All stories by Sarah Crompton on BroadwayStars

Sunday, March 30, 2025

The week in dance: Rachid Ouramdane: Outsider; Pam Tanowitz: Neither Drums Nor Trumpets – review by Sarah Crompton

Sadler’s Wells; Paul Hamlyn Hall, Royal Opera House, LondonAthletes and dancers meet each other halfway in Rachid Ouramdane’s latest. And Pam Tanowitz taps into Covent Garden’s past wh…

SOURCE: The Guardian at 05:32AM
Sunday, March 23, 2025

The week in dance: Lyon Opera Ballet: Cunningham Forever (Biped & Beach Birds); Giselle… – review by Sarah Crompton

Sadler’s Wells; Linbury theatre, Royal Opera House, LondonLyon Opera Ballet perform alongside digital forms to the music of Gavin Bryars in a Merce Cunningham double bill. Plus, a new twis…

SOURCE: The Guardian at 07:48AM
Sunday, March 16, 2025

The week in dance: Trisha Brown Dance Company & Noé Soulier: Working Title & In the Fall; Osipova/Linbury – review by Sarah Crompton

Sadler’s Wells; Linbury theatre, Royal Opera House, LondonThe late choreographer’s company perform her vibrant 1985 work with a modern-day homage. Plus, a triple bill with a twist from N…

SOURCE: The Guardian at 07:32AM
Sunday, March 9, 2025

The week in dance: Romeo and Juliet; Deepstaria – review by Sarah Crompton

Royal Opera House; Sadler’s Wells, LondonMatthew Ball and Yasmine Naghdi enchant as the Royal Ballet celebrates 60 years of Kenneth MacMillan’s classic. And into the void with Wayne McGr…

SOURCE: The Guardian at 06:18AM
Sunday, March 2, 2025

Light of Passage – a mesmerising meditation on loss, grief and hope by Sarah Crompton

Royal Opera House, LondonThe Royal Ballet’s dazzling interpretation of Crystal Pite’s triptych sends our emotions soaring and swooping An accidental Crystal Pite festival sprang up last …

SOURCE: The Guardian at 05:42AM
Saturday, February 22, 2025

Figures in Extinction review – Crystal Pite and Simon McBurney’s impassioned response to the climate crisis by Sarah Crompton

Aviva Studios, ManchesterThe choreographer and director’s urgent trilogy, a co-production between Nederlands Dance Theater and Complicité, reaches its hugely moving conclusion One of Crys…

SOURCE: The Guardian at 09:54AM
Sunday, February 16, 2025

The week in dance: Our Mighty Groove; Encantado – review by Sarah Crompton

Sadler’s Wells East; Sadler’s Wells, LondonThe elegant new Sadler’s Wells East opened with an inclusive love letter to clubland, while its sister theatre hosted a more abstract spectac…

SOURCE: The Guardian at 06:42AM
Sunday, February 2, 2025

Ballerina Lauren Cuthbertson: ‘There’s a saying that dancers die twice, the first time when they stop dancing’ by Sarah Crompton

The Royal Ballet principal on her late career debut, taking her daughters to work, and playing goodies and baddies Born in Devon in 1984, Lauren Cuthbertson joined the Royal Ballet School ag…

SOURCE: The Guardian at 06:36AM

The week in dance: A.I.M By Kyle Abraham: An Untitled Love; Stav Struz Boutrous: Sepia; Northern Ballet: Three Short Ballets – review by Sarah Crompton

Sadler’s Wells; Linbury theatre, LondonContenders for two new dance prizes include Kyle Abraham’s buoyant celebration of Black life and an intriguing twist on Georgian folk dance. Elsewh…

SOURCE: The Guardian at 06:36AM
Sunday, January 26, 2025

Royal Ballet: Onegin review – Marianela Nuñez is a marvel of desperation and desire by Sarah Crompton

Royal Opera House, LondonJohn Cranko’s 1965 take on Pushkin’s romance demands real artistry, and an outstanding cast delivers it A yellow moon peers out of a misty dawn sky. Two proud me…

SOURCE: The Guardian at 06:32AM
Sunday, January 19, 2025

The week in dance: Mary Skeaping’s Giselle; Resolution festival review – old and new thrills by Sarah Crompton

Coliseum; the Place, LondonIn her final lead principal role for English National Ballet, Erina Takahashi breaks hearts as a despairing Giselle. Elsewhere, dreams and misdemeanours in the dep…

SOURCE: The Guardian at 08:42AM
Monday, December 23, 2024

Dance: Sarah Crompton’s five best shows of 2024 by Sarah Crompton

A life-changing crash revisited, a rapturous duet for Matthew Ball and Alina Cojocaru and an everyday story of medieval fantasy Read the Observer critics’ review of 2024 in full 1. Assembl…

SOURCE: The Guardian at 11:02AM
Sunday, December 22, 2024

The week in dance: Nutcracker; Ruination; Cinderella review – sugar plums, hard centres and off to the ball by Sarah Crompton

Coliseum; Linbury theatre; Royal Opera House, LondonENB’s new Nutcracker recaptures the joy, while Royal Ballet finesse shines through the bling in a Frederick Ashton classic. Plus, a sear…

SOURCE: The Guardian at 07:24AM
Saturday, November 30, 2024

Nobodaddy review – a wild, Blake-inspired meditation on death from Michael Keegan-Dolan by Sarah Crompton

Sadler’s Wells, LondonThe Irish choreographer and his company, Teaċ Daṁsa, weave dances of folksy complexity in their stirring, absurdist new production In eight weeks at their home bas…

SOURCE: The Guardian at 06:06AM
Sunday, November 24, 2024

The week in dance: MaddAddam; Gigenis: the Generation of the Earth – review by Sarah Crompton

Royal Opera House; Sadler’s Wells, LondonMargaret Atwood’s dystopian vision provides rich inspiration for Wayne McGregor, while Akram Khan goes back to his Indian classical roots to tran…

SOURCE: The Guardian at 05:24AM
Sunday, November 17, 2024

The week in dance: Anne Teresa De Keersmaeker/Rosas: Exit Above; Flawless: Past, Present, Future; Ballet Black: Heroes – review by Sarah Crompton

Sadler’s Wells; Peacock theatre; Linbury theatre, LondonThe Belgian choreographer’s tempestuous new piece mirrors the recent controversy surrounding her. Plus, the latest from two pionee…

SOURCE: The Guardian at 01:31AM
Sunday, November 10, 2024

Nutcracker in Havana review – Carlos Acosta’s Cuban take on the Christmas classic is a breath of fresh air by Sarah Crompton

Norwich Theatre RoyalWith its tropical backdrop and Latin-infused reworking of Tchaikovsky’s score, Acosta Danza’s touring show, if not always coherent, flies by As a dancer, Carlos Acos…

SOURCE: The Guardian at 10:12AM
Sunday, November 3, 2024

Royal Ballet: Legacy review – a joyous celebration of Black and Brown brilliance by Sarah Crompton

Royal Opera House, LondonRoyal Ballet principal Joseph Sissens emphatically turns the spotlight on leading dancers of colour from around the world Joseph Sissens is one of the Royal Ballet�…

SOURCE: The Guardian at 07:06AM
Sunday, October 27, 2024

Royal Ballet: Encounters; Birmingham Royal Ballet: Luna review – the moon and mischief by Sarah Crompton

Royal Opera House; Sadler’s Wells, LondonPam Tanowitz’s witty subversion of classical dance is the highlight of a richly varied Royal Ballet mixed bill, while BRB’s moon-based fare fee…

SOURCE: The Guardian at 07:12AM
Sunday, October 20, 2024

Hofesh Shechter Company: Theatre of Dreams; Diana Niepce: The Other Side of Dance – review by Sarah Crompton

Sadler’s Wells; Queen Elizabeth Hall, LondonShechter’s ever-changing new work probes the resilience of the human spirit, while the Portuguese dancer powerfully binds movement and disabil…

SOURCE: The Guardian at 06:02AM
Saturday, October 12, 2024

Dance Umbrella: Mamela Nyamza: Hatched Ensemble; The Featherstonehaughs Draw on the Sketchbooks of Egon Schiele – review by Sarah Crompton

Barbican, London; onlineThis year’s festival opens with a formally rigorous work from the South African choreographer and a film premiere from Lea Anderson London’s annual international …

SOURCE: The Guardian at 08:18AM
Sunday, October 6, 2024

Alice’s Adventures in Wonderland; Frontiers: Choreographers of Canada review – dreamscapes and new realities by Sarah Crompton

Royal Ballet and Opera, London; Sadler’s Wells, LondonChristopher Wheeldon’s international hit returns home as thrilling as ever. Plus: three contrasting works by the National Ballet of …

SOURCE: The Guardian at 06:06AM
Sunday, September 29, 2024

Birmingham Royal Ballet: La Fille mal gardée review – witty revival for a charming classic by Sarah Crompton

Birmingham HippodromeThis production of Frederick Ashton’s version of the bucolic love story allows the beauty and humour to flow naturally from the choreography As the rain comes down and…

SOURCE: The Guardian at 05:12PM
Sunday, September 22, 2024

QDance Company: Re:Incarnation; The Mad Hatter’s Tea Party review – curiouser and curiouser by Sarah Crompton

Queen Elizabeth Hall; Linbury theatre, Royal Opera House, LondonQudus Onikeku’s dancers jerk, bustle and glide through a puzzling tale of rebirth, while Kate Prince’s ZooNation returns t…

SOURCE: The Guardian at 06:32AM
Sunday, September 15, 2024

June Watson: ‘In the 1970s at the National you couldn’t rehearse after lunch because everybody had had too much to drink!’ by Sarah Crompton

The actor on the extraordinary second life of her stage career, learning lines in your 80s, and the secret of her long marriage Born in Edinburgh in 1935, June Watson’s career on stage, te…

SOURCE: The Guardian at 08:32AM

London City Ballet: Resurgence review – a glorious revival by Sarah Crompton

Sadler’s Wells, LondonThe resurrected company revives rarities by Kenneth MacMillan and Ashley Page alongside enticing new work – all performed with brio and belief Christopher Marney’…

SOURCE: The Guardian at 07:24AM
Sunday, September 8, 2024

Stopgap Dance Company: Lived Fiction review – a thrillingly inclusive celebration by Sarah Crompton

Queen Elizabeth Hall, LondonAn ensemble of disabled and non-disabled, deaf and neurodivergent dancers create and perform a joyful show combining movement, words and sheer invention For nearl…

SOURCE: The Guardian at 07:42AM
Sunday, September 1, 2024

State Ballet of Georgia: Swan Lake; Impasse review – fairytale and indelible reality by Sarah Crompton

London Coliseum; Dance Base, EdinburghThe Tbilisi-based company’s first ever visit to London delivers a precise if traditional take on a classic. Plus, a knockout new duet from Mufutau Yus…

SOURCE: The Guardian at 06:36AM
Saturday, August 24, 2024

Edinburgh festival dance roundup 2024 – a world of slick moves by Sarah Crompton

Zoo Southside; Dance Base, EdinburghA subtle Danish revamp of Romeo and Juliet goes head to head with German B-boys, an Australian spin on Russell Maliphant and a Scottish double bill of dyn…

SOURCE: The Guardian at 08:48AM
Sunday, August 4, 2024

Venice Dance Biennale: There Was Still Time; Folklore Dynamics review – full of ideas and intent by Sarah Crompton

Tese dei Soppalchi; Piccolo Arsenale, VeniceHip-hop meets Samuel Beckett in one of two new commissions by Italian choreographers, while the other struggles under the weight of its ambition O…

SOURCE: The Guardian at 05:00AM
Sunday, July 28, 2024

Venice Dance Biennale: Alan Lucien Øyen: Still Life; Sankofa Danzafro: Behind the South: Dances for Manuel – review by Sarah Crompton

Teatro alle Tese; Teatro Piccolo Arsenale, VeniceRadical choreographers Alan Lucien Øyen and Rafael Palacios present two very different but beautifully poised explorations of what it is to …

SOURCE: The Guardian at 06:02AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Nov 17, 2024: Elf - Marquis Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre