Wednesday, January 6, 2021
With a history of the Thornton Wilder classic coming soon, we talk with performers who found personal inspiration in the play’s beating heart.
Linked From The New York Times Subscription at 10:18AMMonday, January 4, 2021
One of the founders of Mabou Mines, he reveled in being an outsider even when his celebrated “The Gospel at Colonus” reached Broadway.
Linked From The New York Times Subscription at 08:36PMWednesday, December 30, 2020
A big-box store, a hotel for transgender women and a dinner party gone awry are some of the places your ears will take you to.
Linked From The New York Times Subscription at 05:48PMMonday, December 28, 2020
Tom DeTrinis’s solo show is full of rage, but in a way that’s bizarrely out of touch with this overwhelmingly disastrous year.
Linked From The New York Times Subscription at 02:06PMWednesday, December 23, 2020
With their field rocked by unprecedented challenges in 2020, these people and groups — some notable, some new — stepped into the breach.
Linked From The New York Times Subscription at 11:12AMWednesday, December 16, 2020
A son in New York and a father in the West Bank prepare a favorite family recipe. Longing and resentment are in the mix, too.
Linked From The New York Times Subscription at 11:32AMTuesday, December 15, 2020
How do you like your celebration? Taylor Mac gives it to you dazzling and arch, while “Meet Me in St. Louis” is a nostalgic comfort.
Linked From The New York Times Subscription at 12:06PMTuesday, December 8, 2020
The joy of “A Christmas Carol” isn’t merely the story; it’s the ritual of communion and reflection with family and fans. This year that’s not possible.
Linked From The New York Times Subscription at 05:24PMMonday, December 7, 2020
Charming performers, elegant design and a smart video capture bring a bittersweet chamber play about the artist and his wife to the screen.
Linked From The New York Times Subscription at 11:36PMTuesday, December 1, 2020
It wasn’t the year for celebration. But watching innovation flourish inspired our chief critic, while other writers found the joys of the stage in other media.
Linked From The New York Times Subscription at 05:06AMWednesday, November 25, 2020
Sunday, November 15, 2020
Connection or isolation? Intensity or escape? This spate of shows that put the watcher to work are rewarding, but often in contrasting ways.
Linked From The New York Times Subscription at 02:06PMWednesday, November 11, 2020
Social distance has left us rusty when it comes to connecting with strangers. The latest piece by 600 Highwaymen aims to help us practice — starting with a call.
Linked From The New York Times Subscription at 10:24AMWednesday, November 4, 2020
With a marquee creative team, this romantic musical should have been a sure bet. One great song survived the out-of-town turmoil.
Linked From The New York Times Subscription at 02:06PMOur theater experts provide a guide to some of the successful (and failed) cinematic adaptations of plays and musicals — all for your streaming pleasure.
Linked From The New York Times Subscription at 05:36AMSunday, November 1, 2020
Robin Frohardt has turned a vacant space in Times Square into a colorful installation that slyly doubles as an eco-warning. Puppets have their moment, too.
Linked From The New York Times Subscription at 03:42PMMonday, October 26, 2020
Sinclair Lewis’s 1930s novel-turned-stage play about the rise of fascism in America returns as an audio drama from Berkeley Rep.
Linked From The New York Times Subscription at 03:24PMTuesday, October 13, 2020
This stylized, two-character play finds the woman whose false accusation led to the lynching of Emmett Till bound to him, and to racist myths, forever.
Linked From The New York Times Subscription at 03:18PMSunday, October 11, 2020
On the farm with Isabella Rossellini, as she readies a streaming theater piece with cameos from her animal friends.
Linked From The New York Times Subscription at 01:18PMWednesday, October 7, 2020
In a few minutes or a full show, these performers capture heartbreak, fury and laughs. For the words of Samuel Beckett, a disembodied mouth did the trick.
Linked From The New York Times Subscription at 10:24AMTuesday, October 6, 2020
The setting is stylish, and some tricks are nifty. But this Zoom show, which encourages audience involvement, is more scattershot than inspired.
Linked From The New York Times Subscription at 05:54PMSunday, September 20, 2020
In the dreamscape of Toshiki Okada’s play, the American philosopher is a 21st-century presence, and an author meets his younger self.
Linked From The New York Times Subscription at 03:48PMTuesday, September 15, 2020
It might seem churlish to criticize productions improvising through a pandemic. But for audiences taking the chance, design makes a difference.
Linked From The New York Times Subscription at 04:36PMMonday, September 14, 2020
The Billie Holiday Theater’s brilliantly designed performance, staged for a live audience in Brooklyn and filmed for YouTube, is an urgent response to police misconduct.
Linked From The New York Times Subscription at 04:24PMFriday, September 11, 2020
Six months dark. Thousands of artists out of work. Could this disaster have a surprise ending? Five critics on what must change, onstage and off.
Linked From The New York Times Subscription at 05:18AMWednesday, September 2, 2020
Thrice-delayed and now virtual, this year’s scrambled show-tune revue “Miscast” has to entertain while recognizing that casting is political.
Linked From The New York Times Subscription at 10:18AMJonathan Groff tapping a tribute to Sutton Foster? Lin-Manuel Miranda singing Anita’s part in “West Side Story”? Watch these videos and see what’s possible.
Linked From The New York Times Subscription at 10:18AMFriday, August 14, 2020
Pairing Molière and Millay for a socially distanced audience, Shakespeare Theater of New Jersey offers light entertainment just when we need it.
Linked From The New York Times Subscription at 03:06PMFriday, July 31, 2020
In this gay haven known for its nightlife, the crowds are smaller this summer. And the nightclubs are closed. But by the pool, the show goes on.
Linked From The New York Times Subscription at 02:24PMMonday, July 27, 2020
Shaun Prendergast’s play, written to be performed in darkness, asks audiences to imagine what the “ugliest woman in the world” looks like.
Linked From The New York Times Subscription at 06:18PMThursday, July 16, 2020
Shakespeare in the Park and other outdoor venues are shut. But for performers and directors, open-air memories are as sharp as the bite of a mosquito.
Linked From The New York Times Subscription at 04:48PM 
