All stories by Michael Sommers on BroadwayStars

Monday, May 25, 2015

Windy ‘After the Revolution’ winds down by MICHAEL SOMMERS

Capable actors, good direction, fine design and stretches of nice writing cannot disguise the inevitable realization that "After the Revolution" is a lot of fuss over not much of anything.

SOURCE: New Jersey Newsroom at 05:58PM

The Perils of Psychoanalyzing Mugabe by MICHAEL SOMMERS

A psychiatrist explores President Robert Mugabe’s invisible demons in “Breakfast With Mugabe.”

SOURCE: The New York Times Subscription at 05:58PM

‘Elf’ musical tunes up a Christmas comedy by MICHAEL SOMMERS

New musical based on a Will Ferrell movie packs jolly holiday entertainment

SOURCE: New Jersey Newsroom at 05:58PM

‘A Free Man of Color’ challenges audiences by MICHAEL SOMMERS

Ultimately, "A Free Man of Color" proves to be more exhausting than exhilarating in spite of the heroic efforts of its company to animate Guare's overstuffed monster of a play.

SOURCE: New Jersey Newsroom at 05:58PM

REVIEW: 1950s ‘Bells Are Ringing’ chimes this weekend by MICHAEL SOMMERS

Sure, "Bells Are Ringing" may be a pretty familiar show to fans of old musicals, but the expertise of Marshall's smart production makes it an enjoyable occasion.

SOURCE: New Jersey Newsroom at 05:58PM

Brendan Fraser and Denis O’Hare costar in ‘Elling’ by MICHAEL SOMMERS

Whimsical comedy about a Norwegian odd couple makes little impact

SOURCE: New Jersey Newsroom at 05:58PM

David Duchovny reveals ‘The Break of Noon’ by MICHAEL SOMMERS

Longtime fans will find LaBute in prime form while Duchovny's followers will see him excel in a challenging role at the heart of an absorbing drama.

SOURCE: New Jersey Newsroom at 05:58PM

‘Dracula’ revival looks DOA by MICHAEL SOMMERS

Vampire classic fails to fly in a misguided production

SOURCE: New Jersey Newsroom at 05:58PM

‘The Importance of Being Earnest’ offers a Wilde time by MICHAEL SOMMERS

How lovely it must be to encounter this wonderful comedy for the first time — and in such a pleasant production as this one, which isn't flawless but certainly offers a nimble, clearly…

SOURCE: New Jersey Newsroom at 05:58PM

‘The Whipping Man’ packs plenty of dramatic surprises by MICHAEL SOMMERS

A compact, tautly-written drama set at the conclusion of the Civil War, "The Whipping Man" studies two recently-freed slaves and their former master, all of them Jews, dealing with...

SOURCE: New Jersey Newsroom at 05:58PM

‘Three Sisters’ evolve over the years by MICHAEL SOMMERS

An increasingly emotional interpretation of "Three Sisters" awaits people lucky enough to snare a ticket to director Austin Pendleton's poignant revival of Anton Chekhov's 1901 drama that ...

SOURCE: New Jersey Newsroom at 05:58PM

‘The Road to Qatar!’ goes nowhere fast by MICHAEL SOMMERS

Backstage musical about making a musical in the Middle East aspires to be funny

SOURCE: New Jersey Newsroom at 05:58PM

‘The Witch of Edmonton’ burns with feeling by MICHAEL SOMMERS

Red Bull Theater vigorously brings a 1621 British drama to life

SOURCE: New Jersey Newsroom at 05:58PM

Lost in the Stars’ shines darkly by MICHAEL SOMMERS

Kurt Weill musical mixes a powerful score with a sorrowful South African story

SOURCE: New Jersey Newsroom at 05:58PM

‘When I Come to Die’ raises unanswered questions by MICHAEL SOMMERS

No question that Johnson is a talented writer — his plainspoken language sounds very natural — but his new play does not sufficiently develop its intriguing premise.

SOURCE: New Jersey Newsroom at 05:58PM

‘A Thousand Clowns,’ but Just One Oddball by MICHAEL SOMMERS

Two River Theater Company’s production of the in Red Bank lacks persuasive visuals and a fine sense of spontaneity.

SOURCE: The New York Times Subscription at 05:58PM

‘Compulsion’ fictionalizes Meyer Levin’s life by MICHAEL SOMMERS

Spending over two hours in the company of a raging monomaniac with an Anne Frank obsession is not my idea of a fun time, especially when he's played with all stops out by Mandy Patinkin blaz…

SOURCE: New Jersey Newsroom at 05:58PM

‘A Perfect Future’ yields sour grapes by MICHAEL SOMMERS

Rich liberals spill their phony guts in a bogus new drama

SOURCE: New Jersey Newsroom at 05:58PM

Misery Most Proud, in Two Acts by MICHAEL SOMMERS

“The Subject Was Roses,” about a man who sees his troubled parents through fresh eyes, runs through March 6 at the George Street Playhouse in New Brunswick.

SOURCE: The New York Times Subscription at 05:58PM

REVIEW: Richard Thomas stars in ‘Timon of Athens’ by MICHAEL SOMMERS

Shakespeare’s rarely-staged “Timon of Athens” looks mighty nice at the Public Theater in a crisp, smartly shaped production starring a well-cast Richard Thomas as a blissfu…

SOURCE: New Jersey Newsroom at 05:58PM

REVIEW: Frances McDormand counts among ‘Good People’ by MICHAEL SOMMERS

A drama crafted in a minor key, Lindsay-Abaire’s latest piece is a character study that proves to be small in scope but sharp in its emotional regrets and prickly conversation as McDor…

SOURCE: New Jersey Newsroom at 05:58PM
Friday, May 22, 2015

Theater Review | New Jersey: Review: In ‘The Goldilocks Zone’ at Mill Hill Playhouse, Seeking Mr. ‘Just Right’ by Michael Sommers

In Ian August’s play, when four people must decide whether to have a baby, things can become awkward.

SOURCE: The New York Times Subscription at 05:47PM
Friday, May 15, 2015

Theater Review | New Jersey: Emotional Undercurrents Abound in ‘Five Mile Lake’ in Princeton by Michael Sommers

Rachel Bond’s Chekhovian but contemporary five-character play has its East Coast premiere at the McCarter Theater.

SOURCE: The New York Times Subscription at 06:38PM
Saturday, May 2, 2015

Theater Review | New Jersey: Review: A Zany Version of the Romance ‘Ernest Shackleton Loves Me’ in New Brunswick by Michael Sommers

A stressed-out single mother makes her first foray into online dating, and almost instantly receives a call from Shackleton, the celebrated British polar explorer of the early 1900s.

SOURCE: The New York Times Subscription at 04:20PM
Friday, March 13, 2015

Theater Review | New Jersey: Out of Touch, Then Under the Sheets: A Review of ‘The M Spot’ in Long Branch by Michael Sommers

In a new play by Michael Tucker, a couple that harbor certain irritations toward each other travel to a clothing-optional resort, where the wife has a cathartic experience with a sexy young …

SOURCE: The New York Times Subscription at 08:46PM
Friday, March 6, 2015

Theater Review | New Jersey: A Review of ‘Guadalupe in the Guest Room’ in Red Bank by Michael Sommers

Two people are unable to console each other during their mutual bereavement in “Guadalupe in the Guest Room” in Red Bank.

SOURCE: The New York Times Subscription at 09:05PM
Friday, February 6, 2015

Theater Review | New Jersey: A Review of ‘Vanya and Sonia and Masha and Spike' in Millburn by Michael Sommers

Christopher Durang’s comedy “Vanya and Sonia and Masha and Spike” is at the Paper Mill Playhouse in Millburn.

SOURCE: The New York Times Subscription at 06:35PM
Friday, January 30, 2015

Theater Review | New Jersey: A Review of ‘Sizwe Banzi Is Dead’ in Princeton by Michael Sommers

“Sizwe Banzi Is Dead,” in Princeton, translates the repressive horror of apartheid into human terms through the use of easygoing humor in its early passages, then shifts into graver tone…

SOURCE: The New York Times Subscription at 08:43PM
Friday, January 23, 2015

Theater Review | New Jersey: A Review of ‘Absurd Person Singular' in Red Bank by Michael Sommers

Alan Ayckbourn’s “Absurd Person Singular,” in Red Bank, is set during three successive Christmas gatherings and tells the story of how three British couples deal with the gradual chang…

SOURCE: The New York Times Subscription at 07:03PM