All stories by Rachel Elderkin on BroadwayStars

Friday, February 17, 2017

Cinderella review at Hippodrome, Birmingham – ‘a joy to watch’ by Rachel Elderkin

David Bintley’s production of Cinderella for Birmingham Royal Ballet is, for the most part, a sparkling version of the traditional tale. But

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Tuesday, February 14, 2017

Matthew Bourne’s Early Adventures review at Richmond Theatre – ‘joyous and entertaining’ by Rachel Elderkin

After winning the International Award for his company’s touring work at The Stage Awards 2017, Early Adventures sees Matthew Bourne return to

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Thursday, January 26, 2017

52 Portraits review at Lilian Baylis Studio, London – ‘honest and insightful’ by Rachel Elderkin

Throughout 2016, choreographer Jonathan Burrows, composer Matteo Fargion and video maker Hugo Glendinning released a weekly video portrait of a selected dance

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Tuesday, January 24, 2017

Resolution review at the Place, London – ‘innovative and unpredictable’ by Rachel Elderkin

This is the 28th edition of Resolution, the Place’s annual festival for contemporary dance. Showing three pieces a night across the six

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Thursday, January 19, 2017

Moscow City Ballet’s Romeo and Juliet review at Richmond Theatre – ‘expressive and spirited’ by Rachel Elderkin

Moscow City Ballet’s touring production of Romeo and Juliet opens with its closing tableaux. The bodies of the tragic lovers and their

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Tuesday, December 13, 2016

The Little Match Girl review, Lilian Baylis Studio, Sadler’s Wells – ‘an inventive delight’ by Rachel Elderkin

It seems odd to say that the story of an orphaned, shivering match girl is a delight, but Arthur Pita’s remake of

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Friday, November 11, 2016

Plan B for Utopia review at the Place, London – ‘upfront dance-theatre’ by Rachel Elderkin

Why is it easier to imagine the end of the world than the world changing for the better? That is the question

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Tuesday, November 8, 2016

Rambert Contemporaries review at Sadler’s Wells, London – ‘superbly danced’ by Rachel Elderkin

In the company’s 90th year, Rambert Contemporaries brings together the work of three rising choreographers, all of whom have danced with the

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Friday, November 4, 2016

Yang Liping: Under Siege review at Sadler’s Wells, London – ‘a cinematic quality’ by Rachel Elderkin

Clusters of scissors are suspended above the stage. Every so often they are lowered, their sharp points encroaching on the space as

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Thursday, November 3, 2016

Virgin Territory review at the Place, London – ‘bold and honest dance theatre’ by Rachel Elderkin

It’s concerning that, in a world where sexualised images are part of our culture, adults have little control over what their children

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2016-2017 BROADWAY SEASON
Mar 26: Sweat - Studio 54