Thursday, October 13, 2022
After the twists and turns of a pop career, the British singer-songwriter adds a new string to her bow: musical composer.
SOURCE: The New York Times Subscription at 10:25AMTuesday, October 11, 2022
They both first made a splash in the ’90s. They’re now in New York to present new theatrical memoirs that mix storytelling and songs.
SOURCE: The New York Times Subscription at 01:07PMSunday, September 25, 2022
“300 el x 50 el x 30 el,” the Belgian troupe FC Bergman’s ambitious theatrical installation, will open BAM’s Next Wave festival with an elaborate set that recreates a rural settlemen…
SOURCE: The New York Times Subscription at 09:13AMThursday, September 15, 2022
This musical may lack the 1989 movie’s nihilism, but the gags still work and the songs are great — who are we to quibble?
SOURCE: The New York Times Subscription at 07:19AMThursday, September 8, 2022
We spoke to three actors and a playwright — Gregg Mozgala, Bonnie Milligan, Solea Pfeiffer and Noah Diaz — who are taking big shots this season.
SOURCE: The New York Times Subscription at 12:34PMWednesday, August 31, 2022
Michael John LaChiusa’s delicate new musical starts in Depression-era California and follows two people across six decades.
SOURCE: The New York Times Subscription at 07:19PMThursday, August 25, 2022
The Cyndi Lauper and Harvey Fierstein musical, in which the drag queen Lola saves a provincial shoe factory, makes an Off Broadway return at the spacious Stage 42.
SOURCE: The New York Times Subscription at 10:33PMAfter reporting on the Creede Repertory Theater last summer, our writer returned for her vacation and took stock as the company restarted indoor performances.
SOURCE: The New York Times Subscription at 05:18AMMonday, July 18, 2022
In her new autobiographical solo play, the actress Jade Anouka recounts the joys and fears of falling for a woman after her marriage to a man ends.
SOURCE: The New York Times Subscription at 02:54PMTuesday, July 12, 2022
The splashy show, an example par excellence of what makes modern French musicals distinctive, begins a run at Lincoln Center.
SOURCE: The New York Times Subscription at 01:18PMMonday, July 11, 2022
Robert Quillen Camp’s play, about an antiracist discussion group, starts out naturalistically, but then pivots, with bloody abandon, to the absurd.
SOURCE: The New York Times Subscription at 03:42PMTuesday, July 5, 2022
A gleefully juvenile show about the Belgian star, from the writer Timothy Haskell, barrels through his life and oeuvre using toy action figures.
SOURCE: The New York Times Subscription at 04:06PMTuesday, June 28, 2022
The camp reimagining of the maritime blockbuster revs up into increasing absurdity and Celine Dion songs.
SOURCE: The New York Times Subscription at 02:54PMSunday, June 26, 2022
Angela Hanks’s new comedy is set in Santa Fe, N.M., where five women of color have traveled for some fancy R&R laced with New Age spirituality.
SOURCE: The New York Times Subscription at 02:48PMWednesday, June 22, 2022
Friday, June 17, 2022
Honoring Pride, Juneteenth and the Fourth of July, the festival features Idina Menzel and Tonya Pinkins alongside poets, fire artists and marching bands.
SOURCE: The New York Times Subscription at 10:33AMThursday, June 16, 2022
Championing collaboration and digital projects, Mia Yoo is forging her own path at the experimental theater incubator.
SOURCE: The New York Times Subscription at 03:18PMWednesday, June 8, 2022
The protagonist of this new play by Michael McKeever steps gingerly out of grief’s stasis and into the unknown.
SOURCE: The New York Times Subscription at 05:48PMFriday, June 3, 2022
With its production of “The Orchard,” juxtaposing the human and the virtual, the Arlekin Players continue taking creative leaps.
SOURCE: The New York Times Subscription at 05:33AMTuesday, May 24, 2022
The playwright Trish Harnetiaux’s new show, set entirely in a car, follows a family of travelers. It bravely, if not entirely satisfyingly, explores alternate realities.
SOURCE: The New York Times Subscription at 09:18PMTuesday, May 17, 2022
Tuesday, May 10, 2022
In her new comedy, Ana Nogueira spins zippy fun out of a fairly conventional story about a friendship strained by resentment.
SOURCE: The New York Times Subscription at 08:33PMThursday, April 28, 2022
Taylor, 79, first performed her solo play “Ann,” about the former governor of Texas, in 2010. Now, she’s saying goodbye to the white suit.
SOURCE: The New York Times Subscription at 03:42PMWednesday, April 20, 2022
Jaquel Spivey graduated from college last May. Now he’s making his Broadway debut as the star of Michael R. Jackson’s Pulitzer Prize-winning musical, “A Strange Loop.”
SOURCE: The New York Times Subscription at 10:33AMTuesday, April 19, 2022
Known for portraying the luckless Theon Greyjoy on “Game of Thrones,” the British actor shares the items that are helping him prep for his Broadway debut.
SOURCE: The New York Times Subscription at 02:54PMWednesday, April 13, 2022
Barry Manilow and Bruce Sussman’s musical chronicles the story of the Comedian Harmonists, a sextet of Jews and gentiles in Weimar-era Germany.
SOURCE: The New York Times Subscription at 09:36PMMonday, April 11, 2022
A stage version of Antoine de Saint-Exupéry’s classic of children’s literature lands on Broadway but remains stubbornly earthbound.
SOURCE: The New York Times Subscription at 09:06PMWednesday, March 23, 2022
Laiona Michelle’s tribute show, now at New World Stages, is more an impressionistic portrait for those familiar with the singer’s life and career.
SOURCE: The New York Times Subscription at 03:36PMThursday, March 17, 2022
Billy Porter brings a heavy-handed touch as the director and adapter of this 1997 musical about prostitutes and pimps in Manhattan’s bad old days.
SOURCE: The New York Times Subscription at 04:24PMTuesday, February 1, 2022
Joshua Harmon’s ambitious new play toggles between a contemporary Jewish family facing growing antisemitism and their relatives during World War II.
SOURCE: The New York Times Subscription at 09:24PMThursday, January 27, 2022
Two years into the pandemic, this festival, which has gone virtual for now, abjures traditional theatricality and performance.
SOURCE: The New York Times Subscription at 02:48PM 
