday, June 15, 2017
For an adaptation of “The Bacchae,” the Stratford Festival hired Tonia Sina, who teaches a codified method of approaching onstage intimacy.
Linked From The New York Times Subscription at 06:06PMWednesday, June 14, 2017
After a bracing revival of “The Glass Menagerie” this spring, and last year’s “Othello,” Mr. Gold takes on another Shakespeare drama.
Linked From The New York Times Subscription at 12:33PMFriday, June 9, 2017
Thursday, June 8, 2017
Friday, June 2, 2017
An evocative production of Charles Mee’s play features disabled actors on a set that seems reassembled from the drawings of James Castle.
Linked From The New York Times Subscription at 05:24PMThursday, June 1, 2017
Scott McPherson’s play, a deathbed comedy that premiered Off Broadway in 1991, is inextricable from his struggle with AIDS.
Linked From The New York Times Subscription at 12:36PMThursday, May 25, 2017
Mr. Malloy’s “Natasha, Pierre & the Great Comet of 1812” is up for 12 Tonys. His studio whiteboard suggests how that came to be.
Linked From The New York Times Subscription at 02:25PMWednesday, May 24, 2017
Thursday, May 18, 2017
The 36th Marathon of One-Act Plays: Series A, produced at Ensemble Studio Theater with the Radio Drama Network, is off to a rousing start.
Linked From The New York Times Subscription at 06:06PMWednesday, May 17, 2017
Wednesday, May 10, 2017
Ms. Majok, who grew up in working-class New Jersey, has fleshed out her short work “John, Who’s Here From Cambridge” into a larger piece.
Linked From The New York Times Subscription at 12:42PMTuesday, May 9, 2017
Half immersive spectacle, half cabaret, this satire is a provocative and unnerving exploration of American racism.
Linked From The New York Times Subscription at 06:36PMWednesday, May 3, 2017
O’Neill’s Civil War-era Greek tragedy is infused with new relevance in a production directed by David Herskovits.
Linked From The New York Times Subscription at 11:18PMFriday, April 28, 2017
The Public Theater’s Mobile Unit winds up its five-borough tour of Shakespeare’s comedy about mistaken identity.
Linked From The New York Times Subscription at 11:42AMWednesday, April 26, 2017
Boris Akunin’s take on Shakespeare’s broody prince is full of intrigue, but it often feels like a “Hamlet” highlight reel.
Linked From The New York Times Subscription at 04:42PMMonday, April 17, 2017
It takes nerve to follow up on Ibsen. But “A Doll’s House, Part 2” is hardly the first Broadway show to check in with beloved characters.
Linked From The New York Times Subscription at 05:18PMWednesday, April 12, 2017
This Pulitzer-winning playwright finally gets her due, with a retelling of a controversial 1923 play that featured Broadway’s first stage kiss between two women.
Linked From The New York Times Subscription at 01:02PMMonday, April 10, 2017
A young couple’s engagement brings cultural tensions to the surface between secular and fundamentalist families. Yet not all is as it seems.
Linked From The New York Times Subscription at 07:18AMMonday, April 3, 2017
After a lonely upbringing, Obi Abili made his way to acting. Now he’s winning raves off Broadway in the title role of “The Emperor Jones.”
Linked From The New York Times Subscription at 05:02PMThursday, March 30, 2017
The new play by Martin Sherman concerns an intergenerational romance between men played by Harvey Fierstein and Gabriel Ebert.
Linked From The New York Times Subscription at 01:06PM 
