Monday, May 4, 2026
Monday, March 16, 2026
Jess and Morgs, the creators of weird and wonderful works that blur the boundaries between live performance and digital, have reached the big time: the Paris Opera.
SOURCE: The New York Times Subscription at 05:01AM[SHARE]Monday, January 12, 2026
Audiences can embark on a very different type of theatrical experience in a new play at the Shed, blending the physical world with digital content.
SOURCE: The New York Times Subscription at 05:36AM[SHARE]Wednesday, January 7, 2026
The Albanian Greek director Mario Banushi talks about his dreamlike "Mami," which leads the Under the Radar festival in New York this month.
SOURCE: The New York Times Subscription at 05:02AM[SHARE]Monday, December 8, 2025
Monday, November 3, 2025
Dedicated to Ukraine, Alexei Ratmansky's evening-length ballet "The Art of the Fugue" is both dispassionately unsentimental and profoundly moving.
SOURCE: The New York Times Subscription at 04:41PM[SHARE]Mthuthuzeli November was determined to get out of his impoverished home town. Now has his work alongside George Balanchine at the Paris Opera Ballet.
SOURCE: The New York Times Subscription at 05:02AM[SHARE]Saturday, November 1, 2025
Sunday, October 12, 2025
Collaborating with the choreographer Jamar Roberts for the New York City Ballet fashion gala, Iris van Herpen created costumes that merged fantasy and form.
SOURCE: The New York Times Subscription at 10:59AM[SHARE]Tuesday, October 7, 2025
The Serbian artist's latest piece is a four-hour exploration of folklore and sexuality, featuring singers, dancers, musicians and film.
SOURCE: The New York Times Subscription at 11:02AM[SHARE]Wednesday, October 1, 2025
Wednesday, August 13, 2025
Friday, July 25, 2025
Led by the former Royal Ballet principal Miyako Yoshida, the company made its European debut with "Giselle," showing itself the equal of major international troupes.
SOURCE: The New York Times Subscription at 12:57PM[SHARE]Friday, July 4, 2025
Artists including the musician John Grant have collaborated to find feelings beyond the words of Christopher Isherwood's 1964 book. Occasionally, they succeed.
SOURCE: The New York Times Subscription at 05:46AM[SHARE]Monday, June 23, 2025
Friday, May 30, 2025
Thursday, May 1, 2025
Her company's program at the Joyce Theater featured two notable works from the early 1980s and a Brown-inflected premiere by Lee Serle.
SOURCE: The New York Times Subscription at 01:01PM[SHARE]Monday, April 28, 2025
He brought grace and power to his roles before a serious injury encouraged him to try choreography " "maybe the richest part of my life."
SOURCE: The New York Times Subscription at 12:08PM[SHARE]Wednesday, April 9, 2025
Robert Garland has built the company's season on the idea that varied works can be in conversation with each other " and with dancers' bodies.
SOURCE: The New York Times Subscription at 11:46AM[SHARE]Tuesday, March 11, 2025
In "Sizwe Banzi Is Dead" and other works, bearing witness to forgotten lives and to the moral blindness and blinkered vision of the realities of apartheid South Africa.
SOURCE: The New York Times Subscription at 12:24PM[SHARE]Monday, December 16, 2024
The Trocks were never interested in making a political statement, their artistic director said. "We are men doing performances of ballet in drag for comedic purposes."
SOURCE: The New York Times Subscription at 11:44AM[SHARE]Guillaume Diop has reached the highest level in the Paris Opera Ballet. He has also become a fashion-world darling and a symbol of a more diverse France.
SOURCE: The New York Times Subscription at 05:00AM[SHARE]Wednesday, December 11, 2024
Monday, November 18, 2024
"Kontakthof," a pivotal Bausch dance from 1978, is being staged with members of the original cast. They talk about coming back to it nearly 50 years later.
SOURCE: The New York Times Subscription at 05:02AM[SHARE]Wednesday, October 23, 2024
Friday, September 27, 2024
Monday, September 23, 2024
Original cast members look back at George Balanchine and Alexandra Danilova's staging of the 19th-century ballet. "Everyone knows when something is good," one said.
SOURCE: The New York Times Subscription at 05:02AM[SHARE]Thursday, September 19, 2024
Atri Banerjee has channeled his own experiences into a new production of John Osborne's groundbreaking 1956 work "Look Back in Anger."
SOURCE: The New York Times Subscription at 05:06AM[SHARE]Monday, September 16, 2024
The plucky London City Ballet collapsed in 1996. Now it's getting a second life with a new mission: to stage little-known, small-scale works.
SOURCE: The New York Times Subscription at 05:03AM[SHARE]Monday, August 19, 2024
Jean-Paul Montanari's career as the head of Montpellier Danse has been entwined with the rise of contemporary dance as a force in France.
SOURCE: The New York Times Subscription at 05:02AM[SHARE]Monday, July 8, 2024
