Sunday, November 10, 2024
Miriam Battye's play about dating after thirty falls on clichés and mismatched chemistry between its stars. Cameron Kelsall reviews.
The post Review: Strategic Love Play at the Minetta Lane…
SOURCE: exeuntnyc.com at 08:00PMMonday, November 4, 2024
The struggle to make art takes center stage in John Logan’s Red, now revived by Theatre Exile. Cameron Kelsall reviews.
SOURCE: Broad Street Review at 12:31PMMonday, October 28, 2024
Our cynical critic is unexpectedly charmed by this classic romcom. Cameron Kelsall reviews.
The post Review: Left on Tenth at the James Earl Jones Theatre appeared first on Exeunt Magazine N…
SOURCE: exeuntnyc.com at 05:33PMThursday, October 24, 2024
Director Jamie Lloyd's take on Andrew Lloyd Webber throws Hollywood glitz and glamour aside. Cameron Kelsall reviews.
The post Review: Sunset Blvd. at the St. James Theatre appeared first on…
SOURCE: exeuntnyc.com at 10:06AMMonday, October 7, 2024
Philadelphia Artists’ Collective continues its history of inventive productions by staging August Strindberg’s Dance of Death at the Franklin Inn Club, with a chance for the audience to …
SOURCE: Broad Street Review at 02:48PMThursday, October 3, 2024
James Ijames takes on the weighty topic of gentrification in Good Bones with this production at New York’s Public Theater, but the play itself is still in need of renovation. Cameron Kelsa…
SOURCE: Broad Street Review at 12:53PMMonday, September 30, 2024
Inis Nua opens its season with an ambitious, revitalized adaptation of The Playboy of the Western World. Cameron Kelsall reviews.
SOURCE: Broad Street Review at 11:17AMMonday, September 23, 2024
A lack of laughs and reliance on stereotyping hampers the feminist farce POTUS, now onstage at the Arden. Cameron Kelsall reviews.
SOURCE: Broad Street Review at 02:50PMSaturday, September 21, 2024
Philadelphia-based soprano Amanda O’Toole makes a memorable impression in a rare performance of Arnold Schönberg’s Erwartung, presented in the Fringe by Liberty City Arts. Cameron Kelsa…
SOURCE: Broad Street Review at 02:10PMSunday, September 15, 2024
Die-Cast Ensemble creates a gripping, immersive production of Suddenly Last Summer, anchored by Ross Beschler’s thrilling performance as an authorial stand-in. Cameron Kelsall reviews.
SOURCE: Broad Street Review at 02:15PMFriday, September 13, 2024
Football, feminism, and facial mutilation collide in Nosejob, an ambitious but uneven exploration of sexual politics from Lightning Rod Special in this year's Curated Fringe. Cameron Kelsall…
SOURCE: Broad Street Review at 03:13PMThursday, September 12, 2024
Two megawatt stars only occasionally elevate a small-scale story with a slim script. Cameron Kelsall reviews.
The post Review: The Roommate at the Booth Theatre appeared first on Exeunt Maga…
SOURCE: exeuntnyc.com at 09:34PMThursday, September 5, 2024
Damon Bonetti makes a rocking galactic tour guide in T.REXTASY, an entry in the Fringe and Cannonball Festivals from 100th Meridian. Cameron Kelsall reviews.
SOURCE: Broad Street Review at 02:35PMFriday, August 30, 2024
Despite powerful singing, the national tour of Les Misérables more closely resembles a theme-park attraction than a work of theater. Cameron Kelsall reviews.
SOURCE: Broad Street Review at 02:11PMTuesday, August 20, 2024
Cameron Kelsall remembers BSR writer Margaret Darby, who died in April. She was a musician, linguist, and librarian; an astute yet generous journalist and critic; and a beloved colleague and…
SOURCE: Broad Street Review at 03:31PMThursday, June 27, 2024
Two avatars of well-known congresswomen square off in a slim, repetitive play by Mario Correa. Cameron Kelsall reviews.
The post Review: N/A at the Mitzi E. Newhouse Theater appeared first o…
SOURCE: exeuntnyc.com at 09:30PMWednesday, June 19, 2024
Off By One, a world premiere at People’s Light about a writer and the impact of his work, featuring TV and film star David Strathairn, feels stuck in the draft stage. Cameron Kelsall revie…
SOURCE: Broad Street Review at 11:22AMMonday, June 10, 2024
Hilma, a contemporary opera receiving its world premiere at the Wilma Theater, fails to capture the artistry or mystical charisma of its subject, the painter Hilma af Klint. Cameron Kelsall …
SOURCE: Broad Street Review at 03:19PMQuintessence Theatre Group’s production of Suzan-Lori Parks’s Father Comes Home From the Wars: Parts I, II & III only intermittently captures the grandeur of the text. Cameron Kelsal…
SOURCE: Broad Street Review at 11:24AMMonday, May 27, 2024
A thoughtfully reimagined production of Once on This Island smartly overcomes elements of the 1990 musical that haven’t aged well. Cameron Kelsall reviews.
SOURCE: Broad Street Review at 11:13AMMonday, May 20, 2024
The Chamber Orchestra of Philadelphia’s season-ending concert welcomed star pianist Simone Dinnerstein and saw the end of Dirk Brossé’s tenure as music director. Cameron Kelsall reviews.
SOURCE: Broad Street Review at 04:55PMThursday, April 25, 2024
Shaina Taub's likable suffragist musical could use some of its own advice. Cameron Kelsall reviews.
The post Review: Suffs at the Music Box Theatre appeared first on Exeunt Magazine NYC.
SOURCE: exeuntnyc.com at 11:24AMWednesday, April 24, 2024
Heidi Schreck's crisp new adaptation of Chekhov's play takes the stage at Lincoln Center. Cameron Kelsall reviews.
The post Review: Uncle Vanya at the Vivian Beaumont Theater appeared first …
SOURCE: exeuntnyc.com at 09:00PMWednesday, April 3, 2024
The Philadelphia Orchestra experiments with a new, casual concert format in its Orchestra After 5 series. Cameron Kelsall previews their latest event.
SOURCE: Broad Street Review at 02:09PMThursday, March 21, 2024
A new musical adaptation of the weepy Nicholas Sparks novel leaves our critic with dry eyes. Cameron Kelsall reviews.
The post Review: The Notebook at the Gerald Schoenfeld Theatre appeared …
SOURCE: exeuntnyc.com at 02:34PMTuesday, March 19, 2024
Curtis Opera Theatre inventively pairs two works from the 20th century that consider the struggles of women in society: Poulenc’s Les Mamelles de Tirésias and Kurt Weill and Bertolt Brech…
SOURCE: Broad Street Review at 03:06PMThursday, March 14, 2024
Charles Busch returns with a new play that gets lost in its own point of view. Cameron Kelsall reviews.
The post Ibsen’s Ghost at 59E59 Theaters appeared first on Exeunt Magazine NYC.
SOURCE: exeuntnyc.com at 08:00PMMonday, March 11, 2024
Inis Nua’s Once Upon a Bridge dramatizes a random act of violence with empathy and suspense. Cameron Kelsall reviews.
SOURCE: Broad Street Review at 03:51PMMonday, February 12, 2024
The line between truth and memory blurs in Brian Friel’s Faith Healer, given a riveting revival by Lantern Theater Company. Cameron Kelsall reviews.
SOURCE: Broad Street Review at 02:23PMMonday, February 5, 2024
The Flatlanders, a new play by Bruce Graham from 1812 Productions, is an unfunny throwback to the heyday of boulevard comedy. Cameron Kelsall reviews.
SOURCE: Broad Street Review at 12:27PMPlaywright Sasha Denisova channels the strength and resilience of her Ukrainian mother in My Mama and the Full-Scale Invasion, on stage at the Wilma Theater in a co-production with DC’s Wo…
SOURCE: Broad Street Review at 11:15AM 
