The British actress is reprising her role as the Jewish physician at the center of an ethical drama. “It’s like a tailored suit,” the director Robert Icke said.
SOURCE: The New York Times Subscription at 08:07AMWayne McGregor’s new ballet, “Untitled, 2023,” gives equal weight to Carmen Herrera’s visual design and Anna Thorvaldsdottir’s music.
SOURCE: The New York Times Subscription at 12:49PM“The Motive and the Cue,” a new play in London, imagines fraught behind-the-scenes maneuvering by John Gielgud, Richard Burton and Elizabeth Taylor during rehearsals for a classic Broadw…
SOURCE: The New York Times Subscription at 11:18AMAs in ballet, the coronation provided spectacle and beauty tempered by discipline and focus.
SOURCE: The New York Times Subscription at 03:45PMHis exuberant “Brandenburg,” which returns to City Ballet this month, was made near the end of his life, when he was physically and emotionally frail.
SOURCE: The New York Times Subscription at 05:00AMWheeldon is back at New York City Ballet, where he honed his choreographic skills, making a non-narrative work set to Schoenberg.
SOURCE: The New York Times Subscription at 10:47AMThe choreographer is trying his hand at filmmaking with an experiment that merges drama, dance and music.
SOURCE: The New York Times Subscription at 10:00AMIn Gregory Maqoma’s “Cion,” performed by the Vuyani Dance Theater at the Joyce, the performers offer images of collective lamentation, prayer and hope.
SOURCE: The New York Times Subscription at 05:05PMBobbi Jene Smith and Or Schraiber seem to have had a thousand ideas for “Pit.” All of them appear to have been included.
SOURCE: The New York Times Subscription at 06:07PMIn “Broken Chord,” the choreographer Gregory Maqoma and the composer Thuthuka Sibisi consider the journey of a South African choir that traveled to England in the 19th century.
SOURCE: The New York Times Subscription at 08:00AMA group of eclectic performers will gather to perform new and old dances. Adji Cissoko, a member of Alonzo King’s Lines Ballet, will be the artist in residence.
SOURCE: The New York Times Subscription at 12:00PMMehdi Kerkouche, who comes from the commercial dance world, has been tapped to run an important public institution, the National Choreographic Center in Créteil.
SOURCE: The New York Times Subscription at 05:00AMThese actors turned playwrights all excavate memories and meaning from their lives in creating these four shows, which arrive in New York in the coming months.
SOURCE: The New York Times Subscription at 05:00AM“Life of Pi” and Laura Linney on Broadway, Lise Davidsen at the Met Opera, SZA on tour: Here’s what we’re looking forward to this season.
SOURCE: The New York Times Subscription at 05:00AMHer new work for the Royal Ballet, “Secret Things,” is both pedestrian and poetic, a portal into the practices and collective memories of ballet.
SOURCE: The New York Times Subscription at 12:37PMMelanie Chisholm has collaborated with the choreographer Jules Cunningham on “How Did We Get Here?,” a dance piece exploring what the body holds.
SOURCE: The New York Times Subscription at 08:50AMStarring Jessica Lange and Ed Harris, Jonathan Kent’s adaptation of “Long Day’s Journey Into Night” started production, only to lose key financing.
SOURCE: The New York Times Subscription at 11:20AM“Houseboy” took shape at the South Africa-based Center for the Less Good Idea, where artists are allowed to follow their own impulses.
SOURCE: The New York Times Subscription at 11:42AMMartinez, once a member of the company’s troupe and a former leader of the National Dance Company of Spain, will take up the position in December.
SOURCE: The New York Times Subscription at 10:24AMCrystal Pite’s “Light of Passage” at the Royal Ballet takes on big issues: refugees, life and death. At Ballet Black, Gregory Maqoma shines.
SOURCE: The New York Times Subscription at 09:49AMBenjamin Millepied’s L.A. Dance Project presents a “Romeo and Juliet” with same-sex lovers. And at Paris Opera Ballet, Alan Lucien Oyen goes Bauschian.
SOURCE: The New York Times Subscription at 04:26PMThe events around Queen Elizabeth’s death have unfolded with an astonishing amount of formal, choreographed movement.
SOURCE: The New York Times Subscription at 05:14PM“Burn” is an unlikely hybrid: A movement-focused show performed by a famous actor with no dance training, about a man whose medium was words.
SOURCE: The New York Times Subscription at 10:49AMThe choreographer Akram Khan and Tamara Rojo, English National Ballet’s artistic director, talk about their “Giselle,” coming to the Brooklyn Academy of Music.
SOURCE: The New York Times Subscription at 07:25AMChristopher Wheeldon’s full-length work for the Royal Ballet succeeds best when not meeting the demands of storytelling.
SOURCE: The New York Times Subscription at 03:30PMThe British tenor Allan Clayton’s portrayal of the title role in Brett Dean’s opera is personal, emotional — and a breakthrough.
SOURCE: The New York Times Subscription at 11:02AMA former star ballerina with the company, Jaffe will assume the reins after the 30-year tenure of Kevin McKenzie.
SOURCE: The New York Times Subscription at 12:15PMSilas Farley’s dance for City Ballet’s Stravinsky festival has a score by David K. Israel that builds on a poem Balanchine wrote and set to music for Stravinsky.
SOURCE: The New York Times Subscription at 02:21PM“There are no rules,” says Janie Taylor, a former City Ballet principal, whose dances are featured in the L.A. Dance Project’s Joyce Theater season.
SOURCE: The New York Times Subscription at 01:43PMOn the 50th anniversary of New York City Ballet’s Stravinsky Festival, remembering a collaboration for the ages: Balanchine and Stravinsky.
SOURCE: The New York Times Subscription at 10:00AMMejia and Quan are the artists in residences at this summer’s festival, which will also feature new works by Justin Peck, Pam Tanowitz and others.
SOURCE: The New York Times Subscription at 02:00PM
